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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB690 it is the complementary color #21496F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB690 shade: #E3B68B, #F4C89E, #FFDAB1, #FFECC4 and #FFFED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB690 shade: #DEB690, #CDA47D, #BC926A, #AB8057 and #9A6E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB690 shade: #DEB691, #DEA191 and #DE9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB690 shade: #DEB691, #DECB91, #DCDE91, #C7DE91 and #B2DE91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB690 shade matches the following richer shades: #DEB691, #E9B685 and #F5B679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB690 shade: #DEB691, #D2B69C, #C7B7A8, #BBB7B3 and #AFB7BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB690 shade: #DE9194, #DEA191, #DEB691, #DECA91 and #DCDE91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB690 shade: #CB8C51, #D4A171, #DEB691, #E7CBB0 and #F1E0D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB690 shade: #DEB690, #A9DE91 and #9791DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB690 shade: #DEB690, #91DEB6 and #B691DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB690 shade: #DEB690, #A9DE91, #91B8DE and #C591DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB690 shade: #DEB690, #92DE91, #91B8DE and #DC91DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 35 / 13

HEX #DEB690

RGB 222 182 144

HSL 29.23, 0.54%, 0.72%

LAB 76.68, 9.16, 24.78

 

Complementary color

CMYK 70 / 34 / 0 / 56

HEX #21496F

RGB 33 73 111

HSL 209.23, 0.54%, 0.28%

LAB 30, -0.54, -26.08

 

CMYK 0 / 20 / 39 / 11

HEX #E3B68B

RGB 227 182 139

HSL 29.32, 0.61%, 0.72%

LAB 77.07, 10.55, 28.05

 

CMYK 0 / 18 / 35 / 4

HEX #F4C89E

RGB 244 200 158

HSL 29.3, 0.8%, 0.79%

LAB 83.45, 9.9, 26.89

 

CMYK 0 / 15 / 31 / 0

HEX #FFDAB1

RGB 255 218 177

HSL 31.54, 1%, 0.85%

LAB 89.19, 7.06, 24.96

 

CMYK 0 / 7 / 23 / 0

HEX #FFECC4

RGB 255 236 196

HSL 40.68, 1%, 0.88%

LAB 93.98, 0.36, 21.75

 

CMYK 0 / 0 / 16 / 0

HEX #FFFED7

RGB 255 254 215

HSL 58.5, 1%, 0.92%

LAB 98.85, -5.97, 18.8

 

CMYK 0 / 18 / 35 / 13

HEX #DEB690

RGB 222 182 144

HSL 29.23, 0.54%, 0.72%

LAB 76.68, 9.16, 24.78

 

CMYK 0 / 20 / 39 / 20

HEX #CDA47D

RGB 205 164 125

HSL 29.25, 0.44%, 0.65%

LAB 70.18, 9.82, 25.97

 

CMYK 0 / 22 / 44 / 26

HEX #BC926A

RGB 188 146 106

HSL 29.27, 0.38%, 0.58%

LAB 63.58, 10.58, 27.25

 

CMYK 0 / 25 / 49 / 33

HEX #AB8057

RGB 171 128 87

HSL 29.29, 0.33%, 0.51%

LAB 56.86, 11.47, 28.64

 

CMYK 0 / 29 / 56 / 40

HEX #9A6E44

RGB 154 110 68

HSL 29.3, 0.39%, 0.44%

LAB 50.02, 12.54, 30.15

 

CMYK 0 / 18 / 35 / 13

HEX #DEB691

RGB 222 182 145

HSL 28.83, 0.54%, 0.72%

LAB 76.7, 9.29, 24.27

 

CMYK 0 / 27 / 35 / 13

HEX #DEA191

RGB 222 161 145

HSL 12.47, 0.54%, 0.72%

LAB 71.6, 20.54, 17.27

 

CMYK 0 / 35 / 35 / 13

HEX #DE9191

RGB 222 145 145

HSL 0, 0.54%, 0.72%

LAB 67.89, 29.14, 12.09

 

CMYK 0 / 18 / 35 / 13

HEX #DEB691

RGB 222 182 145

HSL 28.83, 0.54%, 0.72%

LAB 76.7, 9.29, 24.27

 

CMYK 0 / 9 / 35 / 13

HEX #DECB91

RGB 222 203 145

HSL 45.19, 0.54%, 0.72%

LAB 81.99, -1.75, 31.38

 

CMYK 1 / 0 / 35 / 13

HEX #DCDE91

RGB 220 222 145

HSL 61.56, 0.54%, 0.72%

LAB 86.75, -12.21, 37.59

 

CMYK 10 / 0 / 35 / 13

HEX #C7DE91

RGB 199 222 145

HSL 77.92, 0.54%, 0.72%

LAB 85.21, -20.16, 35.29

 

CMYK 20 / 0 / 35 / 13

HEX #B2DE91

RGB 178 222 145

HSL 94.29, 0.54%, 0.72%

LAB 83.84, -27.8, 33.22

 

CMYK 0 / 18 / 35 / 13

HEX #DEB691

RGB 222 182 145

HSL 28.83, 0.54%, 0.72%

LAB 76.7, 9.29, 24.27

 

CMYK 0 / 22 / 43 / 9

HEX #E9B685

RGB 233 182 133

HSL 29.4, 0.69%, 0.72%

LAB 77.56, 12.27, 31.98

 

CMYK 0 / 26 / 51 / 4

HEX #F5B679

RGB 245 182 121

HSL 29.52, 0.86%, 0.72%

LAB 78.61, 15.91, 39.82

 

CMYK 0 / 18 / 35 / 13

HEX #DEB691

RGB 222 182 145

HSL 28.83, 0.54%, 0.72%

LAB 76.7, 9.29, 24.27

 

CMYK 0 / 13 / 26 / 18

HEX #D2B69C

RGB 210 182 156

HSL 28.89, 0.38%, 0.72%

LAB 75.8, 6.08, 16.94

 

CMYK 0 / 8 / 16 / 22

HEX #C7B7A8

RGB 199 183 168

HSL 29.03, 0.22%, 0.72%

LAB 75.35, 3.19, 9.67

 

CMYK 0 / 2 / 4 / 27

HEX #BBB7B3

RGB 187 183 179

HSL 30, 0.06%, 0.72%

LAB 74.63, 0.69, 2.52

 

CMYK 8 / 4 / 0 / 25

HEX #AFB7BF

RGB 175 183 191

HSL 210, 0.11%, 0.72%

LAB 74.02, -1.2, -5.02

 

CMYK 0 / 35 / 33 / 13

HEX #DE9194

RGB 222 145 148

HSL 357.66, 0.54%, 0.72%

LAB 67.96, 29.51, 10.51

 

CMYK 0 / 27 / 35 / 13

HEX #DEA191

RGB 222 161 145

HSL 12.47, 0.54%, 0.72%

LAB 71.6, 20.54, 17.27

 

CMYK 0 / 18 / 35 / 13

HEX #DEB691

RGB 222 182 145

HSL 28.83, 0.54%, 0.72%

LAB 76.7, 9.29, 24.27

 

CMYK 0 / 9 / 35 / 13

HEX #DECA91

RGB 222 202 145

HSL 44.42, 0.54%, 0.72%

LAB 81.74, -1.23, 31.04

 

CMYK 1 / 0 / 35 / 13

HEX #DCDE91

RGB 220 222 145

HSL 61.56, 0.54%, 0.72%

LAB 86.75, -12.21, 37.59

 

CMYK 0 / 31 / 60 / 20

HEX #CB8C51

RGB 203 140 81

HSL 29.02, 0.54%, 0.56%

LAB 63.38, 17.89, 40.71

 

CMYK 0 / 24 / 47 / 17

HEX #D4A171

RGB 212 161 113

HSL 29.09, 0.54%, 0.64%

LAB 69.95, 12.99, 32.24

 

CMYK 0 / 18 / 35 / 13

HEX #DEB691

RGB 222 182 145

HSL 28.83, 0.54%, 0.72%

LAB 76.7, 9.29, 24.27

 

CMYK 0 / 12 / 24 / 9

HEX #E7CBB0

RGB 231 203 176

HSL 29.45, 0.53%, 0.8%

LAB 83.36, 5.72, 17.08

 

CMYK 0 / 7 / 14 / 5

HEX #F1E0D0

RGB 241 224 208

HSL 29.09, 0.54%, 0.88%

LAB 90.12, 3.21, 9.91

 

CMYK 0 / 18 / 35 / 13

HEX #DEB690

RGB 222 182 144

HSL 29.23, 0.54%, 0.72%

LAB 76.68, 9.16, 24.78

 

CMYK 24 / 0 / 35 / 13

HEX #A9DE91

RGB 169 222 145

HSL 101.3, 0.54%, 0.72%

LAB 83.3, -30.95, 32.41

 

CMYK 32 / 35 / 0 / 13

HEX #9791DE

RGB 151 145 222

HSL 244.68, 0.54%, 0.72%

LAB 63.43, 19.64, -38.42

 

CMYK 0 / 18 / 35 / 13

HEX #DEB690

RGB 222 182 144

HSL 29.23, 0.54%, 0.72%

LAB 76.68, 9.16, 24.78

 

CMYK 35 / 0 / 18 / 13

HEX #91DEB6

RGB 145 222 182

HSL 148.83, 0.54%, 0.72%

LAB 82.72, -32.27, 12.18

 

CMYK 18 / 35 / 0 / 13

HEX #B691DE

RGB 182 145 222

HSL 268.83, 0.54%, 0.72%

LAB 66.11, 28.71, -34.04

 

CMYK 0 / 18 / 35 / 13

HEX #DEB690

RGB 222 182 144

HSL 29.23, 0.54%, 0.72%

LAB 76.68, 9.16, 24.78

 

CMYK 24 / 0 / 35 / 13

HEX #A9DE91

RGB 169 222 145

HSL 101.3, 0.54%, 0.72%

LAB 83.3, -30.95, 32.41

 

CMYK 35 / 17 / 0 / 13

HEX #91B8DE

RGB 145 184 222

HSL 209.61, 0.54%, 0.72%

LAB 73.27, -3.93, -23.26

 

CMYK 11 / 35 / 0 / 13

HEX #C591DE

RGB 197 145 222

HSL 280.52, 0.54%, 0.72%

LAB 67.57, 33.29, -31.66

 

CMYK 0 / 18 / 35 / 13

HEX #DEB690

RGB 222 182 144

HSL 29.23, 0.54%, 0.72%

LAB 76.68, 9.16, 24.78

 

CMYK 34 / 0 / 35 / 13

HEX #92DE91

RGB 146 222 145

HSL 119.22, 0.54%, 0.72%

LAB 82.05, -38.55, 30.54

 

CMYK 35 / 17 / 0 / 13

HEX #91B8DE

RGB 145 184 222

HSL 209.61, 0.54%, 0.72%

LAB 73.27, -3.93, -23.26

 

CMYK 1 / 35 / 0 / 13

HEX #DC91DE

RGB 220 145 222

HSL 298.44, 0.54%, 0.72%

LAB 69.99, 40.43, -27.72

 

Description

Color code: HEX #DEB690 | qconv.com Color code: HEX #DEB690 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 182 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 182 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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