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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9F3E it is the complementary color #2060C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9F3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9F3E shade: #E49F39, #F5B14C, #FFC35F, #FFD572 and #FFE785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9F3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9F3E shade: #DF9F3E, #CE8D2B, #BD7B18, #AC6905 and #9B5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9F3E shade: #DF9F3E, #DF733E, #DF483E and #DF3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9F3E shade: #DF9F3E, #DFCA3E, #C8DF3E, #9DDF3E and #71DF3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9F3E shade matches the following richer shades: #DF9F3E and #F1A32B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9F3E shade: #DF9F3E, #CD9B50, #BB9762, #A99474 and #969086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9F3E shade: #DF483E, #DF733E, #DF9E3E, #DFCA3E and #CADF3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9F3E shade: #AE741C, #D28C22, #DF9F3E, #E5B061 and #EBC284

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9F3E shade: #DF9F3E, #5EDF3E and #5E3EDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9F3E shade: #DF9F3E, #3EDF9E and #9E3EDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9F3E shade: #DF9F3E, #5EDF3E, #3E7EDF and #BF3EDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9F3E shade: #DF9F3E, #3EDF4E, #3E7EDF and #DF3ECF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

Complementary color

CMYK 83 / 50 / 0 / 24

HEX #2060C1

RGB 32 96 193

HSL 216.15, 0.72%, 0.44%

LAB 42.04, 16.42, -56.38

 

CMYK 0 / 30 / 75 / 11

HEX #E49F39

RGB 228 159 57

HSL 35.79, 0.76%, 0.56%

LAB 70.58, 16.87, 60.52

 

CMYK 0 / 28 / 69 / 4

HEX #F5B14C

RGB 245 177 76

HSL 35.86, 0.89%, 0.63%

LAB 76.91, 15.39, 59.55

 

CMYK 0 / 24 / 63 / 0

HEX #FFC35F

RGB 255 195 95

HSL 37.5, 1%, 0.69%

LAB 82.44, 11.22, 57.36

 

CMYK 0 / 16 / 55 / 0

HEX #FFD572

RGB 255 213 114

HSL 42.13, 1%, 0.72%

LAB 87.03, 3.26, 53.79

 

CMYK 0 / 9 / 48 / 0

HEX #FFE785

RGB 255 231 133

HSL 48.2, 1%, 0.76%

LAB 91.73, -4.28, 50.39

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 32 / 79 / 19

HEX #CE8D2B

RGB 206 141 43

HSL 36.07, 0.65%, 0.49%

LAB 63.63, 16.57, 58.48

 

CMYK 0 / 35 / 87 / 26

HEX #BD7B18

RGB 189 123 24

HSL 36, 0.77%, 0.42%

LAB 57.12, 18.42, 58.44

 

CMYK 0 / 39 / 97 / 33

HEX #AC6905

RGB 172 105 5

HSL 35.93, 0.94%, 0.35%

LAB 50.55, 20.56, 56.97

 

CMYK 0 / 44 / 100 / 39

HEX #9B5700

RGB 155 87 0

HSL 33.68, 1%, 0.3%

LAB 43.92, 23.01, 52.66

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 48 / 72 / 13

HEX #DF733E

RGB 223 115 62

HSL 19.75, 0.72%, 0.56%

LAB 60.16, 38.24, 47.38

 

CMYK 0 / 68 / 72 / 13

HEX #DF483E

RGB 223 72 62

HSL 3.73, 0.72%, 0.56%

LAB 52.59, 57.97, 39

 

CMYK 0 / 72 / 72 / 13

HEX #DF3E3E

RGB 223 62 62

HSL 0, 0.72%, 0.56%

LAB 51.25, 61.65, 37.47

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 9 / 72 / 13

HEX #DFCA3E

RGB 223 202 62

HSL 52.17, 0.72%, 0.56%

LAB 80.89, -7.6, 68.47

 

CMYK 10 / 0 / 72 / 13

HEX #C8DF3E

RGB 200 223 62

HSL 68.57, 0.72%, 0.56%

LAB 84.69, -27.51, 71.5

 

CMYK 30 / 0 / 72 / 13

HEX #9DDF3E

RGB 157 223 62

HSL 84.6, 0.72%, 0.56%

LAB 82, -44.11, 67.95

 

CMYK 49 / 0 / 72 / 13

HEX #71DF3E

RGB 113 223 62

HSL 100.99, 0.72%, 0.56%

LAB 79.97, -58.51, 65.27

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 32 / 82 / 5

HEX #F1A32B

RGB 241 163 43

HSL 36.36, 0.88%, 0.56%

LAB 72.94, 19.76, 68.34

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 24 / 61 / 20

HEX #CD9B50

RGB 205 155 80

HSL 36, 0.56%, 0.56%

LAB 67.28, 10.5, 45.84

 

CMYK 0 / 19 / 48 / 27

HEX #BB9762

RGB 187 151 98

HSL 35.73, 0.4%, 0.56%

LAB 64.63, 6.58, 32.91

 

CMYK 0 / 12 / 31 / 34

HEX #A99474

RGB 169 148 116

HSL 36.23, 0.24%, 0.56%

LAB 62.4, 2.88, 19.81

 

CMYK 0 / 4 / 11 / 41

HEX #969086

RGB 150 144 134

HSL 37.5, 0.07%, 0.56%

LAB 60.03, 0.39, 6.09

 

CMYK 0 / 68 / 72 / 13

HEX #DF483E

RGB 223 72 62

HSL 3.73, 0.72%, 0.56%

LAB 52.59, 57.97, 39

 

CMYK 0 / 48 / 72 / 13

HEX #DF733E

RGB 223 115 62

HSL 19.75, 0.72%, 0.56%

LAB 60.16, 38.24, 47.38

 

CMYK 0 / 29 / 72 / 13

HEX #DF9E3E

RGB 223 158 62

HSL 35.78, 0.72%, 0.56%

LAB 69.82, 15.5, 57.49

 

CMYK 0 / 9 / 72 / 13

HEX #DFCA3E

RGB 223 202 62

HSL 52.17, 0.72%, 0.56%

LAB 80.89, -7.6, 68.47

 

CMYK 9 / 0 / 72 / 13

HEX #CADF3E

RGB 202 223 62

HSL 67.83, 0.72%, 0.56%

LAB 84.83, -26.7, 71.68

 

CMYK 0 / 33 / 84 / 32

HEX #AE741C

RGB 174 116 28

HSL 36.16, 0.72%, 0.4%

LAB 53.57, 15.76, 53.45

 

CMYK 0 / 33 / 84 / 18

HEX #D28C22

RGB 210 140 34

HSL 36.14, 0.72%, 0.48%

LAB 63.81, 18.56, 61.97

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 0 / 23 / 58 / 10

HEX #E5B061

RGB 229 176 97

HSL 35.91, 0.72%, 0.64%

LAB 75.18, 10.58, 47.35

 

CMYK 0 / 17 / 44 / 8

HEX #EBC284

RGB 235 194 132

HSL 36.12, 0.72%, 0.72%

LAB 80.69, 6.64, 36.61

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 58 / 0 / 72 / 13

HEX #5EDF3E

RGB 94 223 62

HSL 108.07, 0.72%, 0.56%

LAB 79.33, -63.53, 64.41

 

CMYK 58 / 72 / 0 / 13

HEX #5E3EDF

RGB 94 62 223

HSL 251.93, 0.72%, 0.56%

LAB 39.84, 55.02, -77.1

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 72 / 0 / 29 / 13

HEX #3EDF9E

RGB 62 223 158

HSL 155.78, 0.72%, 0.56%

LAB 79.77, -55.96, 20.24

 

CMYK 29 / 72 / 0 / 13

HEX #9E3EDF

RGB 158 62 223

HSL 275.78, 0.72%, 0.56%

LAB 47.03, 65.48, -65.06

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 58 / 0 / 72 / 13

HEX #5EDF3E

RGB 94 223 62

HSL 108.07, 0.72%, 0.56%

LAB 79.33, -63.53, 64.41

 

CMYK 72 / 43 / 0 / 13

HEX #3E7EDF

RGB 62 126 223

HSL 216.15, 0.72%, 0.56%

LAB 53.25, 12.04, -55.43

 

CMYK 14 / 72 / 0 / 13

HEX #BF3EDF

RGB 191 62 223

HSL 288.07, 0.72%, 0.56%

LAB 51.67, 71.86, -57.35

 

CMYK 0 / 29 / 72 / 13

HEX #DF9F3E

RGB 223 159 62

HSL 36.15, 0.72%, 0.56%

LAB 70.06, 14.97, 57.73

 

CMYK 72 / 0 / 65 / 13

HEX #3EDF4E

RGB 62 223 78

HSL 125.96, 0.72%, 0.56%

LAB 78.67, -68.56, 57.39

 

CMYK 72 / 43 / 0 / 13

HEX #3E7EDF

RGB 62 126 223

HSL 216.15, 0.72%, 0.56%

LAB 53.25, 12.04, -55.43

 

CMYK 0 / 72 / 7 / 13

HEX #DF3ECF

RGB 223 62 207

HSL 305.96, 0.72%, 0.56%

LAB 55.72, 75.92, -41.49

 

Description

Color code: HEX #DF9F3E | qconv.com Color code: HEX #DF9F3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 159 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 159 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 72% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - Asker Ventilasjon AS...
Link: http://www.askervent.no

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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