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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7AC9 it is the complementary color #208536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7AC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7AC9 shade: #E47AC4, #F58CD7, #FF9EEA, #FFB0FD and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7AC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7AC9 shade: #DF7AC9, #CE68B6, #BD56A3, #AC4490 and #9B327D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7AC9 shade: #DF7BC9, #DF7BAE, #DF7B93 and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7AC9 shade: #DF7BC9, #DA7BDF, #BF7BDF, #A47BDF and #897BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7AC9 shade matches the following richer shades: #DF7BC9, #EC6ED0 and #F961D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7AC9 shade: #DF7BC9, #D188C2, #C496BA, #B7A3B3 and #AAB0AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7AC9 shade: #BF7BDF, #DA7BDF, #DF7BC9, #DF7BAF and #DF7B94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7AC9 shade: #CF39AE, #D75ABB, #DF7BC9, #E79CD7 and #EFBEE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7AC9 shade: #DF7AC9, #DFA57B and #7BDFCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7AC9 shade: #DF7AC9, #C9DF7B and #7BC9DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7AC9 shade: #DF7AC9, #DFA57B, #7BDF91 and #7BB5DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7AC9 shade: #DF7AC9, #DFC27B, #7BDF91 and #7B97DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 10 / 13

HEX #DF7AC9

RGB 223 122 201

HSL 313.07, 0.61%, 0.68%

LAB 64.82, 49.61, -23.94

 

Complementary color

CMYK 76 / 0 / 59 / 48

HEX #208536

RGB 32 133 54

HSL 133.07, 0.61%, 0.32%

LAB 48.7, -45.61, 34.07

 

CMYK 0 / 46 / 14 / 11

HEX #E47AC4

RGB 228 122 196

HSL 318.11, 0.66%, 0.69%

LAB 65.28, 50.36, -20.38

 

CMYK 0 / 43 / 12 / 4

HEX #F58CD7

RGB 245 140 215

HSL 317.14, 0.84%, 0.75%

LAB 71.61, 49.63, -21.14

 

CMYK 0 / 38 / 8 / 0

HEX #FF9EEA

RGB 255 158 234

HSL 312.99, 1%, 0.81%

LAB 77.07, 46.71, -23.11

 

CMYK 0 / 31 / 1 / 0

HEX #FFB0FD

RGB 255 176 253

HSL 301.52, 1%, 0.85%

LAB 81.51, 40.69, -26.58

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 45 / 10 / 13

HEX #DF7AC9

RGB 223 122 201

HSL 313.07, 0.61%, 0.68%

LAB 64.82, 49.61, -23.94

 

CMYK 0 / 50 / 12 / 19

HEX #CE68B6

RGB 206 104 182

HSL 314.12, 0.51%, 0.61%

LAB 58.41, 50.31, -23.17

 

CMYK 0 / 54 / 14 / 26

HEX #BD56A3

RGB 189 86 163

HSL 315.15, 0.44%, 0.54%

LAB 51.97, 50.92, -22.25

 

CMYK 0 / 60 / 16 / 33

HEX #AC4490

RGB 172 68 144

HSL 316.15, 0.43%, 0.47%

LAB 45.52, 51.35, -21.1

 

CMYK 0 / 68 / 19 / 39

HEX #9B327D

RGB 155 50 125

HSL 317.14, 0.51%, 0.4%

LAB 39.12, 51.43, -19.6

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC9

RGB 223 123 201

HSL 313.2, 0.61%, 0.68%

LAB 65.02, 49.11, -23.64

 

CMYK 0 / 45 / 22 / 13

HEX #DF7BAE

RGB 223 123 174

HSL 329.4, 0.61%, 0.68%

LAB 64.09, 44.94, -9.8

 

CMYK 0 / 45 / 34 / 13

HEX #DF7B93

RGB 223 123 147

HSL 345.6, 0.61%, 0.68%

LAB 63.31, 41.33, 4.44

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC9

RGB 223 123 201

HSL 313.2, 0.61%, 0.68%

LAB 65.02, 49.11, -23.64

 

CMYK 2 / 45 / 0 / 13

HEX #DA7BDF

RGB 218 123 223

HSL 297, 0.61%, 0.68%

LAB 65.28, 51.44, -35.59

 

CMYK 14 / 45 / 0 / 13

HEX #BF7BDF

RGB 191 123 223

HSL 280.8, 0.61%, 0.68%

LAB 62.14, 43.68, -40.72

 

CMYK 26 / 45 / 0 / 13

HEX #A47BDF

RGB 164 123 223

HSL 264.6, 0.61%, 0.68%

LAB 59.33, 36.1, -45.34

 

CMYK 39 / 45 / 0 / 13

HEX #897BDF

RGB 137 123 223

HSL 248.4, 0.61%, 0.68%

LAB 56.89, 28.94, -49.36

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC9

RGB 223 123 201

HSL 313.2, 0.61%, 0.68%

LAB 65.02, 49.11, -23.64

 

CMYK 0 / 53 / 12 / 7

HEX #EC6ED0

RGB 236 110 208

HSL 313.33, 0.77%, 0.68%

LAB 64.59, 60.37, -28.08

 

CMYK 0 / 61 / 13 / 2

HEX #F961D8

RGB 249 97 216

HSL 313.03, 0.93%, 0.68%

LAB 64.68, 70.74, -32.29

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC9

RGB 223 123 201

HSL 313.2, 0.61%, 0.68%

LAB 65.02, 49.11, -23.64

 

CMYK 0 / 35 / 7 / 18

HEX #D188C2

RGB 209 136 194

HSL 312.33, 0.44%, 0.68%

LAB 65.79, 36.66, -18.68

 

CMYK 0 / 23 / 5 / 23

HEX #C496BA

RGB 196 150 186

HSL 313.04, 0.28%, 0.68%

LAB 67.35, 23.19, -12

 

CMYK 0 / 11 / 2 / 28

HEX #B7A3B3

RGB 183 163 179

HSL 312, 0.12%, 0.68%

LAB 69.12, 10.15, -5.58

 

CMYK 3 / 0 / 3 / 31

HEX #AAB0AB

RGB 170 176 171

HSL 130, 0.04%, 0.68%

LAB 71.24, -3.05, 1.81

 

CMYK 14 / 45 / 0 / 13

HEX #BF7BDF

RGB 191 123 223

HSL 280.8, 0.61%, 0.68%

LAB 62.14, 43.68, -40.72

 

CMYK 2 / 45 / 0 / 13

HEX #DA7BDF

RGB 218 123 223

HSL 297, 0.61%, 0.68%

LAB 65.28, 51.44, -35.59

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC9

RGB 223 123 201

HSL 313.2, 0.61%, 0.68%

LAB 65.02, 49.11, -23.64

 

CMYK 0 / 45 / 22 / 13

HEX #DF7BAF

RGB 223 123 175

HSL 328.8, 0.61%, 0.68%

LAB 64.12, 45.08, -10.32

 

CMYK 0 / 45 / 34 / 13

HEX #DF7B94

RGB 223 123 148

HSL 345, 0.61%, 0.68%

LAB 63.34, 41.45, 3.91

 

CMYK 0 / 72 / 16 / 19

HEX #CF39AE

RGB 207 57 174

HSL 313.2, 0.61%, 0.52%

LAB 50.98, 69.13, -30.02

 

CMYK 0 / 58 / 13 / 16

HEX #D75ABB

RGB 215 90 187

HSL 313.44, 0.61%, 0.6%

LAB 57.41, 60.28, -27.48

 

CMYK 0 / 45 / 10 / 13

HEX #DF7BC9

RGB 223 123 201

HSL 313.2, 0.61%, 0.68%

LAB 65.02, 49.11, -23.64

 

CMYK 0 / 32 / 7 / 9

HEX #E79CD7

RGB 231 156 215

HSL 312.8, 0.61%, 0.76%

LAB 73.33, 36.86, -18.67

 

CMYK 0 / 21 / 5 / 6

HEX #EFBEE4

RGB 239 190 228

HSL 313.47, 0.6%, 0.84%

LAB 82.26, 23.69, -12.21

 

CMYK 0 / 45 / 10 / 13

HEX #DF7AC9

RGB 223 122 201

HSL 313.07, 0.61%, 0.68%

LAB 64.82, 49.61, -23.94

 

CMYK 0 / 26 / 45 / 13

HEX #DFA57B

RGB 223 165 123

HSL 25.2, 0.61%, 0.68%

LAB 72.25, 16.3, 30.12

 

CMYK 45 / 0 / 9 / 13

HEX #7BDFCC

RGB 123 223 204

HSL 168.6, 0.61%, 0.68%

LAB 82.56, -33.84, 0.19

 

CMYK 0 / 45 / 10 / 13

HEX #DF7AC9

RGB 223 122 201

HSL 313.07, 0.61%, 0.68%

LAB 64.82, 49.61, -23.94

 

CMYK 10 / 0 / 45 / 13

HEX #C9DF7B

RGB 201 223 123

HSL 73.2, 0.61%, 0.68%

LAB 85.31, -22.45, 46.37

 

CMYK 45 / 10 / 0 / 13

HEX #7BC9DF

RGB 123 201 223

HSL 193.2, 0.61%, 0.68%

LAB 76.87, -18.33, -18.44

 

CMYK 0 / 45 / 10 / 13

HEX #DF7AC9

RGB 223 122 201

HSL 313.07, 0.61%, 0.68%

LAB 64.82, 49.61, -23.94

 

CMYK 0 / 26 / 45 / 13

HEX #DFA57B

RGB 223 165 123

HSL 25.2, 0.61%, 0.68%

LAB 72.25, 16.3, 30.12

 

CMYK 45 / 0 / 35 / 13

HEX #7BDF91

RGB 123 223 145

HSL 133.2, 0.61%, 0.68%

LAB 81.31, -45.78, 29.36

 

CMYK 45 / 19 / 0 / 13

HEX #7BB5DF

RGB 123 181 223

HSL 205.2, 0.61%, 0.68%

LAB 71.27, -7.8, -26.96

 

CMYK 0 / 45 / 10 / 13

HEX #DF7AC9

RGB 223 122 201

HSL 313.07, 0.61%, 0.68%

LAB 64.82, 49.61, -23.94

 

CMYK 0 / 13 / 45 / 13

HEX #DFC27B

RGB 223 194 123

HSL 42.6, 0.61%, 0.68%

LAB 79.44, 0.92, 39.4

 

CMYK 45 / 0 / 35 / 13

HEX #7BDF91

RGB 123 223 145

HSL 133.2, 0.61%, 0.68%

LAB 81.31, -45.78, 29.36

 

CMYK 45 / 32 / 0 / 13

HEX #7B97DF

RGB 123 151 223

HSL 223.2, 0.61%, 0.68%

LAB 63.07, 9.01, -39.68

 

Description

Color code: HEX #DF7AC9 | qconv.com Color code: HEX #DF7AC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 122 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 122 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 10 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 10% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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