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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEF076 it is the complementary color #210F89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEF076. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEF076 shade: #E3F071, #F4FF84, #FFFF97, #FFFFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEF076. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEF076 shade: #DEF076, #CDDE63, #BCCC50, #ABBA3D and #9AA82A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEF076 shade: #DDEF75, #EFE075, #EFBF75, #EF9E75 and #EF7D75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEF076 shade: #DDEF75, #BCEF75, #9BEF75, #7AEF75 and #75EF90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEF076 shade matches the following richer shades: #DDEF75 and #E6FC68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEF076 shade: #DDEF75, #D4E381, #CCD68E, #C3CA9A and #BABEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEF076 shade: #EFBE75, #EFDF75, #DFEF75, #BEEF75 and #9EEF75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEF076 shade: #CBE72B, #D4EB50, #DDEF75, #E6F39A and #EFF7BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEF076 shade: #DEF076, #75EF9E and #CF75EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEF076 shade: #DEF076, #75DFEF and #EF75DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEF076 shade: #DEF076, #75EF9E, #8575EF and #EF75C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEF076 shade: #DEF076, #75EFC2, #8575EF and #EF75A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 51 / 6

HEX #DEF076

RGB 222 240 118

HSL 68.85, 0.8%, 0.7%

LAB 91.31, -23.02, 56.31

 

Complementary color

CMYK 76 / 89 / 0 / 46

HEX #210F89

RGB 33 15 137

HSL 248.85, 0.8%, 0.3%

LAB 17.79, 45.55, -62.33

 

CMYK 5 / 0 / 53 / 6

HEX #E3F071

RGB 227 240 113

HSL 66.14, 0.81%, 0.69%

LAB 91.61, -21.5, 59.02

 

CMYK 4 / 0 / 48 / 0

HEX #F4FF84

RGB 244 255 132

HSL 65.37, 1%, 0.76%

LAB 96.99, -20.45, 57.03

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 8 / 0 / 51 / 6

HEX #DEF076

RGB 222 240 118

HSL 68.85, 0.8%, 0.7%

LAB 91.31, -23.02, 56.31

 

CMYK 8 / 0 / 55 / 13

HEX #CDDE63

RGB 205 222 99

HSL 68.29, 0.65%, 0.63%

LAB 85.06, -22.64, 57.34

 

CMYK 8 / 0 / 61 / 20

HEX #BCCC50

RGB 188 204 80

HSL 67.74, 0.55%, 0.56%

LAB 78.73, -22.16, 58.24

 

CMYK 8 / 0 / 67 / 27

HEX #ABBA3D

RGB 171 186 61

HSL 67.2, 0.51%, 0.48%

LAB 72.3, -21.57, 58.89

 

CMYK 8 / 0 / 75 / 34

HEX #9AA82A

RGB 154 168 42

HSL 66.67, 0.6%, 0.41%

LAB 65.78, -20.82, 59.05

 

CMYK 8 / 0 / 51 / 6

HEX #DDEF75

RGB 221 239 117

HSL 68.85, 0.79%, 0.7%

LAB 90.96, -23.01, 56.34

 

CMYK 0 / 6 / 51 / 6

HEX #EFE075

RGB 239 224 117

HSL 52.62, 0.79%, 0.7%

LAB 88.42, -8.54, 53.68

 

CMYK 0 / 20 / 51 / 6

HEX #EFBF75

RGB 239 191 117

HSL 36.39, 0.79%, 0.7%

LAB 80.12, 8.41, 43.61

 

CMYK 0 / 34 / 51 / 6

HEX #EF9E75

RGB 239 158 117

HSL 20.16, 0.79%, 0.7%

LAB 72.29, 25.84, 33.72

 

CMYK 0 / 48 / 51 / 6

HEX #EF7D75

RGB 239 125 117

HSL 3.93, 0.79%, 0.7%

LAB 65.2, 42.96, 24.42

 

CMYK 8 / 0 / 51 / 6

HEX #DDEF75

RGB 221 239 117

HSL 68.85, 0.79%, 0.7%

LAB 90.96, -23.01, 56.34

 

CMYK 21 / 0 / 51 / 6

HEX #BCEF75

RGB 188 239 117

HSL 85.08, 0.79%, 0.7%

LAB 88.78, -35.47, 53.23

 

CMYK 35 / 0 / 51 / 6

HEX #9BEF75

RGB 155 239 117

HSL 101.31, 0.79%, 0.7%

LAB 86.99, -46.87, 50.64

 

CMYK 49 / 0 / 51 / 6

HEX #7AEF75

RGB 122 239 117

HSL 117.54, 0.79%, 0.7%

LAB 85.58, -56.7, 48.61

 

CMYK 51 / 0 / 40 / 6

HEX #75EF90

RGB 117 239 144

HSL 133.28, 0.79%, 0.7%

LAB 85.77, -54.12, 35.72

 

CMYK 8 / 0 / 51 / 6

HEX #DDEF75

RGB 221 239 117

HSL 68.85, 0.79%, 0.7%

LAB 90.96, -23.01, 56.34

 

CMYK 9 / 0 / 59 / 1

HEX #E6FC68

RGB 230 252 104

HSL 68.92, 0.96%, 0.7%

LAB 94.93, -26.72, 66.71

 

CMYK 8 / 0 / 51 / 6

HEX #DDEF75

RGB 221 239 117

HSL 68.85, 0.79%, 0.7%

LAB 90.96, -23.01, 56.34

 

CMYK 7 / 0 / 43 / 11

HEX #D4E381

RGB 212 227 129

HSL 69.18, 0.64%, 0.7%

LAB 87.25, -19.53, 46.03

 

CMYK 5 / 0 / 34 / 16

HEX #CCD68E

RGB 204 214 142

HSL 68.33, 0.47%, 0.7%

LAB 83.38, -14.68, 34.48

 

CMYK 3 / 0 / 24 / 21

HEX #C3CA9A

RGB 195 202 154

HSL 68.75, 0.31%, 0.7%

LAB 79.71, -10.39, 23.22

 

CMYK 2 / 0 / 13 / 25

HEX #BABEA6

RGB 186 190 166

HSL 70, 0.16%, 0.7%

LAB 76.08, -5.63, 11.65

 

CMYK 0 / 21 / 51 / 6

HEX #EFBE75

RGB 239 190 117

HSL 35.9, 0.79%, 0.7%

LAB 79.88, 8.93, 43.31

 

CMYK 0 / 7 / 51 / 6

HEX #EFDF75

RGB 239 223 117

HSL 52.13, 0.79%, 0.7%

LAB 88.17, -8.03, 53.37

 

CMYK 7 / 0 / 51 / 6

HEX #DFEF75

RGB 223 239 117

HSL 67.87, 0.79%, 0.7%

LAB 91.1, -22.24, 56.54

 

CMYK 21 / 0 / 51 / 6

HEX #BEEF75

RGB 190 239 117

HSL 84.1, 0.79%, 0.7%

LAB 88.91, -34.74, 53.4

 

CMYK 34 / 0 / 51 / 6

HEX #9EEF75

RGB 158 239 117

HSL 99.84, 0.79%, 0.7%

LAB 87.14, -45.89, 50.86

 

CMYK 12 / 0 / 81 / 9

HEX #CBE72B

RGB 203 231 43

HSL 68.94, 0.8%, 0.54%

LAB 87.01, -30.81, 79.18

 

CMYK 10 / 0 / 66 / 8

HEX #D4EB50

RGB 212 235 80

HSL 68.9, 0.79%, 0.62%

LAB 88.92, -27.39, 69.53

 

CMYK 8 / 0 / 51 / 6

HEX #DDEF75

RGB 221 239 117

HSL 68.85, 0.79%, 0.7%

LAB 90.96, -23.01, 56.34

 

CMYK 5 / 0 / 37 / 5

HEX #E6F39A

RGB 230 243 154

HSL 68.76, 0.79%, 0.78%

LAB 93.13, -17.73, 41.5

 

CMYK 3 / 0 / 23 / 3

HEX #EFF7BF

RGB 239 247 191

HSL 68.57, 0.78%, 0.86%

LAB 95.43, -11.65, 26.1

 

CMYK 8 / 0 / 51 / 6

HEX #DEF076

RGB 222 240 118

HSL 68.85, 0.8%, 0.7%

LAB 91.31, -23.02, 56.31

 

CMYK 51 / 0 / 34 / 6

HEX #75EF9E

RGB 117 239 158

HSL 140.16, 0.79%, 0.7%

LAB 86, -51.76, 28.98

 

CMYK 13 / 51 / 0 / 6

HEX #CF75EF

RGB 207 117 239

HSL 284.26, 0.79%, 0.7%

LAB 63.52, 54.49, -47.31

 

CMYK 8 / 0 / 51 / 6

HEX #DEF076

RGB 222 240 118

HSL 68.85, 0.8%, 0.7%

LAB 91.31, -23.02, 56.31

 

CMYK 51 / 7 / 0 / 6

HEX #75DFEF

RGB 117 223 239

HSL 187.87, 0.79%, 0.7%

LAB 83.33, -26.41, -17.25

 

CMYK 0 / 51 / 7 / 6

HEX #EF75DF

RGB 239 117 223

HSL 307.87, 0.79%, 0.7%

LAB 66.83, 60.35, -32.98

 

CMYK 8 / 0 / 51 / 6

HEX #DEF076

RGB 222 240 118

HSL 68.85, 0.8%, 0.7%

LAB 91.31, -23.02, 56.31

 

CMYK 51 / 0 / 34 / 6

HEX #75EF9E

RGB 117 239 158

HSL 140.16, 0.79%, 0.7%

LAB 86, -51.76, 28.98

 

CMYK 44 / 51 / 0 / 6

HEX #8575EF

RGB 133 117 239

HSL 247.87, 0.79%, 0.7%

LAB 56.03, 35.96, -59.69

 

CMYK 0 / 51 / 17 / 6

HEX #EF75C6

RGB 239 117 198

HSL 320.16, 0.79%, 0.7%

LAB 65.87, 56.46, -20.48

 

CMYK 8 / 0 / 51 / 6

HEX #DEF076

RGB 222 240 118

HSL 68.85, 0.8%, 0.7%

LAB 91.31, -23.02, 56.31

 

CMYK 51 / 0 / 19 / 6

HEX #75EFC2

RGB 117 239 194

HSL 157.87, 0.79%, 0.7%

LAB 86.71, -44.69, 11.39

 

CMYK 44 / 51 / 0 / 6

HEX #8575EF

RGB 133 117 239

HSL 247.87, 0.79%, 0.7%

LAB 56.03, 35.96, -59.69

 

CMYK 0 / 51 / 32 / 6

HEX #EF75A2

RGB 239 117 162

HSL 337.87, 0.79%, 0.7%

LAB 64.71, 51.61, -1.82

 

Description

Color code: HEX #DEF076 | qconv.com Color code: HEX #DEF076 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 240 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 240 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 51 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 51% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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