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Color name
HEX #DFA780

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFA780 it is the complementary color #20587F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFA780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFA780 shade: #E4A77B, #F5B98E, #FFCBA1, #FFDDB4 and #FFEFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFA780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFA780 shade: #DFA780, #CE956D, #BD835A, #AC7147 and #9B5F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFA780 shade: #DFA780, #DF8D80 and #DF8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFA780 shade: #DFA780, #DFC180, #DFDA80, #CADF80 and #B0DF80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFA780 shade matches the following richer shades: #DFA780, #ECA573 and #F8A266

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFA780 shade: #DFA780, #D2A98D, #C5AC9A, #B9AEA6 and #ACB0B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFA780 shade: #DF808D, #DF8D80, #DFA680, #DFBF80 and #DFD980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFA780 shade: #CE793E, #D7905F, #DFA780, #E7BEA1 and #EFD5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFA780 shade: #DFA780, #A6DF80 and #8080DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFA780 shade: #DFA780, #80DFA6 and #A680DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFA780 shade: #DFA780, #A6DF80, #80B9DF and #B980DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFA780 shade: #DFA780, #8ADF80, #80B9DF and #D580DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

Complementary color

CMYK 75 / 31 / 0 / 50

HEX #20587F

RGB 32 88 127

HSL 204.63, 0.6%, 0.31%

LAB 35.63, -4.2, -27.19

 

CMYK 0 / 27 / 46 / 11

HEX #E4A77B

RGB 228 167 123

HSL 25.14, 0.66%, 0.69%

LAB 73.26, 17.23, 31.54

 

CMYK 0 / 24 / 42 / 4

HEX #F5B98E

RGB 245 185 142

HSL 25.05, 0.84%, 0.76%

LAB 79.65, 16.37, 30.22

 

CMYK 0 / 20 / 37 / 0

HEX #FFCBA1

RGB 255 203 161

HSL 26.81, 1%, 0.82%

LAB 85.27, 12.91, 27.96

 

CMYK 0 / 13 / 29 / 0

HEX #FFDDB4

RGB 255 221 180

HSL 32.8, 1%, 0.85%

LAB 89.98, 5.9, 24.49

 

CMYK 0 / 6 / 22 / 0

HEX #FFEFC7

RGB 255 239 199

HSL 42.86, 1%, 0.89%

LAB 94.79, -0.74, 21.32

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 0 / 28 / 47 / 19

HEX #CE956D

RGB 206 149 109

HSL 24.74, 0.5%, 0.62%

LAB 66.31, 16.66, 29.54

 

CMYK 0 / 31 / 52 / 26

HEX #BD835A

RGB 189 131 90

HSL 24.85, 0.43%, 0.55%

LAB 59.7, 17.7, 31.02

 

CMYK 0 / 34 / 59 / 33

HEX #AC7147

RGB 172 113 71

HSL 24.95, 0.42%, 0.48%

LAB 52.99, 18.91, 32.63

 

CMYK 0 / 39 / 66 / 39

HEX #9B5F34

RGB 155 95 52

HSL 25.05, 0.5%, 0.41%

LAB 46.18, 20.34, 34.36

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 0 / 37 / 43 / 13

HEX #DF8D80

RGB 223 141 128

HSL 8.21, 0.6%, 0.69%

LAB 66.75, 29.69, 20.01

 

CMYK 0 / 43 / 43 / 13

HEX #DF8080

RGB 223 128 128

HSL 0, 0.6%, 0.69%

LAB 63.9, 36.56, 16.1

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 0 / 13 / 43 / 13

HEX #DFC180

RGB 223 193 128

HSL 41.05, 0.6%, 0.69%

LAB 79.26, 1.95, 36.61

 

CMYK 0 / 2 / 43 / 13

HEX #DFDA80

RGB 223 218 128

HSL 56.84, 0.6%, 0.69%

LAB 85.7, -10.88, 44.77

 

CMYK 9 / 0 / 43 / 13

HEX #CADF80

RGB 202 223 128

HSL 73.26, 0.6%, 0.69%

LAB 85.45, -21.53, 44.12

 

CMYK 21 / 0 / 43 / 13

HEX #B0DF80

RGB 176 223 128

HSL 89.68, 0.6%, 0.69%

LAB 83.74, -31.21, 41.6

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 0 / 30 / 51 / 7

HEX #ECA573

RGB 236 165 115

HSL 24.79, 0.76%, 0.69%

LAB 73.53, 20.76, 36.3

 

CMYK 0 / 35 / 59 / 3

HEX #F8A266

RGB 248 162 102

HSL 24.66, 0.91%, 0.69%

LAB 74.03, 26.12, 43.97

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 0 / 20 / 33 / 18

HEX #D2A98D

RGB 210 169 141

HSL 24.35, 0.43%, 0.69%

LAB 72.23, 11.05, 20.14

 

CMYK 0 / 13 / 22 / 23

HEX #C5AC9A

RGB 197 172 154

HSL 25.12, 0.27%, 0.69%

LAB 72.03, 6.19, 12.58

 

CMYK 0 / 6 / 10 / 27

HEX #B9AEA6

RGB 185 174 166

HSL 25.26, 0.12%, 0.69%

LAB 71.78, 2.54, 5.5

 

CMYK 4 / 2 / 0 / 30

HEX #ACB0B3

RGB 172 176 179

HSL 205.71, 0.04%, 0.69%

LAB 71.61, -0.82, -2.03

 

CMYK 0 / 43 / 37 / 13

HEX #DF808D

RGB 223 128 141

HSL 351.79, 0.6%, 0.69%

LAB 64.2, 38.02, 9.13

 

CMYK 0 / 37 / 43 / 13

HEX #DF8D80

RGB 223 141 128

HSL 8.21, 0.6%, 0.69%

LAB 66.75, 29.69, 20.01

 

CMYK 0 / 26 / 43 / 13

HEX #DFA680

RGB 223 166 128

HSL 24, 0.6%, 0.69%

LAB 72.57, 16.29, 27.86

 

CMYK 0 / 14 / 43 / 13

HEX #DFBF80

RGB 223 191 128

HSL 39.79, 0.6%, 0.69%

LAB 78.76, 3, 35.96

 

CMYK 0 / 3 / 43 / 13

HEX #DFD980

RGB 223 217 128

HSL 56.21, 0.6%, 0.69%

LAB 85.44, -10.38, 44.45

 

CMYK 0 / 41 / 70 / 19

HEX #CE793E

RGB 206 121 62

HSL 24.58, 0.6%, 0.53%

LAB 59.11, 28.25, 45.56

 

CMYK 0 / 33 / 56 / 16

HEX #D7905F

RGB 215 144 95

HSL 24.5, 0.6%, 0.61%

LAB 65.92, 21.79, 36.78

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 0 / 18 / 30 / 9

HEX #E7BEA1

RGB 231 190 161

HSL 24.86, 0.59%, 0.77%

LAB 79.83, 10.53, 20.16

 

CMYK 0 / 11 / 19 / 6

HEX #EFD5C2

RGB 239 213 194

HSL 25.33, 0.58%, 0.85%

LAB 86.92, 6.05, 12.68

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 26 / 0 / 43 / 13

HEX #A6DF80

RGB 166 223 128

HSL 96, 0.6%, 0.69%

LAB 83.15, -34.77, 40.73

 

CMYK 43 / 43 / 0 / 13

HEX #8080DF

RGB 128 128 223

HSL 240, 0.6%, 0.69%

LAB 57.42, 23.74, -48.56

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 43 / 0 / 26 / 13

HEX #80DFA6

RGB 128 223 166

HSL 144, 0.6%, 0.69%

LAB 81.9, -40.63, 19.32

 

CMYK 26 / 43 / 0 / 13

HEX #A680DF

RGB 166 128 223

HSL 264, 0.6%, 0.69%

LAB 60.67, 33.83, -43.21

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 26 / 0 / 43 / 13

HEX #A6DF80

RGB 166 223 128

HSL 96, 0.6%, 0.69%

LAB 83.15, -34.77, 40.73

 

CMYK 43 / 17 / 0 / 13

HEX #80B9DF

RGB 128 185 223

HSL 204, 0.6%, 0.69%

LAB 72.64, -8.71, -24.85

 

CMYK 17 / 43 / 0 / 13

HEX #B980DF

RGB 185 128 223

HSL 276, 0.6%, 0.69%

LAB 62.58, 39.25, -40.09

 

CMYK 0 / 25 / 43 / 13

HEX #DFA780

RGB 223 167 128

HSL 24.63, 0.6%, 0.69%

LAB 72.82, 15.75, 28.18

 

CMYK 38 / 0 / 43 / 13

HEX #8ADF80

RGB 138 223 128

HSL 113.68, 0.6%, 0.69%

LAB 81.7, -44.03, 38.58

 

CMYK 43 / 17 / 0 / 13

HEX #80B9DF

RGB 128 185 223

HSL 204, 0.6%, 0.69%

LAB 72.64, -8.71, -24.85

 

CMYK 4 / 43 / 0 / 13

HEX #D580DF

RGB 213 128 223

HSL 293.68, 0.6%, 0.69%

LAB 65.68, 47.42, -35.01

 

Description

Color code: HEX #DFA780 | qconv.com Color code: HEX #DFA780 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 167 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 167 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 43 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 43% 13% C M Y K

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