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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4034 it is the complementary color #20BFCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4034 shade: #E4402F, #F55242, #FF6455, #FF7668 and #FF887B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4034 shade: #DF4034, #CE2E21, #BD1C0E, #AC0A00 and #9B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4034 shade: #DF4034 and #DF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4034 shade: #DF4034, #DF6E34, #DF9C34, #DFCA34 and #C5DF34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4034 shade matches the following richer shades: #DF4034 and #F22F21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4034 shade: #DF4034, #CC5047, #B9605A, #A6716D and #93817F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4034 shade: #DF3483, #DF3456, #DF3F34, #DF6D34 and #DF9A34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4034 shade: #A6231A, #CA2B1F, #DF4034, #E46157 and #EA837B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4034 shade: #DF4034, #B1DF34 and #346DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4034 shade: #DF4034, #34DF3F and #3F34DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4034 shade: #DF4034, #B1DF34, #34D3DF and #6134DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4034 shade: #DF4034, #7EDF34, #34D3DF and #9534DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

Complementary color

CMYK 84 / 6 / 0 / 20

HEX #20BFCB

RGB 32 191 203

HSL 184.21, 0.73%, 0.46%

LAB 70.79, -33.63, -17.02

 

CMYK 0 / 72 / 79 / 11

HEX #E4402F

RGB 228 64 47

HSL 5.64, 0.77%, 0.54%

LAB 52.25, 61.95, 46.97

 

CMYK 0 / 67 / 73 / 4

HEX #F55242

RGB 245 82 66

HSL 5.36, 0.9%, 0.61%

LAB 57.89, 61.33, 43.81

 

CMYK 0 / 61 / 67 / 0

HEX #FF6455

RGB 255 100 85

HSL 5.29, 1%, 0.67%

LAB 62.53, 58.1, 39.29

 

CMYK 0 / 54 / 59 / 0

HEX #FF7668

RGB 255 118 104

HSL 5.56, 1%, 0.7%

LAB 65.92, 51.12, 33.02

 

CMYK 0 / 47 / 52 / 0

HEX #FF887B

RGB 255 136 123

HSL 5.91, 1%, 0.74%

LAB 69.68, 43.82, 27.43

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 0 / 78 / 84 / 19

HEX #CE2E21

RGB 206 46 33

HSL 4.51, 0.72%, 0.47%

LAB 45.89, 60.73, 46.55

 

CMYK 0 / 85 / 93 / 26

HEX #BD1C0E

RGB 189 28 14

HSL 4.8, 0.86%, 0.4%

LAB 40.7, 60.14, 49.42

 

CMYK 0 / 94 / 100 / 33

HEX #AC0A00

RGB 172 10 0

HSL 3.49, 1%, 0.34%

LAB 35.96, 58.42, 50.1

 

CMYK 0 / 100 / 100 / 39

HEX #9B0000

RGB 155 0 0

HSL 0, 1%, 0.3%

LAB 31.74, 55.23, 45.67

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 0 / 77 / 77 / 13

HEX #DF3434

RGB 223 52 52

HSL 0, 0.73%, 0.54%

LAB 49.97, 64.5, 41.66

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 0 / 51 / 77 / 13

HEX #DF6E34

RGB 223 110 52

HSL 20.35, 0.73%, 0.54%

LAB 59.06, 40.34, 51.05

 

CMYK 0 / 30 / 77 / 13

HEX #DF9C34

RGB 223 156 52

HSL 36.49, 0.73%, 0.54%

LAB 69.26, 16.14, 61.03

 

CMYK 0 / 9 / 77 / 13

HEX #DFCA34

RGB 223 202 52

HSL 52.63, 0.73%, 0.54%

LAB 80.84, -8.01, 71.8

 

CMYK 12 / 0 / 77 / 13

HEX #C5DF34

RGB 197 223 52

HSL 69.12, 0.73%, 0.54%

LAB 84.43, -29.17, 74.33

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 0 / 81 / 86 / 5

HEX #F22F21

RGB 242 47 33

HSL 4.02, 0.89%, 0.54%

LAB 52.97, 70.76, 55.34

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 0 / 61 / 65 / 20

HEX #CC5047

RGB 204 80 71

HSL 4.06, 0.57%, 0.54%

LAB 50.72, 48.66, 30.89

 

CMYK 0 / 48 / 51 / 27

HEX #B9605A

RGB 185 96 90

HSL 3.79, 0.4%, 0.54%

LAB 51.17, 35.19, 19.8

 

CMYK 0 / 32 / 34 / 35

HEX #A6716D

RGB 166 113 109

HSL 4.21, 0.24%, 0.54%

LAB 52.97, 20.44, 10.72

 

CMYK 0 / 12 / 14 / 42

HEX #93817F

RGB 147 129 127

HSL 6, 0.08%, 0.54%

LAB 55.52, 6.5, 3.59

 

CMYK 0 / 77 / 41 / 13

HEX #DF3483

RGB 223 52 131

HSL 332.28, 0.73%, 0.54%

LAB 51.59, 69.61, -3.27

 

CMYK 0 / 77 / 61 / 13

HEX #DF3456

RGB 223 52 86

HSL 348.07, 0.73%, 0.54%

LAB 50.47, 66.11, 22.37

 

CMYK 0 / 72 / 77 / 13

HEX #DF3F34

RGB 223 63 52

HSL 3.86, 0.73%, 0.54%

LAB 51.26, 60.91, 43.02

 

CMYK 0 / 51 / 77 / 13

HEX #DF6D34

RGB 223 109 52

HSL 20, 0.73%, 0.54%

LAB 58.86, 40.84, 50.85

 

CMYK 0 / 31 / 77 / 13

HEX #DF9A34

RGB 223 154 52

HSL 35.79, 0.73%, 0.54%

LAB 68.79, 17.21, 60.57

 

CMYK 0 / 79 / 84 / 35

HEX #A6231A

RGB 166 35 26

HSL 3.86, 0.73%, 0.38%

LAB 36.71, 51.79, 38.84

 

CMYK 0 / 79 / 85 / 21

HEX #CA2B1F

RGB 202 43 31

HSL 4.21, 0.73%, 0.46%

LAB 44.78, 60.37, 46.25

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 0 / 57 / 62 / 11

HEX #E46157

RGB 228 97 87

HSL 4.26, 0.72%, 0.62%

LAB 57.78, 50.29, 31.37

 

CMYK 0 / 44 / 47 / 8

HEX #EA837B

RGB 234 131 123

HSL 4.32, 0.73%, 0.7%

LAB 65.87, 38.6, 21.84

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 21 / 0 / 77 / 13

HEX #B1DF34

RGB 177 223 52

HSL 76.14, 0.73%, 0.54%

LAB 83.11, -37.1, 72.63

 

CMYK 77 / 51 / 0 / 13

HEX #346DDF

RGB 52 109 223

HSL 220, 0.73%, 0.54%

LAB 48.25, 21.45, -63.48

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 77 / 0 / 72 / 13

HEX #34DF3F

RGB 52 223 63

HSL 123.86, 0.73%, 0.54%

LAB 78.38, -71.37, 62.79

 

CMYK 72 / 77 / 0 / 13

HEX #3F34DF

RGB 63 52 223

HSL 243.86, 0.73%, 0.54%

LAB 35.68, 56.73, -84.05

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 21 / 0 / 77 / 13

HEX #B1DF34

RGB 177 223 52

HSL 76.14, 0.73%, 0.54%

LAB 83.11, -37.1, 72.63

 

CMYK 77 / 5 / 0 / 13

HEX #34D3DF

RGB 52 211 223

HSL 184.21, 0.73%, 0.54%

LAB 77.67, -35.29, -17.44

 

CMYK 57 / 77 / 0 / 13

HEX #6134DF

RGB 97 52 223

HSL 255.79, 0.73%, 0.54%

LAB 38.42, 60.21, -79.42

 

CMYK 0 / 71 / 77 / 13

HEX #DF4034

RGB 223 64 52

HSL 4.21, 0.73%, 0.54%

LAB 51.39, 60.56, 43.16

 

CMYK 43 / 0 / 77 / 13

HEX #7EDF34

RGB 126 223 52

HSL 94.04, 0.73%, 0.54%

LAB 80.44, -55.22, 69.16

 

CMYK 77 / 5 / 0 / 13

HEX #34D3DF

RGB 52 211 223

HSL 184.21, 0.73%, 0.54%

LAB 77.67, -35.29, -17.44

 

CMYK 33 / 77 / 0 / 13

HEX #9534DF

RGB 149 52 223

HSL 274.04, 0.73%, 0.54%

LAB 44.48, 67.76, -69.26

 

Description

Color code: HEX #DF4034 | qconv.com Color code: HEX #DF4034 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 64 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 64 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 77% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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