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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9EB6 it is the complementary color #206149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9EB6 shade: #E49EB1, #F5B0C4, #FFC2D7, #FFD4EA and #FFE6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9EB6 shade: #DF9EB6, #CE8CA3, #BD7A90, #AC687D and #9B566A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9EB6 shade: #DF9FB6, #DF9FA5 and #DF9F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9EB6 shade: #DF9FB6, #DF9FC8, #DF9FD9, #D39FDF and #C29FDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9EB6 shade matches the following richer shades: #DF9FB6, #E995B4, #F38AB1 and #FE80AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9EB6 shade: #DF9FB6, #D4A9B9, #CAB4BC, #C0BEBF and #B5C8C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9EB6 shade: #DF9FD9, #DF9FC8, #DF9FB7, #DF9FA6 and #DFA89F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9EB6 shade: #CA6188, #D4809F, #DF9FB6, #E9BECE and #F3DDE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9EB6 shade: #DF9EB6, #DFD39F and #9FD1DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9EB6 shade: #DF9EB6, #B7DF9F and #9FB7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9EB6 shade: #DF9EB6, #DFD39F, #9FDFC6 and #9FABDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9EB6 shade: #DF9EB6, #D7DF9F, #9FDFC6 and #A69FDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 18 / 13

HEX #DF9EB6

RGB 223 158 182

HSL 337.85, 0.5%, 0.75%

LAB 71.91, 27.67, -2.7

 

Complementary color

CMYK 67 / 0 / 25 / 62

HEX #206149

RGB 32 97 73

HSL 157.85, 0.5%, 0.25%

LAB 36.63, -26.95, 7.72

 

CMYK 0 / 31 / 22 / 11

HEX #E49EB1

RGB 228 158 177

HSL 343.71, 0.56%, 0.76%

LAB 72.31, 28.7, 0.72

 

CMYK 0 / 28 / 20 / 4

HEX #F5B0C4

RGB 245 176 196

HSL 342.61, 0.78%, 0.83%

LAB 78.72, 28, -0.11

 

CMYK 0 / 24 / 16 / 0

HEX #FFC2D7

RGB 255 194 215

HSL 339.34, 1%, 0.88%

LAB 84.35, 24.91, -1.98

 

CMYK 0 / 17 / 8 / 0

HEX #FFD4EA

RGB 255 212 234

HSL 329.3, 1%, 0.92%

LAB 89.06, 18.53, -5.15

 

CMYK 0 / 10 / 1 / 0

HEX #FFE6FD

RGB 255 230 253

HSL 304.8, 1%, 0.95%

LAB 93.86, 12.43, -8.01

 

CMYK 0 / 29 / 18 / 13

HEX #DF9EB6

RGB 223 158 182

HSL 337.85, 0.5%, 0.75%

LAB 71.91, 27.67, -2.7

 

CMYK 0 / 32 / 21 / 19

HEX #CE8CA3

RGB 206 140 163

HSL 339.09, 0.4%, 0.68%

LAB 65.38, 28.39, -1.89

 

CMYK 0 / 35 / 24 / 26

HEX #BD7A90

RGB 189 122 144

HSL 340.3, 0.34%, 0.61%

LAB 58.74, 29.18, -1

 

CMYK 0 / 40 / 27 / 33

HEX #AC687D

RGB 172 104 125

HSL 341.47, 0.29%, 0.54%

LAB 52.01, 30.04, 0.01

 

CMYK 0 / 45 / 32 / 39

HEX #9B566A

RGB 155 86 106

HSL 342.61, 0.29%, 0.47%

LAB 45.17, 30.96, 1.17

 

CMYK 0 / 29 / 18 / 13

HEX #DF9FB6

RGB 223 159 182

HSL 338.44, 0.5%, 0.75%

LAB 72.14, 27.13, -2.36

 

CMYK 0 / 29 / 26 / 13

HEX #DF9FA5

RGB 223 159 165

HSL 354.38, 0.5%, 0.75%

LAB 71.69, 24.63, 6.39

 

CMYK 0 / 29 / 29 / 13

HEX #DF9F9F

RGB 223 159 159

HSL 0, 0.5%, 0.75%

LAB 71.55, 23.8, 9.5

 

CMYK 0 / 29 / 18 / 13

HEX #DF9FB6

RGB 223 159 182

HSL 338.44, 0.5%, 0.75%

LAB 72.14, 27.13, -2.36

 

CMYK 0 / 29 / 10 / 13

HEX #DF9FC8

RGB 223 159 200

HSL 321.56, 0.5%, 0.75%

LAB 72.66, 30.03, -11.51

 

CMYK 0 / 29 / 3 / 13

HEX #DF9FD9

RGB 223 159 217

HSL 305.63, 0.5%, 0.75%

LAB 73.22, 33, -20.03

 

CMYK 5 / 29 / 0 / 13

HEX #D39FDF

RGB 211 159 223

HSL 288.75, 0.5%, 0.75%

LAB 72.21, 30.24, -24.96

 

CMYK 13 / 29 / 0 / 13

HEX #C29FDF

RGB 194 159 223

HSL 272.81, 0.5%, 0.75%

LAB 70.59, 24.85, -27.58

 

CMYK 0 / 29 / 18 / 13

HEX #DF9FB6

RGB 223 159 182

HSL 338.44, 0.5%, 0.75%

LAB 72.14, 27.13, -2.36

 

CMYK 0 / 36 / 23 / 9

HEX #E995B4

RGB 233 149 180

HSL 337.86, 0.66%, 0.75%

LAB 70.95, 35.7, -2.87

 

CMYK 0 / 43 / 27 / 5

HEX #F38AB1

RGB 243 138 177

HSL 337.71, 0.81%, 0.75%

LAB 69.76, 44.44, -2.81

 

CMYK 0 / 50 / 31 / 0

HEX #FE80AE

RGB 254 128 174

HSL 338.1, 0.98%, 0.75%

LAB 69.16, 52.68, -1.84

 

CMYK 0 / 29 / 18 / 13

HEX #DF9FB6

RGB 223 159 182

HSL 338.44, 0.5%, 0.75%

LAB 72.14, 27.13, -2.36

 

CMYK 0 / 20 / 13 / 17

HEX #D4A9B9

RGB 212 169 185

HSL 337.67, 0.33%, 0.75%

LAB 73.46, 18.26, -2.19

 

CMYK 0 / 11 / 7 / 21

HEX #CAB4BC

RGB 202 180 188

HSL 338.18, 0.17%, 0.75%

LAB 75.35, 9.24, -1.19

 

CMYK 0 / 1 / 1 / 25

HEX #C0BEBF

RGB 192 190 191

HSL 330, 0.02%, 0.75%

LAB 77.16, 0.88, -0.27

 

CMYK 10 / 0 / 4 / 22

HEX #B5C8C1

RGB 181 200 193

HSL 157.89, 0.15%, 0.75%

LAB 79.03, -7.78, 1.29

 

CMYK 0 / 29 / 3 / 13

HEX #DF9FD9

RGB 223 159 217

HSL 305.63, 0.5%, 0.75%

LAB 73.22, 33, -20.03

 

CMYK 0 / 29 / 10 / 13

HEX #DF9FC8

RGB 223 159 200

HSL 321.56, 0.5%, 0.75%

LAB 72.66, 30.03, -11.51

 

CMYK 0 / 29 / 18 / 13

HEX #DF9FB7

RGB 223 159 183

HSL 337.5, 0.5%, 0.75%

LAB 72.16, 27.28, -2.87

 

CMYK 0 / 29 / 26 / 13

HEX #DF9FA6

RGB 223 159 166

HSL 353.44, 0.5%, 0.75%

LAB 71.72, 24.77, 5.88

 

CMYK 0 / 25 / 29 / 13

HEX #DFA89F

RGB 223 168 159

HSL 8.44, 0.5%, 0.75%

LAB 73.67, 18.96, 12.52

 

CMYK 0 / 52 / 33 / 21

HEX #CA6188

RGB 202 97 136

HSL 337.71, 0.5%, 0.59%

LAB 54.95, 45.86, -1.69

 

CMYK 0 / 40 / 25 / 17

HEX #D4809F

RGB 212 128 159

HSL 337.86, 0.49%, 0.67%

LAB 63.29, 36.41, -2.6

 

CMYK 0 / 29 / 18 / 13

HEX #DF9FB6

RGB 223 159 182

HSL 338.44, 0.5%, 0.75%

LAB 72.14, 27.13, -2.36

 

CMYK 0 / 18 / 12 / 9

HEX #E9BECE

RGB 233 190 206

HSL 337.67, 0.49%, 0.83%

LAB 81.07, 17.89, -2.21

 

CMYK 0 / 9 / 6 / 5

HEX #F3DDE5

RGB 243 221 229

HSL 338.18, 0.48%, 0.91%

LAB 90.06, 8.89, -1.17

 

CMYK 0 / 29 / 18 / 13

HEX #DF9EB6

RGB 223 158 182

HSL 337.85, 0.5%, 0.75%

LAB 71.91, 27.67, -2.7

 

CMYK 0 / 5 / 29 / 13

HEX #DFD39F

RGB 223 211 159

HSL 48.75, 0.5%, 0.75%

LAB 84.37, -3.75, 27.3

 

CMYK 29 / 6 / 0 / 13

HEX #9FD1DF

RGB 159 209 223

HSL 193.13, 0.5%, 0.75%

LAB 80.91, -12.95, -12.19

 

CMYK 0 / 29 / 18 / 13

HEX #DF9EB6

RGB 223 158 182

HSL 337.85, 0.5%, 0.75%

LAB 71.91, 27.67, -2.7

 

CMYK 18 / 0 / 29 / 13

HEX #B7DF9F

RGB 183 223 159

HSL 97.5, 0.5%, 0.75%

LAB 84.66, -24.49, 27.2

 

CMYK 29 / 18 / 0 / 13

HEX #9FB7DF

RGB 159 183 223

HSL 217.5, 0.5%, 0.75%

LAB 73.91, 0.85, -22.74

 

CMYK 0 / 29 / 18 / 13

HEX #DF9EB6

RGB 223 158 182

HSL 337.85, 0.5%, 0.75%

LAB 71.91, 27.67, -2.7

 

CMYK 0 / 5 / 29 / 13

HEX #DFD39F

RGB 223 211 159

HSL 48.75, 0.5%, 0.75%

LAB 84.37, -3.75, 27.3

 

CMYK 29 / 0 / 11 / 13

HEX #9FDFC6

RGB 159 223 198

HSL 156.56, 0.5%, 0.75%

LAB 84.08, -25.41, 5.77

 

CMYK 29 / 23 / 0 / 13

HEX #9FABDF

RGB 159 171 223

HSL 228.75, 0.5%, 0.75%

LAB 70.75, 7.46, -27.58

 

CMYK 0 / 29 / 18 / 13

HEX #DF9EB6

RGB 223 158 182

HSL 337.85, 0.5%, 0.75%

LAB 71.91, 27.67, -2.7

 

CMYK 4 / 0 / 29 / 13

HEX #D7DF9F

RGB 215 223 159

HSL 67.5, 0.5%, 0.75%

LAB 86.86, -12.86, 30.54

 

CMYK 29 / 0 / 11 / 13

HEX #9FDFC6

RGB 159 223 198

HSL 156.56, 0.5%, 0.75%

LAB 84.08, -25.41, 5.77

 

CMYK 26 / 29 / 0 / 13

HEX #A69FDF

RGB 166 159 223

HSL 246.56, 0.5%, 0.75%

LAB 68.19, 16.26, -31.48

 

Description

Color code: HEX #DF9EB6 | qconv.com Color code: HEX #DF9EB6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 158 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 158 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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