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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFA47B it is the complementary color #205B84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFA47B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFA47B shade: #E4A476, #F5B689, #FFC89C, #FFDAAF and #FFECC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFA47B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFA47B shade: #DFA47B, #CE9268, #BD8055, #AC6E42 and #9B5C2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFA47B shade: #DFA47B, #DF897B and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFA47B shade: #DFA47B, #DFBF7B, #DFDA7B, #C9DF7B and #AEDF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFA47B shade matches the following richer shades: #DFA47B, #ECA26E and #F99F61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFA47B shade: #DFA47B, #D1A688, #C4A996, #B7ABA3 and #AAADB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFA47B shade: #DF7B88, #DF887B, #DFA37B, #DFBD7B and #DFD87B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFA47B shade: #CF7639, #D78D5A, #DFA47B, #E7BB9C and #EFD2BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFA47B shade: #DFA47B, #A3DF7B and #7B7BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFA47B shade: #DFA47B, #7BDFA3 and #A37BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFA47B shade: #DFA47B, #A3DF7B, #7BB7DF and #B77BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFA47B shade: #DFA47B, #85DF7B, #7BB7DF and #D57BDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

Complementary color

CMYK 76 / 31 / 0 / 48

HEX #205B84

RGB 32 91 132

HSL 204.6, 0.61%, 0.32%

LAB 36.85, -4.18, -28.35

 

CMYK 0 / 28 / 48 / 11

HEX #E4A476

RGB 228 164 118

HSL 25.09, 0.67%, 0.68%

LAB 72.46, 18.35, 33.17

 

CMYK 0 / 26 / 44 / 4

HEX #F5B689

RGB 245 182 137

HSL 25, 0.84%, 0.75%

LAB 78.85, 17.43, 31.8

 

CMYK 0 / 22 / 39 / 0

HEX #FFC89C

RGB 255 200 156

HSL 26.67, 1%, 0.81%

LAB 84.47, 13.91, 29.49

 

CMYK 0 / 15 / 31 / 0

HEX #FFDAAF

RGB 255 218 175

HSL 32.25, 1%, 0.84%

LAB 89.16, 6.81, 25.95

 

CMYK 0 / 7 / 24 / 0

HEX #FFECC2

RGB 255 236 194

HSL 41.31, 1%, 0.88%

LAB 93.95, 0.09, 22.72

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 0 / 29 / 50 / 19

HEX #CE9268

RGB 206 146 104

HSL 24.71, 0.51%, 0.61%

LAB 65.5, 17.8, 31.21

 

CMYK 0 / 32 / 55 / 26

HEX #BD8055

RGB 189 128 85

HSL 24.81, 0.44%, 0.54%

LAB 58.89, 18.92, 32.74

 

CMYK 0 / 36 / 62 / 33

HEX #AC6E42

RGB 172 110 66

HSL 24.91, 0.45%, 0.47%

LAB 52.19, 20.21, 34.39

 

CMYK 0 / 41 / 70 / 39

HEX #9B5C2F

RGB 155 92 47

HSL 25, 0.53%, 0.4%

LAB 45.4, 21.73, 36.15

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 0 / 39 / 45 / 13

HEX #DF897B

RGB 223 137 123

HSL 8.4, 0.61%, 0.68%

LAB 65.76, 31.3, 21.45

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 0 / 14 / 45 / 13

HEX #DFBF7B

RGB 223 191 123

HSL 40.8, 0.61%, 0.68%

LAB 78.68, 2.49, 38.44

 

CMYK 0 / 2 / 45 / 13

HEX #DFDA7B

RGB 223 218 123

HSL 57, 0.61%, 0.68%

LAB 85.64, -11.37, 47.14

 

CMYK 10 / 0 / 45 / 13

HEX #C9DF7B

RGB 201 223 123

HSL 73.2, 0.61%, 0.68%

LAB 85.31, -22.45, 46.37

 

CMYK 22 / 0 / 45 / 13

HEX #AEDF7B

RGB 174 223 123

HSL 89.4, 0.61%, 0.68%

LAB 83.55, -32.54, 43.79

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 0 / 31 / 53 / 7

HEX #ECA26E

RGB 236 162 110

HSL 24.76, 0.77%, 0.68%

LAB 72.76, 21.92, 37.95

 

CMYK 0 / 36 / 61 / 2

HEX #F99F61

RGB 249 159 97

HSL 24.47, 0.93%, 0.68%

LAB 73.41, 27.74, 45.79

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 0 / 21 / 35 / 18

HEX #D1A688

RGB 209 166 136

HSL 24.66, 0.44%, 0.68%

LAB 71.29, 11.65, 21.55

 

CMYK 0 / 14 / 23 / 23

HEX #C4A996

RGB 196 169 150

HSL 24.78, 0.28%, 0.68%

LAB 71.09, 6.84, 13.43

 

CMYK 0 / 7 / 11 / 28

HEX #B7ABA3

RGB 183 171 163

HSL 24, 0.12%, 0.68%

LAB 70.76, 2.91, 5.65

 

CMYK 3 / 2 / 0 / 31

HEX #AAADB0

RGB 170 173 176

HSL 210, 0.04%, 0.68%

LAB 70.57, -0.48, -1.91

 

CMYK 0 / 45 / 39 / 13

HEX #DF7B88

RGB 223 123 136

HSL 352.2, 0.61%, 0.68%

LAB 63.04, 40.03, 10.33

 

CMYK 0 / 39 / 45 / 13

HEX #DF887B

RGB 223 136 123

HSL 7.8, 0.61%, 0.68%

LAB 65.54, 31.83, 21.15

 

CMYK 0 / 27 / 45 / 13

HEX #DFA37B

RGB 223 163 123

HSL 24, 0.61%, 0.68%

LAB 71.77, 17.37, 29.48

 

CMYK 0 / 15 / 45 / 13

HEX #DFBD7B

RGB 223 189 123

HSL 39.6, 0.61%, 0.68%

LAB 78.18, 3.54, 37.79

 

CMYK 0 / 3 / 45 / 13

HEX #DFD87B

RGB 223 216 123

HSL 55.8, 0.61%, 0.68%

LAB 85.11, -10.37, 46.49

 

CMYK 0 / 43 / 72 / 19

HEX #CF7639

RGB 207 118 57

HSL 24.4, 0.61%, 0.52%

LAB 58.53, 30.01, 47.42

 

CMYK 0 / 34 / 58 / 16

HEX #D78D5A

RGB 215 141 90

HSL 24.48, 0.61%, 0.6%

LAB 65.15, 23.02, 38.48

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 0 / 19 / 32 / 9

HEX #E7BB9C

RGB 231 187 156

HSL 24.8, 0.61%, 0.76%

LAB 79, 11.48, 21.68

 

CMYK 0 / 12 / 21 / 6

HEX #EFD2BE

RGB 239 210 190

HSL 24.49, 0.6%, 0.84%

LAB 86.09, 7.02, 13.62

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 27 / 0 / 45 / 13

HEX #A3DF7B

RGB 163 223 123

HSL 96, 0.61%, 0.68%

LAB 82.91, -36.44, 42.85

 

CMYK 45 / 45 / 0 / 13

HEX #7B7BDF

RGB 123 123 223

HSL 240, 0.61%, 0.68%

LAB 55.79, 25.49, -51.17

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 45 / 0 / 27 / 13

HEX #7BDFA3

RGB 123 223 163

HSL 144, 0.61%, 0.68%

LAB 81.64, -42.55, 20.49

 

CMYK 27 / 45 / 0 / 13

HEX #A37BDF

RGB 163 123 223

HSL 264, 0.61%, 0.68%

LAB 59.23, 35.82, -45.5

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 27 / 0 / 45 / 13

HEX #A3DF7B

RGB 163 223 123

HSL 96, 0.61%, 0.68%

LAB 82.91, -36.44, 42.85

 

CMYK 45 / 18 / 0 / 13

HEX #7BB7DF

RGB 123 183 223

HSL 204, 0.61%, 0.68%

LAB 71.83, -8.88, -26.11

 

CMYK 18 / 45 / 0 / 13

HEX #B77BDF

RGB 183 123 223

HSL 276, 0.61%, 0.68%

LAB 61.27, 41.4, -42.15

 

CMYK 0 / 26 / 45 / 13

HEX #DFA47B

RGB 223 164 123

HSL 24.6, 0.61%, 0.68%

LAB 72.01, 16.84, 29.8

 

CMYK 40 / 0 / 45 / 13

HEX #85DF7B

RGB 133 223 123

HSL 114, 0.61%, 0.68%

LAB 81.4, -46.26, 40.63

 

CMYK 45 / 18 / 0 / 13

HEX #7BB7DF

RGB 123 183 223

HSL 204, 0.61%, 0.68%

LAB 71.83, -8.88, -26.11

 

CMYK 4 / 45 / 0 / 13

HEX #D57BDF

RGB 213 123 223

HSL 294, 0.61%, 0.68%

LAB 64.68, 50, -36.57

 

Description

Color code: HEX #DFA47B | qconv.com Color code: HEX #DFA47B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 164 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 164 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 45 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 45% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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