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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF6B71 it is the complementary color #20948E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF6B71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF6B71 shade: #E46B6C, #F57D7F, #FF8F92, #FFA1A5 and #FFB3B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF6B71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF6B71 shade: #DF6B71, #CE595E, #BD474B, #AC3538 and #9B2325

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF6B71 shade: #DE6C72 and #DE6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF6B71 shade: #DE6C72, #DE6C91, #DE6CB0, #DE6CCE and #CF6CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF6B71 shade matches the following richer shades: #DE6C72, #ED5E65 and #FB4F58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF6B71 shade: #DE6C72, #D07B7F, #C1898C, #B39799 and #A5A6A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF6B71 shade: #DE6CB1, #DE6C92, #DE6C74, #DE836C and #DEA16C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF6B71 shade: #CC2C35, #D74A52, #DE6C72, #E68E93 and #EDB0B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF6B71 shade: #DF6B71, #CFDE6C and #6CA1DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF6B71 shade: #DF6B71, #74DE6C and #6C74DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF6B71 shade: #DF6B71, #CFDE6C, #6CDED7 and #7B6CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF6B71 shade: #DF6B71, #ADDE6C, #6CDED7 and #9E6CDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 49 / 13

HEX #DF6B71

RGB 223 107 113

HSL 356.9, 0.64%, 0.65%

LAB 59.34, 45.76, 18.38

 

Complementary color

CMYK 78 / 0 / 4 / 42

HEX #20948E

RGB 32 148 142

HSL 176.9, 0.64%, 0.35%

LAB 55.52, -31.82, -5.76

 

CMYK 0 / 53 / 53 / 11

HEX #E46B6C

RGB 228 107 108

HSL 359.5, 0.69%, 0.66%

LAB 59.97, 47.1, 22.24

 

CMYK 0 / 49 / 48 / 4

HEX #F57D7F

RGB 245 125 127

HSL 359, 0.86%, 0.73%

LAB 66.22, 46.02, 20.32

 

CMYK 0 / 44 / 43 / 0

HEX #FF8F92

RGB 255 143 146

HSL 358.39, 1%, 0.78%

LAB 71.54, 42.46, 17.24

 

CMYK 0 / 37 / 35 / 0

HEX #FFA1A5

RGB 255 161 165

HSL 357.45, 1%, 0.82%

LAB 75.74, 35.33, 12.65

 

CMYK 0 / 30 / 28 / 0

HEX #FFB3B8

RGB 255 179 184

HSL 356.05, 1%, 0.85%

LAB 80.16, 28.32, 8.6

 

CMYK 0 / 52 / 49 / 13

HEX #DF6B71

RGB 223 107 113

HSL 356.9, 0.64%, 0.65%

LAB 59.34, 45.76, 18.38

 

CMYK 0 / 57 / 54 / 19

HEX #CE595E

RGB 206 89 94

HSL 357.44, 0.54%, 0.58%

LAB 53.03, 46.8, 20.48

 

CMYK 0 / 62 / 60 / 26

HEX #BD474B

RGB 189 71 75

HSL 357.97, 0.47%, 0.51%

LAB 46.76, 47.75, 22.99

 

CMYK 0 / 69 / 67 / 33

HEX #AC3538

RGB 172 53 56

HSL 358.49, 0.53%, 0.44%

LAB 40.58, 48.49, 26.03

 

CMYK 0 / 77 / 76 / 39

HEX #9B2325

RGB 155 35 37

HSL 359, 0.63%, 0.37%

LAB 34.61, 48.73, 29.73

 

CMYK 0 / 51 / 49 / 13

HEX #DE6C72

RGB 222 108 114

HSL 356.84, 0.63%, 0.65%

LAB 59.41, 45, 17.88

 

CMYK 0 / 51 / 51 / 13

HEX #DE6C6C

RGB 222 108 108

HSL 0, 0.63%, 0.65%

LAB 59.29, 44.46, 21.16

 

CMYK 0 / 51 / 49 / 13

HEX #DE6C72

RGB 222 108 114

HSL 356.84, 0.63%, 0.65%

LAB 59.41, 45, 17.88

 

CMYK 0 / 51 / 35 / 13

HEX #DE6C91

RGB 222 108 145

HSL 340.53, 0.63%, 0.65%

LAB 60.16, 48.28, 1.01

 

CMYK 0 / 51 / 21 / 13

HEX #DE6CB0

RGB 222 108 176

HSL 324.21, 0.63%, 0.65%

LAB 61.12, 52.37, -15.41

 

CMYK 0 / 51 / 7 / 13

HEX #DE6CCE

RGB 222 108 206

HSL 308.42, 0.63%, 0.65%

LAB 62.26, 57, -30.71

 

CMYK 7 / 51 / 0 / 13

HEX #CF6CDE

RGB 207 108 222

HSL 292.11, 0.63%, 0.65%

LAB 61.01, 55.65, -41.8

 

CMYK 0 / 51 / 49 / 13

HEX #DE6C72

RGB 222 108 114

HSL 356.84, 0.63%, 0.65%

LAB 59.41, 45, 17.88

 

CMYK 0 / 60 / 57 / 7

HEX #ED5E65

RGB 237 94 101

HSL 357.06, 0.8%, 0.65%

LAB 58.93, 55.68, 25.12

 

CMYK 0 / 69 / 65 / 2

HEX #FB4F58

RGB 251 79 88

HSL 356.86, 0.96%, 0.65%

LAB 58.79, 65.4, 32.88

 

CMYK 0 / 51 / 49 / 13

HEX #DE6C72

RGB 222 108 114

HSL 356.84, 0.63%, 0.65%

LAB 59.41, 45, 17.88

 

CMYK 0 / 41 / 39 / 18

HEX #D07B7F

RGB 208 123 127

HSL 357.18, 0.47%, 0.65%

LAB 60.88, 33.47, 12.15

 

CMYK 0 / 29 / 27 / 24

HEX #C1898C

RGB 193 137 140

HSL 356.79, 0.31%, 0.65%

LAB 62.61, 21.82, 6.95

 

CMYK 0 / 16 / 15 / 30

HEX #B39799

RGB 179 151 153

HSL 355.71, 0.16%, 0.65%

LAB 64.98, 10.73, 2.82

 

CMYK 1 / 0 / 0 / 35

HEX #A5A6A6

RGB 165 166 166

HSL 180, 0.01%, 0.65%

LAB 68.04, -0.35, -0.13

 

CMYK 0 / 51 / 20 / 13

HEX #DE6CB1

RGB 222 108 177

HSL 323.68, 0.63%, 0.65%

LAB 61.16, 52.51, -15.93

 

CMYK 0 / 51 / 34 / 13

HEX #DE6C92

RGB 222 108 146

HSL 340, 0.63%, 0.65%

LAB 60.19, 48.4, 0.47

 

CMYK 0 / 51 / 48 / 13

HEX #DE6C74

RGB 222 108 116

HSL 355.79, 0.63%, 0.65%

LAB 59.45, 45.19, 16.78

 

CMYK 0 / 41 / 51 / 13

HEX #DE836C

RGB 222 131 108

HSL 12.11, 0.63%, 0.65%

LAB 64.04, 32.65, 27.48

 

CMYK 0 / 27 / 51 / 13

HEX #DEA16C

RGB 222 161 108

HSL 27.89, 0.63%, 0.65%

LAB 70.94, 16.61, 36.38

 

CMYK 0 / 78 / 74 / 20

HEX #CC2C35

RGB 204 44 53

HSL 356.63, 0.65%, 0.49%

LAB 45.49, 61.37, 35.13

 

CMYK 0 / 66 / 62 / 16

HEX #D74A52

RGB 215 74 82

HSL 356.6, 0.64%, 0.57%

LAB 51.78, 55.64, 26.19

 

CMYK 0 / 51 / 49 / 13

HEX #DE6C72

RGB 222 108 114

HSL 356.84, 0.63%, 0.65%

LAB 59.41, 45, 17.88

 

CMYK 0 / 38 / 36 / 10

HEX #E68E93

RGB 230 142 147

HSL 356.59, 0.64%, 0.73%

LAB 68.22, 33.96, 11.57

 

CMYK 0 / 26 / 24 / 7

HEX #EDB0B3

RGB 237 176 179

HSL 357.05, 0.63%, 0.81%

LAB 77.47, 22.65, 7.2

 

CMYK 0 / 52 / 49 / 13

HEX #DF6B71

RGB 223 107 113

HSL 356.9, 0.64%, 0.65%

LAB 59.34, 45.76, 18.38

 

CMYK 7 / 0 / 51 / 13

HEX #CFDE6C

RGB 207 222 108

HSL 67.89, 0.63%, 0.65%

LAB 85.3, -21.08, 53.56

 

CMYK 51 / 27 / 0 / 13

HEX #6CA1DE

RGB 108 161 222

HSL 212.11, 0.63%, 0.65%

LAB 64.92, -0.56, -36.29

 

CMYK 0 / 52 / 49 / 13

HEX #DF6B71

RGB 223 107 113

HSL 356.9, 0.64%, 0.65%

LAB 59.34, 45.76, 18.38

 

CMYK 48 / 0 / 51 / 13

HEX #74DE6C

RGB 116 222 108

HSL 115.79, 0.63%, 0.65%

LAB 80.2, -52.79, 46.24

 

CMYK 51 / 48 / 0 / 13

HEX #6C74DE

RGB 108 116 222

HSL 235.79, 0.63%, 0.65%

LAB 52.9, 25.99, -55.29

 

CMYK 0 / 52 / 49 / 13

HEX #DF6B71

RGB 223 107 113

HSL 356.9, 0.64%, 0.65%

LAB 59.34, 45.76, 18.38

 

CMYK 7 / 0 / 51 / 13

HEX #CFDE6C

RGB 207 222 108

HSL 67.89, 0.63%, 0.65%

LAB 85.3, -21.08, 53.56

 

CMYK 51 / 0 / 3 / 13

HEX #6CDED7

RGB 108 222 215

HSL 176.32, 0.63%, 0.65%

LAB 82.02, -34.05, -6.51

 

CMYK 45 / 51 / 0 / 13

HEX #7B6CDE

RGB 123 108 222

HSL 247.89, 0.63%, 0.65%

LAB 52.07, 34.1, -56.55

 

CMYK 0 / 52 / 49 / 13

HEX #DF6B71

RGB 223 107 113

HSL 356.9, 0.64%, 0.65%

LAB 59.34, 45.76, 18.38

 

CMYK 22 / 0 / 51 / 13

HEX #ADDE6C

RGB 173 222 108

HSL 85.79, 0.63%, 0.65%

LAB 83.02, -34.09, 50.31

 

CMYK 51 / 0 / 3 / 13

HEX #6CDED7

RGB 108 222 215

HSL 176.32, 0.63%, 0.65%

LAB 82.02, -34.05, -6.51

 

CMYK 29 / 51 / 0 / 13

HEX #9E6CDE

RGB 158 108 222

HSL 266.32, 0.63%, 0.65%

LAB 55.35, 42.64, -51.13

 

Description

Color code: HEX #DF6B71 | qconv.com Color code: HEX #DF6B71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 107 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 107 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 49 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 49% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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