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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7ACB it is the complementary color #208534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7ACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7ACB shade: #E47AC6, #F58CD9, #FF9EEC, #FFB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7ACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7ACB shade: #DF7ACB, #CE68B8, #BD56A5, #AC4492 and #9B327F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7ACB shade: #DF7BCB, #DF7BB0, #DF7B95 and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7ACB shade: #DF7BCB, #D87BDF, #BD7BDF, #A27BDF and #877BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7ACB shade matches the following richer shades: #DF7BCB, #EC6ED3 and #F961DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7ACB shade: #DF7BCB, #D188C3, #C496BB, #B7A3B3 and #AAB0AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7ACB shade: #BC7BDF, #D67BDF, #DF7BCC, #DF7BB2 and #DF7B97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7ACB shade: #CF39B1, #D75ABE, #DF7BCB, #E79CD8 and #EFBEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7ACB shade: #DF7ACB, #DFA17B and #7BDFC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7ACB shade: #DF7ACB, #CCDF7B and #7BCCDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7ACB shade: #DF7ACB, #DFA17B, #7BDF8D and #7BB9DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7ACB shade: #DF7ACB, #DFBF7B, #7BDF8D and #7B9BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 9 / 13

HEX #DF7ACB

RGB 223 122 203

HSL 311.88, 0.61%, 0.68%

LAB 64.9, 49.94, -24.95

 

Complementary color

CMYK 76 / 0 / 61 / 48

HEX #208534

RGB 32 133 52

HSL 131.88, 0.61%, 0.32%

LAB 48.67, -45.89, 35.03

 

CMYK 0 / 46 / 13 / 11

HEX #E47AC6

RGB 228 122 198

HSL 316.98, 0.66%, 0.69%

LAB 65.35, 50.67, -21.39

 

CMYK 0 / 43 / 11 / 4

HEX #F58CD9

RGB 245 140 217

HSL 316, 0.84%, 0.75%

LAB 71.68, 49.95, -22.14

 

CMYK 0 / 38 / 7 / 0

HEX #FF9EEC

RGB 255 158 236

HSL 311.75, 1%, 0.81%

LAB 77.14, 47.04, -24.09

 

CMYK 0 / 31 / 0 / 0

HEX #FFB0FF

RGB 255 176 255

HSL 300, 1%, 0.85%

LAB 81.58, 41.04, -27.55

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 45 / 9 / 13

HEX #DF7ACB

RGB 223 122 203

HSL 311.88, 0.61%, 0.68%

LAB 64.9, 49.94, -24.95

 

CMYK 0 / 50 / 11 / 19

HEX #CE68B8

RGB 206 104 184

HSL 312.94, 0.51%, 0.61%

LAB 58.49, 50.63, -24.2

 

CMYK 0 / 54 / 13 / 26

HEX #BD56A5

RGB 189 86 165

HSL 313.98, 0.44%, 0.54%

LAB 52.05, 51.23, -23.3

 

CMYK 0 / 60 / 15 / 33

HEX #AC4492

RGB 172 68 146

HSL 315, 0.43%, 0.47%

LAB 45.61, 51.66, -22.17

 

CMYK 0 / 68 / 18 / 39

HEX #9B327F

RGB 155 50 127

HSL 316, 0.51%, 0.4%

LAB 39.21, 51.73, -20.7

 

CMYK 0 / 45 / 9 / 13

HEX #DF7BCB

RGB 223 123 203

HSL 312, 0.61%, 0.68%

LAB 65.09, 49.44, -24.65

 

CMYK 0 / 45 / 21 / 13

HEX #DF7BB0

RGB 223 123 176

HSL 328.2, 0.61%, 0.68%

LAB 64.15, 45.23, -10.84

 

CMYK 0 / 45 / 33 / 13

HEX #DF7B95

RGB 223 123 149

HSL 344.4, 0.61%, 0.68%

LAB 63.36, 41.58, 3.37

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 45 / 9 / 13

HEX #DF7BCB

RGB 223 123 203

HSL 312, 0.61%, 0.68%

LAB 65.09, 49.44, -24.65

 

CMYK 3 / 45 / 0 / 13

HEX #D87BDF

RGB 216 123 223

HSL 295.8, 0.61%, 0.68%

LAB 65.04, 50.86, -35.98

 

CMYK 15 / 45 / 0 / 13

HEX #BD7BDF

RGB 189 123 223

HSL 279.6, 0.61%, 0.68%

LAB 61.92, 43.11, -41.08

 

CMYK 27 / 45 / 0 / 13

HEX #A27BDF

RGB 162 123 223

HSL 263.4, 0.61%, 0.68%

LAB 59.14, 35.55, -45.66

 

CMYK 39 / 45 / 0 / 13

HEX #877BDF

RGB 135 123 223

HSL 247.2, 0.61%, 0.68%

LAB 56.73, 28.44, -49.63

 

CMYK 0 / 45 / 9 / 13

HEX #DF7BCB

RGB 223 123 203

HSL 312, 0.61%, 0.68%

LAB 65.09, 49.44, -24.65

 

CMYK 0 / 53 / 11 / 7

HEX #EC6ED3

RGB 236 110 211

HSL 311.9, 0.77%, 0.68%

LAB 64.71, 60.84, -29.58

 

CMYK 0 / 61 / 12 / 2

HEX #F961DB

RGB 249 97 219

HSL 311.84, 0.93%, 0.68%

LAB 64.81, 71.18, -33.77

 

CMYK 0 / 45 / 9 / 13

HEX #DF7BCB

RGB 223 123 203

HSL 312, 0.61%, 0.68%

LAB 65.09, 49.44, -24.65

 

CMYK 0 / 35 / 7 / 18

HEX #D188C3

RGB 209 136 195

HSL 311.51, 0.44%, 0.68%

LAB 65.83, 36.84, -19.19

 

CMYK 0 / 23 / 5 / 23

HEX #C496BB

RGB 196 150 187

HSL 311.74, 0.28%, 0.68%

LAB 67.38, 23.37, -12.51

 

CMYK 0 / 11 / 2 / 28

HEX #B7A3B3

RGB 183 163 179

HSL 312, 0.12%, 0.68%

LAB 69.12, 10.15, -5.58

 

CMYK 3 / 0 / 3 / 31

HEX #AAB0AB

RGB 170 176 171

HSL 130, 0.04%, 0.68%

LAB 71.24, -3.05, 1.81

 

CMYK 16 / 45 / 0 / 13

HEX #BC7BDF

RGB 188 123 223

HSL 279, 0.61%, 0.68%

LAB 61.81, 42.82, -41.26

 

CMYK 4 / 45 / 0 / 13

HEX #D67BDF

RGB 214 123 223

HSL 294.6, 0.61%, 0.68%

LAB 64.8, 50.29, -36.38

 

CMYK 0 / 45 / 9 / 13

HEX #DF7BCC

RGB 223 123 204

HSL 311.4, 0.61%, 0.68%

LAB 65.13, 49.61, -25.15

 

CMYK 0 / 45 / 20 / 13

HEX #DF7BB2

RGB 223 123 178

HSL 327, 0.61%, 0.68%

LAB 64.22, 45.52, -11.88

 

CMYK 0 / 45 / 32 / 13

HEX #DF7B97

RGB 223 123 151

HSL 343.2, 0.61%, 0.68%

LAB 63.42, 41.83, 2.31

 

CMYK 0 / 72 / 14 / 19

HEX #CF39B1

RGB 207 57 177

HSL 312, 0.61%, 0.52%

LAB 51.11, 69.55, -31.57

 

CMYK 0 / 58 / 12 / 16

HEX #D75ABE

RGB 215 90 190

HSL 312, 0.61%, 0.6%

LAB 57.54, 60.74, -29.01

 

CMYK 0 / 45 / 9 / 13

HEX #DF7BCB

RGB 223 123 203

HSL 312, 0.61%, 0.68%

LAB 65.09, 49.44, -24.65

 

CMYK 0 / 32 / 6 / 9

HEX #E79CD8

RGB 231 156 216

HSL 312, 0.61%, 0.76%

LAB 73.37, 37.04, -19.17

 

CMYK 0 / 21 / 4 / 6

HEX #EFBEE5

RGB 239 190 229

HSL 312.24, 0.6%, 0.84%

LAB 82.29, 23.86, -12.7

 

CMYK 0 / 45 / 9 / 13

HEX #DF7ACB

RGB 223 122 203

HSL 311.88, 0.61%, 0.68%

LAB 64.9, 49.94, -24.95

 

CMYK 0 / 28 / 45 / 13

HEX #DFA17B

RGB 223 161 123

HSL 22.8, 0.61%, 0.68%

LAB 71.29, 18.45, 28.85

 

CMYK 45 / 0 / 10 / 13

HEX #7BDFC9

RGB 123 223 201

HSL 166.8, 0.61%, 0.68%

LAB 82.49, -34.53, 1.67

 

CMYK 0 / 45 / 9 / 13

HEX #DF7ACB

RGB 223 122 203

HSL 311.88, 0.61%, 0.68%

LAB 64.9, 49.94, -24.95

 

CMYK 9 / 0 / 45 / 13

HEX #CCDF7B

RGB 204 223 123

HSL 71.4, 0.61%, 0.68%

LAB 85.53, -21.3, 46.68

 

CMYK 45 / 9 / 0 / 13

HEX #7BCCDF

RGB 123 204 223

HSL 191.4, 0.61%, 0.68%

LAB 77.71, -19.85, -17.17

 

CMYK 0 / 45 / 9 / 13

HEX #DF7ACB

RGB 223 122 203

HSL 311.88, 0.61%, 0.68%

LAB 64.9, 49.94, -24.95

 

CMYK 0 / 28 / 45 / 13

HEX #DFA17B

RGB 223 161 123

HSL 22.8, 0.61%, 0.68%

LAB 71.29, 18.45, 28.85

 

CMYK 45 / 0 / 37 / 13

HEX #7BDF8D

RGB 123 223 141

HSL 130.8, 0.61%, 0.68%

LAB 81.24, -46.45, 31.32

 

CMYK 45 / 17 / 0 / 13

HEX #7BB9DF

RGB 123 185 223

HSL 202.8, 0.61%, 0.68%

LAB 72.39, -9.95, -25.26

 

CMYK 0 / 45 / 9 / 13

HEX #DF7ACB

RGB 223 122 203

HSL 311.88, 0.61%, 0.68%

LAB 64.9, 49.94, -24.95

 

CMYK 0 / 14 / 45 / 13

HEX #DFBF7B

RGB 223 191 123

HSL 40.8, 0.61%, 0.68%

LAB 78.68, 2.49, 38.44

 

CMYK 45 / 0 / 37 / 13

HEX #7BDF8D

RGB 123 223 141

HSL 130.8, 0.61%, 0.68%

LAB 81.24, -46.45, 31.32

 

CMYK 45 / 30 / 0 / 13

HEX #7B9BDF

RGB 123 155 223

HSL 220.8, 0.61%, 0.68%

LAB 64.15, 6.71, -38

 

Description

Color code: HEX #DF7ACB | qconv.com Color code: HEX #DF7ACB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 122 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 122 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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