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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEEB8F it is the complementary color #211470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEEB8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEEB8F shade: #E3EB8A, #F4FD9D, #FFFFB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEEB8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEEB8F shade: #DEEB8F, #CDD97C, #BCC769, #ABB556 and #9AA343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEEB8F shade: #DDEB8E, #EBDF8E, #EBC68E, #EBAD8E and #EB948E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEEB8F shade: #DDEB8E, #C4EB8E, #ABEB8E, #92EB8E and #8EEBA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEEB8F shade matches the following richer shades: #DDEB8E and #E5F583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEEB8F shade: #DDEB8E, #D6E099, #CED5A3, #C6CAAE and #BFC0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEEB8F shade: #EBC58E, #EBDE8E, #DEEB8E, #C5EB8E and #ADEB8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEEB8F shade: #C9DE48, #D3E46B, #DDEB8E, #E8F1B1 and #F2F7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEEB8F shade: #DEEB8F, #8EEBAD and #D28EEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEEB8F shade: #DEEB8F, #8EDEEB and #EB8EDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEEB8F shade: #DEEB8F, #8EEBAD, #9A8EEB and #EB8ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEEB8F shade: #DEEB8F, #8EEBC9, #9A8EEB and #EB8EB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 39 / 8

HEX #DEEB8F

RGB 222 235 143

HSL 68.48, 0.7%, 0.74%

LAB 90.29, -18.1, 43.16

 

Complementary color

CMYK 71 / 82 / 0 / 56

HEX #211470

RGB 33 20 112

HSL 248.48, 0.7%, 0.26%

LAB 15.45, 35.43, -50.23

 

CMYK 3 / 0 / 41 / 8

HEX #E3EB8A

RGB 227 235 138

HSL 64.95, 0.71%, 0.73%

LAB 90.59, -16.73, 46.07

 

CMYK 4 / 0 / 38 / 1

HEX #F4FD9D

RGB 244 253 157

HSL 65.63, 0.96%, 0.8%

LAB 96.79, -17, 44.93

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 6 / 0 / 39 / 8

HEX #DEEB8F

RGB 222 235 143

HSL 68.48, 0.7%, 0.74%

LAB 90.29, -18.1, 43.16

 

CMYK 6 / 0 / 43 / 15

HEX #CDD97C

RGB 205 217 124

HSL 67.74, 0.55%, 0.67%

LAB 84, -17.86, 44.31

 

CMYK 6 / 0 / 47 / 22

HEX #BCC769

RGB 188 199 105

HSL 67.02, 0.46%, 0.6%

LAB 77.61, -17.56, 45.47

 

CMYK 6 / 0 / 52 / 29

HEX #ABB556

RGB 171 181 86

HSL 66.32, 0.39%, 0.52%

LAB 71.13, -17.19, 46.61

 

CMYK 6 / 0 / 59 / 36

HEX #9AA343

RGB 154 163 67

HSL 65.63, 0.42%, 0.45%

LAB 64.54, -16.71, 47.66

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 0 / 5 / 40 / 8

HEX #EBDF8E

RGB 235 223 142

HSL 52.26, 0.7%, 0.74%

LAB 88.16, -7.24, 41.14

 

CMYK 0 / 16 / 40 / 8

HEX #EBC68E

RGB 235 198 142

HSL 36.13, 0.7%, 0.74%

LAB 81.84, 5.61, 32.94

 

CMYK 0 / 26 / 40 / 8

HEX #EBAD8E

RGB 235 173 142

HSL 20, 0.7%, 0.74%

LAB 75.76, 18.81, 24.83

 

CMYK 0 / 37 / 40 / 8

HEX #EB948E

RGB 235 148 142

HSL 3.87, 0.7%, 0.74%

LAB 70.03, 32.08, 16.98

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 17 / 0 / 40 / 8

HEX #C4EB8E

RGB 196 235 142

HSL 85.16, 0.7%, 0.74%

LAB 88.5, -27.9, 41.01

 

CMYK 27 / 0 / 40 / 8

HEX #ABEB8E

RGB 171 235 142

HSL 101.29, 0.7%, 0.74%

LAB 87.01, -36.69, 38.8

 

CMYK 38 / 0 / 40 / 8

HEX #92EB8E

RGB 146 235 142

HSL 117.42, 0.7%, 0.74%

LAB 85.75, -44.74, 36.91

 

CMYK 40 / 0 / 31 / 8

HEX #8EEBA2

RGB 142 235 162

HSL 132.9, 0.7%, 0.74%

LAB 85.89, -42.73, 26.96

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 7 / 0 / 47 / 4

HEX #E5F583

RGB 229 245 131

HSL 68.42, 0.85%, 0.74%

LAB 93.28, -21.51, 52.76

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 4 / 0 / 32 / 12

HEX #D6E099

RGB 214 224 153

HSL 68.45, 0.53%, 0.74%

LAB 86.95, -14.51, 33.71

 

CMYK 3 / 0 / 23 / 16

HEX #CED5A3

RGB 206 213 163

HSL 68.4, 0.37%, 0.74%

LAB 83.63, -10.62, 23.98

 

CMYK 2 / 0 / 14 / 21

HEX #C6CAAE

RGB 198 202 174

HSL 68.57, 0.21%, 0.74%

LAB 80.35, -6.23, 13.52

 

CMYK 1 / 0 / 4 / 25

HEX #BFC0B9

RGB 191 192 185

HSL 68.57, 0.05%, 0.74%

LAB 77.45, -1.62, 3.39

 

CMYK 0 / 16 / 40 / 8

HEX #EBC58E

RGB 235 197 142

HSL 35.48, 0.7%, 0.74%

LAB 81.59, 6.13, 32.62

 

CMYK 0 / 6 / 40 / 8

HEX #EBDE8E

RGB 235 222 142

HSL 51.61, 0.7%, 0.74%

LAB 87.9, -6.73, 40.81

 

CMYK 6 / 0 / 40 / 8

HEX #DEEB8E

RGB 222 235 142

HSL 68.39, 0.7%, 0.74%

LAB 90.28, -18.21, 43.64

 

CMYK 16 / 0 / 40 / 8

HEX #C5EB8E

RGB 197 235 142

HSL 84.52, 0.7%, 0.74%

LAB 88.56, -27.54, 41.1

 

CMYK 26 / 0 / 40 / 8

HEX #ADEB8E

RGB 173 235 142

HSL 100, 0.7%, 0.74%

LAB 87.12, -36.01, 38.96

 

CMYK 9 / 0 / 68 / 13

HEX #C9DE48

RGB 201 222 72

HSL 68.4, 0.69%, 0.58%

LAB 84.55, -26.1, 67.83

 

CMYK 7 / 0 / 53 / 11

HEX #D3E46B

RGB 211 228 107

HSL 68.43, 0.69%, 0.66%

LAB 87.19, -22.5, 56.3

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 4 / 0 / 27 / 5

HEX #E8F1B1

RGB 232 241 177

HSL 68.44, 0.7%, 0.82%

LAB 93.12, -13.14, 29.99

 

CMYK 2 / 0 / 14 / 3

HEX #F2F7D4

RGB 242 247 212

HSL 68.57, 0.69%, 0.9%

LAB 96.06, -7.49, 16.28

 

CMYK 6 / 0 / 39 / 8

HEX #DEEB8F

RGB 222 235 143

HSL 68.48, 0.7%, 0.74%

LAB 90.29, -18.1, 43.16

 

CMYK 40 / 0 / 26 / 8

HEX #8EEBAD

RGB 142 235 173

HSL 140, 0.7%, 0.74%

LAB 86.1, -40.79, 21.58

 

CMYK 11 / 40 / 0 / 8

HEX #D28EEB

RGB 210 142 235

HSL 283.87, 0.7%, 0.74%

LAB 68.78, 41.5, -36.84

 

CMYK 6 / 0 / 39 / 8

HEX #DEEB8F

RGB 222 235 143

HSL 68.48, 0.7%, 0.74%

LAB 90.29, -18.1, 43.16

 

CMYK 40 / 6 / 0 / 8

HEX #8EDEEB

RGB 142 222 235

HSL 188.39, 0.7%, 0.74%

LAB 83.96, -21.22, -14.09

 

CMYK 0 / 40 / 6 / 8

HEX #EB8EDE

RGB 235 142 222

HSL 308.39, 0.7%, 0.74%

LAB 71.06, 46.66, -25.93

 

CMYK 6 / 0 / 39 / 8

HEX #DEEB8F

RGB 222 235 143

HSL 68.48, 0.7%, 0.74%

LAB 90.29, -18.1, 43.16

 

CMYK 40 / 0 / 26 / 8

HEX #8EEBAD

RGB 142 235 173

HSL 140, 0.7%, 0.74%

LAB 86.1, -40.79, 21.58

 

CMYK 34 / 40 / 0 / 8

HEX #9A8EEB

RGB 154 142 235

HSL 247.74, 0.7%, 0.74%

LAB 63.52, 25.57, -45.46

 

CMYK 0 / 40 / 13 / 8

HEX #EB8ECC

RGB 235 142 204

HSL 320, 0.7%, 0.74%

LAB 70.43, 43.68, -16.95

 

CMYK 6 / 0 / 39 / 8

HEX #DEEB8F

RGB 222 235 143

HSL 68.48, 0.7%, 0.74%

LAB 90.29, -18.1, 43.16

 

CMYK 40 / 0 / 14 / 8

HEX #8EEBC9

RGB 142 235 201

HSL 158.06, 0.7%, 0.74%

LAB 86.69, -35.27, 7.85

 

CMYK 34 / 40 / 0 / 8

HEX #9A8EEB

RGB 154 142 235

HSL 247.74, 0.7%, 0.74%

LAB 63.52, 25.57, -45.46

 

CMYK 0 / 40 / 25 / 8

HEX #EB8EB0

RGB 235 142 176

HSL 338.06, 0.7%, 0.74%

LAB 69.57, 39.5, -2.64

 

Description

Color code: HEX #DEEB8F | qconv.com Color code: HEX #DEEB8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 235 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 235 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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