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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF42AA it is the complementary color #20BD55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF42AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF42AA shade: #E442A5, #F554B8, #FF66CB, #FF78DE and #FF8AF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF42AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF42AA shade: #DF42AA, #CE3097, #BD1E84, #AC0C71 and #9B005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF42AA shade: #DF43AA, #DF4380, #DF4356 and #DF4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF42AA shade: #DF43AA, #DF43D4, #BF43DF, #9543DF and #6B43DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF42AA shade matches the following richer shades: #DF43AA and #F031B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF42AA shade: #DF43AA, #CD55A4, #BB669F, #A97899 and #988A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF42AA shade: #C043DF, #DF43D4, #DF43AB, #DF4381 and #DF4358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF42AA shade: #B11E80, #D52499, #DF43AA, #E566BA and #EB8ACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF42AA shade: #DF42AA, #DF9643 and #43DFD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF42AA shade: #DF42AA, #ABDF43 and #43ABDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF42AA shade: #DF42AA, #DF9643, #43DF77 and #438CDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF42AA shade: #DF42AA, #DFC543, #43DF77 and #435DDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 24 / 13

HEX #DF42AA

RGB 223 66 170

HSL 320.25, 0.71%, 0.57%

LAB 54.54, 69.5, -21.95

 

Complementary color

CMYK 83 / 0 / 55 / 26

HEX #20BD55

RGB 32 189 85

HSL 140.25, 0.71%, 0.43%

LAB 67.54, -60.58, 41.38

 

CMYK 0 / 71 / 28 / 11

HEX #E442A5

RGB 228 66 165

HSL 323.33, 0.75%, 0.58%

LAB 55.18, 70.15, -17.97

 

CMYK 0 / 66 / 25 / 4

HEX #F554B8

RGB 245 84 184

HSL 322.73, 0.89%, 0.65%

LAB 60.97, 70.45, -19.91

 

CMYK 0 / 60 / 20 / 0

HEX #FF66CB

RGB 255 102 203

HSL 320.39, 1%, 0.7%

LAB 65.81, 68.47, -23.18

 

CMYK 0 / 53 / 13 / 0

HEX #FF78DE

RGB 255 120 222

HSL 314.67, 1%, 0.74%

LAB 69.45, 63.32, -28.2

 

CMYK 0 / 46 / 5 / 0

HEX #FF8AF1

RGB 255 138 241

HSL 307.18, 1%, 0.77%

LAB 73.41, 57.85, -32.54

 

CMYK 0 / 70 / 24 / 13

HEX #DF42AA

RGB 223 66 170

HSL 320.25, 0.71%, 0.57%

LAB 54.54, 69.5, -21.95

 

CMYK 0 / 77 / 27 / 19

HEX #CE3097

RGB 206 48 151

HSL 320.89, 0.62%, 0.5%

LAB 48.85, 68.67, -19.71

 

CMYK 0 / 84 / 30 / 26

HEX #BD1E84

RGB 189 30 132

HSL 321.51, 0.73%, 0.43%

LAB 43.38, 67.02, -16.85

 

CMYK 0 / 93 / 34 / 33

HEX #AC0C71

RGB 172 12 113

HSL 322.13, 0.87%, 0.36%

LAB 38.24, 64.2, -13.18

 

CMYK 0 / 100 / 39 / 39

HEX #9B005E

RGB 155 0 94

HSL 323.61, 1%, 0.3%

LAB 33.51, 59.97, -8.54

 

CMYK 0 / 70 / 24 / 13

HEX #DF43AA

RGB 223 67 170

HSL 320.38, 0.71%, 0.57%

LAB 54.66, 69.16, -21.77

 

CMYK 0 / 70 / 43 / 13

HEX #DF4380

RGB 223 67 128

HSL 336.54, 0.71%, 0.57%

LAB 53.23, 64.46, 0.93

 

CMYK 0 / 70 / 61 / 13

HEX #DF4356

RGB 223 67 86

HSL 352.69, 0.71%, 0.57%

LAB 52.26, 61.13, 24.71

 

CMYK 0 / 70 / 70 / 13

HEX #DF4343

RGB 223 67 67

HSL 0, 0.71%, 0.57%

LAB 51.96, 60.09, 35.45

 

CMYK 0 / 70 / 24 / 13

HEX #DF43AA

RGB 223 67 170

HSL 320.38, 0.71%, 0.57%

LAB 54.66, 69.16, -21.77

 

CMYK 0 / 70 / 5 / 13

HEX #DF43D4

RGB 223 67 212

HSL 304.23, 0.71%, 0.57%

LAB 56.54, 75.05, -43.05

 

CMYK 14 / 70 / 0 / 13

HEX #BF43DF

RGB 191 67 223

HSL 287.69, 0.71%, 0.57%

LAB 52.31, 70.04, -56.32

 

CMYK 33 / 70 / 0 / 13

HEX #9543DF

RGB 149 67 223

HSL 271.54, 0.71%, 0.57%

LAB 46.62, 61.67, -65.78

 

CMYK 52 / 70 / 0 / 13

HEX #6B43DF

RGB 107 67 223

HSL 255.38, 0.71%, 0.57%

LAB 41.95, 54.35, -73.59

 

CMYK 0 / 70 / 24 / 13

HEX #DF43AA

RGB 223 67 170

HSL 320.38, 0.71%, 0.57%

LAB 54.66, 69.16, -21.77

 

CMYK 0 / 80 / 27 / 6

HEX #F031B0

RGB 240 49 176

HSL 320.1, 0.86%, 0.57%

LAB 55.94, 79.22, -23.05

 

CMYK 0 / 70 / 24 / 13

HEX #DF43AA

RGB 223 67 170

HSL 320.38, 0.71%, 0.57%

LAB 54.66, 69.16, -21.77

 

CMYK 0 / 59 / 20 / 20

HEX #CD55A4

RGB 205 85 164

HSL 320.5, 0.55%, 0.57%

LAB 54.19, 56.26, -19.23

 

CMYK 0 / 45 / 15 / 27

HEX #BB669F

RGB 187 102 159

HSL 319.76, 0.38%, 0.57%

LAB 54.63, 41.6, -15.88

 

CMYK 0 / 29 / 9 / 34

HEX #A97899

RGB 169 120 153

HSL 319.59, 0.22%, 0.57%

LAB 56.26, 24.5, -10.15

 

CMYK 0 / 9 / 3 / 40

HEX #988A93

RGB 152 138 147

HSL 321.43, 0.06%, 0.57%

LAB 58.94, 6.91, -2.89

 

CMYK 14 / 70 / 0 / 13

HEX #C043DF

RGB 192 67 223

HSL 288.08, 0.71%, 0.57%

LAB 52.45, 70.24, -56.08

 

CMYK 0 / 70 / 5 / 13

HEX #DF43D4

RGB 223 67 212

HSL 304.23, 0.71%, 0.57%

LAB 56.54, 75.05, -43.05

 

CMYK 0 / 70 / 23 / 13

HEX #DF43AB

RGB 223 67 171

HSL 320, 0.71%, 0.57%

LAB 54.7, 69.28, -22.29

 

CMYK 0 / 70 / 42 / 13

HEX #DF4381

RGB 223 67 129

HSL 336.15, 0.71%, 0.57%

LAB 53.26, 64.56, 0.38

 

CMYK 0 / 70 / 61 / 13

HEX #DF4358

RGB 223 67 88

HSL 351.92, 0.71%, 0.57%

LAB 52.29, 61.26, 23.57

 

CMYK 0 / 83 / 28 / 31

HEX #B11E80

RGB 177 30 128

HSL 320, 0.71%, 0.41%

LAB 40.95, 63.79, -18.31

 

CMYK 0 / 83 / 28 / 16

HEX #D52499

RGB 213 36 153

HSL 320.34, 0.71%, 0.49%

LAB 49.14, 73.54, -20.35

 

CMYK 0 / 70 / 24 / 13

HEX #DF43AA

RGB 223 67 170

HSL 320.38, 0.71%, 0.57%

LAB 54.66, 69.16, -21.77

 

CMYK 0 / 55 / 19 / 10

HEX #E566BA

RGB 229 102 186

HSL 320.31, 0.71%, 0.65%

LAB 61.4, 58.74, -20.61

 

CMYK 0 / 41 / 14 / 8

HEX #EB8ACA

RGB 235 138 202

HSL 320.41, 0.71%, 0.73%

LAB 69.54, 45.42, -17.18

 

CMYK 0 / 70 / 24 / 13

HEX #DF42AA

RGB 223 66 170

HSL 320.25, 0.71%, 0.57%

LAB 54.54, 69.5, -21.95

 

CMYK 0 / 33 / 70 / 13

HEX #DF9643

RGB 223 150 67

HSL 31.92, 0.71%, 0.57%

LAB 67.95, 20.04, 53.34

 

CMYK 70 / 0 / 5 / 13

HEX #43DFD4

RGB 67 223 212

HSL 175.77, 0.71%, 0.57%

LAB 81.14, -42.19, -6.34

 

CMYK 0 / 70 / 24 / 13

HEX #DF42AA

RGB 223 66 170

HSL 320.25, 0.71%, 0.57%

LAB 54.54, 69.5, -21.95

 

CMYK 23 / 0 / 70 / 13

HEX #ABDF43

RGB 171 223 67

HSL 80, 0.71%, 0.57%

LAB 82.83, -38.62, 67.29

 

CMYK 70 / 23 / 0 / 13

HEX #43ABDF

RGB 67 171 223

HSL 200, 0.71%, 0.57%

LAB 66.25, -13.35, -34.9

 

CMYK 0 / 70 / 24 / 13

HEX #DF42AA

RGB 223 66 170

HSL 320.25, 0.71%, 0.57%

LAB 54.54, 69.5, -21.95

 

CMYK 0 / 33 / 70 / 13

HEX #DF9643

RGB 223 150 67

HSL 31.92, 0.71%, 0.57%

LAB 67.95, 20.04, 53.34

 

CMYK 70 / 0 / 47 / 13

HEX #43DF77

RGB 67 223 119

HSL 140, 0.71%, 0.57%

LAB 79.21, -62.45, 39.39

 

CMYK 70 / 37 / 0 / 13

HEX #438CDF

RGB 67 140 223

HSL 211.92, 0.71%, 0.57%

LAB 57.34, 4.27, -48.89

 

CMYK 0 / 70 / 24 / 13

HEX #DF42AA

RGB 223 66 170

HSL 320.25, 0.71%, 0.57%

LAB 54.54, 69.5, -21.95

 

CMYK 0 / 12 / 70 / 13

HEX #DFC543

RGB 223 197 67

HSL 50, 0.71%, 0.57%

LAB 79.63, -4.8, 65.36

 

CMYK 70 / 0 / 47 / 13

HEX #43DF77

RGB 67 223 119

HSL 140, 0.71%, 0.57%

LAB 79.21, -62.45, 39.39

 

CMYK 70 / 58 / 0 / 13

HEX #435DDF

RGB 67 93 223

HSL 230, 0.71%, 0.57%

LAB 44.73, 33.37, -69.17

 

Description

Color code: HEX #DF42AA | qconv.com Color code: HEX #DF42AA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 66 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 66 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 24 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 24% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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