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Color name
HEX #DECDC3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DECDC3 it is the complementary color #21323C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DECDC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DECDC3 shade: #E3CDBE, #F4DFD1, #FFF1E4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DECDC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DECDC3 shade: #DECDC3, #CDBBB0, #BCA99D, #AB978A and #9A8577

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DECDC3 shade: #DECDC3, #DEC6C3 and #DEC3C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DECDC3 shade: #DECDC3, #DED4C3, #DEDCC3, #D9DEC3 and #D2DEC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DECDC3 shade matches the following richer shades: #DECDC3, #E5CBBC, #EDC9B4, #F4C7AD and #FCC5A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DECDC3 shade: #DECDC3, #D6CFCB, #CFD1D2, #C8D3DA and #C0D5E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DECDC3 shade: #DEC3C8, #DEC6C3, #DECDC3, #DED4C3 and #DEDBC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DECDC3 shade: #C1A18E, #CFB7A9, #DECDC3, #EDE3DE and #FBFAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DECDC3 shade: #DECDC3, #CFDEC3 and #C3C4DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DECDC3 shade: #DECDC3, #C3DECD and #CDC3DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DECDC3 shade: #DECDC3, #CFDEC3, #C3D4DE and #D2C3DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DECDC3 shade: #DECDC3, #C7DEC3, #C3D4DE and #DAC3DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

Complementary color

CMYK 45 / 17 / 0 / 76

HEX #21323C

RGB 33 50 60

HSL 202.22, 0.29%, 0.18%

LAB 19.76, -3.82, -8.52

 

CMYK 0 / 10 / 16 / 11

HEX #E3CDBE

RGB 227 205 190

HSL 24.32, 0.4%, 0.82%

LAB 83.82, 5.26, 10.25

 

CMYK 0 / 9 / 14 / 4

HEX #F4DFD1

RGB 244 223 209

HSL 24, 0.61%, 0.89%

LAB 90.14, 4.95, 9.45

 

CMYK 0 / 5 / 11 / 0

HEX #FFF1E4

RGB 255 241 228

HSL 28.89, 1%, 0.95%

LAB 95.9, 2.57, 7.95

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 0 / 9 / 14 / 20

HEX #CDBBB0

RGB 205 187 176

HSL 22.76, 0.22%, 0.75%

LAB 77.07, 4.55, 7.87

 

CMYK 0 / 10 / 16 / 26

HEX #BCA99D

RGB 188 169 157

HSL 23.23, 0.19%, 0.68%

LAB 70.53, 4.87, 8.68

 

CMYK 0 / 12 / 19 / 33

HEX #AB978A

RGB 171 151 138

HSL 23.64, 0.16%, 0.61%

LAB 63.86, 5.24, 9.55

 

CMYK 0 / 14 / 23 / 40

HEX #9A8577

RGB 154 133 119

HSL 24, 0.15%, 0.54%

LAB 57.05, 5.66, 10.48

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 0 / 11 / 12 / 13

HEX #DEC6C3

RGB 222 198 195

HSL 6.67, 0.29%, 0.82%

LAB 81.76, 7.94, 4.57

 

CMYK 0 / 12 / 12 / 13

HEX #DEC3C3

RGB 222 195 195

HSL 0, 0.29%, 0.82%

LAB 81.02, 9.53, 3.5

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 0 / 5 / 12 / 13

HEX #DED4C3

RGB 222 212 195

HSL 37.78, 0.29%, 0.82%

LAB 85.28, 0.59, 9.63

 

CMYK 0 / 1 / 12 / 13

HEX #DEDCC3

RGB 222 220 195

HSL 55.56, 0.29%, 0.82%

LAB 87.32, -3.54, 12.53

 

CMYK 2 / 0 / 12 / 13

HEX #D9DEC3

RGB 217 222 195

HSL 71.11, 0.29%, 0.82%

LAB 87.45, -6.34, 12.67

 

CMYK 5 / 0 / 12 / 13

HEX #D2DEC3

RGB 210 222 195

HSL 86.67, 0.29%, 0.82%

LAB 86.94, -8.8, 11.87

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 0 / 11 / 18 / 10

HEX #E5CBBC

RGB 229 203 188

HSL 21.95, 0.44%, 0.82%

LAB 83.44, 6.73, 10.8

 

CMYK 0 / 15 / 24 / 7

HEX #EDC9B4

RGB 237 201 180

HSL 22.11, 0.61%, 0.82%

LAB 83.48, 9.56, 15.21

 

CMYK 0 / 18 / 29 / 4

HEX #F4C7AD

RGB 244 199 173

HSL 21.97, 0.76%, 0.82%

LAB 83.49, 12.28, 19.04

 

CMYK 0 / 22 / 34 / 1

HEX #FCC5A6

RGB 252 197 166

HSL 21.63, 0.93%, 0.82%

LAB 83.64, 15.48, 23.07

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 0 / 3 / 5 / 16

HEX #D6CFCB

RGB 214 207 203

HSL 21.82, 0.12%, 0.82%

LAB 83.57, 1.71, 2.83

 

CMYK 1 / 0 / 0 / 18

HEX #CFD1D2

RGB 207 209 210

HSL 200, 0.03%, 0.82%

LAB 83.71, -0.49, -0.74

 

CMYK 8 / 3 / 0 / 15

HEX #C8D3DA

RGB 200 211 218

HSL 203.33, 0.2%, 0.82%

LAB 83.93, -2.36, -4.74

 

CMYK 15 / 5 / 0 / 12

HEX #C0D5E1

RGB 192 213 225

HSL 201.82, 0.35%, 0.82%

LAB 84.09, -4.59, -8.3

 

CMYK 0 / 12 / 10 / 13

HEX #DEC3C8

RGB 222 195 200

HSL 348.89, 0.29%, 0.82%

LAB 81.14, 10.35, 1

 

CMYK 0 / 11 / 12 / 13

HEX #DEC6C3

RGB 222 198 195

HSL 6.67, 0.29%, 0.82%

LAB 81.76, 7.94, 4.57

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 0 / 5 / 12 / 13

HEX #DED4C3

RGB 222 212 195

HSL 37.78, 0.29%, 0.82%

LAB 85.28, 0.59, 9.63

 

CMYK 0 / 1 / 12 / 13

HEX #DEDBC3

RGB 222 219 195

HSL 53.33, 0.29%, 0.82%

LAB 87.06, -3.03, 12.17

 

CMYK 0 / 17 / 26 / 24

HEX #C1A18E

RGB 193 161 142

HSL 22.35, 0.29%, 0.66%

LAB 68.59, 8.88, 14.29

 

CMYK 0 / 12 / 18 / 19

HEX #CFB7A9

RGB 207 183 169

HSL 22.11, 0.28%, 0.74%

LAB 76.07, 6.32, 10.25

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 0 / 4 / 6 / 7

HEX #EDE3DE

RGB 237 227 222

HSL 20, 0.29%, 0.9%

LAB 90.88, 2.54, 3.64

 

CMYK 0 / 0 / 1 / 2

HEX #FBFAF9

RGB 251 250 249

HSL 30, 0.2%, 0.98%

LAB 98.32, 0.16, 0.58

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 7 / 0 / 12 / 13

HEX #CFDEC3

RGB 207 222 195

HSL 93.33, 0.29%, 0.82%

LAB 86.73, -9.84, 11.54

 

CMYK 12 / 12 / 0 / 13

HEX #C3C4DE

RGB 195 196 222

HSL 237.78, 0.29%, 0.82%

LAB 79.82, 4.74, -13.04

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 12 / 0 / 8 / 13

HEX #C3DECD

RGB 195 222 205

HSL 142.22, 0.29%, 0.82%

LAB 86.13, -12.15, 5.31

 

CMYK 8 / 12 / 0 / 13

HEX #CDC3DE

RGB 205 195 222

HSL 262.22, 0.29%, 0.82%

LAB 80.34, 8.54, -12.17

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 7 / 0 / 12 / 13

HEX #CFDEC3

RGB 207 222 195

HSL 93.33, 0.29%, 0.82%

LAB 86.73, -9.84, 11.54

 

CMYK 12 / 5 / 0 / 13

HEX #C3D4DE

RGB 195 212 222

HSL 202.22, 0.29%, 0.82%

LAB 83.95, -3.72, -6.89

 

CMYK 5 / 12 / 0 / 13

HEX #D2C3DE

RGB 210 195 222

HSL 273.33, 0.29%, 0.82%

LAB 80.74, 10.2, -11.53

 

CMYK 0 / 8 / 12 / 13

HEX #DECDC3

RGB 222 205 195

HSL 22.22, 0.29%, 0.82%

LAB 83.51, 4.25, 7.1

 

CMYK 10 / 0 / 12 / 13

HEX #C7DEC3

RGB 199 222 195

HSL 111.11, 0.29%, 0.82%

LAB 86.17, -12.6, 10.67

 

CMYK 12 / 5 / 0 / 13

HEX #C3D4DE

RGB 195 212 222

HSL 202.22, 0.29%, 0.82%

LAB 83.95, -3.72, -6.89

 

CMYK 2 / 12 / 0 / 13

HEX #DAC3DE

RGB 218 195 222

HSL 291.11, 0.29%, 0.82%

LAB 81.41, 12.87, -10.47

 

Description

Color code: HEX #DECDC3 | qconv.com Color code: HEX #DECDC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 205 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 205 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 12% 13% C M Y K

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Provide designers and agencies with accurate color values.

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