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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF94AD it is the complementary color #206B52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF94AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF94AD shade: #E494A8, #F5A6BB, #FFB8CE, #FFCAE1 and #FFDCF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF94AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF94AD shade: #DF94AD, #CE829A, #BD7087, #AC5E74 and #9B4C61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF94AD shade: #DF94AD, #DF9499 and #DF9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF94AD shade: #DF94AD, #DF94C1, #DF94D5, #D494DF and #C094DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF94AD shade matches the following richer shades: #DF94AD, #EA89AA and #F57EA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF94AD shade: #DF94AD, #D4A0B1, #C9ABB5, #BDB6B8 and #B2C1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF94AD shade: #DF94D5, #DF94C1, #DF94AD, #DF9499 and #DFA394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF94AD shade: #CC557D, #D57595, #DF94AD, #E8B4C6 and #F2D4DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF94AD shade: #DF94AD, #DFD594 and #94CBDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF94AD shade: #DF94AD, #ADDF94 and #94ADDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF94AD shade: #DF94AD, #DFD594, #94DFC6 and #949EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF94AD shade: #DF94AD, #D2DF94, #94DFC6 and #A194DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

Complementary color

CMYK 70 / 0 / 23 / 58

HEX #206B52

RGB 32 107 82

HSL 160, 0.54%, 0.27%

LAB 40.3, -29.39, 7.43

 

CMYK 0 / 35 / 26 / 11

HEX #E494A8

RGB 228 148 168

HSL 345, 0.6%, 0.74%

LAB 69.82, 32.76, 2.1

 

CMYK 0 / 32 / 24 / 4

HEX #F5A6BB

RGB 245 166 187

HSL 344.05, 0.8%, 0.81%

LAB 76.24, 31.97, 1.17

 

CMYK 0 / 28 / 19 / 0

HEX #FFB8CE

RGB 255 184 206

HSL 341.41, 1%, 0.86%

LAB 81.84, 28.79, -0.84

 

CMYK 0 / 21 / 12 / 0

HEX #FFCAE1

RGB 255 202 225

HSL 333.96, 1%, 0.9%

LAB 86.47, 22.29, -4.2

 

CMYK 0 / 14 / 4 / 0

HEX #FFDCF4

RGB 255 220 244

HSL 318.86, 1%, 0.93%

LAB 91.22, 16.05, -7.21

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 37 / 25 / 19

HEX #CE829A

RGB 206 130 154

HSL 341.05, 0.44%, 0.66%

LAB 62.86, 32.48, -0.47

 

CMYK 0 / 41 / 29 / 26

HEX #BD7087

RGB 189 112 135

HSL 342.08, 0.37%, 0.59%

LAB 56.24, 33.34, 0.57

 

CMYK 0 / 45 / 33 / 33

HEX #AC5E74

RGB 172 94 116

HSL 343.08, 0.32%, 0.52%

LAB 49.54, 34.26, 1.77

 

CMYK 0 / 51 / 37 / 39

HEX #9B4C61

RGB 155 76 97

HSL 344.05, 0.34%, 0.45%

LAB 42.76, 35.21, 3.2

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 34 / 31 / 13

HEX #DF9499

RGB 223 148 153

HSL 356, 0.54%, 0.73%

LAB 68.87, 28.91, 9.03

 

CMYK 0 / 34 / 34 / 13

HEX #DF9494

RGB 223 148 148

HSL 0, 0.54%, 0.73%

LAB 68.76, 28.28, 11.65

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 34 / 13 / 13

HEX #DF94C1

RGB 223 148 193

HSL 324, 0.54%, 0.73%

LAB 69.98, 34.77, -11.66

 

CMYK 0 / 34 / 4 / 13

HEX #DF94D5

RGB 223 148 213

HSL 308, 0.54%, 0.73%

LAB 70.64, 38.16, -21.73

 

CMYK 5 / 34 / 0 / 13

HEX #D494DF

RGB 212 148 223

HSL 291.2, 0.54%, 0.73%

LAB 69.83, 36.52, -28.6

 

CMYK 14 / 34 / 0 / 13

HEX #C094DF

RGB 192 148 223

HSL 275.2, 0.54%, 0.73%

LAB 67.81, 30.31, -31.88

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 41 / 27 / 8

HEX #EA89AA

RGB 234 137 170

HSL 339.59, 0.7%, 0.73%

LAB 68.23, 40.92, -1.26

 

CMYK 0 / 49 / 32 / 4

HEX #F57EA6

RGB 245 126 166

HSL 339.83, 0.86%, 0.73%

LAB 67.34, 49.7, -0.13

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 25 / 17 / 17

HEX #D4A0B1

RGB 212 160 177

HSL 340.38, 0.38%, 0.73%

LAB 71.09, 21.85, -1.27

 

CMYK 0 / 15 / 10 / 21

HEX #C9ABB5

RGB 201 171 181

HSL 340, 0.22%, 0.73%

LAB 72.81, 12.55, -1.07

 

CMYK 0 / 4 / 3 / 26

HEX #BDB6B8

RGB 189 182 184

HSL 342.86, 0.05%, 0.73%

LAB 74.66, 2.84, -0.14

 

CMYK 8 / 0 / 3 / 24

HEX #B2C1BC

RGB 178 193 188

HSL 160, 0.11%, 0.73%

LAB 76.82, -6.09, 0.74

 

CMYK 0 / 34 / 4 / 13

HEX #DF94D5

RGB 223 148 213

HSL 308, 0.54%, 0.73%

LAB 70.64, 38.16, -21.73

 

CMYK 0 / 34 / 13 / 13

HEX #DF94C1

RGB 223 148 193

HSL 324, 0.54%, 0.73%

LAB 69.98, 34.77, -11.66

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 34 / 31 / 13

HEX #DF9499

RGB 223 148 153

HSL 356, 0.54%, 0.73%

LAB 68.87, 28.91, 9.03

 

CMYK 0 / 27 / 34 / 13

HEX #DFA394

RGB 223 163 148

HSL 12, 0.54%, 0.73%

LAB 72.24, 20.22, 16.54

 

CMYK 0 / 58 / 39 / 20

HEX #CC557D

RGB 204 85 125

HSL 339.83, 0.54%, 0.57%

LAB 52.75, 50.98, 1.63

 

CMYK 0 / 45 / 30 / 16

HEX #D57595

RGB 213 117 149

HSL 340, 0.53%, 0.65%

LAB 60.82, 41.16, -0.49

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 22 / 15 / 9

HEX #E8B4C6

RGB 232 180 198

HSL 339.23, 0.53%, 0.81%

LAB 78.39, 21.57, -1.84

 

CMYK 0 / 12 / 8 / 5

HEX #F2D4DE

RGB 242 212 222

HSL 340, 0.54%, 0.89%

LAB 87.6, 12.06, -1.09

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 4 / 34 / 13

HEX #DFD594

RGB 223 213 148

HSL 52, 0.54%, 0.73%

LAB 84.7, -6.15, 33.42

 

CMYK 34 / 9 / 0 / 13

HEX #94CBDF

RGB 148 203 223

HSL 196, 0.54%, 0.73%

LAB 78.66, -12.93, -15.62

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 22 / 0 / 34 / 13

HEX #ADDF94

RGB 173 223 148

HSL 100, 0.54%, 0.73%

LAB 83.86, -29.61, 31.67

 

CMYK 34 / 22 / 0 / 13

HEX #94ADDF

RGB 148 173 223

HSL 220, 0.54%, 0.73%

LAB 70.53, 3.19, -27.98

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 0 / 4 / 34 / 13

HEX #DFD594

RGB 223 213 148

HSL 52, 0.54%, 0.73%

LAB 84.7, -6.15, 33.42

 

CMYK 34 / 0 / 11 / 13

HEX #94DFC6

RGB 148 223 198

HSL 160, 0.54%, 0.73%

LAB 83.52, -28.61, 4.89

 

CMYK 34 / 29 / 0 / 13

HEX #949EDF

RGB 148 158 223

HSL 232, 0.54%, 0.73%

LAB 66.58, 11.62, -34.08

 

CMYK 0 / 34 / 22 / 13

HEX #DF94AD

RGB 223 148 173

HSL 340, 0.54%, 0.73%

LAB 69.39, 31.68, -1.39

 

CMYK 6 / 0 / 34 / 13

HEX #D2DF94

RGB 210 223 148

HSL 70.4, 0.54%, 0.73%

LAB 86.31, -16.15, 35.36

 

CMYK 34 / 0 / 11 / 13

HEX #94DFC6

RGB 148 223 198

HSL 160, 0.54%, 0.73%

LAB 83.52, -28.61, 4.89

 

CMYK 28 / 34 / 0 / 13

HEX #A194DF

RGB 161 148 223

HSL 250.4, 0.54%, 0.73%

LAB 65.03, 21.03, -36.42

 

Description

Color code: HEX #DF94AD | qconv.com Color code: HEX #DF94AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 148 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 148 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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