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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4DA8 it is the complementary color #20B257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4DA8 shade: #E44DA3, #F55FB6, #FF71C9, #FF83DC and #FF95EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4DA8 shade: #DF4DA8, #CE3B95, #BD2982, #AC176F and #9B055C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4DA8 shade: #DF4DA8, #DF4D81, #DF4D59 and #DF4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4DA8 shade: #DF4DA8, #DF4DCF, #C74DDF, #A04DDF and #784DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4DA8 shade matches the following richer shades: #DF4DA8 and #F03CAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4DA8 shade: #DF4DA8, #CE5EA4, #BD6FA0, #AC809B and #9B9097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4DA8 shade: #C74DDF, #DF4DD0, #DF4DA9, #DF4D82 and #DF4D5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4DA8 shade: #B92080, #D92A97, #DF4DA8, #E570B9 and #EC93CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4DA8 shade: #DF4DA8, #DFA04D and #4DDFDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4DA8 shade: #DF4DA8, #A9DF4D and #4DA9DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4DA8 shade: #DF4DA8, #DFA04D, #4DDF82 and #4D8CDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4DA8 shade: #DF4DA8, #DFCC4D, #4DDF82 and #4D60DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

Complementary color

CMYK 82 / 0 / 51 / 30

HEX #20B257

RGB 32 178 87

HSL 142.6, 0.7%, 0.41%

LAB 64.03, -56.56, 36.1

 

CMYK 0 / 66 / 29 / 11

HEX #E44DA3

RGB 228 77 163

HSL 325.83, 0.74%, 0.6%

LAB 56.53, 65.95, -14.75

 

CMYK 0 / 61 / 26 / 4

HEX #F55FB6

RGB 245 95 182

HSL 325.2, 0.88%, 0.67%

LAB 62.49, 65.84, -16.46

 

CMYK 0 / 56 / 21 / 0

HEX #FF71C9

RGB 255 113 201

HSL 322.82, 1%, 0.72%

LAB 67.49, 63.46, -19.48

 

CMYK 0 / 49 / 14 / 0

HEX #FF83DC

RGB 255 131 220

HSL 316.94, 1%, 0.76%

LAB 71.32, 57.88, -24.22

 

CMYK 0 / 42 / 6 / 0

HEX #FF95EF

RGB 255 149 239

HSL 309.06, 1%, 0.79%

LAB 75.44, 52.09, -28.32

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 71 / 28 / 19

HEX #CE3B95

RGB 206 59 149

HSL 323.27, 0.6%, 0.52%

LAB 50, 64.94, -16.75

 

CMYK 0 / 78 / 31 / 26

HEX #BD2982

RGB 189 41 130

HSL 323.92, 0.64%, 0.45%

LAB 44.26, 64.05, -14.29

 

CMYK 0 / 87 / 35 / 33

HEX #AC176F

RGB 172 23 111

HSL 324.56, 0.76%, 0.38%

LAB 38.78, 62.21, -11.11

 

CMYK 0 / 97 / 41 / 39

HEX #9B055C

RGB 155 5 92

HSL 325.2, 0.94%, 0.31%

LAB 33.67, 59.11, -7.01

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 65 / 42 / 13

HEX #DF4D81

RGB 223 77 129

HSL 338.63, 0.7%, 0.59%

LAB 54.64, 60.77, 2.38

 

CMYK 0 / 65 / 60 / 13

HEX #DF4D59

RGB 223 77 89

HSL 355.07, 0.7%, 0.59%

LAB 53.73, 57.46, 24.85

 

CMYK 0 / 65 / 65 / 13

HEX #DF4D4D

RGB 223 77 77

HSL 0, 0.7%, 0.59%

LAB 53.53, 56.73, 31.6

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 65 / 7 / 13

HEX #DF4DCF

RGB 223 77 207

HSL 306.58, 0.7%, 0.59%

LAB 57.56, 70.74, -38.6

 

CMYK 11 / 65 / 0 / 13

HEX #C74DDF

RGB 199 77 223

HSL 290.14, 0.7%, 0.59%

LAB 54.84, 67.85, -52.2

 

CMYK 28 / 65 / 0 / 13

HEX #A04DDF

RGB 160 77 223

HSL 274.11, 0.7%, 0.59%

LAB 49.63, 59.32, -60.85

 

CMYK 46 / 65 / 0 / 13

HEX #784DDF

RGB 120 77 223

HSL 257.67, 0.7%, 0.59%

LAB 45.12, 51.34, -68.36

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 75 / 28 / 6

HEX #F03CAC

RGB 240 60 172

HSL 322.67, 0.86%, 0.59%

LAB 56.82, 75.82, -19.38

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 54 / 20 / 19

HEX #CE5EA4

RGB 206 94 164

HSL 322.5, 0.53%, 0.59%

LAB 55.89, 52.4, -16.62

 

CMYK 0 / 41 / 15 / 26

HEX #BD6FA0

RGB 189 111 160

HSL 322.31, 0.37%, 0.59%

LAB 56.81, 37.65, -13.14

 

CMYK 0 / 26 / 10 / 33

HEX #AC809B

RGB 172 128 155

HSL 323.18, 0.21%, 0.59%

LAB 58.58, 21.41, -7.8

 

CMYK 0 / 7 / 3 / 39

HEX #9B9097

RGB 155 144 151

HSL 321.82, 0.05%, 0.59%

LAB 60.91, 5.38, -2.24

 

CMYK 11 / 65 / 0 / 13

HEX #C74DDF

RGB 199 77 223

HSL 290.14, 0.7%, 0.59%

LAB 54.84, 67.85, -52.2

 

CMYK 0 / 65 / 7 / 13

HEX #DF4DD0

RGB 223 77 208

HSL 306.16, 0.7%, 0.59%

LAB 57.61, 70.89, -39.09

 

CMYK 0 / 65 / 24 / 13

HEX #DF4DA9

RGB 223 77 169

HSL 322.19, 0.7%, 0.59%

LAB 55.95, 65.34, -19.22

 

CMYK 0 / 65 / 42 / 13

HEX #DF4D82

RGB 223 77 130

HSL 338.22, 0.7%, 0.59%

LAB 54.67, 60.87, 1.82

 

CMYK 0 / 65 / 59 / 13

HEX #DF4D5B

RGB 223 77 91

HSL 354.25, 0.7%, 0.59%

LAB 53.76, 57.59, 23.72

 

CMYK 0 / 83 / 31 / 27

HEX #B92080

RGB 185 32 128

HSL 322.35, 0.71%, 0.43%

LAB 42.62, 65.19, -15.62

 

CMYK 0 / 81 / 30 / 15

HEX #D92A97

RGB 217 42 151

HSL 322.63, 0.7%, 0.51%

LAB 50.27, 72.85, -17.36

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 51 / 19 / 10

HEX #E570B9

RGB 229 112 185

HSL 322.56, 0.69%, 0.67%

LAB 63.14, 53.91, -17.4

 

CMYK 0 / 38 / 14 / 7

HEX #EC93CA

RGB 236 147 202

HSL 322.92, 0.7%, 0.75%

LAB 71.53, 41.09, -14.17

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 28 / 65 / 13

HEX #DFA04D

RGB 223 160 77

HSL 34.11, 0.7%, 0.59%

LAB 70.43, 15.24, 51.38

 

CMYK 65 / 0 / 2 / 13

HEX #4DDFDA

RGB 77 223 218

HSL 177.95, 0.7%, 0.59%

LAB 81.52, -39.19, -8.95

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 24 / 0 / 65 / 13

HEX #A9DF4D

RGB 169 223 77

HSL 82.19, 0.7%, 0.59%

LAB 82.78, -38.72, 63.43

 

CMYK 65 / 24 / 0 / 13

HEX #4DA9DF

RGB 77 169 223

HSL 202.19, 0.7%, 0.59%

LAB 65.97, -10.74, -35.32

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 28 / 65 / 13

HEX #DFA04D

RGB 223 160 77

HSL 34.11, 0.7%, 0.59%

LAB 70.43, 15.24, 51.38

 

CMYK 65 / 0 / 42 / 13

HEX #4DDF82

RGB 77 223 130

HSL 141.78, 0.7%, 0.59%

LAB 79.59, -58.93, 34.45

 

CMYK 65 / 37 / 0 / 13

HEX #4D8CDF

RGB 77 140 223

HSL 214.11, 0.7%, 0.59%

LAB 57.71, 5.83, -48.28

 

CMYK 0 / 65 / 25 / 13

HEX #DF4DA8

RGB 223 77 168

HSL 322.6, 0.7%, 0.59%

LAB 55.91, 65.22, -18.69

 

CMYK 0 / 9 / 65 / 13

HEX #DFCC4D

RGB 223 204 77

HSL 52.19, 0.7%, 0.59%

LAB 81.52, -7.85, 63.31

 

CMYK 65 / 0 / 42 / 13

HEX #4DDF82

RGB 77 223 130

HSL 141.78, 0.7%, 0.59%

LAB 79.59, -58.93, 34.45

 

CMYK 65 / 57 / 0 / 13

HEX #4D60DF

RGB 77 96 223

HSL 232.19, 0.7%, 0.59%

LAB 46, 32.9, -67.08

 

Description

Color code: HEX #DF4DA8 | qconv.com Color code: HEX #DF4DA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 77 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 77 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 25 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 25% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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