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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DED2C9 it is the complementary color #212D36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DED2C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DED2C9 shade: #E3D2C4, #F4E4D7, #FFF6EA and #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DED2C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DED2C9 shade: #DED2C9, #CDC0B6, #BCAEA3, #AB9C90 and #9A8A7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DED2C9 shade: #DED2C9, #DECCC9 and #DEC9C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DED2C9 shade: #DED2C9, #DED7C9, #DEDDC9, #D9DEC9 and #D3DEC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DED2C9 shade matches the following richer shades: #DED2C9, #E5D1C2, #ECD0BB, #F3CFB4 and #FACEAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DED2C9 shade: #DED2C9, #D7D3D0, #D0D4D7, #C9D5DE and #C1D6E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DED2C9 shade: #DEC9CB, #DECCC9, #DED1C9, #DED7C9 and #DEDDC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DED2C9 shade: #BEA796, #CEBCAF, #DED2C9, #EDE7E2 and #FDFCFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DED2C9 shade: #DED2C9, #D1DEC9 and #C9C9DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DED2C9 shade: #DED2C9, #C9DED1 and #D1C9DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DED2C9 shade: #DED2C9, #D1DEC9, #C9D5DE and #D6C9DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DED2C9 shade: #DED2C9, #CADEC9, #C9D5DE and #DCC9DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

Complementary color

CMYK 39 / 17 / 0 / 79

HEX #212D36

RGB 33 45 54

HSL 205.71, 0.24%, 0.17%

LAB 17.77, -2.37, -7.42

 

CMYK 0 / 7 / 14 / 11

HEX #E3D2C4

RGB 227 210 196

HSL 27.1, 0.36%, 0.83%

LAB 85.2, 3.58, 9.05

 

CMYK 0 / 7 / 12 / 4

HEX #F4E4D7

RGB 244 228 215

HSL 26.9, 0.57%, 0.9%

LAB 91.52, 3.31, 8.29

 

CMYK 0 / 4 / 8 / 0

HEX #FFF6EA

RGB 255 246 234

HSL 34.29, 1%, 0.96%

LAB 97.27, 1, 6.83

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 0 / 6 / 11 / 20

HEX #CDC0B6

RGB 205 192 182

HSL 26.09, 0.19%, 0.76%

LAB 78.49, 2.86, 6.67

 

CMYK 0 / 7 / 13 / 26

HEX #BCAEA3

RGB 188 174 163

HSL 26.4, 0.16%, 0.69%

LAB 71.97, 3.14, 7.44

 

CMYK 0 / 9 / 16 / 33

HEX #AB9C90

RGB 171 156 144

HSL 26.67, 0.14%, 0.62%

LAB 65.32, 3.44, 8.27

 

CMYK 0 / 10 / 19 / 40

HEX #9A8A7D

RGB 154 138 125

HSL 26.9, 0.13%, 0.55%

LAB 58.53, 3.79, 9.15

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 0 / 8 / 9 / 13

HEX #DECCC9

RGB 222 204 201

HSL 8.57, 0.24%, 0.83%

LAB 83.41, 5.76, 3.75

 

CMYK 0 / 9 / 9 / 13

HEX #DEC9C9

RGB 222 201 201

HSL 0, 0.24%, 0.83%

LAB 82.66, 7.34, 2.66

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 0 / 3 / 9 / 13

HEX #DED7C9

RGB 222 215 201

HSL 40, 0.24%, 0.83%

LAB 86.18, 0.01, 7.75

 

CMYK 0 / 0 / 9 / 13

HEX #DEDDC9

RGB 222 221 201

HSL 57.14, 0.24%, 0.83%

LAB 87.71, -3.09, 9.93

 

CMYK 2 / 0 / 9 / 13

HEX #D9DEC9

RGB 217 222 201

HSL 74.29, 0.24%, 0.83%

LAB 87.59, -5.35, 9.71

 

CMYK 5 / 0 / 9 / 13

HEX #D3DEC9

RGB 211 222 201

HSL 91.43, 0.24%, 0.83%

LAB 87.15, -7.44, 9.02

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 0 / 9 / 15 / 10

HEX #E5D1C2

RGB 229 209 194

HSL 25.71, 0.4%, 0.83%

LAB 85.07, 4.51, 9.94

 

CMYK 0 / 12 / 21 / 7

HEX #ECD0BB

RGB 236 208 187

HSL 25.71, 0.56%, 0.83%

LAB 85.27, 6.53, 14.01

 

CMYK 0 / 15 / 26 / 5

HEX #F3CFB4

RGB 243 207 180

HSL 25.71, 0.72%, 0.83%

LAB 85.49, 8.66, 18.11

 

CMYK 0 / 18 / 31 / 2

HEX #FACEAD

RGB 250 206 173

HSL 25.71, 0.89%, 0.83%

LAB 85.75, 10.89, 22.24

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 0 / 2 / 3 / 16

HEX #D7D3D0

RGB 215 211 208

HSL 25.71, 0.08%, 0.83%

LAB 84.79, 0.84, 1.96

 

CMYK 3 / 1 / 0 / 16

HEX #D0D4D7

RGB 208 212 215

HSL 205.71, 0.08%, 0.83%

LAB 84.69, -0.8, -1.96

 

CMYK 9 / 4 / 0 / 13

HEX #C9D5DE

RGB 201 213 222

HSL 205.71, 0.24%, 0.83%

LAB 84.63, -2.3, -5.83

 

CMYK 16 / 7 / 0 / 10

HEX #C1D6E5

RGB 193 214 229

HSL 205, 0.41%, 0.83%

LAB 84.53, -3.96, -9.75

 

CMYK 0 / 9 / 9 / 13

HEX #DEC9CB

RGB 222 201 203

HSL 354.29, 0.24%, 0.83%

LAB 82.71, 7.68, 1.67

 

CMYK 0 / 8 / 9 / 13

HEX #DECCC9

RGB 222 204 201

HSL 8.57, 0.24%, 0.83%

LAB 83.41, 5.76, 3.75

 

CMYK 0 / 6 / 9 / 13

HEX #DED1C9

RGB 222 209 201

HSL 22.86, 0.24%, 0.83%

LAB 84.66, 3.14, 5.56

 

CMYK 0 / 3 / 9 / 13

HEX #DED7C9

RGB 222 215 201

HSL 40, 0.24%, 0.83%

LAB 86.18, 0.01, 7.75

 

CMYK 0 / 0 / 9 / 13

HEX #DEDDC9

RGB 222 221 201

HSL 57.14, 0.24%, 0.83%

LAB 87.71, -3.09, 9.93

 

CMYK 0 / 12 / 21 / 25

HEX #BEA796

RGB 190 167 150

HSL 25.5, 0.24%, 0.67%

LAB 70.03, 5.63, 11.86

 

CMYK 0 / 9 / 15 / 19

HEX #CEBCAF

RGB 206 188 175

HSL 25.16, 0.24%, 0.75%

LAB 77.39, 4.22, 8.87

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 0 / 3 / 5 / 7

HEX #EDE7E2

RGB 237 231 226

HSL 27.27, 0.23%, 0.91%

LAB 91.97, 1.16, 3.14

 

CMYK 0 / 0 / 0 / 1

HEX #FDFCFC

RGB 253 252 252

HSL 0, 0.2%, 0.99%

LAB 99.04, 0.34, 0.11

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 6 / 0 / 9 / 13

HEX #D1DEC9

RGB 209 222 201

HSL 97.14, 0.24%, 0.83%

LAB 87, -8.13, 8.8

 

CMYK 9 / 9 / 0 / 13

HEX #C9C9DE

RGB 201 201 222

HSL 240, 0.24%, 0.83%

LAB 81.55, 4.03, -10.4

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 9 / 0 / 6 / 13

HEX #C9DED1

RGB 201 222 209

HSL 142.86, 0.24%, 0.83%

LAB 86.63, -9.42, 3.98

 

CMYK 6 / 9 / 0 / 13

HEX #D1C9DE

RGB 209 201 222

HSL 262.86, 0.24%, 0.83%

LAB 82.16, 6.67, -9.42

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 6 / 0 / 9 / 13

HEX #D1DEC9

RGB 209 222 201

HSL 97.14, 0.24%, 0.83%

LAB 87, -8.13, 8.8

 

CMYK 9 / 4 / 0 / 13

HEX #C9D5DE

RGB 201 213 222

HSL 205.71, 0.24%, 0.83%

LAB 84.63, -2.3, -5.83

 

CMYK 4 / 9 / 0 / 13

HEX #D6C9DE

RGB 214 201 222

HSL 277.14, 0.24%, 0.83%

LAB 82.56, 8.33, -8.78

 

CMYK 0 / 5 / 9 / 13

HEX #DED2C9

RGB 222 210 201

HSL 25.71, 0.24%, 0.83%

LAB 84.91, 2.61, 5.93

 

CMYK 9 / 0 / 9 / 13

HEX #CADEC9

RGB 202 222 201

HSL 117.14, 0.24%, 0.83%

LAB 86.51, -10.52, 8.03

 

CMYK 9 / 4 / 0 / 13

HEX #C9D5DE

RGB 201 213 222

HSL 205.71, 0.24%, 0.83%

LAB 84.63, -2.3, -5.83

 

CMYK 1 / 9 / 0 / 13

HEX #DCC9DE

RGB 220 201 222

HSL 294.29, 0.24%, 0.83%

LAB 83.05, 10.35, -8

 

Description

Color code: HEX #DED2C9 | qconv.com Color code: HEX #DED2C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 210 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 210 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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