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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7952 it is the complementary color #2086AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7952 shade: #E4794D, #F58B60, #FF9D73, #FFAF86 and #FFC199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7952 shade: #DF7952, #CE673F, #BD552C, #AC4319 and #9B3106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7952 shade: #DF7952, #DF5352 and #DF5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7952 shade: #DF7952, #DF9F52, #DFC552, #D3DF52 and #ADDF52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7952 shade matches the following richer shades: #DF7952 and #EF7242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7952 shade: #DF7952, #CE8063, #BE8873, #AD8F84 and #9D9794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7952 shade: #DF5278, #DF5252, #DF7852, #DF9D52 and #DFC352

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7952 shade: #BC4D22, #D85E2F, #DF7952, #E59475 and #ECAF98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7952 shade: #DF7952, #9DDF52 and #5265DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7952 shade: #DF7952, #52DF78 and #7852DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7952 shade: #DF7952, #9DDF52, #52B9DF and #9452DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7952 shade: #DF7952, #73DF52, #52B9DF and #BE52DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

Complementary color

CMYK 82 / 23 / 0 / 32

HEX #2086AD

RGB 32 134 173

HSL 196.6, 0.69%, 0.4%

LAB 52.26, -14.37, -28.58

 

CMYK 0 / 47 / 66 / 11

HEX #E4794D

RGB 228 121 77

HSL 17.48, 0.74%, 0.6%

LAB 62.26, 37.91, 42.26

 

CMYK 0 / 43 / 61 / 4

HEX #F58B60

RGB 245 139 96

HSL 17.32, 0.88%, 0.67%

LAB 68.55, 36.48, 40.33

 

CMYK 0 / 38 / 55 / 0

HEX #FF9D73

RGB 255 157 115

HSL 18, 1%, 0.73%

LAB 73.94, 32.47, 37.28

 

CMYK 0 / 31 / 47 / 0

HEX #FFAF86

RGB 255 175 134

HSL 20.33, 1%, 0.76%

LAB 78.25, 24.73, 32.8

 

CMYK 0 / 24 / 40 / 0

HEX #FFC199

RGB 255 193 153

HSL 23.53, 1%, 0.8%

LAB 82.75, 17.24, 28.76

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 0 / 50 / 69 / 19

HEX #CE673F

RGB 206 103 63

HSL 16.78, 0.59%, 0.53%

LAB 55.26, 37.77, 40.76

 

CMYK 0 / 55 / 77 / 26

HEX #BD552C

RGB 189 85 44

HSL 16.97, 0.62%, 0.46%

LAB 48.88, 39.37, 42.93

 

CMYK 0 / 61 / 85 / 33

HEX #AC4319

RGB 172 67 25

HSL 17.14, 0.75%, 0.39%

LAB 42.54, 41.01, 44.95

 

CMYK 0 / 68 / 96 / 39

HEX #9B3106

RGB 155 49 6

HSL 17.32, 0.93%, 0.32%

LAB 36.33, 42.54, 46.06

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 0 / 63 / 63 / 13

HEX #DF5352

RGB 223 83 82

HSL 0.43, 0.69%, 0.6%

LAB 54.54, 54.51, 29.97

 

CMYK 0 / 63 / 63 / 13

HEX #DF5252

RGB 223 82 82

HSL 0, 0.69%, 0.6%

LAB 54.38, 54.94, 29.77

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 0 / 29 / 63 / 13

HEX #DF9F52

RGB 223 159 82

HSL 32.77, 0.69%, 0.6%

LAB 70.24, 16.09, 48.77

 

CMYK 0 / 12 / 63 / 13

HEX #DFC552

RGB 223 197 82

HSL 48.94, 0.69%, 0.6%

LAB 79.74, -3.96, 59.32

 

CMYK 5 / 0 / 63 / 13

HEX #D3DF52

RGB 211 223 82

HSL 65.11, 0.69%, 0.6%

LAB 85.62, -21.94, 65.3

 

CMYK 22 / 0 / 63 / 13

HEX #ADDF52

RGB 173 223 82

HSL 81.28, 0.69%, 0.6%

LAB 83.06, -36.85, 61.79

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 0 / 52 / 72 / 6

HEX #EF7242

RGB 239 114 66

HSL 16.65, 0.84%, 0.6%

LAB 62.32, 45.05, 48.4

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 0 / 38 / 52 / 19

HEX #CE8063

RGB 206 128 99

HSL 16.26, 0.52%, 0.6%

LAB 61.19, 27.13, 28.37

 

CMYK 0 / 28 / 39 / 25

HEX #BE8873

RGB 190 136 115

HSL 16.8, 0.37%, 0.6%

LAB 61.48, 17.95, 19.47

 

CMYK 0 / 17 / 24 / 32

HEX #AD8F84

RGB 173 143 132

HSL 16.1, 0.2%, 0.6%

LAB 61.82, 9.55, 10.08

 

CMYK 0 / 4 / 6 / 38

HEX #9D9794

RGB 157 151 148

HSL 20, 0.04%, 0.6%

LAB 62.88, 1.64, 2.35

 

CMYK 0 / 63 / 46 / 13

HEX #DF5278

RGB 223 82 120

HSL 343.83, 0.69%, 0.6%

LAB 55.15, 57.86, 8.46

 

CMYK 0 / 63 / 63 / 13

HEX #DF5252

RGB 223 82 82

HSL 0, 0.69%, 0.6%

LAB 54.38, 54.94, 29.77

 

CMYK 0 / 46 / 63 / 13

HEX #DF7852

RGB 223 120 82

HSL 16.17, 0.69%, 0.6%

LAB 61.42, 36.79, 38.45

 

CMYK 0 / 30 / 63 / 13

HEX #DF9D52

RGB 223 157 82

HSL 31.91, 0.69%, 0.6%

LAB 69.76, 17.16, 48.23

 

CMYK 0 / 13 / 63 / 13

HEX #DFC352

RGB 223 195 82

HSL 48.09, 0.69%, 0.6%

LAB 79.23, -2.93, 58.76

 

CMYK 0 / 59 / 82 / 26

HEX #BC4D22

RGB 188 77 34

HSL 16.75, 0.69%, 0.44%

LAB 47.12, 42.54, 46.01

 

CMYK 0 / 56 / 78 / 15

HEX #D85E2F

RGB 216 94 47

HSL 16.69, 0.68%, 0.52%

LAB 54.88, 45.34, 48.89

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 0 / 35 / 49 / 10

HEX #E59475

RGB 229 148 117

HSL 16.61, 0.68%, 0.68%

LAB 68.84, 27.2, 29

 

CMYK 0 / 26 / 36 / 7

HEX #ECAF98

RGB 236 175 152

HSL 16.43, 0.69%, 0.76%

LAB 76.53, 19.29, 20.51

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 30 / 0 / 63 / 13

HEX #9DDF52

RGB 157 223 82

HSL 88.09, 0.69%, 0.6%

LAB 82.14, -42.73, 60.53

 

CMYK 63 / 55 / 0 / 13

HEX #5265DF

RGB 82 101 223

HSL 231.91, 0.69%, 0.6%

LAB 47.53, 30.58, -64.59

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 63 / 0 / 46 / 13

HEX #52DF78

RGB 82 223 120

HSL 136.17, 0.69%, 0.6%

LAB 79.57, -59.61, 39.42

 

CMYK 46 / 63 / 0 / 13

HEX #7852DF

RGB 120 82 223

HSL 256.17, 0.69%, 0.6%

LAB 46.12, 48.64, -66.75

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 30 / 0 / 63 / 13

HEX #9DDF52

RGB 157 223 82

HSL 88.09, 0.69%, 0.6%

LAB 82.14, -42.73, 60.53

 

CMYK 63 / 17 / 0 / 13

HEX #52B9DF

RGB 82 185 223

HSL 196.17, 0.69%, 0.6%

LAB 70.75, -18.46, -27.91

 

CMYK 34 / 63 / 0 / 13

HEX #9452DF

RGB 148 82 223

HSL 268.09, 0.69%, 0.6%

LAB 49.08, 54.34, -61.81

 

CMYK 0 / 46 / 63 / 13

HEX #DF7952

RGB 223 121 82

HSL 16.6, 0.69%, 0.6%

LAB 61.63, 36.27, 38.7

 

CMYK 48 / 0 / 63 / 13

HEX #73DF52

RGB 115 223 82

HSL 105.96, 0.69%, 0.6%

LAB 80.2, -56.32, 57.85

 

CMYK 63 / 17 / 0 / 13

HEX #52B9DF

RGB 82 185 223

HSL 196.17, 0.69%, 0.6%

LAB 70.75, -18.46, -27.91

 

CMYK 15 / 63 / 0 / 13

HEX #BE52DF

RGB 190 82 223

HSL 285.96, 0.69%, 0.6%

LAB 54.35, 63.7, -53.05

 

Description

Color code: HEX #DF7952 | qconv.com Color code: HEX #DF7952 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 121 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 121 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 63 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 63% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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