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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEE592 it is the complementary color #211A6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEE592. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEE592 shade: #E3E58D, #F4F7A0, #FFFFB3, #FFFFC6 and #FFFFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEE592. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEE592 shade: #DEE592, #CDD37F, #BCC16C, #ABAF59 and #9A9D46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEE592 shade: #DEE594, #E5D694, #E5C094, #E5AA94 and #E59494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEE592 shade: #DEE594, #C8E594, #B2E594, #9CE594 and #94E5A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEE592 shade matches the following richer shades: #DEE594, #E7EF89 and #F0FA7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEE592 shade: #DEE594, #D5DA9E, #CCCFA9, #C3C4B4 and #BABABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEE592 shade: #E5C094, #E5D694, #DEE594, #C8E594 and #B3E594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEE592 shade: #C9D551, #D4DD73, #DEE594, #E8EDB5 and #F2F5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEE592 shade: #DEE592, #94E5AB and #CB94E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEE592 shade: #DEE592, #94DEE5 and #E594DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEE592 shade: #DEE592, #94E5AB, #9A94E5 and #E594CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEE592 shade: #DEE592, #94E5C3, #9A94E5 and #E594B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 36 / 10

HEX #DEE592

RGB 222 229 146

HSL 65.06, 0.61%, 0.74%

LAB 88.75, -14.81, 39.71

 

Complementary color

CMYK 70 / 76 / 0 / 57

HEX #211A6D

RGB 33 26 109

HSL 245.06, 0.61%, 0.26%

LAB 16.34, 30.94, -46.82

 

CMYK 1 / 0 / 38 / 10

HEX #E3E58D

RGB 227 229 141

HSL 61.36, 0.63%, 0.73%

LAB 89.06, -13.45, 42.66

 

CMYK 1 / 0 / 35 / 3

HEX #F4F7A0

RGB 244 247 160

HSL 62.07, 0.84%, 0.8%

LAB 95.28, -13.74, 41.53

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFD9

RGB 255 255 217

HSL 60, 1%, 0.93%

LAB 99.14, -6.17, 18.19

 

CMYK 3 / 0 / 36 / 10

HEX #DEE592

RGB 222 229 146

HSL 65.06, 0.61%, 0.74%

LAB 88.75, -14.81, 39.71

 

CMYK 3 / 0 / 40 / 17

HEX #CDD37F

RGB 205 211 127

HSL 64.29, 0.49%, 0.66%

LAB 82.43, -14.55, 40.86

 

CMYK 3 / 0 / 44 / 24

HEX #BCC16C

RGB 188 193 108

HSL 63.53, 0.41%, 0.59%

LAB 76.02, -14.23, 42.04

 

CMYK 2 / 0 / 49 / 31

HEX #ABAF59

RGB 171 175 89

HSL 62.79, 0.35%, 0.52%

LAB 69.5, -13.84, 43.23

 

CMYK 2 / 0 / 55 / 38

HEX #9A9D46

RGB 154 157 70

HSL 62.07, 0.38%, 0.45%

LAB 62.87, -13.34, 44.37

 

CMYK 3 / 0 / 35 / 10

HEX #DEE594

RGB 222 229 148

HSL 65.19, 0.61%, 0.74%

LAB 88.78, -14.58, 38.75

 

CMYK 0 / 7 / 35 / 10

HEX #E5D694

RGB 229 214 148

HSL 48.89, 0.61%, 0.74%

LAB 85.45, -4.33, 34.5

 

CMYK 0 / 16 / 35 / 10

HEX #E5C094

RGB 229 192 148

HSL 32.59, 0.61%, 0.74%

LAB 79.89, 7.09, 27.11

 

CMYK 0 / 26 / 35 / 10

HEX #E5AA94

RGB 229 170 148

HSL 16.3, 0.61%, 0.74%

LAB 74.54, 18.78, 19.81

 

CMYK 0 / 35 / 35 / 10

HEX #E59494

RGB 229 148 148

HSL 0, 0.61%, 0.74%

LAB 69.45, 30.53, 12.73

 

CMYK 3 / 0 / 35 / 10

HEX #DEE594

RGB 222 229 148

HSL 65.19, 0.61%, 0.74%

LAB 88.78, -14.58, 38.75

 

CMYK 13 / 0 / 35 / 10

HEX #C8E594

RGB 200 229 148

HSL 81.48, 0.61%, 0.74%

LAB 87.22, -22.81, 36.41

 

CMYK 22 / 0 / 35 / 10

HEX #B2E594

RGB 178 229 148

HSL 97.78, 0.61%, 0.74%

LAB 85.83, -30.69, 34.33

 

CMYK 32 / 0 / 35 / 10

HEX #9CE594

RGB 156 229 148

HSL 114.07, 0.61%, 0.74%

LAB 84.61, -38.06, 32.49

 

CMYK 35 / 0 / 30 / 10

HEX #94E5A1

RGB 148 229 161

HSL 129.63, 0.61%, 0.74%

LAB 84.44, -38.47, 25.54

 

CMYK 3 / 0 / 35 / 10

HEX #DEE594

RGB 222 229 148

HSL 65.19, 0.61%, 0.74%

LAB 88.78, -14.58, 38.75

 

CMYK 3 / 0 / 43 / 6

HEX #E7EF89

RGB 231 239 137

HSL 64.71, 0.76%, 0.74%

LAB 91.92, -17.25, 48.28

 

CMYK 4 / 0 / 50 / 2

HEX #F0FA7E

RGB 240 250 126

HSL 64.84, 0.93%, 0.74%

LAB 95.33, -20.13, 57.73

 

CMYK 3 / 0 / 35 / 10

HEX #DEE594

RGB 222 229 148

HSL 65.19, 0.61%, 0.74%

LAB 88.78, -14.58, 38.75

 

CMYK 2 / 0 / 28 / 15

HEX #D5DA9E

RGB 213 218 158

HSL 65, 0.45%, 0.74%

LAB 85.38, -11.23, 29.05

 

CMYK 1 / 0 / 18 / 19

HEX #CCCFA9

RGB 204 207 169

HSL 64.74, 0.28%, 0.74%

LAB 82.02, -7.41, 18.58

 

CMYK 1 / 0 / 8 / 23

HEX #C3C4B4

RGB 195 196 180

HSL 63.75, 0.12%, 0.74%

LAB 78.68, -3.18, 7.91

 

CMYK 3 / 3 / 0 / 25

HEX #BABABF

RGB 186 186 191

HSL 240, 0.04%, 0.74%

LAB 75.65, 0.94, -2.53

 

CMYK 0 / 16 / 35 / 10

HEX #E5C094

RGB 229 192 148

HSL 32.59, 0.61%, 0.74%

LAB 79.89, 7.09, 27.11

 

CMYK 0 / 7 / 35 / 10

HEX #E5D694

RGB 229 214 148

HSL 48.89, 0.61%, 0.74%

LAB 85.45, -4.33, 34.5

 

CMYK 3 / 0 / 35 / 10

HEX #DEE594

RGB 222 229 148

HSL 65.19, 0.61%, 0.74%

LAB 88.78, -14.58, 38.75

 

CMYK 13 / 0 / 35 / 10

HEX #C8E594

RGB 200 229 148

HSL 81.48, 0.61%, 0.74%

LAB 87.22, -22.81, 36.41

 

CMYK 22 / 0 / 35 / 10

HEX #B3E594

RGB 179 229 148

HSL 97.04, 0.61%, 0.74%

LAB 85.89, -30.35, 34.41

 

CMYK 6 / 0 / 62 / 16

HEX #C9D551

RGB 201 213 81

HSL 65.45, 0.61%, 0.58%

LAB 82.16, -21.2, 61.81

 

CMYK 4 / 0 / 48 / 13

HEX #D4DD73

RGB 212 221 115

HSL 65.09, 0.61%, 0.66%

LAB 85.48, -17.98, 50.59

 

CMYK 3 / 0 / 35 / 10

HEX #DEE594

RGB 222 229 148

HSL 65.19, 0.61%, 0.74%

LAB 88.78, -14.58, 38.75

 

CMYK 2 / 0 / 24 / 7

HEX #E8EDB5

RGB 232 237 181

HSL 65.36, 0.61%, 0.82%

LAB 92.16, -10.61, 26.65

 

CMYK 1 / 0 / 13 / 4

HEX #F2F5D6

RGB 242 245 214

HSL 65.81, 0.61%, 0.9%

LAB 95.6, -6.18, 14.6

 

CMYK 3 / 0 / 36 / 10

HEX #DEE592

RGB 222 229 146

HSL 65.06, 0.61%, 0.74%

LAB 88.75, -14.81, 39.71

 

CMYK 35 / 0 / 25 / 10

HEX #94E5AB

RGB 148 229 171

HSL 137.04, 0.61%, 0.74%

LAB 84.63, -36.71, 20.62

 

CMYK 11 / 35 / 0 / 10

HEX #CB94E5

RGB 203 148 229

HSL 280.74, 0.61%, 0.74%

LAB 69.14, 34.94, -33.05

 

CMYK 3 / 0 / 36 / 10

HEX #DEE592

RGB 222 229 146

HSL 65.06, 0.61%, 0.74%

LAB 88.75, -14.81, 39.71

 

CMYK 35 / 3 / 0 / 10

HEX #94DEE5

RGB 148 222 229

HSL 185.19, 0.61%, 0.74%

LAB 84.07, -21.14, -10.72

 

CMYK 0 / 35 / 3 / 10

HEX #E594DE

RGB 229 148 222

HSL 305.19, 0.61%, 0.74%

LAB 71.63, 41.67, -25.13

 

CMYK 3 / 0 / 36 / 10

HEX #DEE592

RGB 222 229 146

HSL 65.06, 0.61%, 0.74%

LAB 88.75, -14.81, 39.71

 

CMYK 35 / 0 / 25 / 10

HEX #94E5AB

RGB 148 229 171

HSL 137.04, 0.61%, 0.74%

LAB 84.63, -36.71, 20.62

 

CMYK 33 / 35 / 0 / 10

HEX #9A94E5

RGB 154 148 229

HSL 244.44, 0.61%, 0.74%

LAB 64.73, 20.56, -40.25

 

CMYK 0 / 35 / 10 / 10

HEX #E594CE

RGB 229 148 206

HSL 317.04, 0.61%, 0.74%

LAB 71.07, 38.91, -17.15

 

CMYK 3 / 0 / 36 / 10

HEX #DEE592

RGB 222 229 146

HSL 65.06, 0.61%, 0.74%

LAB 88.75, -14.81, 39.71

 

CMYK 35 / 0 / 15 / 10

HEX #94E5C3

RGB 148 229 195

HSL 154.81, 0.61%, 0.74%

LAB 85.14, -32.08, 8.8

 

CMYK 33 / 35 / 0 / 10

HEX #9A94E5

RGB 154 148 229

HSL 244.44, 0.61%, 0.74%

LAB 64.73, 20.56, -40.25

 

CMYK 0 / 35 / 21 / 10

HEX #E594B5

RGB 229 148 181

HSL 335.56, 0.61%, 0.74%

LAB 70.3, 34.97, -4.44

 

Description

Color code: HEX #DEE592 | qconv.com Color code: HEX #DEE592 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 229 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 229 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 36 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 36% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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