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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEBC39 it is the complementary color #2143C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEBC39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEBC39 shade: #E3BC34, #F4CE47, #FFE05A, #FFF26D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEBC39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEBC39 shade: #DEBC39, #CDAA26, #BC9813, #AB8600 and #9A7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEBC39 shade: #DDBC3A, #DD903A, #DD643A and #DD3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEBC39 shade: #DDBC3A, #D3DD3A, #A7DD3A, #7BDD3A and #4FDD3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEBC39 shade matches the following richer shades: #DDBC3A and #F0C728

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEBC39 shade: #DDBC3A, #CBB14D, #B8A65F, #A69B72 and #939085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEBC39 shade: #DD633A, #DD8E3A, #DDBA3A, #D5DD3A and #AADD3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEBC39 shade: #A98C1C, #CCA922, #DDBC3A, #E3C85E and #E9D481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEBC39 shade: #DEBC39, #3DDD3A and #793ADD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEBC39 shade: #DEBC39, #3ADDBA and #BA3ADD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEBC39 shade: #DEBC39, #3DDD3A, #3A5EDD and #DB3ADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEBC39 shade: #DEBC39, #3ADD68, #3A5EDD and #DD3AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 74 / 13

HEX #DEBC39

RGB 222 188 57

HSL 47.64, 0.71%, 0.55%

LAB 77.16, -1.04, 66.65

 

Complementary color

CMYK 83 / 66 / 0 / 22

HEX #2143C6

RGB 33 67 198

HSL 227.64, 0.71%, 0.45%

LAB 34.83, 37.37, -71.03

 

CMYK 0 / 17 / 77 / 11

HEX #E3BC34

RGB 227 188 52

HSL 46.63, 0.76%, 0.55%

LAB 77.61, 0.91, 68.98

 

CMYK 0 / 16 / 71 / 4

HEX #F4CE47

RGB 244 206 71

HSL 46.82, 0.89%, 0.62%

LAB 83.88, -0.36, 68.7

 

CMYK 0 / 12 / 65 / 0

HEX #FFE05A

RGB 255 224 90

HSL 48.73, 1%, 0.68%

LAB 89.54, -3.93, 67.27

 

CMYK 0 / 5 / 57 / 0

HEX #FFF26D

RGB 255 242 109

HSL 54.66, 1%, 0.71%

LAB 94.26, -11.66, 64.37

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 15 / 74 / 13

HEX #DEBC39

RGB 222 188 57

HSL 47.64, 0.71%, 0.55%

LAB 77.16, -1.04, 66.65

 

CMYK 0 / 17 / 81 / 20

HEX #CDAA26

RGB 205 170 38

HSL 47.43, 0.69%, 0.48%

LAB 70.78, 0.33, 66.51

 

CMYK 0 / 19 / 90 / 26

HEX #BC9813

RGB 188 152 19

HSL 47.22, 0.82%, 0.41%

LAB 64.32, 1.94, 65.31

 

CMYK 0 / 22 / 100 / 33

HEX #AB8600

RGB 171 134 0

HSL 47.02, 1%, 0.34%

LAB 57.76, 3.79, 62.82

 

CMYK 0 / 25 / 100 / 40

HEX #9A7400

RGB 154 116 0

HSL 45.19, 1%, 0.3%

LAB 51.11, 6, 57.34

 

CMYK 0 / 15 / 74 / 13

HEX #DDBC3A

RGB 221 188 58

HSL 47.85, 0.71%, 0.55%

LAB 77.07, -1.42, 66.17

 

CMYK 0 / 35 / 74 / 13

HEX #DD903A

RGB 221 144 58

HSL 31.66, 0.71%, 0.55%

LAB 66.23, 21.97, 55.5

 

CMYK 0 / 55 / 74 / 13

HEX #DD643A

RGB 221 100 58

HSL 15.46, 0.71%, 0.55%

LAB 56.87, 44.75, 45.77

 

CMYK 0 / 74 / 74 / 13

HEX #DD3A3A

RGB 221 58 58

HSL 0, 0.71%, 0.55%

LAB 50.34, 62.24, 38.6

 

CMYK 0 / 15 / 74 / 13

HEX #DDBC3A

RGB 221 188 58

HSL 47.85, 0.71%, 0.55%

LAB 77.07, -1.42, 66.17

 

CMYK 5 / 0 / 74 / 13

HEX #D3DD3A

RGB 211 221 58

HSL 63.68, 0.71%, 0.55%

LAB 84.93, -22.24, 73.32

 

CMYK 24 / 0 / 74 / 13

HEX #A7DD3A

RGB 167 221 58

HSL 79.88, 0.71%, 0.55%

LAB 81.97, -39.75, 69.46

 

CMYK 44 / 0 / 74 / 13

HEX #7BDD3A

RGB 123 221 58

HSL 96.07, 0.71%, 0.55%

LAB 79.74, -55.03, 66.54

 

CMYK 64 / 0 / 74 / 13

HEX #4FDD3A

RGB 79 221 58

HSL 112.27, 0.71%, 0.55%

LAB 78.28, -66.51, 64.59

 

CMYK 0 / 15 / 74 / 13

HEX #DDBC3A

RGB 221 188 58

HSL 47.85, 0.71%, 0.55%

LAB 77.07, -1.42, 66.17

 

CMYK 0 / 17 / 83 / 6

HEX #F0C728

RGB 240 199 40

HSL 47.7, 0.87%, 0.55%

LAB 81.58, 0.41, 76.51

 

CMYK 0 / 15 / 74 / 13

HEX #DDBC3A

RGB 221 188 58

HSL 47.85, 0.71%, 0.55%

LAB 77.07, -1.42, 66.17

 

CMYK 0 / 13 / 62 / 20

HEX #CBB14D

RGB 203 177 77

HSL 47.62, 0.55%, 0.55%

LAB 72.68, -2.34, 53.29

 

CMYK 0 / 10 / 48 / 28

HEX #B8A65F

RGB 184 166 95

HSL 47.87, 0.39%, 0.55%

LAB 68.23, -3.1, 38.93

 

CMYK 0 / 7 / 31 / 35

HEX #A69B72

RGB 166 155 114

HSL 47.31, 0.23%, 0.55%

LAB 63.97, -2.44, 23

 

CMYK 0 / 2 / 10 / 42

HEX #939085

RGB 147 144 133

HSL 47.14, 0.06%, 0.55%

LAB 59.75, -0.93, 6.23

 

CMYK 0 / 55 / 74 / 13

HEX #DD633A

RGB 221 99 58

HSL 15.09, 0.71%, 0.55%

LAB 56.68, 45.24, 45.56

 

CMYK 0 / 36 / 74 / 13

HEX #DD8E3A

RGB 221 142 58

HSL 30.92, 0.71%, 0.55%

LAB 65.77, 23.05, 55.03

 

CMYK 0 / 16 / 74 / 13

HEX #DDBA3A

RGB 221 186 58

HSL 47.12, 0.71%, 0.55%

LAB 76.55, -0.38, 65.67

 

CMYK 4 / 0 / 74 / 13

HEX #D5DD3A

RGB 213 221 58

HSL 62.94, 0.71%, 0.55%

LAB 85.08, -21.42, 73.51

 

CMYK 23 / 0 / 74 / 13

HEX #AADD3A

RGB 170 221 58

HSL 78.77, 0.71%, 0.55%

LAB 82.14, -38.61, 69.69

 

CMYK 0 / 17 / 83 / 34

HEX #A98C1C

RGB 169 140 28

HSL 47.66, 0.72%, 0.39%

LAB 59.23, 0.11, 58.11

 

CMYK 0 / 17 / 83 / 20

HEX #CCA922

RGB 204 169 34

HSL 47.65, 0.71%, 0.47%

LAB 70.41, 0.31, 67.3

 

CMYK 0 / 15 / 74 / 13

HEX #DDBC3A

RGB 221 188 58

HSL 47.85, 0.71%, 0.55%

LAB 77.07, -1.42, 66.17

 

CMYK 0 / 12 / 59 / 11

HEX #E3C85E

RGB 227 200 94

HSL 47.82, 0.7%, 0.63%

LAB 80.99, -3.03, 55.44

 

CMYK 0 / 9 / 45 / 9

HEX #E9D481

RGB 233 212 129

HSL 47.88, 0.7%, 0.71%

LAB 84.99, -3.77, 43.57

 

CMYK 0 / 15 / 74 / 13

HEX #DEBC39

RGB 222 188 57

HSL 47.64, 0.71%, 0.55%

LAB 77.16, -1.04, 66.65

 

CMYK 72 / 0 / 74 / 13

HEX #3DDD3A

RGB 61 221 58

HSL 118.9, 0.71%, 0.55%

LAB 77.88, -69.82, 64.07

 

CMYK 45 / 74 / 0 / 13

HEX #793ADD

RGB 121 58 221

HSL 263.19, 0.71%, 0.55%

LAB 41.71, 60.33, -72.79

 

CMYK 0 / 15 / 74 / 13

HEX #DEBC39

RGB 222 188 57

HSL 47.64, 0.71%, 0.55%

LAB 77.16, -1.04, 66.65

 

CMYK 74 / 0 / 16 / 13

HEX #3ADDBA

RGB 58 221 186

HSL 167.12, 0.71%, 0.55%

LAB 79.7, -49.2, 5.37

 

CMYK 16 / 74 / 0 / 13

HEX #BA3ADD

RGB 186 58 221

HSL 287.12, 0.71%, 0.55%

LAB 50.32, 71.9, -58.42

 

CMYK 0 / 15 / 74 / 13

HEX #DEBC39

RGB 222 188 57

HSL 47.64, 0.71%, 0.55%

LAB 77.16, -1.04, 66.65

 

CMYK 72 / 0 / 74 / 13

HEX #3DDD3A

RGB 61 221 58

HSL 118.9, 0.71%, 0.55%

LAB 77.88, -69.82, 64.07

 

CMYK 74 / 57 / 0 / 13

HEX #3A5EDD

RGB 58 94 221

HSL 226.75, 0.71%, 0.55%

LAB 44.41, 30.92, -68.57

 

CMYK 1 / 74 / 0 / 13

HEX #DB3ADD

RGB 219 58 221

HSL 299.26, 0.71%, 0.55%

LAB 55.39, 78.44, -50.02

 

CMYK 0 / 15 / 74 / 13

HEX #DEBC39

RGB 222 188 57

HSL 47.64, 0.71%, 0.55%

LAB 77.16, -1.04, 66.65

 

CMYK 74 / 0 / 53 / 13

HEX #3ADD68

RGB 58 221 104

HSL 136.93, 0.71%, 0.55%

LAB 78.23, -65.37, 45.37

 

CMYK 74 / 57 / 0 / 13

HEX #3A5EDD

RGB 58 94 221

HSL 226.75, 0.71%, 0.55%

LAB 44.41, 30.92, -68.57

 

CMYK 0 / 74 / 21 / 13

HEX #DD3AAF

RGB 221 58 175

HSL 316.93, 0.71%, 0.55%

LAB 53.49, 72.26, -26.53

 

Description

Color code: HEX #DEBC39 | qconv.com Color code: HEX #DEBC39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 188 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 188 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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