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Color name
HEX #DF6520

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6520 it is the complementary color #209ADF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6520. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6520 shade: #E4651B, #F5772E, #FF8941, #FF9B54 and #FFAD67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6520. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6520 shade: #DF6520, #CE530D, #BD4100, #AC2F00 and #9B1D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6520 shade: #DF641F, #DF311F and #DF1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6520 shade: #DF641F, #DF981F, #DFCC1F, #BEDF1F and #8ADF1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6520 shade matches the following richer shades: #DF641F and #F35F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6520 shade: #DF641F, #CA6A34, #B57049, #A1765D and #8C7B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6520 shade: #DF1F42, #DF2F1F, #DF621F, #DF951F and #DFC81F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6520 shade: #964415, #BB541A, #DF641F, #E47D43 and #E99668

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6520 shade: #DF6520, #75DF1F and #1F29DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6520 shade: #DF6520, #1FDF62 and #621FDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6520 shade: #DF6520, #75DF1F, #1F9CDF and #891FDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6520 shade: #DF6520, #3CDF1F, #1F9CDF and #C21FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 86 / 13

HEX #DF6520

RGB 223 101 32

HSL 21.68, 0.75%, 0.5%

LAB 57.17, 44.16, 57.8

 

Complementary color

CMYK 86 / 31 / 0 / 13

HEX #209ADF

RGB 32 154 223

HSL 201.68, 0.75%, 0.5%

LAB 60.56, -7.63, -43.86

 

CMYK 0 / 56 / 88 / 11

HEX #E4651B

RGB 228 101 27

HSL 22.09, 0.79%, 0.5%

LAB 57.92, 45.94, 60.47

 

CMYK 0 / 51 / 81 / 4

HEX #F5772E

RGB 245 119 46

HSL 22.01, 0.91%, 0.57%

LAB 64, 44.13, 59.54

 

CMYK 0 / 46 / 75 / 0

HEX #FF8941

RGB 255 137 65

HSL 22.74, 1%, 0.63%

LAB 69.14, 39.71, 56.74

 

CMYK 0 / 39 / 67 / 0

HEX #FF9B54

RGB 255 155 84

HSL 24.91, 1%, 0.66%

LAB 73.12, 31.42, 52.07

 

CMYK 0 / 32 / 60 / 0

HEX #FFAD67

RGB 255 173 103

HSL 27.63, 1%, 0.7%

LAB 77.36, 23.23, 47.64

 

CMYK 0 / 55 / 86 / 13

HEX #DF6520

RGB 223 101 32

HSL 21.68, 0.75%, 0.5%

LAB 57.17, 44.16, 57.8

 

CMYK 0 / 60 / 94 / 19

HEX #CE530D

RGB 206 83 13

HSL 21.76, 0.88%, 0.43%

LAB 51.08, 45.99, 58.03

 

CMYK 0 / 66 / 100 / 26

HEX #BD4100

RGB 189 65 0

HSL 20.63, 1%, 0.37%

LAB 45.08, 47.74, 56.2

 

CMYK 0 / 73 / 100 / 33

HEX #AC2F00

RGB 172 47 0

HSL 16.4, 1%, 0.34%

LAB 39.25, 49.15, 51.56

 

CMYK 0 / 81 / 100 / 39

HEX #9B1D00

RGB 155 29 0

HSL 11.23, 1%, 0.3%

LAB 33.66, 49.72, 46.9

 

CMYK 0 / 55 / 86 / 13

HEX #DF641F

RGB 223 100 31

HSL 21.56, 0.76%, 0.5%

LAB 56.98, 44.62, 58.01

 

CMYK 0 / 78 / 86 / 13

HEX #DF311F

RGB 223 49 31

HSL 5.63, 0.76%, 0.5%

LAB 49.48, 64.8, 51.87

 

CMYK 0 / 86 / 86 / 13

HEX #DF1F1F

RGB 223 31 31

HSL 0, 0.76%, 0.5%

LAB 47.96, 69.09, 50.63

 

CMYK 0 / 55 / 86 / 13

HEX #DF641F

RGB 223 100 31

HSL 21.56, 0.76%, 0.5%

LAB 56.98, 44.62, 58.01

 

CMYK 0 / 32 / 86 / 13

HEX #DF981F

RGB 223 152 31

HSL 37.81, 0.76%, 0.5%

LAB 68.2, 17.63, 67.13

 

CMYK 0 / 9 / 86 / 13

HEX #DFCC1F

RGB 223 204 31

HSL 54.06, 0.76%, 0.5%

LAB 81.28, -9.65, 77.71

 

CMYK 15 / 0 / 86 / 13

HEX #BEDF1F

RGB 190 223 31

HSL 70.31, 0.76%, 0.5%

LAB 83.87, -32.67, 78.79

 

CMYK 38 / 0 / 86 / 13

HEX #8ADF1F

RGB 138 223 31

HSL 86.56, 0.76%, 0.5%

LAB 80.89, -52.18, 75.08

 

CMYK 0 / 55 / 86 / 13

HEX #DF641F

RGB 223 100 31

HSL 21.56, 0.76%, 0.5%

LAB 56.98, 44.62, 58.01

 

CMYK 0 / 61 / 95 / 5

HEX #F35F0B

RGB 243 95 11

HSL 21.72, 0.91%, 0.5%

LAB 59.22, 53.93, 66.63

 

CMYK 0 / 55 / 86 / 13

HEX #DF641F

RGB 223 100 31

HSL 21.56, 0.76%, 0.5%

LAB 56.98, 44.62, 58.01

 

CMYK 0 / 48 / 74 / 21

HEX #CA6A34

RGB 202 106 52

HSL 21.6, 0.59%, 0.5%

LAB 55.19, 34.08, 46.12

 

CMYK 0 / 38 / 60 / 29

HEX #B57049

RGB 181 112 73

HSL 21.67, 0.43%, 0.5%

LAB 53.91, 23.44, 32.92

 

CMYK 0 / 27 / 42 / 37

HEX #A1765D

RGB 161 118 93

HSL 22.06, 0.27%, 0.5%

LAB 53.3, 13.55, 20.37

 

CMYK 0 / 12 / 19 / 45

HEX #8C7B72

RGB 140 123 114

HSL 20.77, 0.1%, 0.5%

LAB 52.9, 4.97, 7.31

 

CMYK 0 / 86 / 70 / 13

HEX #DF1F42

RGB 223 31 66

HSL 349.06, 0.76%, 0.5%

LAB 48.34, 70.17, 31.71

 

CMYK 0 / 79 / 86 / 13

HEX #DF2F1F

RGB 223 47 31

HSL 5, 0.76%, 0.5%

LAB 49.28, 65.36, 51.7

 

CMYK 0 / 56 / 86 / 13

HEX #DF621F

RGB 223 98 31

HSL 20.94, 0.76%, 0.5%

LAB 56.61, 45.58, 57.7

 

CMYK 0 / 33 / 86 / 13

HEX #DF951F

RGB 223 149 31

HSL 36.88, 0.76%, 0.5%

LAB 67.49, 19.23, 66.55

 

CMYK 0 / 10 / 86 / 13

HEX #DFC81F

RGB 223 200 31

HSL 52.81, 0.76%, 0.5%

LAB 80.23, -7.62, 76.87

 

CMYK 0 / 55 / 86 / 41

HEX #964415

RGB 150 68 21

HSL 21.86, 0.75%, 0.34%

LAB 39.02, 31.71, 42.18

 

CMYK 0 / 55 / 86 / 27

HEX #BB541A

RGB 187 84 26

HSL 21.61, 0.76%, 0.42%

LAB 48.23, 38.5, 50.36

 

CMYK 0 / 55 / 86 / 13

HEX #DF641F

RGB 223 100 31

HSL 21.56, 0.76%, 0.5%

LAB 56.98, 44.62, 58.01

 

CMYK 0 / 45 / 71 / 11

HEX #E47D43

RGB 228 125 67

HSL 21.61, 0.75%, 0.58%

LAB 62.98, 35.31, 48.17

 

CMYK 0 / 36 / 55 / 9

HEX #E99668

RGB 233 150 104

HSL 21.4, 0.75%, 0.66%

LAB 69.57, 26.59, 37.02

 

CMYK 0 / 55 / 86 / 13

HEX #DF6520

RGB 223 101 32

HSL 21.68, 0.75%, 0.5%

LAB 57.17, 44.16, 57.8

 

CMYK 48 / 0 / 86 / 13

HEX #75DF1F

RGB 117 223 31

HSL 93.13, 0.76%, 0.5%

LAB 79.99, -58.9, 73.95

 

CMYK 86 / 82 / 0 / 13

HEX #1F29DF

RGB 31 41 223

HSL 236.88, 0.76%, 0.5%

LAB 32.27, 60.19, -89.74

 

CMYK 0 / 55 / 86 / 13

HEX #DF6520

RGB 223 101 32

HSL 21.68, 0.75%, 0.5%

LAB 57.17, 44.16, 57.8

 

CMYK 86 / 0 / 56 / 13

HEX #1FDF62

RGB 31 223 98

HSL 140.94, 0.76%, 0.5%

LAB 78.43, -69.82, 48.31

 

CMYK 56 / 86 / 0 / 13

HEX #621FDF

RGB 98 31 223

HSL 260.94, 0.76%, 0.5%

LAB 35.8, 68.29, -83.75

 

CMYK 0 / 55 / 86 / 13

HEX #DF6520

RGB 223 101 32

HSL 21.68, 0.75%, 0.5%

LAB 57.17, 44.16, 57.8

 

CMYK 48 / 0 / 86 / 13

HEX #75DF1F

RGB 117 223 31

HSL 93.13, 0.76%, 0.5%

LAB 79.99, -58.9, 73.95

 

CMYK 86 / 30 / 0 / 13

HEX #1F9CDF

RGB 31 156 223

HSL 200.94, 0.76%, 0.5%

LAB 61.13, -8.83, -42.96

 

CMYK 39 / 86 / 0 / 13

HEX #891FDF

RGB 137 31 223

HSL 273.13, 0.76%, 0.5%

LAB 40.62, 72.55, -75.64

 

CMYK 0 / 55 / 86 / 13

HEX #DF6520

RGB 223 101 32

HSL 21.68, 0.75%, 0.5%

LAB 57.17, 44.16, 57.8

 

CMYK 73 / 0 / 86 / 13

HEX #3CDF1F

RGB 60 223 31

HSL 110.94, 0.76%, 0.5%

LAB 78.37, -72.09, 71.91

 

CMYK 86 / 30 / 0 / 13

HEX #1F9CDF

RGB 31 156 223

HSL 200.94, 0.76%, 0.5%

LAB 61.13, -8.83, -42.96

 

CMYK 13 / 86 / 0 / 13

HEX #C21FDF

RGB 194 31 223

HSL 290.94, 0.76%, 0.5%

LAB 49.22, 80.82, -61.25

 

Description

Color code: HEX #DF6520 | qconv.com Color code: HEX #DF6520 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 101 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 101 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 86% 13% C M Y K

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Provide designers and agencies with accurate color values.

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