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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7038 it is the complementary color #208FC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7038. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7038 shade: #E47033, #F58246, #FF9459, #FFA66C and #FFB87F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7038. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7038 shade: #DF7038, #CE5E25, #BD4C12, #AC3A00 and #9B2800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7038 shade: #DE7139, #DE4439 and #DE3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7038 shade: #DE7139, #DE9D39, #DECA39, #C7DE39 and #9ADE39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7038 shade matches the following richer shades: #DE7139 and #F16A27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7038 shade: #DE7139, #CC774C, #B97D5E, #A78371 and #948983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7038 shade: #DE395A, #DE4439, #DE7039, #DE9C39 and #DEC839

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7038 shade: #AA4B1B, #CD5B21, #DE7139, #E48A5D and #EAA480

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7038 shade: #DF7038, #86DE39 and #3944DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7038 shade: #DF7038, #39DE70 and #7039DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7038 shade: #DF7038, #86DE39, #39A7DE and #9139DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7038 shade: #DF7038, #55DE39, #39A7DE and #C339DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 75 / 13

HEX #DF7038

RGB 223 112 56

HSL 20.12, 0.72%, 0.55%

LAB 59.49, 39.49, 49.6

 

Complementary color

CMYK 84 / 28 / 0 / 22

HEX #208FC7

RGB 32 143 199

HSL 200.12, 0.72%, 0.45%

LAB 56.16, -10.09, -37.32

 

CMYK 0 / 51 / 78 / 11

HEX #E47033

RGB 228 112 51

HSL 20.68, 0.77%, 0.55%

LAB 60.18, 41.23, 52.88

 

CMYK 0 / 47 / 71 / 4

HEX #F58246

RGB 245 130 70

HSL 20.57, 0.9%, 0.62%

LAB 66.38, 39.57, 51.07

 

CMYK 0 / 42 / 65 / 0

HEX #FF9459

RGB 255 148 89

HSL 21.33, 1%, 0.67%

LAB 71.66, 35.31, 47.95

 

CMYK 0 / 35 / 58 / 0

HEX #FFA66C

RGB 255 166 108

HSL 23.67, 1%, 0.71%

LAB 75.83, 27.25, 43.28

 

CMYK 0 / 28 / 50 / 0

HEX #FFB87F

RGB 255 184 127

HSL 26.72, 1%, 0.75%

LAB 80.22, 19.38, 38.99

 

CMYK 0 / 50 / 75 / 13

HEX #DF7038

RGB 223 112 56

HSL 20.12, 0.72%, 0.55%

LAB 59.49, 39.49, 49.6

 

CMYK 0 / 54 / 82 / 19

HEX #CE5E25

RGB 206 94 37

HSL 20.24, 0.7%, 0.48%

LAB 53.23, 41.22, 51.35

 

CMYK 0 / 60 / 90 / 26

HEX #BD4C12

RGB 189 76 18

HSL 20.35, 0.83%, 0.41%

LAB 47.02, 43, 52.43

 

CMYK 0 / 66 / 100 / 33

HEX #AC3A00

RGB 172 58 0

HSL 20.23, 1%, 0.34%

LAB 40.89, 44.68, 52.37

 

CMYK 0 / 74 / 100 / 39

HEX #9B2800

RGB 155 40 0

HSL 15.48, 1%, 0.3%

LAB 34.98, 46.06, 47.64

 

CMYK 0 / 49 / 74 / 13

HEX #DE7139

RGB 222 113 57

HSL 20.36, 0.71%, 0.55%

LAB 59.56, 38.64, 49.15

 

CMYK 0 / 69 / 74 / 13

HEX #DE4439

RGB 222 68 57

HSL 4, 0.71%, 0.55%

LAB 51.79, 58.97, 40.83

 

CMYK 0 / 74 / 74 / 13

HEX #DE3939

RGB 222 57 57

HSL 0, 0.71%, 0.55%

LAB 50.39, 62.83, 39.28

 

CMYK 0 / 49 / 74 / 13

HEX #DE7139

RGB 222 113 57

HSL 20.36, 0.71%, 0.55%

LAB 59.56, 38.64, 49.15

 

CMYK 0 / 29 / 74 / 13

HEX #DE9D39

RGB 222 157 57

HSL 36.36, 0.71%, 0.55%

LAB 69.43, 15.38, 59.15

 

CMYK 0 / 9 / 74 / 13

HEX #DECA39

RGB 222 202 57

HSL 52.73, 0.71%, 0.55%

LAB 80.78, -8.24, 70.07

 

CMYK 10 / 0 / 74 / 13

HEX #C7DE39

RGB 199 222 57

HSL 68.36, 0.71%, 0.55%

LAB 84.32, -27.67, 72.75

 

CMYK 31 / 0 / 74 / 13

HEX #9ADE39

RGB 154 222 57

HSL 84.73, 0.71%, 0.55%

LAB 81.52, -45.05, 69.1

 

CMYK 0 / 49 / 74 / 13

HEX #DE7139

RGB 222 113 57

HSL 20.36, 0.71%, 0.55%

LAB 59.56, 38.64, 49.15

 

CMYK 0 / 56 / 84 / 5

HEX #F16A27

RGB 241 106 39

HSL 19.9, 0.88%, 0.55%

LAB 60.92, 48.67, 59.39

 

CMYK 0 / 49 / 74 / 13

HEX #DE7139

RGB 222 113 57

HSL 20.36, 0.71%, 0.55%

LAB 59.56, 38.64, 49.15

 

CMYK 0 / 42 / 63 / 20

HEX #CC774C

RGB 204 119 76

HSL 20.16, 0.56%, 0.55%

LAB 58.56, 29.35, 37.62

 

CMYK 0 / 32 / 49 / 27

HEX #B97D5E

RGB 185 125 94

HSL 20.44, 0.39%, 0.55%

LAB 57.84, 19.74, 26.31

 

CMYK 0 / 22 / 32 / 35

HEX #A78371

RGB 167 131 113

HSL 20, 0.23%, 0.55%

LAB 57.69, 11.17, 15.01

 

CMYK 0 / 7 / 11 / 42

HEX #948983

RGB 148 137 131

HSL 21.18, 0.07%, 0.55%

LAB 57.87, 3.03, 4.69

 

CMYK 0 / 74 / 59 / 13

HEX #DE395A

RGB 222 57 90

HSL 348, 0.71%, 0.55%

LAB 50.91, 64.53, 20.51

 

CMYK 0 / 69 / 74 / 13

HEX #DE4439

RGB 222 68 57

HSL 4, 0.71%, 0.55%

LAB 51.79, 58.97, 40.83

 

CMYK 0 / 50 / 74 / 13

HEX #DE7039

RGB 222 112 57

HSL 20, 0.71%, 0.55%

LAB 59.35, 39.14, 48.93

 

CMYK 0 / 30 / 74 / 13

HEX #DE9C39

RGB 222 156 57

HSL 36, 0.71%, 0.55%

LAB 69.19, 15.92, 58.91

 

CMYK 0 / 10 / 74 / 13

HEX #DEC839

RGB 222 200 57

HSL 52, 0.71%, 0.55%

LAB 80.25, -7.22, 69.58

 

CMYK 0 / 56 / 84 / 33

HEX #AA4B1B

RGB 170 75 27

HSL 20.14, 0.73%, 0.39%

LAB 43.74, 36.35, 44.99

 

CMYK 0 / 56 / 84 / 20

HEX #CD5B21

RGB 205 91 33

HSL 20.23, 0.72%, 0.47%

LAB 52.48, 42.19, 52.3

 

CMYK 0 / 49 / 74 / 13

HEX #DE7139

RGB 222 113 57

HSL 20.36, 0.71%, 0.55%

LAB 59.56, 38.64, 49.15

 

CMYK 0 / 39 / 59 / 11

HEX #E48A5D

RGB 228 138 93

HSL 20, 0.71%, 0.63%

LAB 66.11, 30.11, 38.43

 

CMYK 0 / 30 / 45 / 8

HEX #EAA480

RGB 234 164 128

HSL 20.38, 0.72%, 0.71%

LAB 73.29, 21.72, 29.02

 

CMYK 0 / 50 / 75 / 13

HEX #DF7038

RGB 223 112 56

HSL 20.12, 0.72%, 0.55%

LAB 59.49, 39.49, 49.6

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 74 / 69 / 0 / 13

HEX #3944DE

RGB 57 68 222

HSL 236, 0.71%, 0.55%

LAB 38.34, 47.17, -79.09

 

CMYK 0 / 50 / 75 / 13

HEX #DF7038

RGB 223 112 56

HSL 20.12, 0.72%, 0.55%

LAB 59.49, 39.49, 49.6

 

CMYK 74 / 0 / 50 / 13

HEX #39DE70

RGB 57 222 112

HSL 140, 0.71%, 0.55%

LAB 78.63, -64.69, 42.02

 

CMYK 50 / 74 / 0 / 13

HEX #7039DE

RGB 112 57 222

HSL 260, 0.71%, 0.55%

LAB 40.65, 59.68, -75.14

 

CMYK 0 / 50 / 75 / 13

HEX #DF7038

RGB 223 112 56

HSL 20.12, 0.72%, 0.55%

LAB 59.49, 39.49, 49.6

 

CMYK 40 / 0 / 74 / 13

HEX #86DE39

RGB 134 222 57

HSL 92, 0.71%, 0.55%

LAB 80.52, -51.97, 67.79

 

CMYK 74 / 25 / 0 / 13

HEX #39A7DE

RGB 57 167 222

HSL 200, 0.71%, 0.55%

LAB 64.79, -12.82, -36.64

 

CMYK 35 / 74 / 0 / 13

HEX #9139DE

RGB 145 57 222

HSL 272, 0.71%, 0.55%

LAB 44.55, 64.94, -68.6

 

CMYK 0 / 50 / 75 / 13

HEX #DF7038

RGB 223 112 56

HSL 20.12, 0.72%, 0.55%

LAB 59.49, 39.49, 49.6

 

CMYK 62 / 0 / 74 / 13

HEX #55DE39

RGB 85 222 57

HSL 109.82, 0.71%, 0.55%

LAB 78.73, -65.63, 65.43

 

CMYK 74 / 25 / 0 / 13

HEX #39A7DE

RGB 57 167 222

HSL 200, 0.71%, 0.55%

LAB 64.79, -12.82, -36.64

 

CMYK 12 / 74 / 0 / 13

HEX #C339DE

RGB 195 57 222

HSL 290.18, 0.71%, 0.55%

LAB 51.61, 74.15, -56.83

 

Description

Color code: HEX #DF7038 | qconv.com Color code: HEX #DF7038 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 112 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 112 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 75 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 75% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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