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Color name
HEX #DF9F1F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9F1F it is the complementary color #2060E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9F1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9F1F shade: #E49F1A, #F5B12D, #FFC340, #FFD553 and #FFE766

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9F1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9F1F shade: #DF9F1F, #CE8D0C, #BD7B00, #AC6900 and #9B5700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9F1F shade: #E09F1E, #E06B1E, #E0371E and #E01E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9F1F shade: #E09F1E, #E0D41E, #B8E01E, #84E01E and #4FE01E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9F1F shade matches the following richer shades: #E09F1E and #F5A609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9F1F shade: #E09F1E, #CB9833, #B79247, #A28B5C and #8D8471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9F1F shade: #E0381E, #E06C1E, #E09F1E, #E0D31E and #B9E01E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9F1F shade: #976C14, #BC8519, #E09F1E, #E5AF42 and #EABE67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9F1F shade: #DF9F1F, #38E01E and #521EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9F1F shade: #DF9F1F, #1EE09F and #9F1EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9F1F shade: #DF9F1F, #38E01E, #1E5FE0 and #C61EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9F1F shade: #DF9F1F, #1EE03E, #1E5FE0 and #E01EC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 86 / 13

HEX #DF9F1F

RGB 223 159 31

HSL 40, 0.76%, 0.5%

LAB 69.88, 13.88, 68.49

 

Complementary color

CMYK 86 / 57 / 0 / 12

HEX #2060E0

RGB 32 96 224

HSL 220, 0.76%, 0.5%

LAB 44.31, 28.4, -70.48

 

CMYK 0 / 30 / 89 / 11

HEX #E49F1A

RGB 228 159 26

HSL 39.5, 0.8%, 0.5%

LAB 70.43, 15.93, 70.41

 

CMYK 0 / 28 / 82 / 4

HEX #F5B12D

RGB 245 177 45

HSL 39.6, 0.91%, 0.57%

LAB 76.71, 14.14, 71.14

 

CMYK 0 / 24 / 75 / 0

HEX #FFC340

RGB 255 195 64

HSL 41.15, 1%, 0.63%

LAB 82.2, 9.63, 70.05

 

CMYK 0 / 16 / 67 / 0

HEX #FFD553

RGB 255 213 83

HSL 45.35, 1%, 0.66%

LAB 86.74, 1.26, 67.2

 

CMYK 0 / 9 / 60 / 0

HEX #FFE766

RGB 255 231 102

HSL 50.59, 1%, 0.7%

LAB 91.4, -6.69, 64.22

 

CMYK 0 / 29 / 86 / 13

HEX #DF9F1F

RGB 223 159 31

HSL 40, 0.76%, 0.5%

LAB 69.88, 13.88, 68.49

 

CMYK 0 / 32 / 94 / 19

HEX #CE8D0C

RGB 206 141 12

HSL 39.9, 0.89%, 0.43%

LAB 63.51, 15.84, 66.84

 

CMYK 0 / 35 / 100 / 26

HEX #BD7B00

RGB 189 123 0

HSL 39.05, 1%, 0.37%

LAB 57.06, 18.05, 63.34

 

CMYK 0 / 39 / 100 / 33

HEX #AC6900

RGB 172 105 0

HSL 36.63, 1%, 0.34%

LAB 50.54, 20.49, 58.03

 

CMYK 0 / 44 / 100 / 39

HEX #9B5700

RGB 155 87 0

HSL 33.68, 1%, 0.3%

LAB 43.92, 23.01, 52.66

 

CMYK 0 / 29 / 87 / 12

HEX #E09F1E

RGB 224 159 30

HSL 39.9, 0.76%, 0.5%

LAB 69.99, 14.29, 68.89

 

CMYK 0 / 52 / 87 / 12

HEX #E06B1E

RGB 224 107 30

HSL 23.81, 0.76%, 0.5%

LAB 58.47, 41.56, 59.63

 

CMYK 0 / 75 / 87 / 12

HEX #E0371E

RGB 224 55 30

HSL 7.73, 0.76%, 0.5%

LAB 50.3, 63.28, 53.06

 

CMYK 0 / 87 / 87 / 12

HEX #E01E1E

RGB 224 30 30

HSL 0, 0.76%, 0.5%

LAB 48.1, 69.52, 51.28

 

CMYK 0 / 29 / 87 / 12

HEX #E09F1E

RGB 224 159 30

HSL 39.9, 0.76%, 0.5%

LAB 69.99, 14.29, 68.89

 

CMYK 0 / 5 / 87 / 12

HEX #E0D41E

RGB 224 212 30

HSL 56.29, 0.76%, 0.5%

LAB 83.46, -13.26, 79.7

 

CMYK 18 / 0 / 87 / 12

HEX #B8E01E

RGB 184 224 30

HSL 72.37, 0.76%, 0.5%

LAB 83.75, -35.55, 78.72

 

CMYK 41 / 0 / 87 / 12

HEX #84E01E

RGB 132 224 30

HSL 88.45, 0.76%, 0.5%

LAB 80.91, -54.6, 75.19

 

CMYK 65 / 0 / 87 / 12

HEX #4FE01E

RGB 79 224 30

HSL 104.85, 0.76%, 0.5%

LAB 79.08, -68.96, 72.89

 

CMYK 0 / 29 / 87 / 12

HEX #E09F1E

RGB 224 159 30

HSL 39.9, 0.76%, 0.5%

LAB 69.99, 14.29, 68.89

 

CMYK 0 / 32 / 96 / 4

HEX #F5A609

RGB 245 166 9

HSL 39.92, 0.93%, 0.5%

LAB 74, 19.27, 76.74

 

CMYK 0 / 29 / 87 / 12

HEX #E09F1E

RGB 224 159 30

HSL 39.9, 0.76%, 0.5%

LAB 69.99, 14.29, 68.89

 

CMYK 0 / 25 / 75 / 20

HEX #CB9833

RGB 203 152 51

HSL 39.87, 0.6%, 0.5%

LAB 66.05, 9.6, 57.56

 

CMYK 0 / 20 / 61 / 28

HEX #B79247

RGB 183 146 71

HSL 40.18, 0.44%, 0.5%

LAB 62.58, 5.28, 44.26

 

CMYK 0 / 14 / 43 / 36

HEX #A28B5C

RGB 162 139 92

HSL 40.29, 0.28%, 0.5%

LAB 58.9, 2, 28.32

 

CMYK 0 / 6 / 20 / 45

HEX #8D8471

RGB 141 132 113

HSL 40.71, 0.11%, 0.5%

LAB 55.44, 0.07, 11.49

 

CMYK 0 / 75 / 87 / 12

HEX #E0381E

RGB 224 56 30

HSL 8.04, 0.76%, 0.5%

LAB 50.42, 62.96, 53.15

 

CMYK 0 / 52 / 87 / 12

HEX #E06C1E

RGB 224 108 30

HSL 24.12, 0.76%, 0.5%

LAB 58.66, 41.06, 59.79

 

CMYK 0 / 29 / 87 / 12

HEX #E09F1E

RGB 224 159 30

HSL 39.9, 0.76%, 0.5%

LAB 69.99, 14.29, 68.89

 

CMYK 0 / 6 / 87 / 12

HEX #E0D31E

RGB 224 211 30

HSL 55.98, 0.76%, 0.5%

LAB 83.19, -12.76, 79.49

 

CMYK 17 / 0 / 87 / 12

HEX #B9E01E

RGB 185 224 30

HSL 72.06, 0.76%, 0.5%

LAB 83.82, -35.16, 78.8

 

CMYK 0 / 28 / 87 / 41

HEX #976C14

RGB 151 108 20

HSL 40.31, 0.77%, 0.34%

LAB 48.7, 9.56, 50.82

 

CMYK 0 / 29 / 87 / 26

HEX #BC8519

RGB 188 133 25

HSL 39.75, 0.77%, 0.42%

LAB 59.47, 12.48, 60.01

 

CMYK 0 / 29 / 87 / 12

HEX #E09F1E

RGB 224 159 30

HSL 39.9, 0.76%, 0.5%

LAB 69.99, 14.29, 68.89

 

CMYK 0 / 24 / 71 / 10

HEX #E5AF42

RGB 229 175 66

HSL 40.12, 0.76%, 0.58%

LAB 74.64, 9.2, 60.92

 

CMYK 0 / 19 / 56 / 8

HEX #EABE67

RGB 234 190 103

HSL 39.85, 0.76%, 0.66%

LAB 79.21, 5.73, 49.31

 

CMYK 0 / 29 / 86 / 13

HEX #DF9F1F

RGB 223 159 31

HSL 40, 0.76%, 0.5%

LAB 69.88, 13.88, 68.49

 

CMYK 75 / 0 / 87 / 12

HEX #38E01E

RGB 56 224 30

HSL 111.96, 0.76%, 0.5%

LAB 78.6, -73.04, 72.29

 

CMYK 63 / 87 / 0 / 12

HEX #521EE0

RGB 82 30 224

HSL 256.08, 0.76%, 0.5%

LAB 34.2, 67.52, -87.02

 

CMYK 0 / 29 / 86 / 13

HEX #DF9F1F

RGB 223 159 31

HSL 40, 0.76%, 0.5%

LAB 69.88, 13.88, 68.49

 

CMYK 87 / 0 / 29 / 12

HEX #1EE09F

RGB 30 224 159

HSL 159.9, 0.76%, 0.5%

LAB 79.67, -59.34, 19.51

 

CMYK 29 / 87 / 0 / 12

HEX #9F1EE0

RGB 159 30 224

HSL 279.9, 0.76%, 0.5%

LAB 43.77, 75.91, -70.92

 

CMYK 0 / 29 / 86 / 13

HEX #DF9F1F

RGB 223 159 31

HSL 40, 0.76%, 0.5%

LAB 69.88, 13.88, 68.49

 

CMYK 75 / 0 / 87 / 12

HEX #38E01E

RGB 56 224 30

HSL 111.96, 0.76%, 0.5%

LAB 78.6, -73.04, 72.29

 

CMYK 87 / 58 / 0 / 12

HEX #1E5FE0

RGB 30 95 224

HSL 219.9, 0.76%, 0.5%

LAB 44.01, 28.92, -70.98

 

CMYK 12 / 87 / 0 / 12

HEX #C61EE0

RGB 198 30 224

HSL 291.96, 0.76%, 0.5%

LAB 49.88, 81.81, -60.74

 

CMYK 0 / 29 / 86 / 13

HEX #DF9F1F

RGB 223 159 31

HSL 40, 0.76%, 0.5%

LAB 69.88, 13.88, 68.49

 

CMYK 87 / 0 / 72 / 12

HEX #1EE03E

RGB 30 224 62

HSL 129.9, 0.76%, 0.5%

LAB 78.42, -74.07, 63.1

 

CMYK 87 / 58 / 0 / 12

HEX #1E5FE0

RGB 30 95 224

HSL 219.9, 0.76%, 0.5%

LAB 44.01, 28.92, -70.98

 

CMYK 0 / 87 / 14 / 12

HEX #E01EC0

RGB 224 30 192

HSL 309.9, 0.76%, 0.5%

LAB 52.49, 81.72, -37.94

 

Description

Color code: HEX #DF9F1F | qconv.com Color code: HEX #DF9F1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 159 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 159 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 86% 13% C M Y K

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Provide designers and agencies with accurate color values.

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