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Color name
HEX #DEC2C5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEC2C5 it is the complementary color #213D3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEC2C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEC2C5 shade: #E3C2C0, #F4D4D3, #FFE6E6 and #FFF8F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEC2C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEC2C5 shade: #DEC2C5, #CDB0B2, #BC9E9F, #AB8C8C and #9A7A79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEC2C5 shade: #DEC3C6 and #DEC3C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEC2C5 shade: #DEC3C6, #DEC3CD, #DEC3D5, #DEC3DC and #D9C3DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEC2C5 shade matches the following richer shades: #DEC3C6, #E6BBC0, #EDB4BA, #F5ADB4 and #FCA5AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEC2C5 shade: #DEC3C6, #D7CACC, #D0D2D1, #C8D9D7 and #C1E1DD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEC2C5 shade: #DEC3D5, #DEC3CD, #DEC3C6, #DEC7C3 and #DECEC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEC2C5 shade: #C18D93, #D0A8AC, #DEC3C6, #EDDEDF and #FBF8F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEC2C5 shade: #DEC2C5, #DCDEC3 and #C3D1DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEC2C5 shade: #DEC2C5, #C6DEC3 and #C3C6DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEC2C5 shade: #DEC2C5, #DCDEC3, #C3DEDB and #C5C3DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEC2C5 shade: #DEC2C5, #D4DEC3, #C3DEDB and #CDC3DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 11 / 13

HEX #DEC2C5

RGB 222 194 197

HSL 353.57, 0.3%, 0.82%

LAB 80.82, 10.39, 2.14

 

Complementary color

CMYK 46 / 0 / 5 / 76

HEX #213D3A

RGB 33 61 58

HSL 173.57, 0.3%, 0.18%

LAB 23.56, -11.46, -1.49

 

CMYK 0 / 15 / 15 / 11

HEX #E3C2C0

RGB 227 194 192

HSL 3.43, 0.38%, 0.82%

LAB 81.14, 11.37, 5.34

 

CMYK 0 / 13 / 14 / 4

HEX #F4D4D3

RGB 244 212 211

HSL 1.82, 0.6%, 0.89%

LAB 87.5, 10.97, 4.6

 

CMYK 0 / 10 / 10 / 0

HEX #FFE6E6

RGB 255 230 230

HSL 0, 1%, 0.95%

LAB 93.26, 8.53, 3.1

 

CMYK 0 / 3 / 2 / 0

HEX #FFF8F9

RGB 255 248 249

HSL 351.43, 1%, 0.99%

LAB 98.13, 2.5, 0.34

 

CMYK 0 / 13 / 11 / 13

HEX #DEC2C5

RGB 222 194 197

HSL 353.57, 0.3%, 0.82%

LAB 80.82, 10.39, 2.14

 

CMYK 0 / 14 / 13 / 20

HEX #CDB0B2

RGB 205 176 178

HSL 355.86, 0.22%, 0.75%

LAB 74.35, 10.78, 2.85

 

CMYK 0 / 16 / 15 / 26

HEX #BC9E9F

RGB 188 158 159

HSL 358, 0.18%, 0.68%

LAB 67.76, 11.22, 3.6

 

CMYK 0 / 18 / 18 / 33

HEX #AB8C8C

RGB 171 140 140

HSL 0, 0.16%, 0.61%

LAB 61.05, 11.71, 4.41

 

CMYK 0 / 21 / 21 / 40

HEX #9A7A79

RGB 154 122 121

HSL 1.82, 0.14%, 0.54%

LAB 54.21, 12.26, 5.28

 

CMYK 0 / 12 / 11 / 13

HEX #DEC3C6

RGB 222 195 198

HSL 353.33, 0.29%, 0.82%

LAB 81.09, 10.02, 1.99

 

CMYK 0 / 12 / 12 / 13

HEX #DEC3C3

RGB 222 195 195

HSL 0, 0.29%, 0.82%

LAB 81.02, 9.53, 3.5

 

CMYK 0 / 12 / 11 / 13

HEX #DEC3C6

RGB 222 195 198

HSL 353.33, 0.29%, 0.82%

LAB 81.09, 10.02, 1.99

 

CMYK 0 / 12 / 8 / 13

HEX #DEC3CD

RGB 222 195 205

HSL 337.78, 0.29%, 0.82%

LAB 81.27, 11.2, -1.5

 

CMYK 0 / 12 / 4 / 13

HEX #DEC3D5

RGB 222 195 213

HSL 320, 0.29%, 0.82%

LAB 81.49, 12.59, -5.47

 

CMYK 0 / 12 / 1 / 13

HEX #DEC3DC

RGB 222 195 220

HSL 304.44, 0.29%, 0.82%

LAB 81.69, 13.85, -8.94

 

CMYK 2 / 12 / 0 / 13

HEX #D9C3DE

RGB 217 195 222

HSL 288.89, 0.29%, 0.82%

LAB 81.32, 12.54, -10.6

 

CMYK 0 / 12 / 11 / 13

HEX #DEC3C6

RGB 222 195 198

HSL 353.33, 0.29%, 0.82%

LAB 81.09, 10.02, 1.99

 

CMYK 0 / 19 / 17 / 10

HEX #E6BBC0

RGB 230 187 192

HSL 353.02, 0.46%, 0.82%

LAB 79.71, 16.18, 3.31

 

CMYK 0 / 24 / 22 / 7

HEX #EDB4BA

RGB 237 180 186

HSL 353.68, 0.61%, 0.82%

LAB 78.57, 21.53, 5

 

CMYK 0 / 29 / 27 / 4

HEX #F5ADB4

RGB 245 173 180

HSL 354.17, 0.78%, 0.82%

LAB 77.64, 27.31, 7.01

 

CMYK 0 / 35 / 31 / 1

HEX #FCA5AE

RGB 252 165 174

HSL 353.79, 0.94%, 0.82%

LAB 76.47, 33.26, 8.72

 

CMYK 0 / 12 / 11 / 13

HEX #DEC3C6

RGB 222 195 198

HSL 353.33, 0.29%, 0.82%

LAB 81.09, 10.02, 1.99

 

CMYK 0 / 6 / 5 / 16

HEX #D7CACC

RGB 215 202 204

HSL 350.77, 0.14%, 0.82%

LAB 82.4, 4.87, 0.62

 

CMYK 1 / 0 / 0 / 18

HEX #D0D2D1

RGB 208 210 209

HSL 150, 0.02%, 0.82%

LAB 84.02, -0.86, 0.25

 

CMYK 8 / 0 / 1 / 15

HEX #C8D9D7

RGB 200 217 215

HSL 172.94, 0.18%, 0.82%

LAB 85.41, -6.06, -0.98

 

CMYK 14 / 0 / 2 / 12

HEX #C1E1DD

RGB 193 225 221

HSL 172.5, 0.35%, 0.82%

LAB 87.2, -11.25, -1.59

 

CMYK 0 / 12 / 4 / 13

HEX #DEC3D5

RGB 222 195 213

HSL 320, 0.29%, 0.82%

LAB 81.49, 12.59, -5.47

 

CMYK 0 / 12 / 8 / 13

HEX #DEC3CD

RGB 222 195 205

HSL 337.78, 0.29%, 0.82%

LAB 81.27, 11.2, -1.5

 

CMYK 0 / 12 / 11 / 13

HEX #DEC3C6

RGB 222 195 198

HSL 353.33, 0.29%, 0.82%

LAB 81.09, 10.02, 1.99

 

CMYK 0 / 10 / 12 / 13

HEX #DEC7C3

RGB 222 199 195

HSL 8.89, 0.29%, 0.82%

LAB 82.01, 7.41, 4.93

 

CMYK 0 / 7 / 12 / 13

HEX #DECEC3

RGB 222 206 195

HSL 24.44, 0.29%, 0.82%

LAB 83.76, 3.72, 7.46

 

CMYK 0 / 27 / 24 / 24

HEX #C18D93

RGB 193 141 147

HSL 353.08, 0.3%, 0.65%

LAB 63.75, 20.62, 4.61

 

CMYK 0 / 19 / 17 / 18

HEX #D0A8AC

RGB 208 168 172

HSL 354, 0.3%, 0.74%

LAB 72.49, 15.25, 3.49

 

CMYK 0 / 12 / 11 / 13

HEX #DEC3C6

RGB 222 195 198

HSL 353.33, 0.29%, 0.82%

LAB 81.09, 10.02, 1.99

 

CMYK 0 / 6 / 6 / 7

HEX #EDDEDF

RGB 237 222 223

HSL 356, 0.29%, 0.9%

LAB 89.66, 5.29, 1.34

 

CMYK 0 / 1 / 1 / 2

HEX #FBF8F9

RGB 251 248 249

HSL 340, 0.27%, 0.98%

LAB 97.83, 1.17, -0.14

 

CMYK 0 / 13 / 11 / 13

HEX #DEC2C5

RGB 222 194 197

HSL 353.57, 0.3%, 0.82%

LAB 80.82, 10.39, 2.14

 

CMYK 1 / 0 / 12 / 13

HEX #DCDEC3

RGB 220 222 195

HSL 64.44, 0.29%, 0.82%

LAB 87.68, -5.28, 13.02

 

CMYK 12 / 6 / 0 / 13

HEX #C3D1DE

RGB 195 209 222

HSL 208.89, 0.29%, 0.82%

LAB 83.17, -2.15, -8.04

 

CMYK 0 / 13 / 11 / 13

HEX #DEC2C5

RGB 222 194 197

HSL 353.57, 0.3%, 0.82%

LAB 80.82, 10.39, 2.14

 

CMYK 11 / 0 / 12 / 13

HEX #C6DEC3

RGB 198 222 195

HSL 113.33, 0.29%, 0.82%

LAB 86.1, -12.94, 10.56

 

CMYK 12 / 11 / 0 / 13

HEX #C3C6DE

RGB 195 198 222

HSL 233.33, 0.29%, 0.82%

LAB 80.33, 3.67, -12.27

 

CMYK 0 / 13 / 11 / 13

HEX #DEC2C5

RGB 222 194 197

HSL 353.57, 0.3%, 0.82%

LAB 80.82, 10.39, 2.14

 

CMYK 1 / 0 / 12 / 13

HEX #DCDEC3

RGB 220 222 195

HSL 64.44, 0.29%, 0.82%

LAB 87.68, -5.28, 13.02

 

CMYK 12 / 0 / 1 / 13

HEX #C3DEDB

RGB 195 222 219

HSL 173.33, 0.29%, 0.82%

LAB 86.48, -9.48, -1.56

 

CMYK 11 / 12 / 0 / 13

HEX #C5C3DE

RGB 197 195 222

HSL 244.44, 0.29%, 0.82%

LAB 79.71, 5.93, -13.17

 

CMYK 0 / 13 / 11 / 13

HEX #DEC2C5

RGB 222 194 197

HSL 353.57, 0.3%, 0.82%

LAB 80.82, 10.39, 2.14

 

CMYK 5 / 0 / 12 / 13

HEX #D4DEC3

RGB 212 222 195

HSL 82.22, 0.29%, 0.82%

LAB 87.08, -8.1, 12.1

 

CMYK 12 / 0 / 1 / 13

HEX #C3DEDB

RGB 195 222 219

HSL 173.33, 0.29%, 0.82%

LAB 86.48, -9.48, -1.56

 

CMYK 8 / 12 / 0 / 13

HEX #CDC3DE

RGB 205 195 222

HSL 262.22, 0.29%, 0.82%

LAB 80.34, 8.54, -12.17

 

Description

Color code: HEX #DEC2C5 | qconv.com Color code: HEX #DEC2C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 194 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 194 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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