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Color name
HEX #DF7C2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF7C2F it is the complementary color #2083D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF7C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF7C2F shade: #E47C2A, #F58E3D, #FFA050, #FFB263 and #FFC476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF7C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF7C2F shade: #DF7C2F, #CE6A1C, #BD5809, #AC4600 and #9B3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF7C2F shade: #DE7C2F, #DE4D2F and #DE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF7C2F shade: #DE7C2F, #DEAB2F, #DEDA2F, #B3DE2F and #84DE2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF7C2F shade matches the following richer shades: #DE7C2F and #F2791C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF7C2F shade: #DE7C2F, #CB7E43, #B78156, #A48369 and #91857D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF7C2F shade: #DE2F41, #DE4C2F, #DE7B2F, #DEAA2F and #DED82F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF7C2F shade: #A25519, #C6681E, #DE7C2F, #E49253 and #E9A977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF7C2F shade: #DF7C2F, #6FDE2F and #352FDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF7C2F shade: #DF7C2F, #2FDE7B and #7B2FDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF7C2F shade: #DF7C2F, #6FDE2F, #2F92DE and #9E2FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF7C2F shade: #DF7C2F, #3BDE2F, #2F92DE and #D22FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 79 / 13

HEX #DF7C2F

RGB 223 124 47

HSL 26.25, 0.73%, 0.53%

LAB 61.92, 32.97, 56.06

 

Complementary color

CMYK 85 / 37 / 0 / 18

HEX #2083D0

RGB 32 131 208

HSL 206.25, 0.73%, 0.47%

LAB 53.05, 0.24, -47.33

 

CMYK 0 / 46 / 82 / 11

HEX #E47C2A

RGB 228 124 42

HSL 26.45, 0.78%, 0.53%

LAB 62.57, 34.83, 58.94

 

CMYK 0 / 42 / 75 / 4

HEX #F58E3D

RGB 245 142 61

HSL 26.41, 0.9%, 0.6%

LAB 68.82, 33.04, 57.78

 

CMYK 0 / 37 / 69 / 0

HEX #FFA050

RGB 255 160 80

HSL 27.43, 1%, 0.66%

LAB 74.18, 28.61, 55.15

 

CMYK 0 / 30 / 61 / 0

HEX #FFB263

RGB 255 178 99

HSL 30.38, 1%, 0.69%

LAB 78.46, 20.35, 50.92

 

CMYK 0 / 23 / 54 / 0

HEX #FFC476

RGB 255 196 118

HSL 34.16, 1%, 0.73%

LAB 82.94, 12.35, 46.94

 

CMYK 0 / 44 / 79 / 13

HEX #DF7C2F

RGB 223 124 47

HSL 26.25, 0.73%, 0.53%

LAB 61.92, 32.97, 56.06

 

CMYK 0 / 49 / 86 / 19

HEX #CE6A1C

RGB 206 106 28

HSL 26.29, 0.76%, 0.46%

LAB 55.6, 34.89, 56.89

 

CMYK 0 / 53 / 95 / 26

HEX #BD5809

RGB 189 88 9

HSL 26.33, 0.91%, 0.39%

LAB 49.27, 36.96, 56.43

 

CMYK 0 / 59 / 100 / 33

HEX #AC4600

RGB 172 70 0

HSL 24.42, 1%, 0.34%

LAB 42.99, 39.13, 53.48

 

CMYK 0 / 66 / 100 / 39

HEX #9B3400

RGB 155 52 0

HSL 20.13, 1%, 0.3%

LAB 36.79, 41.13, 48.55

 

CMYK 0 / 44 / 79 / 13

HEX #DE7C2F

RGB 222 124 47

HSL 26.4, 0.73%, 0.53%

LAB 61.78, 32.57, 55.89

 

CMYK 0 / 65 / 79 / 13

HEX #DE4D2F

RGB 222 77 47

HSL 10.29, 0.73%, 0.53%

LAB 53, 55.06, 47.36

 

CMYK 0 / 79 / 79 / 13

HEX #DE2F2F

RGB 222 47 47

HSL 0, 0.73%, 0.53%

LAB 49.21, 65.48, 43.54

 

CMYK 0 / 44 / 79 / 13

HEX #DE7C2F

RGB 222 124 47

HSL 26.4, 0.73%, 0.53%

LAB 61.78, 32.57, 55.89

 

CMYK 0 / 23 / 79 / 13

HEX #DEAB2F

RGB 222 171 47

HSL 42.51, 0.73%, 0.53%

LAB 72.8, 7.52, 66.09

 

CMYK 0 / 2 / 79 / 13

HEX #DEDA2F

RGB 222 218 47

HSL 58.63, 0.73%, 0.53%

LAB 84.93, -16.62, 76.9

 

CMYK 19 / 0 / 79 / 13

HEX #B3DE2F

RGB 179 222 47

HSL 74.74, 0.73%, 0.53%

LAB 82.93, -36.08, 73.94

 

CMYK 41 / 0 / 79 / 13

HEX #84DE2F

RGB 132 222 47

HSL 90.86, 0.73%, 0.53%

LAB 80.38, -53.16, 70.67

 

CMYK 0 / 44 / 79 / 13

HEX #DE7C2F

RGB 222 124 47

HSL 26.4, 0.73%, 0.53%

LAB 61.78, 32.57, 55.89

 

CMYK 0 / 50 / 88 / 5

HEX #F2791C

RGB 242 121 28

HSL 26.07, 0.89%, 0.53%

LAB 63.86, 41.56, 65.62

 

CMYK 0 / 44 / 79 / 13

HEX #DE7C2F

RGB 222 124 47

HSL 26.4, 0.73%, 0.53%

LAB 61.78, 32.57, 55.89

 

CMYK 0 / 38 / 67 / 20

HEX #CB7E43

RGB 203 126 67

HSL 26.03, 0.57%, 0.53%

LAB 59.91, 24.59, 43.84

 

CMYK 0 / 30 / 53 / 28

HEX #B78156

RGB 183 129 86

HSL 26.6, 0.4%, 0.53%

LAB 58.45, 15.92, 31.49

 

CMYK 0 / 20 / 36 / 36

HEX #A48369

RGB 164 131 105

HSL 26.44, 0.24%, 0.53%

LAB 57.22, 8.89, 18.86

 

CMYK 0 / 8 / 14 / 43

HEX #91857D

RGB 145 133 125

HSL 24, 0.08%, 0.53%

LAB 56.36, 3.09, 5.94

 

CMYK 0 / 79 / 71 / 13

HEX #DE2F41

RGB 222 47 65

HSL 353.83, 0.73%, 0.53%

LAB 49.43, 66.16, 33.56

 

CMYK 0 / 66 / 79 / 13

HEX #DE4C2F

RGB 222 76 47

HSL 9.94, 0.73%, 0.53%

LAB 52.84, 55.47, 47.2

 

CMYK 0 / 45 / 79 / 13

HEX #DE7B2F

RGB 222 123 47

HSL 26.06, 0.73%, 0.53%

LAB 61.57, 33.09, 55.68

 

CMYK 0 / 23 / 79 / 13

HEX #DEAA2F

RGB 222 170 47

HSL 42.17, 0.73%, 0.53%

LAB 72.55, 8.05, 65.87

 

CMYK 0 / 3 / 79 / 13

HEX #DED82F

RGB 222 216 47

HSL 57.94, 0.73%, 0.53%

LAB 84.4, -15.63, 76.44

 

CMYK 0 / 48 / 85 / 36

HEX #A25519

RGB 162 85 25

HSL 26.28, 0.73%, 0.37%

LAB 44.59, 27.69, 46.11

 

CMYK 0 / 47 / 85 / 22

HEX #C6681E

RGB 198 104 30

HSL 26.43, 0.74%, 0.45%

LAB 54.03, 32.72, 54.39

 

CMYK 0 / 44 / 79 / 13

HEX #DE7C2F

RGB 222 124 47

HSL 26.4, 0.73%, 0.53%

LAB 61.78, 32.57, 55.89

 

CMYK 0 / 36 / 64 / 11

HEX #E49253

RGB 228 146 83

HSL 26.07, 0.73%, 0.61%

LAB 67.78, 25.18, 45.6

 

CMYK 0 / 27 / 49 / 9

HEX #E9A977

RGB 233 169 119

HSL 26.32, 0.72%, 0.69%

LAB 74.21, 17.79, 35

 

CMYK 0 / 44 / 79 / 13

HEX #DF7C2F

RGB 223 124 47

HSL 26.25, 0.73%, 0.53%

LAB 61.92, 32.97, 56.06

 

CMYK 50 / 0 / 79 / 13

HEX #6FDE2F

RGB 111 222 47

HSL 98.06, 0.73%, 0.53%

LAB 79.52, -59.61, 69.56

 

CMYK 76 / 79 / 0 / 13

HEX #352FDE

RGB 53 47 222

HSL 242.06, 0.73%, 0.53%

LAB 34.12, 58.15, -86.07

 

CMYK 0 / 44 / 79 / 13

HEX #DF7C2F

RGB 223 124 47

HSL 26.25, 0.73%, 0.53%

LAB 61.92, 32.97, 56.06

 

CMYK 79 / 0 / 45 / 13

HEX #2FDE7B

RGB 47 222 123

HSL 146.06, 0.73%, 0.53%

LAB 78.62, -64.17, 36.59

 

CMYK 45 / 79 / 0 / 13

HEX #7B2FDE

RGB 123 47 222

HSL 266.06, 0.73%, 0.53%

LAB 40.44, 65.43, -75.43

 

CMYK 0 / 44 / 79 / 13

HEX #DF7C2F

RGB 223 124 47

HSL 26.25, 0.73%, 0.53%

LAB 61.92, 32.97, 56.06

 

CMYK 50 / 0 / 79 / 13

HEX #6FDE2F

RGB 111 222 47

HSL 98.06, 0.73%, 0.53%

LAB 79.52, -59.61, 69.56

 

CMYK 79 / 34 / 0 / 13

HEX #2F92DE

RGB 47 146 222

HSL 206.06, 0.73%, 0.53%

LAB 58.45, -2.1, -46.61

 

CMYK 29 / 79 / 0 / 13

HEX #9E2FDE

RGB 158 47 222

HSL 278.06, 0.73%, 0.53%

LAB 45.05, 70.75, -67.71

 

CMYK 0 / 44 / 79 / 13

HEX #DF7C2F

RGB 223 124 47

HSL 26.25, 0.73%, 0.53%

LAB 61.92, 32.97, 56.06

 

CMYK 73 / 0 / 79 / 13

HEX #3BDE2F

RGB 59 222 47

HSL 115.89, 0.73%, 0.53%

LAB 78.1, -71.17, 67.72

 

CMYK 79 / 34 / 0 / 13

HEX #2F92DE

RGB 47 146 222

HSL 206.06, 0.73%, 0.53%

LAB 58.45, -2.1, -46.61

 

CMYK 5 / 79 / 0 / 13

HEX #D22FDE

RGB 210 47 222

HSL 295.89, 0.73%, 0.53%

LAB 52.96, 79.88, -54.55

 

Description

Color code: HEX #DF7C2F | qconv.com Color code: HEX #DF7C2F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 124 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 124 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 79 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 79% 13% C M Y K

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