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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DEF2E4 it is the complementary color #210D1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DEF2E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DEF2E4 shade: #E3F2DF and #F4FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DEF2E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DEF2E4 shade: #DEF2E4, #CDE0D1, #BCCEBE, #ABBCAB and #9AAA98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DEF2E4 shade: #DEF1E4, #DEF1DE, #E2F1DE, #E8F1DE and #EDF1DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DEF2E4 shade: #DEF1E4, #DEF1E9, #DEF1EE, #DEEFF1 and #DEEAF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DEF2E4 shade matches the following richer shades: #DEF1E4, #DAF5E2, #D6F9E1 and #D3FDDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DEF2E4 shade: #DEF1E4, #E1EEE5, #E5EAE7, #E9E6E8 and #EDE3EA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DEF2E4 shade: #E2F1DE, #DEF1DE, #DEF1E4, #DEF1E9 and #DEF1EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DEF2E4 shade: #A3DAB3, #C0E6CB, #DEF1E4 and #FBFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DEF2E4 shade: #DEF2E4, #DEE8F1 and #F1DEE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DEF2E4 shade: #DEF2E4, #E4DEF1 and #F1E4DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DEF2E4 shade: #DEF2E4, #DEE8F1, #F1DEEB and #F1E8DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DEF2E4 shade: #DEF2E4, #DEE2F1, #F1DEEB and #F1EDDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 6 / 5

HEX #DEF2E4

RGB 222 242 228

HSL 138, 0.43%, 0.91%

LAB 93.73, -9.12, 4.5

 

Complementary color

CMYK 0 / 61 / 18 / 87

HEX #210D1B

RGB 33 13 27

HSL 318, 0.43%, 0.09%

LAB 6.24, 12.57, -5.15

 

CMYK 6 / 0 / 8 / 5

HEX #E3F2DF

RGB 227 242 223

HSL 107.37, 0.42%, 0.91%

LAB 93.95, -8.33, 7.46

 

CMYK 4 / 0 / 5 / 0

HEX #F4FFF2

RGB 244 255 242

HSL 110.77, 1%, 0.97%

LAB 98.89, -5.89, 4.95

 

CMYK 8 / 0 / 6 / 5

HEX #DEF2E4

RGB 222 242 228

HSL 138, 0.43%, 0.91%

LAB 93.73, -9.12, 4.5

 

CMYK 8 / 0 / 7 / 12

HEX #CDE0D1

RGB 205 224 209

HSL 132.63, 0.23%, 0.84%

LAB 87.43, -9.1, 5.17

 

CMYK 9 / 0 / 8 / 19

HEX #BCCEBE

RGB 188 206 190

HSL 126.67, 0.16%, 0.77%

LAB 81.04, -9.08, 5.87

 

CMYK 9 / 0 / 9 / 26

HEX #ABBCAB

RGB 171 188 171

HSL 120, 0.11%, 0.7%

LAB 74.55, -9.07, 6.61

 

CMYK 9 / 0 / 11 / 33

HEX #9AAA98

RGB 154 170 152

HSL 113.33, 0.1%, 0.63%

LAB 67.94, -9.07, 7.38

 

CMYK 8 / 0 / 5 / 5

HEX #DEF1E4

RGB 222 241 228

HSL 138.95, 0.4%, 0.91%

LAB 93.47, -8.62, 4.13

 

CMYK 8 / 0 / 8 / 5

HEX #DEF1DE

RGB 222 241 222

HSL 120, 0.4%, 0.91%

LAB 93.33, -9.68, 7.03

 

CMYK 6 / 0 / 8 / 5

HEX #E2F1DE

RGB 226 241 222

HSL 107.37, 0.4%, 0.91%

LAB 93.6, -8.34, 7.47

 

CMYK 4 / 0 / 8 / 5

HEX #E8F1DE

RGB 232 241 222

HSL 88.42, 0.4%, 0.91%

LAB 94.03, -6.31, 8.13

 

CMYK 2 / 0 / 8 / 5

HEX #EDF1DE

RGB 237 241 222

HSL 72.63, 0.4%, 0.91%

LAB 94.39, -4.6, 8.7

 

CMYK 8 / 0 / 5 / 5

HEX #DEF1E4

RGB 222 241 228

HSL 138.95, 0.4%, 0.91%

LAB 93.47, -8.62, 4.13

 

CMYK 8 / 0 / 3 / 5

HEX #DEF1E9

RGB 222 241 233

HSL 154.74, 0.4%, 0.91%

LAB 93.59, -7.71, 1.71

 

CMYK 8 / 0 / 1 / 5

HEX #DEF1EE

RGB 222 241 238

HSL 170.53, 0.4%, 0.91%

LAB 93.72, -6.78, -0.7

 

CMYK 8 / 1 / 0 / 5

HEX #DEEFF1

RGB 222 239 241

HSL 186.32, 0.4%, 0.91%

LAB 93.28, -5.2, -2.9

 

CMYK 8 / 3 / 0 / 5

HEX #DEEAF1

RGB 222 234 241

HSL 202.11, 0.4%, 0.91%

LAB 92.01, -2.65, -4.77

 

CMYK 8 / 0 / 5 / 5

HEX #DEF1E4

RGB 222 241 228

HSL 138.95, 0.4%, 0.91%

LAB 93.47, -8.62, 4.13

 

CMYK 11 / 0 / 8 / 4

HEX #DAF5E2

RGB 218 245 226

HSL 137.78, 0.57%, 0.91%

LAB 94.18, -12.29, 6.16

 

CMYK 14 / 0 / 10 / 2

HEX #D6F9E1

RGB 214 249 225

HSL 138.86, 0.74%, 0.91%

LAB 94.94, -15.76, 7.74

 

CMYK 17 / 0 / 12 / 1

HEX #D3FDDF

RGB 211 253 223

HSL 137.14, 0.91%, 0.91%

LAB 95.76, -19.05, 9.91

 

CMYK 8 / 0 / 5 / 5

HEX #DEF1E4

RGB 222 241 228

HSL 138.95, 0.4%, 0.91%

LAB 93.47, -8.62, 4.13

 

CMYK 5 / 0 / 4 / 7

HEX #E1EEE5

RGB 225 238 229

HSL 138.46, 0.28%, 0.91%

LAB 92.93, -5.93, 2.86

 

CMYK 2 / 0 / 1 / 8

HEX #E5EAE7

RGB 229 234 231

HSL 144, 0.11%, 0.91%

LAB 92.25, -2.2, 0.86

 

CMYK 0 / 1 / 0 / 9

HEX #E9E6E8

RGB 233 230 232

HSL 320, 0.06%, 0.91%

LAB 91.57, 1.37, -0.62

 

CMYK 0 / 4 / 1 / 7

HEX #EDE3EA

RGB 237 227 234

HSL 318, 0.22%, 0.91%

LAB 91.18, 4.61, -2.2

 

CMYK 6 / 0 / 8 / 5

HEX #E2F1DE

RGB 226 241 222

HSL 107.37, 0.4%, 0.91%

LAB 93.6, -8.34, 7.47

 

CMYK 8 / 0 / 8 / 5

HEX #DEF1DE

RGB 222 241 222

HSL 120, 0.4%, 0.91%

LAB 93.33, -9.68, 7.03

 

CMYK 8 / 0 / 5 / 5

HEX #DEF1E4

RGB 222 241 228

HSL 138.95, 0.4%, 0.91%

LAB 93.47, -8.62, 4.13

 

CMYK 8 / 0 / 3 / 5

HEX #DEF1E9

RGB 222 241 233

HSL 154.74, 0.4%, 0.91%

LAB 93.59, -7.71, 1.71

 

CMYK 8 / 0 / 1 / 5

HEX #DEF1EE

RGB 222 241 238

HSL 170.53, 0.4%, 0.91%

LAB 93.72, -6.78, -0.7

 

CMYK 25 / 0 / 18 / 15

HEX #A3DAB3

RGB 163 218 179

HSL 137.45, 0.43%, 0.75%

LAB 82.48, -25.44, 13.55

 

CMYK 17 / 0 / 12 / 10

HEX #C0E6CB

RGB 192 230 203

HSL 137.37, 0.43%, 0.83%

LAB 88.02, -17.52, 9.06

 

CMYK 8 / 0 / 5 / 5

HEX #DEF1E4

RGB 222 241 228

HSL 138.95, 0.4%, 0.91%

LAB 93.47, -8.62, 4.13

 

CMYK 1 / 0 / 0 / 1

HEX #FBFDFC

RGB 251 253 252

HSL 150, 0.33%, 0.99%

LAB 99.14, -0.83, 0.24

 

CMYK 8 / 0 / 6 / 5

HEX #DEF2E4

RGB 222 242 228

HSL 138, 0.43%, 0.91%

LAB 93.73, -9.12, 4.5

 

CMYK 8 / 4 / 0 / 5

HEX #DEE8F1

RGB 222 232 241

HSL 208.42, 0.4%, 0.91%

LAB 91.5, -1.63, -5.52

 

CMYK 0 / 8 / 7 / 5

HEX #F1DEE0

RGB 241 222 224

HSL 353.68, 0.4%, 0.91%

LAB 90.01, 6.84, 1.37

 

CMYK 8 / 0 / 6 / 5

HEX #DEF2E4

RGB 222 242 228

HSL 138, 0.43%, 0.91%

LAB 93.73, -9.12, 4.5

 

CMYK 5 / 8 / 0 / 5

HEX #E4DEF1

RGB 228 222 241

HSL 258.95, 0.4%, 0.91%

LAB 89.43, 5.5, -8.53

 

CMYK 0 / 5 / 8 / 5

HEX #F1E4DE

RGB 241 228 222

HSL 18.95, 0.4%, 0.91%

LAB 91.44, 3.4, 4.49

 

CMYK 8 / 0 / 6 / 5

HEX #DEF2E4

RGB 222 242 228

HSL 138, 0.43%, 0.91%

LAB 93.73, -9.12, 4.5

 

CMYK 8 / 4 / 0 / 5

HEX #DEE8F1

RGB 222 232 241

HSL 208.42, 0.4%, 0.91%

LAB 91.5, -1.63, -5.52

 

CMYK 0 / 8 / 2 / 5

HEX #F1DEEB

RGB 241 222 235

HSL 318.95, 0.4%, 0.91%

LAB 90.29, 8.73, -3.99

 

CMYK 0 / 4 / 8 / 5

HEX #F1E8DE

RGB 241 232 222

HSL 31.58, 0.4%, 0.91%

LAB 92.44, 1.35, 5.93

 

CMYK 8 / 0 / 6 / 5

HEX #DEF2E4

RGB 222 242 228

HSL 138, 0.43%, 0.91%

LAB 93.73, -9.12, 4.5

 

CMYK 8 / 6 / 0 / 5

HEX #DEE2F1

RGB 222 226 241

HSL 227.37, 0.4%, 0.91%

LAB 89.99, 1.47, -7.76

 

CMYK 0 / 8 / 2 / 5

HEX #F1DEEB

RGB 241 222 235

HSL 318.95, 0.4%, 0.91%

LAB 90.29, 8.73, -3.99

 

CMYK 0 / 2 / 8 / 5

HEX #F1EDDE

RGB 241 237 222

HSL 47.37, 0.4%, 0.91%

LAB 93.69, -1.2, 7.73

 

Description

Color code: HEX #DEF2E4 | qconv.com Color code: HEX #DEF2E4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 242 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 242 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 6 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 6% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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