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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF99C7 it is the complementary color #206638. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF99C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF99C7 shade: #E499C2, #F5ABD5, #FFBDE8, #FFCFFB and #FFE1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF99C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF99C7 shade: #DF99C7, #CE87B4, #BD75A1, #AC638E and #9B517B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF99C7 shade: #DF9AC7, #DF9AB4, #DF9AA2 and #DF9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF99C7 shade: #DF9AC7, #DF9ADA, #D19ADF, #BF9ADF and #AC9ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF99C7 shade matches the following richer shades: #DF9AC7, #E98FCA and #F484CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF99C7 shade: #DF9AC7, #D4A4C4, #C9AFC0, #BEBABD and #B4C5BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF99C7 shade: #D19ADF, #DF9ADA, #DF9AC8, #DF9AB5 and #DF9AA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF99C7 shade: #CB5BA5, #D57AB6, #DF9AC7, #E9B9D8 and #F2D8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF99C7 shade: #DF99C7, #DFBE9A and #9ADFDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF99C7 shade: #DF99C7, #C8DF9A and #9AC8DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF99C7 shade: #DF99C7, #DFBE9A, #9ADFB1 and #9ABADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF99C7 shade: #DF99C7, #DFD39A, #9ADFB1 and #9AA5DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 11 / 13

HEX #DF99C7

RGB 223 153 199

HSL 320.57, 0.52%, 0.74%

LAB 71.28, 33.08, -13.04

 

Complementary color

CMYK 69 / 0 / 45 / 60

HEX #206638

RGB 32 102 56

HSL 140.57, 0.52%, 0.26%

LAB 38.01, -33.06, 19.78

 

CMYK 0 / 33 / 15 / 11

HEX #E499C2

RGB 228 153 194

HSL 327.2, 0.58%, 0.75%

LAB 71.67, 33.97, -9.63

 

CMYK 0 / 30 / 13 / 4

HEX #F5ABD5

RGB 245 171 213

HSL 325.95, 0.79%, 0.82%

LAB 78.08, 33.26, -10.3

 

CMYK 0 / 26 / 9 / 0

HEX #FFBDE8

RGB 255 189 232

HSL 320.91, 1%, 0.87%

LAB 83.7, 30.26, -12.05

 

CMYK 0 / 19 / 2 / 0

HEX #FFCFFB

RGB 255 207 251

HSL 305, 1%, 0.91%

LAB 88.38, 24.08, -15.13

 

CMYK 0 / 12 / 0 / 0

HEX #FFE1FF

RGB 255 225 255

HSL 300, 1%, 0.94%

LAB 92.72, 15.38, -10.74

 

CMYK 0 / 31 / 11 / 13

HEX #DF99C7

RGB 223 153 199

HSL 320.57, 0.52%, 0.74%

LAB 71.28, 33.08, -13.04

 

CMYK 0 / 34 / 13 / 19

HEX #CE87B4

RGB 206 135 180

HSL 321.97, 0.42%, 0.67%

LAB 64.76, 33.81, -12.4

 

CMYK 0 / 38 / 15 / 26

HEX #BD75A1

RGB 189 117 161

HSL 323.33, 0.35%, 0.6%

LAB 58.15, 34.58, -11.7

 

CMYK 0 / 42 / 17 / 33

HEX #AC638E

RGB 172 99 142

HSL 324.66, 0.31%, 0.53%

LAB 51.44, 35.38, -10.91

 

CMYK 0 / 48 / 21 / 39

HEX #9B517B

RGB 155 81 123

HSL 325.95, 0.31%, 0.46%

LAB 44.64, 36.2, -9.97

 

CMYK 0 / 31 / 11 / 13

HEX #DF9AC7

RGB 223 154 199

HSL 320.87, 0.52%, 0.74%

LAB 71.5, 32.55, -12.7

 

CMYK 0 / 31 / 19 / 13

HEX #DF9AB4

RGB 223 154 180

HSL 337.39, 0.52%, 0.74%

LAB 70.94, 29.51, -3.02

 

CMYK 0 / 31 / 27 / 13

HEX #DF9AA2

RGB 223 154 162

HSL 353.04, 0.52%, 0.74%

LAB 70.46, 26.9, 6.29

 

CMYK 0 / 31 / 31 / 13

HEX #DF9A9A

RGB 223 154 154

HSL 0, 0.52%, 0.74%

LAB 70.27, 25.83, 10.45

 

CMYK 0 / 31 / 11 / 13

HEX #DF9AC7

RGB 223 154 199

HSL 320.87, 0.52%, 0.74%

LAB 71.5, 32.55, -12.7

 

CMYK 0 / 31 / 2 / 13

HEX #DF9ADA

RGB 223 154 218

HSL 304.35, 0.52%, 0.74%

LAB 72.14, 35.86, -22.22

 

CMYK 6 / 31 / 0 / 13

HEX #D19ADF

RGB 209 154 223

HSL 287.83, 0.52%, 0.74%

LAB 70.87, 32.32, -27.03

 

CMYK 14 / 31 / 0 / 13

HEX #BF9ADF

RGB 191 154 223

HSL 272.17, 0.52%, 0.74%

LAB 69.12, 26.68, -29.86

 

CMYK 23 / 31 / 0 / 13

HEX #AC9ADF

RGB 172 154 223

HSL 255.65, 0.52%, 0.74%

LAB 67.43, 20.87, -32.61

 

CMYK 0 / 31 / 11 / 13

HEX #DF9AC7

RGB 223 154 199

HSL 320.87, 0.52%, 0.74%

LAB 71.5, 32.55, -12.7

 

CMYK 0 / 39 / 13 / 9

HEX #E98FCA

RGB 233 143 202

HSL 320.67, 0.67%, 0.74%

LAB 70.34, 42.19, -16

 

CMYK 0 / 46 / 16 / 4

HEX #F484CE

RGB 244 132 206

HSL 320.36, 0.84%, 0.74%

LAB 69.61, 51.91, -19.2

 

CMYK 0 / 31 / 11 / 13

HEX #DF9AC7

RGB 223 154 199

HSL 320.87, 0.52%, 0.74%

LAB 71.5, 32.55, -12.7

 

CMYK 0 / 23 / 8 / 17

HEX #D4A4C4

RGB 212 164 196

HSL 320, 0.36%, 0.74%

LAB 72.58, 22.85, -9.55

 

CMYK 0 / 13 / 4 / 21

HEX #C9AFC0

RGB 201 175 192

HSL 320.77, 0.19%, 0.74%

LAB 74.12, 12.31, -5.19

 

CMYK 0 / 2 / 1 / 25

HEX #BEBABD

RGB 190 186 189

HSL 315, 0.03%, 0.74%

LAB 75.91, 1.96, -1.03

 

CMYK 9 / 0 / 6 / 23

HEX #B4C5BA

RGB 180 197 186

HSL 141.18, 0.13%, 0.74%

LAB 77.98, -7.89, 3.52

 

CMYK 6 / 31 / 0 / 13

HEX #D19ADF

RGB 209 154 223

HSL 287.83, 0.52%, 0.74%

LAB 70.87, 32.32, -27.03

 

CMYK 0 / 31 / 2 / 13

HEX #DF9ADA

RGB 223 154 218

HSL 304.35, 0.52%, 0.74%

LAB 72.14, 35.86, -22.22

 

CMYK 0 / 31 / 10 / 13

HEX #DF9AC8

RGB 223 154 200

HSL 320, 0.52%, 0.74%

LAB 71.53, 32.71, -13.21

 

CMYK 0 / 31 / 19 / 13

HEX #DF9AB5

RGB 223 154 181

HSL 336.52, 0.52%, 0.74%

LAB 70.96, 29.66, -3.53

 

CMYK 0 / 31 / 27 / 13

HEX #DF9AA3

RGB 223 154 163

HSL 352.17, 0.52%, 0.74%

LAB 70.49, 27.04, 5.77

 

CMYK 0 / 55 / 19 / 20

HEX #CB5BA5

RGB 203 91 165

HSL 320.36, 0.52%, 0.58%

LAB 54.96, 53.05, -18.66

 

CMYK 0 / 43 / 15 / 16

HEX #D57AB6

RGB 213 122 182

HSL 320.44, 0.52%, 0.66%

LAB 62.88, 43.37, -16.29

 

CMYK 0 / 31 / 11 / 13

HEX #DF9AC7

RGB 223 154 199

HSL 320.87, 0.52%, 0.74%

LAB 71.5, 32.55, -12.7

 

CMYK 0 / 21 / 7 / 9

HEX #E9B9D8

RGB 233 185 216

HSL 321.25, 0.52%, 0.82%

LAB 80.17, 22.23, -8.94

 

CMYK 0 / 11 / 3 / 5

HEX #F2D8EA

RGB 242 216 234

HSL 318.46, 0.5%, 0.9%

LAB 88.89, 12.03, -5.53

 

CMYK 0 / 31 / 11 / 13

HEX #DF99C7

RGB 223 153 199

HSL 320.57, 0.52%, 0.74%

LAB 71.28, 33.08, -13.04

 

CMYK 0 / 15 / 31 / 13

HEX #DFBE9A

RGB 223 190 154

HSL 31.3, 0.52%, 0.74%

LAB 78.95, 6.56, 22.56

 

CMYK 31 / 0 / 2 / 13

HEX #9ADFDA

RGB 154 223 218

HSL 175.65, 0.52%, 0.74%

LAB 84.33, -22.56, -4.47

 

CMYK 0 / 31 / 11 / 13

HEX #DF99C7

RGB 223 153 199

HSL 320.57, 0.52%, 0.74%

LAB 71.28, 33.08, -13.04

 

CMYK 10 / 0 / 31 / 13

HEX #C8DF9A

RGB 200 223 154

HSL 80, 0.52%, 0.74%

LAB 85.7, -19.09, 31.36

 

CMYK 31 / 10 / 0 / 13

HEX #9AC8DF

RGB 154 200 223

HSL 200, 0.52%, 0.74%

LAB 78.17, -9.69, -16.32

 

CMYK 0 / 31 / 11 / 13

HEX #DF99C7

RGB 223 153 199

HSL 320.57, 0.52%, 0.74%

LAB 71.28, 33.08, -13.04

 

CMYK 0 / 15 / 31 / 13

HEX #DFBE9A

RGB 223 190 154

HSL 31.3, 0.52%, 0.74%

LAB 78.95, 6.56, 22.56

 

CMYK 31 / 0 / 21 / 13

HEX #9ADFB1

RGB 154 223 177

HSL 140, 0.52%, 0.74%

LAB 83.35, -31.02, 15.75

 

CMYK 31 / 17 / 0 / 13

HEX #9ABADF

RGB 154 186 223

HSL 212.17, 0.52%, 0.74%

LAB 74.39, -2.23, -22.04

 

CMYK 0 / 31 / 11 / 13

HEX #DF99C7

RGB 223 153 199

HSL 320.57, 0.52%, 0.74%

LAB 71.28, 33.08, -13.04

 

CMYK 0 / 5 / 31 / 13

HEX #DFD39A

RGB 223 211 154

HSL 49.57, 0.52%, 0.74%

LAB 84.28, -4.39, 29.78

 

CMYK 31 / 0 / 21 / 13

HEX #9ADFB1

RGB 154 223 177

HSL 140, 0.52%, 0.74%

LAB 83.35, -31.02, 15.75

 

CMYK 31 / 26 / 0 / 13

HEX #9AA5DF

RGB 154 165 223

HSL 230.43, 0.52%, 0.74%

LAB 68.83, 9.36, -30.57

 

Description

Color code: HEX #DF99C7 | qconv.com Color code: HEX #DF99C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 153 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 153 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 11 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 11% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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