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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEBFE5 it is the complementary color #21401A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEBFE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEBFE5 shade: #E3BFE0, #F4D1F3, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEBFE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEBFE5 shade: #DEBFE5, #CDADD2, #BC9BBF, #AB89AC and #9A7799

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEBFE5 shade: #DDBDE4, #E4BDE1, #E4BDD6, #E4BDCC and #E4BDC1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEBFE5 shade: #DDBDE4, #D2BDE4, #C8BDE4, #BEBDE4 and #BDBDE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEBFE5 shade matches the following richer shades: #DDBDE4, #E1B6EB, #E6AEF3 and #EBA7FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEBFE5 shade: #DDBDE4, #D8C5DC, #D3CCD5, #CFD4CE and #CADBC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEBFE5 shade: #C8BDE4, #D2BDE4, #DCBDE4, #E4BDE1 and #E4BDD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEBFE5 shade: #BE83CC, #CEA0D8, #DDBDE4, #ECDBF0 and #FBF8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEBFE5 shade: #DEBFE5, #E4BDBD and #BDE4CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEBFE5 shade: #DEBFE5, #E4DCBD and #BDE4DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEBFE5 shade: #DEBFE5, #E4BDBD, #C5E4BD and #BDE4E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEBFE5 shade: #DEBFE5, #E4C9BD, #C5E4BD and #BDD8E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 17 / 0 / 10

HEX #DEBFE5

RGB 222 191 229

HSL 288.95, 0.42%, 0.82%

LAB 80.99, 17.67, -14.81

 

Complementary color

CMYK 48 / 0 / 59 / 75

HEX #21401A

RGB 33 64 26

HSL 108.95, 0.42%, 0.18%

LAB 23.88, -20.36, 19.55

 

CMYK 0 / 16 / 1 / 11

HEX #E3BFE0

RGB 227 191 224

HSL 305, 0.39%, 0.82%

LAB 81.28, 18.41, -11.65

 

CMYK 0 / 14 / 0 / 4

HEX #F4D1F3

RGB 244 209 243

HSL 301.71, 0.61%, 0.89%

LAB 87.63, 17.97, -12.12

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 3 / 17 / 0 / 10

HEX #DEBFE5

RGB 222 191 229

HSL 288.95, 0.42%, 0.82%

LAB 80.99, 17.67, -14.81

 

CMYK 2 / 18 / 0 / 18

HEX #CDADD2

RGB 205 173 210

HSL 291.89, 0.29%, 0.75%

LAB 74.52, 18.12, -14.39

 

CMYK 2 / 19 / 0 / 25

HEX #BC9BBF

RGB 188 155 191

HSL 295, 0.22%, 0.68%

LAB 67.94, 18.6, -13.97

 

CMYK 1 / 20 / 0 / 33

HEX #AB89AC

RGB 171 137 172

HSL 298.29, 0.17%, 0.61%

LAB 61.24, 19.13, -13.53

 

CMYK 0 / 23 / 1 / 40

HEX #9A7799

RGB 154 119 153

HSL 301.71, 0.15%, 0.54%

LAB 54.41, 19.71, -13.08

 

CMYK 3 / 17 / 0 / 11

HEX #DDBDE4

RGB 221 189 228

HSL 289.23, 0.42%, 0.82%

LAB 80.39, 18.22, -15.19

 

CMYK 0 / 17 / 1 / 11

HEX #E4BDE1

RGB 228 189 225

HSL 304.62, 0.42%, 0.82%

LAB 80.92, 19.99, -12.71

 

CMYK 0 / 17 / 6 / 11

HEX #E4BDD6

RGB 228 189 214

HSL 321.54, 0.42%, 0.82%

LAB 80.6, 18.04, -7.28

 

CMYK 0 / 17 / 11 / 11

HEX #E4BDCC

RGB 228 189 204

HSL 336.92, 0.42%, 0.82%

LAB 80.32, 16.33, -2.3

 

CMYK 0 / 17 / 15 / 11

HEX #E4BDC1

RGB 228 189 193

HSL 353.85, 0.42%, 0.82%

LAB 80.03, 14.55, 3.21

 

CMYK 3 / 17 / 0 / 11

HEX #DDBDE4

RGB 221 189 228

HSL 289.23, 0.42%, 0.82%

LAB 80.39, 18.22, -15.19

 

CMYK 8 / 17 / 0 / 11

HEX #D2BDE4

RGB 210 189 228

HSL 272.31, 0.42%, 0.82%

LAB 79.44, 14.6, -16.7

 

CMYK 12 / 17 / 0 / 11

HEX #C8BDE4

RGB 200 189 228

HSL 256.92, 0.42%, 0.82%

LAB 78.62, 11.36, -18.02

 

CMYK 17 / 17 / 0 / 11

HEX #BEBDE4

RGB 190 189 228

HSL 241.54, 0.42%, 0.82%

LAB 77.84, 8.18, -19.28

 

CMYK 17 / 17 / 0 / 11

HEX #BDBDE4

RGB 189 189 228

HSL 240, 0.42%, 0.82%

LAB 77.77, 7.86, -19.4

 

CMYK 3 / 17 / 0 / 11

HEX #DDBDE4

RGB 221 189 228

HSL 289.23, 0.42%, 0.82%

LAB 80.39, 18.22, -15.19

 

CMYK 4 / 23 / 0 / 8

HEX #E1B6EB

RGB 225 182 235

HSL 288.68, 0.57%, 0.82%

LAB 79.31, 24.63, -20.55

 

CMYK 5 / 28 / 0 / 5

HEX #E6AEF3

RGB 230 174 243

HSL 288.7, 0.74%, 0.82%

LAB 78.21, 32.05, -26.49

 

CMYK 6 / 33 / 0 / 2

HEX #EBA7FA

RGB 235 167 250

HSL 289.16, 0.89%, 0.82%

LAB 77.4, 38.68, -31.46

 

CMYK 3 / 17 / 0 / 11

HEX #DDBDE4

RGB 221 189 228

HSL 289.23, 0.42%, 0.82%

LAB 80.39, 18.22, -15.19

 

CMYK 2 / 10 / 0 / 14

HEX #D8C5DC

RGB 216 197 220

HSL 289.57, 0.25%, 0.82%

LAB 81.67, 10.76, -9.01

 

CMYK 1 / 4 / 0 / 16

HEX #D3CCD5

RGB 211 204 213

HSL 286.67, 0.1%, 0.82%

LAB 82.83, 4.05, -3.61

 

CMYK 2 / 0 / 3 / 17

HEX #CFD4CE

RGB 207 212 206

HSL 110, 0.07%, 0.82%

LAB 84.39, -2.79, 2.36

 

CMYK 8 / 0 / 10 / 14

HEX #CADBC6

RGB 202 219 198

HSL 108.57, 0.23%, 0.82%

LAB 85.65, -9.53, 8.38

 

CMYK 12 / 17 / 0 / 11

HEX #C8BDE4

RGB 200 189 228

HSL 256.92, 0.42%, 0.82%

LAB 78.62, 11.36, -18.02

 

CMYK 8 / 17 / 0 / 11

HEX #D2BDE4

RGB 210 189 228

HSL 272.31, 0.42%, 0.82%

LAB 79.44, 14.6, -16.7

 

CMYK 4 / 17 / 0 / 11

HEX #DCBDE4

RGB 220 189 228

HSL 287.69, 0.42%, 0.82%

LAB 80.3, 17.89, -15.33

 

CMYK 0 / 17 / 1 / 11

HEX #E4BDE1

RGB 228 189 225

HSL 304.62, 0.42%, 0.82%

LAB 80.92, 19.99, -12.71

 

CMYK 0 / 17 / 6 / 11

HEX #E4BDD7

RGB 228 189 215

HSL 320, 0.42%, 0.82%

LAB 80.62, 18.21, -7.77

 

CMYK 7 / 36 / 0 / 20

HEX #BE83CC

RGB 190 131 204

HSL 288.49, 0.42%, 0.66%

LAB 62.96, 35.13, -28.82

 

CMYK 5 / 26 / 0 / 15

HEX #CEA0D8

RGB 206 160 216

HSL 289.29, 0.42%, 0.74%

LAB 71.7, 26.71, -21.93

 

CMYK 3 / 17 / 0 / 11

HEX #DDBDE4

RGB 221 189 228

HSL 289.23, 0.42%, 0.82%

LAB 80.39, 18.22, -15.19

 

CMYK 2 / 9 / 0 / 6

HEX #ECDBF0

RGB 236 219 240

HSL 288.57, 0.41%, 0.9%

LAB 89.29, 9.52, -8.14

 

CMYK 0 / 2 / 0 / 1

HEX #FBF8FC

RGB 251 248 252

HSL 285, 0.4%, 0.98%

LAB 97.9, 1.7, -1.57

 

CMYK 3 / 17 / 0 / 10

HEX #DEBFE5

RGB 222 191 229

HSL 288.95, 0.42%, 0.82%

LAB 80.99, 17.67, -14.81

 

CMYK 0 / 17 / 17 / 11

HEX #E4BDBD

RGB 228 189 189

HSL 0, 0.42%, 0.82%

LAB 79.93, 13.92, 5.23

 

CMYK 17 / 0 / 10 / 11

HEX #BDE4CD

RGB 189 228 205

HSL 144.62, 0.42%, 0.82%

LAB 87.35, -17.14, 7.01

 

CMYK 3 / 17 / 0 / 10

HEX #DEBFE5

RGB 222 191 229

HSL 288.95, 0.42%, 0.82%

LAB 80.99, 17.67, -14.81

 

CMYK 0 / 4 / 17 / 11

HEX #E4DCBD

RGB 228 220 189

HSL 47.69, 0.42%, 0.82%

LAB 87.66, -2.31, 16.22

 

CMYK 17 / 0 / 4 / 11

HEX #BDE4DC

RGB 189 228 220

HSL 167.69, 0.42%, 0.82%

LAB 87.71, -14.23, -0.33

 

CMYK 3 / 17 / 0 / 10

HEX #DEBFE5

RGB 222 191 229

HSL 288.95, 0.42%, 0.82%

LAB 80.99, 17.67, -14.81

 

CMYK 0 / 17 / 17 / 11

HEX #E4BDBD

RGB 228 189 189

HSL 0, 0.42%, 0.82%

LAB 79.93, 13.92, 5.23

 

CMYK 14 / 0 / 17 / 11

HEX #C5E4BD

RGB 197 228 189

HSL 107.69, 0.42%, 0.82%

LAB 87.5, -17.31, 15.68

 

CMYK 17 / 0 / 0 / 11

HEX #BDE4E4

RGB 189 228 228

HSL 180, 0.42%, 0.82%

LAB 87.92, -12.61, -4.23

 

CMYK 3 / 17 / 0 / 10

HEX #DEBFE5

RGB 222 191 229

HSL 288.95, 0.42%, 0.82%

LAB 80.99, 17.67, -14.81

 

CMYK 0 / 12 / 17 / 11

HEX #E4C9BD

RGB 228 201 189

HSL 18.46, 0.42%, 0.82%

LAB 82.88, 7.57, 9.46

 

CMYK 14 / 0 / 17 / 11

HEX #C5E4BD

RGB 197 228 189

HSL 107.69, 0.42%, 0.82%

LAB 87.5, -17.31, 15.68

 

CMYK 17 / 5 / 0 / 11

HEX #BDD8E4

RGB 189 216 228

HSL 198.46, 0.42%, 0.82%

LAB 84.76, -6.47, -8.91

 

Description

Color code: HEX #DEBFE5 | qconv.com Color code: HEX #DEBFE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 191 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 191 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 17 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 17% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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