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Color name
HEX #DF95B1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF95B1 it is the complementary color #206A4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF95B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF95B1 shade: #E495AC, #F5A7BF, #FFB9D2, #FFCBE5 and #FFDDF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF95B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF95B1 shade: #DF95B1, #CE839E, #BD718B, #AC5F78 and #9B4D65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF95B1 shade: #DF94B1, #DF949D and #DF9494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF95B1 shade: #DF94B1, #DF94C5, #DF94D9, #D194DF and #BD94DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF95B1 shade matches the following richer shades: #DF94B1, #EA89AE and #F57EAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF95B1 shade: #DF94B1, #D4A0B3, #C9ABB6, #BDB6B9 and #B2C1BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF95B1 shade: #DF94D9, #DF94C5, #DF94B1, #DF949D and #DFA094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF95B1 shade: #CC5582, #D57599, #DF94B1, #E8B4C8 and #F2D4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF95B1 shade: #DF95B1, #DFD194 and #94CFDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF95B1 shade: #DF95B1, #B1DF94 and #94B1DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF95B1 shade: #DF95B1, #DFD194, #94DFC2 and #94A2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF95B1 shade: #DF95B1, #D6DF94, #94DFC2 and #9D94DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 21 / 13

HEX #DF95B1

RGB 223 149 177

HSL 337.3, 0.54%, 0.73%

LAB 69.72, 31.73, -3.13

 

Complementary color

CMYK 70 / 0 / 26 / 58

HEX #206A4E

RGB 32 106 78

HSL 157.3, 0.54%, 0.27%

LAB 39.86, -29.94, 9.23

 

CMYK 0 / 35 / 25 / 11

HEX #E495AC

RGB 228 149 172

HSL 342.53, 0.59%, 0.74%

LAB 70.15, 32.78, 0.35

 

CMYK 0 / 32 / 22 / 4

HEX #F5A7BF

RGB 245 167 191

HSL 341.54, 0.8%, 0.81%

LAB 76.56, 32.02, -0.54

 

CMYK 0 / 27 / 18 / 0

HEX #FFB9D2

RGB 255 185 210

HSL 338.57, 1%, 0.86%

LAB 82.17, 28.87, -2.51

 

CMYK 0 / 20 / 10 / 0

HEX #FFCBE5

RGB 255 203 229

HSL 330, 1%, 0.9%

LAB 86.81, 22.41, -5.82

 

CMYK 0 / 13 / 3 / 0

HEX #FFDDF8

RGB 255 221 248

HSL 312.35, 1%, 0.93%

LAB 91.57, 16.23, -8.79

 

CMYK 0 / 33 / 21 / 13

HEX #DF95B1

RGB 223 149 177

HSL 337.3, 0.54%, 0.73%

LAB 69.72, 31.73, -3.13

 

CMYK 0 / 36 / 23 / 19

HEX #CE839E

RGB 206 131 158

HSL 338.4, 0.43%, 0.66%

LAB 63.2, 32.52, -2.26

 

CMYK 0 / 40 / 26 / 26

HEX #BD718B

RGB 189 113 139

HSL 339.47, 0.37%, 0.59%

LAB 56.58, 33.37, -1.27

 

CMYK 0 / 45 / 30 / 33

HEX #AC5F78

RGB 172 95 120

HSL 340.52, 0.32%, 0.52%

LAB 49.87, 34.26, -0.14

 

CMYK 0 / 50 / 35 / 39

HEX #9B4D65

RGB 155 77 101

HSL 341.54, 0.34%, 0.45%

LAB 43.09, 35.19, 1.2

 

CMYK 0 / 34 / 21 / 13

HEX #DF94B1

RGB 223 148 177

HSL 336.8, 0.54%, 0.73%

LAB 69.5, 32.27, -3.46

 

CMYK 0 / 34 / 30 / 13

HEX #DF949D

RGB 223 148 157

HSL 352.8, 0.54%, 0.73%

LAB 68.97, 29.44, 6.93

 

CMYK 0 / 34 / 34 / 13

HEX #DF9494

RGB 223 148 148

HSL 0, 0.54%, 0.73%

LAB 68.76, 28.28, 11.65

 

CMYK 0 / 34 / 21 / 13

HEX #DF94B1

RGB 223 148 177

HSL 336.8, 0.54%, 0.73%

LAB 69.5, 32.27, -3.46

 

CMYK 0 / 34 / 12 / 13

HEX #DF94C5

RGB 223 148 197

HSL 320.8, 0.54%, 0.73%

LAB 70.11, 35.42, -13.69

 

CMYK 0 / 34 / 3 / 13

HEX #DF94D9

RGB 223 148 217

HSL 304.8, 0.54%, 0.73%

LAB 70.79, 38.87, -23.72

 

CMYK 6 / 34 / 0 / 13

HEX #D194DF

RGB 209 148 223

HSL 288.8, 0.54%, 0.73%

LAB 69.51, 35.58, -29.11

 

CMYK 15 / 34 / 0 / 13

HEX #BD94DF

RGB 189 148 223

HSL 272.8, 0.54%, 0.73%

LAB 67.52, 29.39, -32.35

 

CMYK 0 / 34 / 21 / 13

HEX #DF94B1

RGB 223 148 177

HSL 336.8, 0.54%, 0.73%

LAB 69.5, 32.27, -3.46

 

CMYK 0 / 41 / 26 / 8

HEX #EA89AE

RGB 234 137 174

HSL 337.11, 0.7%, 0.73%

LAB 68.34, 41.47, -3.34

 

CMYK 0 / 49 / 30 / 4

HEX #F57EAB

RGB 245 126 171

HSL 337.31, 0.86%, 0.73%

LAB 67.48, 50.32, -2.75

 

CMYK 0 / 34 / 21 / 13

HEX #DF94B1

RGB 223 148 177

HSL 336.8, 0.54%, 0.73%

LAB 69.5, 32.27, -3.46

 

CMYK 0 / 25 / 16 / 17

HEX #D4A0B3

RGB 212 160 179

HSL 338.08, 0.38%, 0.73%

LAB 71.14, 22.17, -2.3

 

CMYK 0 / 15 / 9 / 21

HEX #C9ABB6

RGB 201 171 182

HSL 338, 0.22%, 0.73%

LAB 72.84, 12.72, -1.58

 

CMYK 0 / 4 / 2 / 26

HEX #BDB6B9

RGB 189 182 185

HSL 334.29, 0.05%, 0.73%

LAB 74.68, 3.02, -0.65

 

CMYK 8 / 0 / 3 / 24

HEX #B2C1BB

RGB 178 193 187

HSL 156, 0.11%, 0.73%

LAB 76.8, -6.28, 1.24

 

CMYK 0 / 34 / 3 / 13

HEX #DF94D9

RGB 223 148 217

HSL 304.8, 0.54%, 0.73%

LAB 70.79, 38.87, -23.72

 

CMYK 0 / 34 / 12 / 13

HEX #DF94C5

RGB 223 148 197

HSL 320.8, 0.54%, 0.73%

LAB 70.11, 35.42, -13.69

 

CMYK 0 / 34 / 21 / 13

HEX #DF94B1

RGB 223 148 177

HSL 336.8, 0.54%, 0.73%

LAB 69.5, 32.27, -3.46

 

CMYK 0 / 34 / 30 / 13

HEX #DF949D

RGB 223 148 157

HSL 352.8, 0.54%, 0.73%

LAB 68.97, 29.44, 6.93

 

CMYK 0 / 28 / 34 / 13

HEX #DFA094

RGB 223 160 148

HSL 9.6, 0.54%, 0.73%

LAB 71.53, 21.83, 15.55

 

CMYK 0 / 58 / 36 / 20

HEX #CC5582

RGB 204 85 130

HSL 337.31, 0.54%, 0.57%

LAB 52.89, 51.54, -1.13

 

CMYK 0 / 45 / 28 / 16

HEX #D57599

RGB 213 117 153

HSL 337.5, 0.53%, 0.65%

LAB 60.93, 41.69, -2.62

 

CMYK 0 / 34 / 21 / 13

HEX #DF94B1

RGB 223 148 177

HSL 336.8, 0.54%, 0.73%

LAB 69.5, 32.27, -3.46

 

CMYK 0 / 22 / 14 / 9

HEX #E8B4C8

RGB 232 180 200

HSL 336.92, 0.53%, 0.81%

LAB 78.44, 21.89, -2.85

 

CMYK 0 / 12 / 8 / 5

HEX #F2D4DF

RGB 242 212 223

HSL 338, 0.54%, 0.89%

LAB 87.63, 12.23, -1.58

 

CMYK 0 / 33 / 21 / 13

HEX #DF95B1

RGB 223 149 177

HSL 337.3, 0.54%, 0.73%

LAB 69.72, 31.73, -3.13

 

CMYK 0 / 6 / 34 / 13

HEX #DFD194

RGB 223 209 148

HSL 48.8, 0.54%, 0.73%

LAB 83.67, -4.1, 32.06

 

CMYK 34 / 7 / 0 / 13

HEX #94CFDF

RGB 148 207 223

HSL 192.8, 0.54%, 0.73%

LAB 79.76, -15, -13.97

 

CMYK 0 / 33 / 21 / 13

HEX #DF95B1

RGB 223 149 177

HSL 337.3, 0.54%, 0.73%

LAB 69.72, 31.73, -3.13

 

CMYK 21 / 0 / 34 / 13

HEX #B1DF94

RGB 177 223 148

HSL 96.8, 0.54%, 0.73%

LAB 84.1, -28.21, 32.03

 

CMYK 34 / 21 / 0 / 13

HEX #94B1DF

RGB 148 177 223

HSL 216.8, 0.54%, 0.73%

LAB 71.6, 0.98, -26.34

 

CMYK 0 / 33 / 21 / 13

HEX #DF95B1

RGB 223 149 177

HSL 337.3, 0.54%, 0.73%

LAB 69.72, 31.73, -3.13

 

CMYK 0 / 6 / 34 / 13

HEX #DFD194

RGB 223 209 148

HSL 48.8, 0.54%, 0.73%

LAB 83.67, -4.1, 32.06

 

CMYK 34 / 0 / 13 / 13

HEX #94DFC2

RGB 148 223 194

HSL 156.8, 0.54%, 0.73%

LAB 83.42, -29.45, 6.87

 

CMYK 34 / 27 / 0 / 13

HEX #94A2DF

RGB 148 162 223

HSL 228.8, 0.54%, 0.73%

LAB 67.62, 9.35, -32.46

 

CMYK 0 / 33 / 21 / 13

HEX #DF95B1

RGB 223 149 177

HSL 337.3, 0.54%, 0.73%

LAB 69.72, 31.73, -3.13

 

CMYK 4 / 0 / 34 / 13

HEX #D6DF94

RGB 214 223 148

HSL 67.2, 0.54%, 0.73%

LAB 86.61, -14.64, 35.8

HEX #D6DF94

CMYK 34 / 0 / 13 / 13

HEX #94DFC2

RGB 148 223 194

HSL 156.8, 0.54%, 0.73%

LAB 83.42, -29.45, 6.87

HEX #94DFC2

CMYK 30 / 34 / 0 / 13

HEX #9D94DF

RGB 157 148 223

HSL 247.2, 0.54%, 0.73%

LAB 64.7, 19.88, -36.95

HEX #9D94DF

Description

Color code: HEX #DF95B1 | qconv.com Color code: HEX #DF95B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 149 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 149 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 21 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 21% 13% C M Y K

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