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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF817B it is the complementary color #207E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF817B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF817B shade: #E48176, #F59389, #FFA59C, #FFB7AF and #FFC9C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF817B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF817B shade: #DF817B, #CE6F68, #BD5D55, #AC4B42 and #9B392F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF817B shade: #DF817B and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF817B shade: #DF817B, #DF9C7B, #DFB77B, #DFD27B and #D1DF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF817B shade matches the following richer shades: #DF817B, #EC756E and #F96A61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF817B shade: #DF817B, #D18D88, #C49896, #B7A4A3 and #AAB0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF817B shade: #DF7BAB, #DF7B91, #DF807B, #DF9B7B and #DFB57B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF817B shade: #CF4239, #D7615A, #DF817B, #E7A19C and #EFC1BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF817B shade: #DF817B, #C6DF7B and #7B9EDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF817B shade: #DF817B, #7BDF80 and #807BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF817B shade: #DF817B, #C6DF7B, #7BDADF and #947BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF817B shade: #DF817B, #A8DF7B, #7BDADF and #B27BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

Complementary color

CMYK 76 / 5 / 0 / 48

HEX #207E84

RGB 32 126 132

HSL 183.6, 0.61%, 0.32%

LAB 48.13, -24.04, -10.99

 

CMYK 0 / 43 / 48 / 11

HEX #E48176

RGB 228 129 118

HSL 6, 0.67%, 0.68%

LAB 64.57, 36.91, 22.74

 

CMYK 0 / 40 / 44 / 4

HEX #F59389

RGB 245 147 137

HSL 5.56, 0.84%, 0.75%

LAB 70.93, 35.82, 21.17

 

CMYK 0 / 35 / 39 / 0

HEX #FFA59C

RGB 255 165 156

HSL 5.45, 1%, 0.81%

LAB 76.42, 32.22, 18.51

 

CMYK 0 / 28 / 31 / 0

HEX #FFB7AF

RGB 255 183 175

HSL 6, 1%, 0.84%

LAB 80.86, 25.06, 14.45

 

CMYK 0 / 21 / 24 / 0

HEX #FFC9C2

RGB 255 201 194

HSL 6.89, 1%, 0.88%

LAB 85.47, 18.15, 10.82

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 0 / 46 / 50 / 19

HEX #CE6F68

RGB 206 111 104

HSL 4.12, 0.51%, 0.61%

LAB 57.55, 36.64, 20.74

 

CMYK 0 / 51 / 55 / 26

HEX #BD5D55

RGB 189 93 85

HSL 4.62, 0.44%, 0.54%

LAB 51.04, 37.84, 22.66

 

CMYK 0 / 56 / 62 / 33

HEX #AC4B42

RGB 172 75 66

HSL 5.09, 0.45%, 0.47%

LAB 44.51, 39.08, 24.93

 

CMYK 0 / 63 / 70 / 39

HEX #9B392F

RGB 155 57 47

HSL 5.56, 0.53%, 0.4%

LAB 38.02, 40.28, 27.65

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 0 / 30 / 45 / 13

HEX #DF9C7B

RGB 223 156 123

HSL 19.8, 0.61%, 0.68%

LAB 70.1, 21.13, 27.28

 

CMYK 0 / 18 / 45 / 13

HEX #DFB77B

RGB 223 183 123

HSL 36, 0.61%, 0.68%

LAB 76.67, 6.7, 35.86

 

CMYK 0 / 6 / 45 / 13

HEX #DFD27B

RGB 223 210 123

HSL 52.2, 0.61%, 0.68%

LAB 83.55, -7.33, 44.56

 

CMYK 6 / 0 / 45 / 13

HEX #D1DF7B

RGB 209 223 123

HSL 68.4, 0.61%, 0.68%

LAB 85.89, -19.36, 47.21

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 0 / 50 / 53 / 7

HEX #EC756E

RGB 236 117 110

HSL 3.33, 0.77%, 0.68%

LAB 63.08, 45.25, 25.45

 

CMYK 0 / 57 / 61 / 2

HEX #F96A61

RGB 249 106 97

HSL 3.55, 0.93%, 0.68%

LAB 62.77, 54.12, 32.73

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 0 / 33 / 35 / 18

HEX #D18D88

RGB 209 141 136

HSL 4.11, 0.44%, 0.68%

LAB 65.27, 25.23, 13.22

 

CMYK 0 / 22 / 23 / 23

HEX #C49896

RGB 196 152 150

HSL 2.61, 0.28%, 0.68%

LAB 66.82, 16.14, 7.38

 

CMYK 0 / 10 / 11 / 28

HEX #B7A4A3

RGB 183 164 163

HSL 3, 0.12%, 0.68%

LAB 68.94, 6.73, 3.03

 

CMYK 3 / 0 / 0 / 31

HEX #AAB0B0

RGB 170 176 176

HSL 180, 0.04%, 0.68%

LAB 71.37, -2.1, -0.74

 

CMYK 0 / 45 / 23 / 13

HEX #DF7BAB

RGB 223 123 171

HSL 331.2, 0.61%, 0.68%

LAB 63.99, 44.51, -8.24

 

CMYK 0 / 45 / 35 / 13

HEX #DF7B91

RGB 223 123 145

HSL 346.8, 0.61%, 0.68%

LAB 63.26, 41.09, 5.51

 

CMYK 0 / 43 / 45 / 13

HEX #DF807B

RGB 223 128 123

HSL 3, 0.61%, 0.68%

LAB 63.8, 36.04, 18.78

 

CMYK 0 / 30 / 45 / 13

HEX #DF9B7B

RGB 223 155 123

HSL 19.2, 0.61%, 0.68%

LAB 69.87, 21.67, 26.97

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57B

RGB 223 181 123

HSL 34.8, 0.61%, 0.68%

LAB 76.17, 7.76, 35.22

 

CMYK 0 / 68 / 72 / 19

HEX #CF4239

RGB 207 66 57

HSL 3.6, 0.61%, 0.52%

LAB 48.83, 54.9, 36.77

 

CMYK 0 / 55 / 58 / 16

HEX #D7615A

RGB 215 97 90

HSL 3.36, 0.61%, 0.6%

LAB 55.82, 45.86, 26.74

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 0 / 30 / 32 / 9

HEX #E7A19C

RGB 231 161 156

HSL 4, 0.61%, 0.76%

LAB 72.81, 25.34, 13.07

 

CMYK 0 / 19 / 21 / 6

HEX #EFC1BE

RGB 239 193 190

HSL 3.67, 0.6%, 0.84%

LAB 81.95, 15.95, 7.73

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 11 / 0 / 45 / 13

HEX #C6DF7B

RGB 198 223 123

HSL 75, 0.61%, 0.68%

LAB 85.1, -23.6, 46.06

 

CMYK 45 / 29 / 0 / 13

HEX #7B9EDF

RGB 123 158 223

HSL 219, 0.61%, 0.68%

LAB 64.96, 4.99, -36.73

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 45 / 0 / 43 / 13

HEX #7BDF80

RGB 123 223 128

HSL 123, 0.61%, 0.68%

LAB 81.04, -48.48, 37.61

 

CMYK 43 / 45 / 0 / 13

HEX #807BDF

RGB 128 123 223

HSL 243, 0.61%, 0.68%

LAB 56.17, 26.7, -50.55

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 11 / 0 / 45 / 13

HEX #C6DF7B

RGB 198 223 123

HSL 75, 0.61%, 0.68%

LAB 85.1, -23.6, 46.06

 

CMYK 45 / 2 / 0 / 13

HEX #7BDADF

RGB 123 218 223

HSL 183, 0.61%, 0.68%

LAB 81.66, -26.82, -11.24

 

CMYK 34 / 45 / 0 / 13

HEX #947BDF

RGB 148 123 223

HSL 255, 0.61%, 0.68%

LAB 57.84, 31.79, -47.8

 

CMYK 0 / 42 / 45 / 13

HEX #DF817B

RGB 223 129 123

HSL 3.6, 0.61%, 0.68%

LAB 64.01, 35.52, 19.07

 

CMYK 25 / 0 / 45 / 13

HEX #A8DF7B

RGB 168 223 123

HSL 93, 0.61%, 0.68%

LAB 83.19, -34.68, 43.27

 

CMYK 45 / 2 / 0 / 13

HEX #7BDADF

RGB 123 218 223

HSL 183, 0.61%, 0.68%

LAB 81.66, -26.82, -11.24

 

CMYK 20 / 45 / 0 / 13

HEX #B27BDF

RGB 178 123 223

HSL 273, 0.61%, 0.68%

LAB 60.75, 39.99, -43.01

 

Description

Color code: HEX #DF817B | qconv.com Color code: HEX #DF817B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 129 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 129 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 45 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 45% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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