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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEB6A6 it is the complementary color #214959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEB6A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEB6A6 shade: #E3B6A1, #F4C8B4, #FFDAC7, #FFECDA and #FFFEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEB6A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEB6A6 shade: #DEB6A6, #CDA493, #BC9280, #AB806D and #9A6E5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEB6A6 shade: #DDB5A5, #DDA6A5 and #DDA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEB6A6 shade: #DDB5A5, #DDC4A5, #DDD4A5, #D8DDA5 and #C9DDA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEB6A6 shade matches the following richer shades: #DDB5A5, #E7B19B, #F1AD91 and #FBA887

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEB6A6 shade: #DDB5A5, #D4B9AF, #CABEB9, #C0C2C3 and #B6C6CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEB6A6 shade: #DDA5B3, #DDA6A5, #DDB5A5, #DDC4A5 and #DDD3A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEB6A6 shade: #C78469, #D29D87, #DDB5A5, #E9CEC3 and #F4E7E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEB6A6 shade: #DEB6A6, #C2DDA5 and #A5ACDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEB6A6 shade: #DEB6A6, #A5DDB5 and #B5A5DD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEB6A6 shade: #DEB6A6, #C2DDA5, #A5CDDD and #C0A5DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEB6A6 shade: #DEB6A6, #B1DDA5, #A5CDDD and #D1A5DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 25 / 13

HEX #DEB6A6

RGB 222 182 166

HSL 17.14, 0.46%, 0.76%

LAB 77.12, 12.04, 13.56

 

Complementary color

CMYK 63 / 18 / 0 / 65

HEX #214959

RGB 33 73 89

HSL 197.14, 0.46%, 0.24%

LAB 28.93, -8.67, -13.72

 

CMYK 0 / 20 / 29 / 11

HEX #E3B6A1

RGB 227 182 161

HSL 19.09, 0.54%, 0.76%

LAB 77.5, 13.25, 16.85

 

CMYK 0 / 18 / 26 / 4

HEX #F4C8B4

RGB 244 200 180

HSL 18.75, 0.74%, 0.83%

LAB 83.88, 12.69, 15.86

 

CMYK 0 / 15 / 22 / 0

HEX #FFDAC7

RGB 255 218 199

HSL 20.36, 1%, 0.89%

LAB 89.64, 10, 14.1

 

CMYK 0 / 7 / 15 / 0

HEX #FFECDA

RGB 255 236 218

HSL 29.19, 1%, 0.93%

LAB 94.45, 3.56, 11.04

 

CMYK 0 / 0 / 7 / 0

HEX #FFFEED

RGB 255 254 237

HSL 56.67, 1%, 0.96%

LAB 99.32, -2.54, 8.23

 

CMYK 0 / 18 / 25 / 13

HEX #DEB6A6

RGB 222 182 166

HSL 17.14, 0.46%, 0.76%

LAB 77.12, 12.04, 13.56

 

CMYK 0 / 20 / 28 / 20

HEX #CDA493

RGB 205 164 147

HSL 17.59, 0.37%, 0.69%

LAB 70.62, 12.6, 14.55

 

CMYK 0 / 22 / 32 / 26

HEX #BC9280

RGB 188 146 128

HSL 18, 0.31%, 0.62%

LAB 64, 13.24, 15.61

 

CMYK 0 / 25 / 36 / 33

HEX #AB806D

RGB 171 128 109

HSL 18.39, 0.27%, 0.55%

LAB 57.27, 13.97, 16.78

 

CMYK 0 / 29 / 42 / 40

HEX #9A6E5A

RGB 154 110 90

HSL 18.75, 0.26%, 0.48%

LAB 50.41, 14.83, 18.07

 

CMYK 0 / 18 / 25 / 13

HEX #DDB5A5

RGB 221 181 165

HSL 17.14, 0.45%, 0.76%

LAB 76.76, 12.06, 13.58

 

CMYK 0 / 25 / 25 / 13

HEX #DDA6A5

RGB 221 166 165

HSL 1.07, 0.45%, 0.76%

LAB 73.13, 20.11, 8.42

 

CMYK 0 / 25 / 25 / 13

HEX #DDA5A5

RGB 221 165 165

HSL 0, 0.45%, 0.76%

LAB 72.89, 20.65, 8.08

 

CMYK 0 / 18 / 25 / 13

HEX #DDB5A5

RGB 221 181 165

HSL 17.14, 0.45%, 0.76%

LAB 76.76, 12.06, 13.58

 

CMYK 0 / 11 / 25 / 13

HEX #DDC4A5

RGB 221 196 165

HSL 33.21, 0.45%, 0.76%

LAB 80.5, 4.1, 18.81

 

CMYK 0 / 4 / 25 / 13

HEX #DDD4A5

RGB 221 212 165

HSL 50.36, 0.45%, 0.76%

LAB 84.57, -4.23, 24.42

 

CMYK 2 / 0 / 25 / 13

HEX #D8DDA5

RGB 216 221 165

HSL 65.36, 0.45%, 0.76%

LAB 86.52, -10.68, 27

 

CMYK 9 / 0 / 25 / 13

HEX #C9DDA5

RGB 201 221 165

HSL 81.43, 0.45%, 0.76%

LAB 85.43, -16.19, 25.34

 

CMYK 0 / 18 / 25 / 13

HEX #DDB5A5

RGB 221 181 165

HSL 17.14, 0.45%, 0.76%

LAB 76.76, 12.06, 13.58

 

CMYK 0 / 23 / 33 / 9

HEX #E7B19B

RGB 231 177 155

HSL 17.37, 0.61%, 0.76%

LAB 76.56, 16.67, 18.85

 

CMYK 0 / 28 / 40 / 5

HEX #F1AD91

RGB 241 173 145

HSL 17.5, 0.77%, 0.76%

LAB 76.46, 21.47, 24.26

 

CMYK 0 / 33 / 46 / 2

HEX #FBA887

RGB 251 168 135

HSL 17.07, 0.94%, 0.76%

LAB 76.23, 26.94, 29.52

 

CMYK 0 / 18 / 25 / 13

HEX #DDB5A5

RGB 221 181 165

HSL 17.14, 0.45%, 0.76%

LAB 76.76, 12.06, 13.58

 

CMYK 0 / 13 / 17 / 17

HEX #D4B9AF

RGB 212 185 175

HSL 16.22, 0.3%, 0.76%

LAB 77.16, 8.03, 8.61

 

CMYK 0 / 6 / 8 / 21

HEX #CABEB9

RGB 202 190 185

HSL 17.65, 0.14%, 0.76%

LAB 77.81, 3.35, 4.02

 

CMYK 2 / 1 / 0 / 24

HEX #C0C2C3

RGB 192 194 195

HSL 200, 0.02%, 0.76%

LAB 78.3, -0.5, -0.75

 

CMYK 11 / 3 / 0 / 20

HEX #B6C6CD

RGB 182 198 205

HSL 198.26, 0.19%, 0.76%

LAB 78.89, -4.04, -5.37

 

CMYK 0 / 25 / 19 / 13

HEX #DDA5B3

RGB 221 165 179

HSL 345, 0.45%, 0.76%

LAB 73.24, 22.71, 0.89

 

CMYK 0 / 25 / 25 / 13

HEX #DDA6A5

RGB 221 166 165

HSL 1.07, 0.45%, 0.76%

LAB 73.13, 20.11, 8.42

 

CMYK 0 / 18 / 25 / 13

HEX #DDB5A5

RGB 221 181 165

HSL 17.14, 0.45%, 0.76%

LAB 76.76, 12.06, 13.58

 

CMYK 0 / 11 / 25 / 13

HEX #DDC4A5

RGB 221 196 165

HSL 33.21, 0.45%, 0.76%

LAB 80.5, 4.1, 18.81

 

CMYK 0 / 5 / 25 / 13

HEX #DDD3A5

RGB 221 211 165

HSL 49.29, 0.45%, 0.76%

LAB 84.32, -3.71, 24.07

 

CMYK 0 / 34 / 47 / 22

HEX #C78469

RGB 199 132 105

HSL 17.23, 0.46%, 0.6%

LAB 61.36, 22.7, 25.1

 

CMYK 0 / 25 / 36 / 18

HEX #D29D87

RGB 210 157 135

HSL 17.6, 0.45%, 0.68%

LAB 69.16, 16.8, 19.2

 

CMYK 0 / 18 / 25 / 13

HEX #DDB5A5

RGB 221 181 165

HSL 17.14, 0.45%, 0.76%

LAB 76.76, 12.06, 13.58

 

CMYK 0 / 12 / 16 / 9

HEX #E9CEC3

RGB 233 206 195

HSL 17.37, 0.46%, 0.84%

LAB 84.69, 7.68, 8.91

 

CMYK 0 / 5 / 8 / 4

HEX #F4E7E1

RGB 244 231 225

HSL 18.95, 0.46%, 0.92%

LAB 92.5, 3.4, 4.48

 

CMYK 0 / 18 / 25 / 13

HEX #DEB6A6

RGB 222 182 166

HSL 17.14, 0.46%, 0.76%

LAB 77.12, 12.04, 13.56

 

CMYK 12 / 0 / 25 / 13

HEX #C2DDA5

RGB 194 221 165

HSL 88.93, 0.45%, 0.76%

LAB 84.94, -18.71, 24.6

 

CMYK 25 / 22 / 0 / 13

HEX #A5ACDD

RGB 165 172 221

HSL 232.5, 0.45%, 0.76%

LAB 71.37, 8.2, -25.5

 

CMYK 0 / 18 / 25 / 13

HEX #DEB6A6

RGB 222 182 166

HSL 17.14, 0.46%, 0.76%

LAB 77.12, 12.04, 13.56

 

CMYK 25 / 0 / 18 / 13

HEX #A5DDB5

RGB 165 221 181

HSL 137.14, 0.45%, 0.76%

LAB 83.47, -25.88, 13.91

 

CMYK 18 / 25 / 0 / 13

HEX #B5A5DD

RGB 181 165 221

HSL 257.14, 0.45%, 0.76%

LAB 70.84, 17.01, -26.2

 

CMYK 0 / 18 / 25 / 13

HEX #DEB6A6

RGB 222 182 166

HSL 17.14, 0.46%, 0.76%

LAB 77.12, 12.04, 13.56

 

CMYK 12 / 0 / 25 / 13

HEX #C2DDA5

RGB 194 221 165

HSL 88.93, 0.45%, 0.76%

LAB 84.94, -18.71, 24.6

 

CMYK 25 / 7 / 0 / 13

HEX #A5CDDD

RGB 165 205 221

HSL 197.14, 0.45%, 0.76%

LAB 80.11, -9.58, -12.26

 

CMYK 13 / 25 / 0 / 13

HEX #C0A5DD

RGB 192 165 221

HSL 268.93, 0.45%, 0.76%

LAB 71.78, 20.47, -24.67

 

CMYK 0 / 18 / 25 / 13

HEX #DEB6A6

RGB 222 182 166

HSL 17.14, 0.46%, 0.76%

LAB 77.12, 12.04, 13.56

 

CMYK 20 / 0 / 25 / 13

HEX #B1DDA5

RGB 177 221 165

HSL 107.14, 0.45%, 0.76%

LAB 83.85, -24.67, 22.92

 

CMYK 25 / 7 / 0 / 13

HEX #A5CDDD

RGB 165 205 221

HSL 197.14, 0.45%, 0.76%

LAB 80.11, -9.58, -12.26

 

CMYK 5 / 25 / 0 / 13

HEX #D1A5DD

RGB 209 165 221

HSL 287.14, 0.45%, 0.76%

LAB 73.34, 25.94, -22.15

 

Description

Color code: HEX #DEB6A6 | qconv.com Color code: HEX #DEB6A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 182 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 182 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 25 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 25% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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