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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5452 it is the complementary color #20ABAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5452 shade: #E4544D, #F56660, #FF7873, #FF8A86 and #FF9C99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5452 shade: #DF5452, #CE423F, #BD302C, #AC1E19 and #9B0C06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5452 shade: #DF5452 and #DF5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5452 shade: #DF5452, #DF7A52, #DFA052, #DFC652 and #D2DF52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5452 shade matches the following richer shades: #DF5452 and #EF4442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5452 shade: #DF5452, #CE6463, #BE7473, #AD8484 and #9D9494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5452 shade: #DF529D, #DF5278, #DF5252, #DF7852 and #DF9D52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5452 shade: #BC2422, #D8322F, #DF5452, #E57775 and #EC9998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5452 shade: #DF5452, #C3DF52 and #528ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5452 shade: #DF5452, #52DF52 and #5252DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5452 shade: #DF5452, #C3DF52, #52DFDF and #6E52DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5452 shade: #DF5452, #99DF52, #52DFDF and #9952DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

Complementary color

CMYK 82 / 1 / 0 / 32

HEX #20ABAD

RGB 32 171 173

HSL 180.85, 0.69%, 0.4%

LAB 63.71, -33.37, -11.1

 

CMYK 0 / 63 / 66 / 11

HEX #E4544D

RGB 228 84 77

HSL 2.78, 0.74%, 0.6%

LAB 55.45, 55.46, 34.15

 

CMYK 0 / 58 / 61 / 4

HEX #F56660

RGB 245 102 96

HSL 2.42, 0.88%, 0.67%

LAB 61.45, 54.48, 31.48

 

CMYK 0 / 53 / 55 / 0

HEX #FF7873

RGB 255 120 115

HSL 2.14, 1%, 0.73%

LAB 66.47, 50.97, 27.62

 

CMYK 0 / 46 / 47 / 0

HEX #FF8A86

RGB 255 138 134

HSL 1.98, 1%, 0.76%

LAB 70.29, 43.8, 22.17

 

CMYK 0 / 39 / 40 / 0

HEX #FF9C99

RGB 255 156 153

HSL 1.76, 1%, 0.8%

LAB 74.4, 36.55, 17.36

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 0 / 68 / 69 / 19

HEX #CE423F

RGB 206 66 63

HSL 1.26, 0.59%, 0.53%

LAB 48.73, 54.86, 33.18

 

CMYK 0 / 75 / 77 / 26

HEX #BD302C

RGB 189 48 44

HSL 1.66, 0.62%, 0.46%

LAB 42.94, 55.26, 36.67

 

CMYK 0 / 83 / 85 / 33

HEX #AC1E19

RGB 172 30 25

HSL 2.04, 0.75%, 0.39%

LAB 37.43, 54.99, 40.47

 

CMYK 0 / 92 / 96 / 39

HEX #9B0C06

RGB 155 12 6

HSL 2.42, 0.93%, 0.32%

LAB 32.36, 53.61, 43.64

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 0 / 63 / 63 / 13

HEX #DF5252

RGB 223 82 82

HSL 0, 0.69%, 0.6%

LAB 54.38, 54.94, 29.77

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 0 / 45 / 63 / 13

HEX #DF7A52

RGB 223 122 82

HSL 17.02, 0.69%, 0.6%

LAB 61.84, 35.75, 38.95

 

CMYK 0 / 28 / 63 / 13

HEX #DFA052

RGB 223 160 82

HSL 33.19, 0.69%, 0.6%

LAB 70.48, 15.55, 49.05

 

CMYK 0 / 11 / 63 / 13

HEX #DFC652

RGB 223 198 82

HSL 49.36, 0.69%, 0.6%

LAB 80, -4.48, 59.6

 

CMYK 6 / 0 / 63 / 13

HEX #D2DF52

RGB 210 223 82

HSL 65.53, 0.69%, 0.6%

LAB 85.55, -22.34, 65.19

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 0 / 72 / 72 / 6

HEX #EF4442

RGB 239 68 66

HSL 0.69, 0.84%, 0.6%

LAB 54.95, 64.62, 40.22

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 0 / 51 / 52 / 19

HEX #CE6463

RGB 206 100 99

HSL 0.56, 0.52%, 0.6%

LAB 55.21, 41.83, 20.48

 

CMYK 0 / 39 / 39 / 25

HEX #BE7473

RGB 190 116 115

HSL 0.8, 0.37%, 0.6%

LAB 56.76, 28.98, 12.96

 

CMYK 0 / 24 / 24 / 32

HEX #AD8484

RGB 173 132 132

HSL 0, 0.2%, 0.6%

LAB 59.02, 15.73, 6.09

 

CMYK 0 / 6 / 6 / 38

HEX #9D9494

RGB 157 148 148

HSL 0, 0.04%, 0.6%

LAB 62.07, 3.31, 1.18

 

CMYK 0 / 63 / 30 / 13

HEX #DF529D

RGB 223 82 157

HSL 328.09, 0.69%, 0.6%

LAB 56.24, 61.84, -11.76

 

CMYK 0 / 63 / 46 / 13

HEX #DF5278

RGB 223 82 120

HSL 343.83, 0.69%, 0.6%

LAB 55.15, 57.86, 8.46

 

CMYK 0 / 63 / 63 / 13

HEX #DF5252

RGB 223 82 82

HSL 0, 0.69%, 0.6%

LAB 54.38, 54.94, 29.77

 

CMYK 0 / 46 / 63 / 13

HEX #DF7852

RGB 223 120 82

HSL 16.17, 0.69%, 0.6%

LAB 61.42, 36.79, 38.45

 

CMYK 0 / 30 / 63 / 13

HEX #DF9D52

RGB 223 157 82

HSL 31.91, 0.69%, 0.6%

LAB 69.76, 17.16, 48.23

 

CMYK 0 / 81 / 82 / 26

HEX #BC2422

RGB 188 36 34

HSL 0.78, 0.69%, 0.44%

LAB 41.32, 58.31, 40.5

 

CMYK 0 / 77 / 78 / 15

HEX #D8322F

RGB 216 50 47

HSL 1.07, 0.68%, 0.52%

LAB 48.37, 62.88, 42.31

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 0 / 48 / 49 / 10

HEX #E57775

RGB 229 119 117

HSL 1.07, 0.68%, 0.68%

LAB 62.62, 42.31, 20.7

 

CMYK 0 / 35 / 36 / 7

HEX #EC9998

RGB 236 153 152

HSL 0.71, 0.69%, 0.76%

LAB 71.48, 30.97, 13.48

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 13 / 0 / 63 / 13

HEX #C3DF52

RGB 195 223 82

HSL 71.91, 0.69%, 0.6%

LAB 84.48, -28.35, 63.74

 

CMYK 63 / 38 / 0 / 13

HEX #528ADF

RGB 82 138 223

HSL 216.17, 0.69%, 0.6%

LAB 57.37, 7.88, -48.82

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 63 / 0 / 63 / 13

HEX #52DF52

RGB 82 223 82

HSL 120, 0.69%, 0.6%

LAB 79.14, -64.49, 56.39

 

CMYK 63 / 63 / 0 / 13

HEX #5252DF

RGB 82 82 223

HSL 240, 0.69%, 0.6%

LAB 43, 42.18, -71.96

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 13 / 0 / 63 / 13

HEX #C3DF52

RGB 195 223 82

HSL 71.91, 0.69%, 0.6%

LAB 84.48, -28.35, 63.74

 

CMYK 63 / 0 / 0 / 13

HEX #52DFDF

RGB 82 223 223

HSL 180, 0.69%, 0.6%

LAB 81.78, -37.08, -11.2

 

CMYK 51 / 63 / 0 / 13

HEX #6E52DF

RGB 110 82 223

HSL 251.91, 0.69%, 0.6%

LAB 45.19, 46.78, -68.3

 

CMYK 0 / 62 / 63 / 13

HEX #DF5452

RGB 223 84 82

HSL 0.85, 0.69%, 0.6%

LAB 54.7, 54.08, 30.17

 

CMYK 31 / 0 / 63 / 13

HEX #99DF52

RGB 153 223 82

HSL 89.79, 0.69%, 0.6%

LAB 81.92, -44.15, 60.24

 

CMYK 63 / 0 / 0 / 13

HEX #52DFDF

RGB 82 223 223

HSL 180, 0.69%, 0.6%

LAB 81.78, -37.08, -11.2

 

CMYK 31 / 63 / 0 / 13

HEX #9952DF

RGB 153 82 223

HSL 270.21, 0.69%, 0.6%

LAB 49.66, 55.42, -60.84

 

Description

Color code: HEX #DF5452 | qconv.com Color code: HEX #DF5452 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 84 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 84 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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