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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF5D39 it is the complementary color #20A2C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF5D39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF5D39 shade: #E45D34, #F56F47, #FF815A, #FF936D and #FFA580

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF5D39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF5D39 shade: #DF5D39, #CE4B26, #BD3913, #AC2700 and #9B1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF5D39 shade: #DE5D39 and #DE3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF5D39 shade: #DE5D39, #DE8A39, #DEB639, #DADE39 and #AEDE39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF5D39 shade matches the following richer shades: #DE5D39 and #F15227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF5D39 shade: #DE5D39, #CC674C, #B9725E, #A77D71 and #948783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF5D39 shade: #DE396D, #DE3941, #DE5D39, #DE8939 and #DEB539

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF5D39 shade: #AA3A1B, #CD4621, #DE5D39, #E47A5D and #EA9780

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF5D39 shade: #DF5D39, #9ADE39 and #3957DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF5D39 shade: #DF5D39, #39DE5D and #5D39DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF5D39 shade: #DF5D39, #9ADE39, #39BBDE and #7E39DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF5D39 shade: #DF5D39, #68DE39, #39BBDE and #B039DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 74 / 13

HEX #DF5D39

RGB 223 93 57

HSL 13.01, 0.72%, 0.55%

LAB 55.9, 48.76, 45.33

 

Complementary color

CMYK 84 / 18 / 0 / 22

HEX #20A2C6

RGB 32 162 198

HSL 193.01, 0.72%, 0.45%

LAB 61.85, -20.8, -27.92

 

CMYK 0 / 59 / 77 / 11

HEX #E45D34

RGB 228 93 52

HSL 13.98, 0.77%, 0.55%

LAB 56.65, 50.36, 48.88

 

CMYK 0 / 55 / 71 / 4

HEX #F56F47

RGB 245 111 71

HSL 13.79, 0.9%, 0.62%

LAB 62.71, 48.93, 46.54

 

CMYK 0 / 49 / 65 / 0

HEX #FF815A

RGB 255 129 90

HSL 14.18, 1%, 0.68%

LAB 67.8, 44.93, 42.9

 

CMYK 0 / 42 / 57 / 0

HEX #FF936D

RGB 255 147 109

HSL 15.62, 1%, 0.71%

LAB 71.71, 37.15, 37.65

 

CMYK 0 / 35 / 50 / 0

HEX #FFA580

RGB 255 165 128

HSL 17.48, 1%, 0.75%

LAB 75.9, 29.4, 32.91

 

CMYK 0 / 58 / 74 / 13

HEX #DF5D39

RGB 223 93 57

HSL 13.01, 0.72%, 0.55%

LAB 55.9, 48.76, 45.33

 

CMYK 0 / 64 / 82 / 19

HEX #CE4B26

RGB 206 75 38

HSL 13.21, 0.69%, 0.48%

LAB 49.85, 50.11, 47.77

 

CMYK 0 / 70 / 90 / 26

HEX #BD3913

RGB 189 57 19

HSL 13.41, 0.82%, 0.41%

LAB 43.93, 51.28, 49.79

 

CMYK 0 / 77 / 100 / 33

HEX #AC2700

RGB 172 39 0

HSL 13.6, 1%, 0.34%

LAB 38.24, 51.95, 51.1

 

CMYK 0 / 86 / 100 / 39

HEX #9B1500

RGB 155 21 0

HSL 8.13, 1%, 0.3%

LAB 32.93, 51.8, 46.45

 

CMYK 0 / 58 / 74 / 13

HEX #DE5D39

RGB 222 93 57

HSL 13.09, 0.71%, 0.55%

LAB 55.74, 48.4, 45.11

 

CMYK 0 / 74 / 74 / 13

HEX #DE3939

RGB 222 57 57

HSL 0, 0.71%, 0.55%

LAB 50.39, 62.83, 39.28

 

CMYK 0 / 58 / 74 / 13

HEX #DE5D39

RGB 222 93 57

HSL 13.09, 0.71%, 0.55%

LAB 55.74, 48.4, 45.11

 

CMYK 0 / 38 / 74 / 13

HEX #DE8A39

RGB 222 138 57

HSL 29.45, 0.71%, 0.55%

LAB 64.96, 25.56, 54.7

 

CMYK 0 / 18 / 74 / 13

HEX #DEB639

RGB 222 182 57

HSL 45.45, 0.71%, 0.55%

LAB 75.63, 2.1, 65.18

 

CMYK 2 / 0 / 74 / 13

HEX #DADE39

RGB 218 222 57

HSL 61.45, 0.71%, 0.55%

LAB 85.73, -19.88, 74.57

 

CMYK 22 / 0 / 74 / 13

HEX #AEDE39

RGB 174 222 57

HSL 77.45, 0.71%, 0.55%

LAB 82.67, -37.57, 70.6

 

CMYK 0 / 58 / 74 / 13

HEX #DE5D39

RGB 222 93 57

HSL 13.09, 0.71%, 0.55%

LAB 55.74, 48.4, 45.11

 

CMYK 0 / 66 / 84 / 5

HEX #F15227

RGB 241 82 39

HSL 12.77, 0.88%, 0.55%

LAB 56.96, 59.14, 55.98

 

CMYK 0 / 58 / 74 / 13

HEX #DE5D39

RGB 222 93 57

HSL 13.09, 0.71%, 0.55%

LAB 55.74, 48.4, 45.11

 

CMYK 0 / 50 / 63 / 20

HEX #CC674C

RGB 204 103 76

HSL 12.66, 0.56%, 0.55%

LAB 55.13, 37.77, 33.47

 

CMYK 0 / 38 / 49 / 27

HEX #B9725E

RGB 185 114 94

HSL 13.19, 0.39%, 0.55%

LAB 55.23, 25.83, 22.89

 

CMYK 0 / 25 / 32 / 35

HEX #A77D71

RGB 167 125 113

HSL 13.33, 0.23%, 0.55%

LAB 56.16, 14.57, 12.88

 

CMYK 0 / 9 / 11 / 42

HEX #948783

RGB 148 135 131

HSL 14.12, 0.07%, 0.55%

LAB 57.33, 4.17, 3.91

 

CMYK 0 / 74 / 51 / 13

HEX #DE396D

RGB 222 57 109

HSL 341.09, 0.71%, 0.55%

LAB 51.34, 65.9, 9.61

 

CMYK 0 / 74 / 71 / 13

HEX #DE3941

RGB 222 57 65

HSL 357.09, 0.71%, 0.55%

LAB 50.5, 63.16, 34.83

 

CMYK 0 / 58 / 74 / 13

HEX #DE5D39

RGB 222 93 57

HSL 13.09, 0.71%, 0.55%

LAB 55.74, 48.4, 45.11

 

CMYK 0 / 38 / 74 / 13

HEX #DE8939

RGB 222 137 57

HSL 29.09, 0.71%, 0.55%

LAB 64.74, 26.09, 54.47

 

CMYK 0 / 18 / 74 / 13

HEX #DEB539

RGB 222 181 57

HSL 45.09, 0.71%, 0.55%

LAB 75.37, 2.62, 64.94

 

CMYK 0 / 66 / 84 / 33

HEX #AA3A1B

RGB 170 58 27

HSL 13.01, 0.73%, 0.39%

LAB 40.66, 44.45, 42.22

 

CMYK 0 / 66 / 84 / 20

HEX #CD4621

RGB 205 70 33

HSL 12.91, 0.72%, 0.47%

LAB 48.85, 51.76, 49.11

 

CMYK 0 / 58 / 74 / 13

HEX #DE5D39

RGB 222 93 57

HSL 13.09, 0.71%, 0.55%

LAB 55.74, 48.4, 45.11

 

CMYK 0 / 46 / 59 / 11

HEX #E47A5D

RGB 228 122 93

HSL 12.89, 0.71%, 0.63%

LAB 62.68, 38.44, 34.18

 

CMYK 0 / 35 / 45 / 8

HEX #EA9780

RGB 234 151 128

HSL 13.02, 0.72%, 0.71%

LAB 70.3, 28.63, 25.05

 

CMYK 0 / 58 / 74 / 13

HEX #DF5D39

RGB 223 93 57

HSL 13.01, 0.72%, 0.55%

LAB 55.9, 48.76, 45.33

 

CMYK 31 / 0 / 74 / 13

HEX #9ADE39

RGB 154 222 57

HSL 84.73, 0.71%, 0.55%

LAB 81.52, -45.05, 69.1

 

CMYK 74 / 61 / 0 / 13

HEX #3957DE

RGB 57 87 222

HSL 229.09, 0.71%, 0.55%

LAB 42.7, 35.58, -71.93

 

CMYK 0 / 58 / 74 / 13

HEX #DF5D39

RGB 223 93 57

HSL 13.01, 0.72%, 0.55%

LAB 55.9, 48.76, 45.33

 

CMYK 74 / 0 / 58 / 13

HEX #39DE5D

RGB 57 222 93

HSL 133.09, 0.71%, 0.55%

LAB 78.4, -67.3, 50.63

 

CMYK 58 / 74 / 0 / 13

HEX #5D39DE

RGB 93 57 222

HSL 253.09, 0.71%, 0.55%

LAB 38.77, 57.09, -78.28

 

CMYK 0 / 58 / 74 / 13

HEX #DF5D39

RGB 223 93 57

HSL 13.01, 0.72%, 0.55%

LAB 55.9, 48.76, 45.33

 

CMYK 31 / 0 / 74 / 13

HEX #9ADE39

RGB 154 222 57

HSL 84.73, 0.71%, 0.55%

LAB 81.52, -45.05, 69.1

 

CMYK 74 / 16 / 0 / 13

HEX #39BBDE

RGB 57 187 222

HSL 192.73, 0.71%, 0.55%

LAB 70.65, -23.36, -27.57

 

CMYK 43 / 74 / 0 / 13

HEX #7E39DE

RGB 126 57 222

HSL 265.09, 0.71%, 0.55%

LAB 42.21, 61.81, -72.52

 

CMYK 0 / 58 / 74 / 13

HEX #DF5D39

RGB 223 93 57

HSL 13.01, 0.72%, 0.55%

LAB 55.9, 48.76, 45.33

 

CMYK 53 / 0 / 74 / 13

HEX #68DE39

RGB 104 222 57

HSL 102.91, 0.71%, 0.55%

LAB 79.32, -60.97, 66.2

 

CMYK 74 / 16 / 0 / 13

HEX #39BBDE

RGB 57 187 222

HSL 192.73, 0.71%, 0.55%

LAB 70.65, -23.36, -27.57

 

CMYK 21 / 74 / 0 / 13

HEX #B039DE

RGB 176 57 222

HSL 283.27, 0.71%, 0.55%

LAB 48.8, 70.53, -61.51

 

Description

Color code: HEX #DF5D39 | qconv.com Color code: HEX #DF5D39 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 93 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 93 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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