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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9A1A it is the complementary color #2065E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9A1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9A1A shade: #E49A15, #F5AC28, #FFBE3B, #FFD04E and #FFE261

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9A1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9A1A shade: #DF9A1A, #CE8807, #BD7600, #AC6400 and #9B5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9A1A shade: #DF9A1A, #DF651A, #DF301A and #DF1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9A1A shade: #DF9A1A, #DFCF1A, #BADF1A, #85DF1A and #4FDF1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9A1A shade matches the following richer shades: #DF9A1A and #F3A006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9A1A shade: #DF9A1A, #CB942E, #B78E42, #A38856 and #8E826B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9A1A shade: #DF2D1A, #DF621A, #DF971A, #DFCB1A and #BEDF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9A1A shade: #956711, #BA8015, #DF9A1A, #E8AB3B and #ECBB60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9A1A shade: #DF9A1A, #3BDF1A and #481ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9A1A shade: #DF9A1A, #1ADF97 and #971ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9A1A shade: #DF9A1A, #3BDF1A, #1A62DF and #BE1ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9A1A shade: #DF9A1A, #1ADF34, #1A62DF and #DF1AC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

Complementary color

CMYK 86 / 56 / 0 / 10

HEX #2065E5

RGB 32 101 229

HSL 218.98, 0.79%, 0.51%

LAB 46, 27.09, -70.55

 

CMYK 0 / 32 / 91 / 11

HEX #E49A15

RGB 228 154 21

HSL 38.55, 0.83%, 0.49%

LAB 69.23, 18.51, 70.57

 

CMYK 0 / 30 / 84 / 4

HEX #F5AC28

RGB 245 172 40

HSL 38.63, 0.91%, 0.56%

LAB 75.5, 16.63, 71.62

 

CMYK 0 / 25 / 77 / 0

HEX #FFBE3B

RGB 255 190 59

HSL 40.1, 1%, 0.62%

LAB 80.96, 12.03, 70.69

 

CMYK 0 / 18 / 69 / 0

HEX #FFD04E

RGB 255 208 78

HSL 44.07, 1%, 0.65%

LAB 85.46, 3.56, 67.9

 

CMYK 0 / 11 / 62 / 0

HEX #FFE261

RGB 255 226 97

HSL 48.99, 1%, 0.69%

LAB 90.1, -4.51, 64.94

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 0 / 34 / 97 / 19

HEX #CE8807

RGB 206 136 7

HSL 38.89, 0.93%, 0.42%

LAB 62.29, 18.5, 66.73

 

CMYK 0 / 38 / 100 / 26

HEX #BD7600

RGB 189 118 0

HSL 37.46, 1%, 0.37%

LAB 55.86, 20.81, 62.56

 

CMYK 0 / 42 / 100 / 33

HEX #AC6400

RGB 172 100 0

HSL 34.88, 1%, 0.34%

LAB 49.36, 23.28, 57.27

 

CMYK 0 / 47 / 100 / 39

HEX #9B5200

RGB 155 82 0

HSL 31.74, 1%, 0.3%

LAB 42.77, 25.81, 51.95

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 0 / 55 / 88 / 13

HEX #DF651A

RGB 223 101 26

HSL 22.84, 0.79%, 0.49%

LAB 57.14, 44.03, 59.86

 

CMYK 0 / 78 / 88 / 13

HEX #DF301A

RGB 223 48 26

HSL 6.7, 0.79%, 0.49%

LAB 49.35, 64.99, 53.93

 

CMYK 0 / 88 / 88 / 13

HEX #DF1A1A

RGB 223 26 26

HSL 0, 0.79%, 0.49%

LAB 47.63, 69.88, 52.63

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 0 / 7 / 88 / 13

HEX #DFCF1A

RGB 223 207 26

HSL 55.13, 0.79%, 0.49%

LAB 82.05, -11.26, 79.29

 

CMYK 17 / 0 / 88 / 13

HEX #BADF1A

RGB 186 223 26

HSL 71.27, 0.79%, 0.49%

LAB 83.59, -34.39, 79.35

 

CMYK 40 / 0 / 88 / 13

HEX #85DF1A

RGB 133 223 26

HSL 87.41, 0.79%, 0.49%

LAB 80.65, -54, 75.71

 

CMYK 65 / 0 / 88 / 13

HEX #4FDF1A

RGB 79 223 26

HSL 103.86, 0.79%, 0.49%

LAB 78.76, -68.78, 73.36

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 0 / 34 / 98 / 5

HEX #F3A006

RGB 243 160 6

HSL 38.99, 0.95%, 0.49%

LAB 72.37, 21.56, 75.86

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 0 / 27 / 77 / 20

HEX #CB942E

RGB 203 148 46

HSL 38.98, 0.63%, 0.49%

LAB 65.02, 11.57, 58.52

 

CMYK 0 / 22 / 64 / 28

HEX #B78E42

RGB 183 142 66

HSL 38.97, 0.47%, 0.49%

LAB 61.49, 7.13, 45.47

 

CMYK 0 / 17 / 47 / 36

HEX #A38856

RGB 163 136 86

HSL 38.96, 0.31%, 0.49%

LAB 58.1, 3.45, 30.59

 

CMYK 0 / 8 / 25 / 44

HEX #8E826B

RGB 142 130 107

HSL 39.43, 0.14%, 0.49%

LAB 54.84, 0.67, 14.12

 

CMYK 0 / 80 / 88 / 13

HEX #DF2D1A

RGB 223 45 26

HSL 5.79, 0.79%, 0.49%

LAB 49.06, 65.81, 53.71

 

CMYK 0 / 56 / 88 / 13

HEX #DF621A

RGB 223 98 26

HSL 21.93, 0.79%, 0.49%

LAB 56.58, 45.48, 59.43

 

CMYK 0 / 32 / 88 / 13

HEX #DF971A

RGB 223 151 26

HSL 38.07, 0.79%, 0.49%

LAB 67.94, 18.06, 68.22

 

CMYK 0 / 9 / 88 / 13

HEX #DFCB1A

RGB 223 203 26

HSL 53.91, 0.79%, 0.49%

LAB 81, -9.24, 78.46

 

CMYK 15 / 0 / 88 / 13

HEX #BEDF1A

RGB 190 223 26

HSL 70.05, 0.79%, 0.49%

LAB 83.86, -32.79, 79.67

 

CMYK 0 / 31 / 89 / 42

HEX #956711

RGB 149 103 17

HSL 39.09, 0.8%, 0.33%

LAB 47.15, 11.43, 50.34

 

CMYK 0 / 31 / 89 / 27

HEX #BA8015

RGB 186 128 21

HSL 38.91, 0.8%, 0.41%

LAB 57.97, 14.26, 59.78

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 0 / 26 / 75 / 9

HEX #E8AB3B

RGB 232 171 59

HSL 38.84, 0.79%, 0.57%

LAB 73.93, 12.27, 63.14

 

CMYK 0 / 21 / 59 / 7

HEX #ECBB60

RGB 236 187 96

HSL 39, 0.79%, 0.65%

LAB 78.59, 7.61, 51.99

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 74 / 0 / 88 / 13

HEX #3BDF1A

RGB 59 223 26

HSL 109.95, 0.79%, 0.49%

LAB 78.33, -72.43, 72.82

 

CMYK 68 / 88 / 0 / 13

HEX #481ADF

RGB 72 26 223

HSL 254.01, 0.79%, 0.49%

LAB 32.8, 67.8, -88.8

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 88 / 0 / 32 / 13

HEX #1ADF97

RGB 26 223 151

HSL 158.07, 0.79%, 0.49%

LAB 79.17, -60.95, 23

 

CMYK 32 / 88 / 0 / 13

HEX #971ADF

RGB 151 26 223

HSL 278.07, 0.79%, 0.49%

LAB 42.22, 75.47, -72.93

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 74 / 0 / 88 / 13

HEX #3BDF1A

RGB 59 223 26

HSL 109.95, 0.79%, 0.49%

LAB 78.33, -72.43, 72.82

 

CMYK 88 / 56 / 0 / 13

HEX #1A62DF

RGB 26 98 223

HSL 218.07, 0.79%, 0.49%

LAB 44.64, 26.37, -69.39

 

CMYK 15 / 88 / 0 / 13

HEX #BE1ADF

RGB 190 26 223

HSL 289.95, 0.79%, 0.49%

LAB 48.28, 81.07, -62.82

 

CMYK 0 / 31 / 88 / 13

HEX #DF9A1A

RGB 223 154 26

HSL 38.98, 0.79%, 0.49%

LAB 68.66, 16.45, 68.78

 

CMYK 88 / 0 / 77 / 13

HEX #1ADF34

RGB 26 223 52

HSL 127.92, 0.79%, 0.49%

LAB 78.02, -74.82, 66

 

CMYK 88 / 56 / 0 / 13

HEX #1A62DF

RGB 26 98 223

HSL 218.07, 0.79%, 0.49%

LAB 44.64, 26.37, -69.39

 

CMYK 0 / 88 / 12 / 13

HEX #DF1AC5

RGB 223 26 197

HSL 307.92, 0.79%, 0.49%

LAB 52.35, 82.8, -41.06

 

Description

Color code: HEX #DF9A1A | qconv.com Color code: HEX #DF9A1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 154 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 154 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 88 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 88% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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