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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF8355 it is the complementary color #207CAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF8355. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF8355 shade: #E48350, #F59563, #FFA776, #FFB989 and #FFCB9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF8355. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF8355 shade: #DF8355, #CE7142, #BD5F2F, #AC4D1C and #9B3B09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF8355 shade: #DE8153, #DE5C53 and #DE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF8355 shade: #DE8153, #DEA753, #DECC53, #CADE53 and #A5DE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF8355 shade matches the following richer shades: #DE8153 and #EE7C43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF8355 shade: #DE8153, #CD8764, #BD8C74, #AC9285 and #9C9795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF8355 shade: #DE536F, #DE5C53, #DE8153, #DEA653 and #DECB53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF8355 shade: #BB5623, #D76830, #DE8153, #E49B76 and #EBB498

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF8355 shade: #DF8355, #94DE53 and #535CDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF8355 shade: #DF8355, #53DE81 and #8153DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF8355 shade: #DF8355, #94DE53, #53B0DE and #9D53DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF8355 shade: #DF8355, #6ADE53, #53B0DE and #C753DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 62 / 13

HEX #DF8355

RGB 223 131 85

HSL 20, 0.68%, 0.6%

LAB 63.82, 31.24, 39.73

 

Complementary color

CMYK 81 / 27 / 0 / 33

HEX #207CAA

RGB 32 124 170

HSL 200, 0.68%, 0.4%

LAB 49.04, -9.78, -31.86

 

CMYK 0 / 43 / 65 / 11

HEX #E48350

RGB 228 131 80

HSL 20.68, 0.73%, 0.6%

LAB 64.41, 32.92, 43.21

 

CMYK 0 / 39 / 60 / 4

HEX #F59563

RGB 245 149 99

HSL 20.55, 0.88%, 0.67%

LAB 70.74, 31.51, 41.43

 

CMYK 0 / 35 / 54 / 0

HEX #FFA776

RGB 255 167 118

HSL 21.46, 1%, 0.73%

LAB 76.2, 27.5, 38.56

 

CMYK 0 / 27 / 46 / 0

HEX #FFB989

RGB 255 185 137

HSL 24.41, 1%, 0.77%

LAB 80.61, 19.78, 34.3

 

CMYK 0 / 20 / 39 / 0

HEX #FFCB9C

RGB 255 203 156

HSL 28.48, 1%, 0.81%

LAB 85.19, 12.35, 30.45

 

CMYK 0 / 41 / 62 / 13

HEX #DF8355

RGB 223 131 85

HSL 20, 0.68%, 0.6%

LAB 63.82, 31.24, 39.73

 

CMYK 0 / 45 / 68 / 19

HEX #CE7142

RGB 206 113 66

HSL 20.14, 0.59%, 0.53%

LAB 57.39, 32.73, 41.61

 

CMYK 0 / 50 / 75 / 26

HEX #BD5F2F

RGB 189 95 47

HSL 20.28, 0.6%, 0.46%

LAB 50.93, 34.37, 43.55

 

CMYK 0 / 55 / 84 / 33

HEX #AC4D1C

RGB 172 77 28

HSL 20.42, 0.72%, 0.39%

LAB 44.46, 36.16, 45.32

 

CMYK 0 / 62 / 94 / 39

HEX #9B3B09

RGB 155 59 9

HSL 20.55, 0.89%, 0.32%

LAB 38.05, 38.01, 46.18

 

CMYK 0 / 42 / 63 / 13

HEX #DE8153

RGB 222 129 83

HSL 19.86, 0.68%, 0.6%

LAB 63.22, 31.76, 40.04

 

CMYK 0 / 59 / 63 / 13

HEX #DE5C53

RGB 222 92 83

HSL 3.88, 0.68%, 0.6%

LAB 55.9, 50.23, 31.07

 

CMYK 0 / 63 / 63 / 13

HEX #DE5353

RGB 222 83 83

HSL 0, 0.68%, 0.6%

LAB 54.39, 54.24, 29.17

 

CMYK 0 / 42 / 63 / 13

HEX #DE8153

RGB 222 129 83

HSL 19.86, 0.68%, 0.6%

LAB 63.22, 31.76, 40.04

 

CMYK 0 / 25 / 63 / 13

HEX #DEA753

RGB 222 167 83

HSL 36.26, 0.68%, 0.6%

LAB 72.09, 11.45, 50.36

 

CMYK 0 / 8 / 63 / 13

HEX #DECC53

RGB 222 204 83

HSL 52.23, 0.68%, 0.6%

LAB 81.48, -7.9, 60.73

 

CMYK 9 / 0 / 63 / 13

HEX #CADE53

RGB 202 222 83

HSL 68.63, 0.68%, 0.6%

LAB 84.7, -25.02, 63.72

 

CMYK 26 / 0 / 63 / 13

HEX #A5DE53

RGB 165 222 83

HSL 84.6, 0.68%, 0.6%

LAB 82.31, -39.31, 60.43

 

CMYK 0 / 42 / 63 / 13

HEX #DE8153

RGB 222 129 83

HSL 19.86, 0.68%, 0.6%

LAB 63.22, 31.76, 40.04

 

CMYK 0 / 48 / 72 / 7

HEX #EE7C43

RGB 238 124 67

HSL 20, 0.83%, 0.6%

LAB 64.16, 39.75, 49.85

 

CMYK 0 / 42 / 63 / 13

HEX #DE8153

RGB 222 129 83

HSL 19.86, 0.68%, 0.6%

LAB 63.22, 31.76, 40.04

 

CMYK 0 / 34 / 51 / 20

HEX #CD8764

RGB 205 135 100

HSL 20, 0.51%, 0.6%

LAB 62.7, 23.02, 29.76

 

CMYK 0 / 26 / 39 / 26

HEX #BD8C74

RGB 189 140 116

HSL 19.73, 0.36%, 0.6%

LAB 62.37, 15.45, 20.1

 

CMYK 0 / 15 / 23 / 33

HEX #AC9285

RGB 172 146 133

HSL 20, 0.19%, 0.6%

LAB 62.53, 7.63, 10.49

 

CMYK 0 / 3 / 4 / 39

HEX #9C9795

RGB 156 151 149

HSL 17.14, 0.03%, 0.6%

LAB 62.82, 1.45, 1.69

 

CMYK 0 / 63 / 50 / 13

HEX #DE536F

RGB 222 83 111

HSL 347.91, 0.68%, 0.6%

LAB 54.93, 56.31, 13.45

 

CMYK 0 / 59 / 63 / 13

HEX #DE5C53

RGB 222 92 83

HSL 3.88, 0.68%, 0.6%

LAB 55.9, 50.23, 31.07

 

CMYK 0 / 42 / 63 / 13

HEX #DE8153

RGB 222 129 83

HSL 19.86, 0.68%, 0.6%

LAB 63.22, 31.76, 40.04

 

CMYK 0 / 25 / 63 / 13

HEX #DEA653

RGB 222 166 83

HSL 35.83, 0.68%, 0.6%

LAB 71.84, 11.99, 50.09

 

CMYK 0 / 9 / 63 / 13

HEX #DECB53

RGB 222 203 83

HSL 51.8, 0.68%, 0.6%

LAB 81.22, -7.39, 60.45

 

CMYK 0 / 54 / 81 / 27

HEX #BB5623

RGB 187 86 35

HSL 20.13, 0.68%, 0.44%

LAB 48.69, 37.75, 46.95

 

CMYK 0 / 52 / 78 / 16

HEX #D76830

RGB 215 104 48

HSL 20.12, 0.68%, 0.52%

LAB 56.65, 40.09, 50.12

 

CMYK 0 / 42 / 63 / 13

HEX #DE8153

RGB 222 129 83

HSL 19.86, 0.68%, 0.6%

LAB 63.22, 31.76, 40.04

 

CMYK 0 / 32 / 48 / 11

HEX #E49B76

RGB 228 155 118

HSL 20.18, 0.67%, 0.68%

LAB 70.35, 23.16, 30.42

 

CMYK 0 / 23 / 35 / 8

HEX #EBB498

RGB 235 180 152

HSL 20.24, 0.67%, 0.76%

LAB 77.62, 16.25, 21.99

 

CMYK 0 / 41 / 62 / 13

HEX #DF8355

RGB 223 131 85

HSL 20, 0.68%, 0.6%

LAB 63.82, 31.24, 39.73

 

CMYK 33 / 0 / 63 / 13

HEX #94DE53

RGB 148 222 83

HSL 91.94, 0.68%, 0.6%

LAB 81.38, -45.38, 59.16

 

CMYK 63 / 59 / 0 / 13

HEX #535CDE

RGB 83 92 222

HSL 236.12, 0.68%, 0.6%

LAB 45.31, 35.96, -67.62

 

CMYK 0 / 41 / 62 / 13

HEX #DF8355

RGB 223 131 85

HSL 20, 0.68%, 0.6%

LAB 63.82, 31.24, 39.73

 

CMYK 63 / 0 / 42 / 13

HEX #53DE81

RGB 83 222 129

HSL 139.86, 0.68%, 0.6%

LAB 79.42, -57.59, 34.76

 

CMYK 42 / 63 / 0 / 13

HEX #8153DE

RGB 129 83 222

HSL 259.86, 0.68%, 0.6%

LAB 47.14, 49.61, -64.47

 

CMYK 0 / 41 / 62 / 13

HEX #DF8355

RGB 223 131 85

HSL 20, 0.68%, 0.6%

LAB 63.82, 31.24, 39.73

 

CMYK 33 / 0 / 63 / 13

HEX #94DE53

RGB 148 222 83

HSL 91.94, 0.68%, 0.6%

LAB 81.38, -45.38, 59.16

 

CMYK 63 / 21 / 0 / 13

HEX #53B0DE

RGB 83 176 222

HSL 199.86, 0.68%, 0.6%

LAB 68.14, -13.84, -31.38

 

CMYK 29 / 63 / 0 / 13

HEX #9D53DE

RGB 157 83 222

HSL 271.94, 0.68%, 0.6%

LAB 50.25, 55.56, -59.3

 

CMYK 0 / 41 / 62 / 13

HEX #DF8355

RGB 223 131 85

HSL 20, 0.68%, 0.6%

LAB 63.82, 31.24, 39.73

 

CMYK 52 / 0 / 63 / 13

HEX #6ADE53

RGB 106 222 83

HSL 110.07, 0.68%, 0.6%

LAB 79.57, -58.33, 56.65

 

CMYK 63 / 21 / 0 / 13

HEX #53B0DE

RGB 83 176 222

HSL 199.86, 0.68%, 0.6%

LAB 68.14, -13.84, -31.38

 

CMYK 10 / 63 / 0 / 13

HEX #C753DE

RGB 199 83 222

HSL 290.07, 0.68%, 0.6%

LAB 55.69, 65.17, -50.29

 

Description

Color code: HEX #DF8355 | qconv.com Color code: HEX #DF8355 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 131 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 131 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 62 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 62% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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