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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEC6EC it is the complementary color #213913. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEC6EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEC6EC shade: #E3C6E7, #F4D8FA, #FFEAFF and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEC6EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEC6EC shade: #DEC6EC, #CDB4D9, #BCA2C6, #AB90B3 and #9A7EA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEC6EC shade: #DDC5EB, #E8C5EB, #EBC5E5, #EBC5DB and #EBC5D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEC6EC shade: #DDC5EB, #D3C5EB, #C9C5EB and #C5C5EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEC6EC shade matches the following richer shades: #DDC5EB, #DFBFF2, #E1B9F8 and #E2B3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEC6EC shade: #DDC5EB, #DCCBE5, #DAD2DF, #D8D8D9 and #D7DED3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEC6EC shade: #C8C5EB, #D3C5EB, #DDC5EB, #E7C5EB and #EBC5E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEC6EC shade: #B987D7, #CBA6E1, #DDC5EB and #EFE4F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEC6EC shade: #DEC6EC, #EBC5CC and #C5EBCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEC6EC shade: #DEC6EC, #EBDDC5 and #C5EBDD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEC6EC shade: #DEC6EC, #EBC5CC, #D4EBC5 and #C5EBE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEC6EC shade: #DEC6EC, #EBCAC5, #D4EBC5 and #C5E7EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 16 / 0 / 7

HEX #DEC6EC

RGB 222 198 236

HSL 277.89, 0.5%, 0.85%

LAB 82.9, 15.26, -15.69

 

Complementary color

CMYK 42 / 0 / 67 / 78

HEX #213913

RGB 33 57 19

HSL 97.89, 0.5%, 0.15%

LAB 21.19, -17.66, 20.43

 

CMYK 2 / 14 / 0 / 9

HEX #E3C6E7

RGB 227 198 231

HSL 292.73, 0.41%, 0.84%

LAB 83.17, 15.96, -12.57

 

CMYK 2 / 14 / 0 / 2

HEX #F4D8FA

RGB 244 216 250

HSL 289.41, 0.77%, 0.91%

LAB 89.51, 15.57, -13.01

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 6 / 16 / 0 / 7

HEX #DEC6EC

RGB 222 198 236

HSL 277.89, 0.5%, 0.85%

LAB 82.9, 15.26, -15.69

 

CMYK 6 / 17 / 0 / 15

HEX #CDB4D9

RGB 205 180 217

HSL 280.54, 0.33%, 0.78%

LAB 76.46, 15.66, -15.3

 

CMYK 5 / 18 / 0 / 22

HEX #BCA2C6

RGB 188 162 198

HSL 283.33, 0.24%, 0.71%

LAB 69.9, 16.09, -14.9

 

CMYK 4 / 20 / 0 / 30

HEX #AB90B3

RGB 171 144 179

HSL 286.29, 0.19%, 0.63%

LAB 63.23, 16.56, -14.51

 

CMYK 4 / 21 / 0 / 37

HEX #9A7EA0

RGB 154 126 160

HSL 289.41, 0.15%, 0.56%

LAB 56.42, 17.08, -14.11

 

CMYK 6 / 16 / 0 / 8

HEX #DDC5EB

RGB 221 197 235

HSL 277.89, 0.49%, 0.85%

LAB 82.54, 15.27, -15.7

 

CMYK 1 / 16 / 0 / 8

HEX #E8C5EB

RGB 232 197 235

HSL 295.26, 0.49%, 0.85%

LAB 83.49, 18.89, -14.18

 

CMYK 0 / 16 / 3 / 8

HEX #EBC5E5

RGB 235 197 229

HSL 309.47, 0.49%, 0.85%

LAB 83.57, 18.8, -10.82

 

CMYK 0 / 16 / 7 / 8

HEX #EBC5DB

RGB 235 197 219

HSL 325.26, 0.49%, 0.85%

LAB 83.29, 17.05, -5.9

 

CMYK 0 / 16 / 11 / 8

HEX #EBC5D0

RGB 235 197 208

HSL 342.63, 0.49%, 0.85%

LAB 82.99, 15.2, -0.46

 

CMYK 6 / 16 / 0 / 8

HEX #DDC5EB

RGB 221 197 235

HSL 277.89, 0.49%, 0.85%

LAB 82.54, 15.27, -15.7

 

CMYK 10 / 16 / 0 / 8

HEX #D3C5EB

RGB 211 197 235

HSL 262.11, 0.49%, 0.85%

LAB 81.72, 12.03, -17.02

 

CMYK 14 / 16 / 0 / 8

HEX #C9C5EB

RGB 201 197 235

HSL 246.32, 0.49%, 0.85%

LAB 80.93, 8.83, -18.28

 

CMYK 16 / 16 / 0 / 8

HEX #C5C5EB

RGB 197 197 235

HSL 240, 0.49%, 0.85%

LAB 80.63, 7.57, -18.77

 

CMYK 6 / 16 / 0 / 8

HEX #DDC5EB

RGB 221 197 235

HSL 277.89, 0.49%, 0.85%

LAB 82.54, 15.27, -15.7

 

CMYK 8 / 21 / 0 / 5

HEX #DFBFF2

RGB 223 191 242

HSL 277.65, 0.66%, 0.85%

LAB 81.49, 20.51, -21.01

 

CMYK 9 / 25 / 0 / 3

HEX #E1B9F8

RGB 225 185 248

HSL 278.1, 0.82%, 0.85%

LAB 80.45, 25.56, -25.79

 

CMYK 11 / 30 / 0 / 0

HEX #E2B3FE

RGB 226 179 254

HSL 277.6, 0.97%, 0.85%

LAB 79.37, 30.3, -30.66

 

CMYK 6 / 16 / 0 / 8

HEX #DDC5EB

RGB 221 197 235

HSL 277.89, 0.49%, 0.85%

LAB 82.54, 15.27, -15.7

 

CMYK 4 / 11 / 0 / 10

HEX #DCCBE5

RGB 220 203 229

HSL 279.23, 0.33%, 0.85%

LAB 83.75, 10.59, -10.7

 

CMYK 2 / 6 / 0 / 13

HEX #DAD2DF

RGB 218 210 223

HSL 276.92, 0.17%, 0.85%

LAB 85.16, 5.1, -5.43

 

CMYK 0 / 0 / 0 / 15

HEX #D8D8D9

RGB 216 216 217

HSL 240, 0.01%, 0.85%

LAB 86.37, 0.19, -0.5

 

CMYK 3 / 0 / 5 / 13

HEX #D7DED3

RGB 215 222 211

HSL 98.18, 0.14%, 0.85%

LAB 87.68, -4.33, 4.56

 

CMYK 15 / 16 / 0 / 8

HEX #C8C5EB

RGB 200 197 235

HSL 244.74, 0.49%, 0.85%

LAB 80.86, 8.51, -18.41

 

CMYK 10 / 16 / 0 / 8

HEX #D3C5EB

RGB 211 197 235

HSL 262.11, 0.49%, 0.85%

LAB 81.72, 12.03, -17.02

 

CMYK 6 / 16 / 0 / 8

HEX #DDC5EB

RGB 221 197 235

HSL 277.89, 0.49%, 0.85%

LAB 82.54, 15.27, -15.7

 

CMYK 2 / 16 / 0 / 8

HEX #E7C5EB

RGB 231 197 235

HSL 293.68, 0.49%, 0.85%

LAB 83.4, 18.56, -14.32

 

CMYK 0 / 16 / 2 / 8

HEX #EBC5E6

RGB 235 197 230

HSL 307.89, 0.49%, 0.85%

LAB 83.6, 18.98, -11.31

 

CMYK 14 / 37 / 0 / 16

HEX #B987D7

RGB 185 135 215

HSL 277.5, 0.5%, 0.69%

LAB 63.79, 33.66, -33.73

 

CMYK 10 / 26 / 0 / 12

HEX #CBA6E1

RGB 203 166 225

HSL 277.63, 0.5%, 0.77%

LAB 73.16, 24.26, -24.67

 

CMYK 6 / 16 / 0 / 8

HEX #DDC5EB

RGB 221 197 235

HSL 277.89, 0.49%, 0.85%

LAB 82.54, 15.27, -15.7

 

CMYK 3 / 7 / 0 / 4

HEX #EFE4F6

RGB 239 228 246

HSL 276.67, 0.5%, 0.93%

LAB 91.9, 6.93, -7.39

 

CMYK 6 / 16 / 0 / 7

HEX #DEC6EC

RGB 222 198 236

HSL 277.89, 0.5%, 0.85%

LAB 82.9, 15.26, -15.69

 

CMYK 0 / 16 / 13 / 8

HEX #EBC5CC

RGB 235 197 204

HSL 348.95, 0.49%, 0.85%

LAB 82.89, 14.55, 1.53

 

CMYK 16 / 0 / 13 / 8

HEX #C5EBCD

RGB 197 235 205

HSL 132.63, 0.49%, 0.85%

LAB 89.72, -18, 10.48

 

CMYK 6 / 16 / 0 / 7

HEX #DEC6EC

RGB 222 198 236

HSL 277.89, 0.5%, 0.85%

LAB 82.9, 15.26, -15.69

 

CMYK 0 / 6 / 16 / 8

HEX #EBDDC5

RGB 235 221 197

HSL 37.89, 0.49%, 0.85%

LAB 88.64, 0.91, 13.5

 

CMYK 16 / 0 / 6 / 8

HEX #C5EBDD

RGB 197 235 221

HSL 157.89, 0.49%, 0.85%

LAB 90.09, -15.02, 2.67

 

CMYK 6 / 16 / 0 / 7

HEX #DEC6EC

RGB 222 198 236

HSL 277.89, 0.5%, 0.85%

LAB 82.9, 15.26, -15.69

 

CMYK 0 / 16 / 13 / 8

HEX #EBC5CC

RGB 235 197 204

HSL 348.95, 0.49%, 0.85%

LAB 82.89, 14.55, 1.53

 

CMYK 10 / 0 / 16 / 8

HEX #D4EBC5

RGB 212 235 197

HSL 96.32, 0.49%, 0.85%

LAB 90.53, -14.31, 15.92

 

CMYK 16 / 0 / 3 / 8

HEX #C5EBE4

RGB 197 235 228

HSL 168.95, 0.49%, 0.85%

LAB 90.27, -13.65, -0.73

 

CMYK 6 / 16 / 0 / 7

HEX #DEC6EC

RGB 222 198 236

HSL 277.89, 0.5%, 0.85%

LAB 82.9, 15.26, -15.69

 

CMYK 0 / 14 / 16 / 8

HEX #EBCAC5

RGB 235 202 197

HSL 7.89, 0.49%, 0.85%

LAB 83.93, 10.81, 6.78

 

CMYK 10 / 0 / 16 / 8

HEX #D4EBC5

RGB 212 235 197

HSL 96.32, 0.49%, 0.85%

LAB 90.53, -14.31, 15.92

 

CMYK 16 / 2 / 0 / 8

HEX #C5E7EB

RGB 197 231 235

HSL 186.32, 0.49%, 0.85%

LAB 89.4, -10.23, -5.67

 

Description

Color code: HEX #DEC6EC | qconv.com Color code: HEX #DEC6EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 198 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 198 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 16 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 16% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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