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Color name
HEX #DF5A25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5A25 it is the complementary color #20A5DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5A25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5A25 shade: #E45A20, #F56C33, #FF7E46, #FF9059 and #FFA26C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5A25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5A25 shade: #DF5A25, #CE4812, #BD3600, #AC2400 and #9B1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5A25 shade: #DE5A25, #DE2825 and #DE2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5A25 shade: #DE5A25, #DE8C25, #DEBE25, #CDDE25 and #9BDE25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5A25 shade matches the following richer shades: #DE5A25 and #F25111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5A25 shade: #DE5A25, #CA6239, #B66B4E, #A17462 and #8D7D76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5A25 shade: #DE2553, #DE2825, #DE5925, #DE8B25 and #DEBC25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5A25 shade: #9A3C17, #BE4A1C, #DE5A25, #E37549 and #E9906D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5A25 shade: #DF5A25, #85DE25 and #253BDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5A25 shade: #DF5A25, #25DE59 and #5925DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5A25 shade: #DF5A25, #85DE25, #25AADE and #7E25DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5A25 shade: #DF5A25, #4DDE25, #25AADE and #B625DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 83 / 13

HEX #DF5A25

RGB 223 90 37

HSL 17.1, 0.74%, 0.51%

LAB 55.21, 49.46, 54.14

 

Complementary color

CMYK 85 / 24 / 0 / 15

HEX #20A5DA

RGB 32 165 218

HSL 197.1, 0.74%, 0.49%

LAB 63.57, -15.5, -36.36

 

CMYK 0 / 61 / 86 / 11

HEX #E45A20

RGB 228 90 32

HSL 17.76, 0.78%, 0.51%

LAB 56, 51.13, 57.16

 

CMYK 0 / 56 / 79 / 4

HEX #F56C33

RGB 245 108 51

HSL 17.63, 0.91%, 0.58%

LAB 61.98, 49.55, 55.5

 

CMYK 0 / 51 / 73 / 0

HEX #FF7E46

RGB 255 126 70

HSL 18.16, 1%, 0.64%

LAB 66.99, 45.37, 52.15

 

CMYK 0 / 44 / 65 / 0

HEX #FF9059

RGB 255 144 89

HSL 19.88, 1%, 0.67%

LAB 70.82, 37.36, 46.98

 

CMYK 0 / 36 / 58 / 0

HEX #FFA26C

RGB 255 162 108

HSL 22.04, 1%, 0.71%

LAB 74.94, 29.33, 42.18

 

CMYK 0 / 60 / 83 / 13

HEX #DF5A25

RGB 223 90 37

HSL 17.1, 0.74%, 0.51%

LAB 55.21, 49.46, 54.14

 

CMYK 0 / 65 / 91 / 19

HEX #CE4812

RGB 206 72 18

HSL 17.23, 0.84%, 0.44%

LAB 49.25, 50.95, 55.37

 

CMYK 0 / 71 / 100 / 26

HEX #BD3600

RGB 189 54 0

HSL 17.14, 1%, 0.37%

LAB 43.44, 52.18, 55.39

 

CMYK 0 / 79 / 100 / 33

HEX #AC2400

RGB 172 36 0

HSL 12.56, 1%, 0.34%

LAB 37.9, 52.9, 50.96

 

CMYK 0 / 88 / 100 / 39

HEX #9B1200

RGB 155 18 0

HSL 6.97, 1%, 0.3%

LAB 32.7, 52.45, 46.31

 

CMYK 0 / 59 / 83 / 13

HEX #DE5A25

RGB 222 90 37

HSL 17.19, 0.74%, 0.51%

LAB 55.05, 49.1, 53.93

 

CMYK 0 / 82 / 83 / 13

HEX #DE2825

RGB 222 40 37

HSL 0.97, 0.74%, 0.51%

LAB 48.49, 67.01, 48.07

 

CMYK 0 / 83 / 83 / 13

HEX #DE2525

RGB 222 37 37

HSL 0, 0.74%, 0.51%

LAB 48.24, 67.71, 47.85

 

CMYK 0 / 59 / 83 / 13

HEX #DE5A25

RGB 222 90 37

HSL 17.19, 0.74%, 0.51%

LAB 55.05, 49.1, 53.93

 

CMYK 0 / 37 / 83 / 13

HEX #DE8C25

RGB 222 140 37

HSL 33.41, 0.74%, 0.51%

LAB 65.29, 23.78, 62.83

 

CMYK 0 / 14 / 83 / 13

HEX #DEBE25

RGB 222 190 37

HSL 49.62, 0.74%, 0.51%

LAB 77.57, -2.76, 73.23

 

CMYK 8 / 0 / 83 / 13

HEX #CDDE25

RGB 205 222 37

HSL 65.51, 0.74%, 0.51%

LAB 84.67, -25.94, 78.63

 

CMYK 30 / 0 / 83 / 13

HEX #9BDE25

RGB 155 222 37

HSL 81.73, 0.74%, 0.51%

LAB 81.48, -45.57, 74.65

 

CMYK 0 / 59 / 83 / 13

HEX #DE5A25

RGB 222 90 37

HSL 17.19, 0.74%, 0.51%

LAB 55.05, 49.1, 53.93

 

CMYK 0 / 67 / 93 / 5

HEX #F25111

RGB 242 81 17

HSL 17.07, 0.9%, 0.51%

LAB 56.88, 59.49, 63.76

 

CMYK 0 / 59 / 83 / 13

HEX #DE5A25

RGB 222 90 37

HSL 17.19, 0.74%, 0.51%

LAB 55.05, 49.1, 53.93

 

CMYK 0 / 51 / 72 / 21

HEX #CA6239

RGB 202 98 57

HSL 16.97, 0.58%, 0.51%

LAB 53.59, 38.45, 41.87

 

CMYK 0 / 41 / 57 / 29

HEX #B66B4E

RGB 182 107 78

HSL 16.73, 0.42%, 0.51%

LAB 52.96, 27.01, 28.97

 

CMYK 0 / 28 / 39 / 37

HEX #A17462

RGB 161 116 98

HSL 17.14, 0.25%, 0.51%

LAB 52.89, 15.29, 16.94

 

CMYK 0 / 11 / 16 / 45

HEX #8D7D76

RGB 141 125 118

HSL 18.26, 0.09%, 0.51%

LAB 53.64, 4.89, 6.04

 

CMYK 0 / 83 / 63 / 13

HEX #DE2553

RGB 222 37 83

HSL 345.08, 0.74%, 0.51%

LAB 48.86, 69.54, 22.03

 

CMYK 0 / 82 / 83 / 13

HEX #DE2825

RGB 222 40 37

HSL 0.97, 0.74%, 0.51%

LAB 48.49, 67.01, 48.07

 

CMYK 0 / 60 / 83 / 13

HEX #DE5925

RGB 222 89 37

HSL 16.86, 0.74%, 0.51%

LAB 54.87, 49.55, 53.78

 

CMYK 0 / 37 / 83 / 13

HEX #DE8B25

RGB 222 139 37

HSL 33.08, 0.74%, 0.51%

LAB 65.06, 24.31, 62.63

 

CMYK 0 / 15 / 83 / 13

HEX #DEBC25

RGB 222 188 37

HSL 48.97, 0.74%, 0.51%

LAB 77.06, -1.73, 72.8

 

CMYK 0 / 61 / 85 / 40

HEX #9A3C17

RGB 154 60 23

HSL 16.95, 0.74%, 0.35%

LAB 38.13, 37.44, 40.77

 

CMYK 0 / 61 / 85 / 25

HEX #BE4A1C

RGB 190 74 28

HSL 17.04, 0.74%, 0.43%

LAB 46.88, 44.52, 48.59

 

CMYK 0 / 59 / 83 / 13

HEX #DE5A25

RGB 222 90 37

HSL 17.19, 0.74%, 0.51%

LAB 55.05, 49.1, 53.93

 

CMYK 0 / 48 / 68 / 11

HEX #E37549

RGB 227 117 73

HSL 17.14, 0.73%, 0.59%

LAB 61.25, 39.34, 43.15

 

CMYK 0 / 38 / 53 / 9

HEX #E9906D

RGB 233 144 109

HSL 16.94, 0.74%, 0.67%

LAB 68.3, 30.18, 32.73

 

CMYK 0 / 60 / 83 / 13

HEX #DF5A25

RGB 223 90 37

HSL 17.1, 0.74%, 0.51%

LAB 55.21, 49.46, 54.14

 

CMYK 40 / 0 / 83 / 13

HEX #85DE25

RGB 133 222 37

HSL 88.86, 0.74%, 0.51%

LAB 80.38, -53.25, 73.26

 

CMYK 83 / 73 / 0 / 13

HEX #253BDE

RGB 37 59 222

HSL 232.86, 0.74%, 0.51%

LAB 35.59, 50.88, -83.66

 

CMYK 0 / 60 / 83 / 13

HEX #DF5A25

RGB 223 90 37

HSL 17.1, 0.74%, 0.51%

LAB 55.21, 49.46, 54.14

 

CMYK 83 / 0 / 60 / 13

HEX #25DE59

RGB 37 222 89

HSL 136.86, 0.74%, 0.51%

LAB 78.09, -70.15, 51.97

 

CMYK 60 / 83 / 0 / 13

HEX #5925DE

RGB 89 37 222

HSL 256.86, 0.74%, 0.51%

LAB 35.44, 65.22, -83.79

 

CMYK 0 / 60 / 83 / 13

HEX #DF5A25

RGB 223 90 37

HSL 17.1, 0.74%, 0.51%

LAB 55.21, 49.46, 54.14

 

CMYK 40 / 0 / 83 / 13

HEX #85DE25

RGB 133 222 37

HSL 88.86, 0.74%, 0.51%

LAB 80.38, -53.25, 73.26

 

CMYK 83 / 23 / 0 / 13

HEX #25AADE

RGB 37 170 222

HSL 196.86, 0.74%, 0.51%

LAB 65.29, -16.43, -35.89

 

CMYK 43 / 83 / 0 / 13

HEX #7E25DE

RGB 126 37 222

HSL 268.86, 0.74%, 0.51%

LAB 39.64, 69.27, -76.73

 

CMYK 0 / 60 / 83 / 13

HEX #DF5A25

RGB 223 90 37

HSL 17.1, 0.74%, 0.51%

LAB 55.21, 49.46, 54.14

 

CMYK 65 / 0 / 83 / 13

HEX #4DDE25

RGB 77 222 37

HSL 107.03, 0.74%, 0.51%

LAB 78.43, -68.46, 70.79

 

CMYK 83 / 23 / 0 / 13

HEX #25AADE

RGB 37 170 222

HSL 196.86, 0.74%, 0.51%

LAB 65.29, -16.43, -35.89

 

CMYK 18 / 83 / 0 / 13

HEX #B625DE

RGB 182 37 222

HSL 287.03, 0.74%, 0.51%

LAB 47.68, 77.44, -63.28

 

Description

Color code: HEX #DF5A25 | qconv.com Color code: HEX #DF5A25 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 90 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 90 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 83% 13% C M Y K

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