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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFA89A it is the complementary color #205765. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFA89A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFA89A shade: #E4A895, #F5BAA8, #FFCCBB, #FFDECE and #FFF0E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFA89A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFA89A shade: #DFA89A, #CE9687, #BD8474, #AC7261 and #9B604E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFA89A shade: #DFA89A and #DF9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFA89A shade: #DFA89A, #DFBA9A, #DFCD9A, #DEDF9A and #CBDF9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFA89A shade matches the following richer shades: #DFA89A, #E9A18F and #F49B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFA89A shade: #DFA89A, #D4AEA4, #C9B4AF, #BEBBBA and #B4C1C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFA89A shade: #DF9AB1, #DF9A9E, #DFA89A, #DFBA9A and #DFCC9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFA89A shade: #CB725B, #D58D7A, #DFA89A, #E9C3B9 and #F2DED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFA89A shade: #DFA89A, #C3DF9A and #9AA8DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFA89A shade: #DFA89A, #9ADFA8 and #A89ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFA89A shade: #DFA89A, #C3DF9A, #9AD1DF and #B59ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFA89A shade: #DFA89A, #AEDF9A, #9AD1DF and #CA9ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

Complementary color

CMYK 68 / 14 / 0 / 60

HEX #205765

RGB 32 87 101

HSL 192.17, 0.52%, 0.26%

LAB 34.11, -13.09, -13.41

 

CMYK 0 / 26 / 35 / 11

HEX #E4A895

RGB 228 168 149

HSL 14.43, 0.59%, 0.74%

LAB 73.98, 19.58, 18.48

 

CMYK 0 / 24 / 31 / 4

HEX #F5BAA8

RGB 245 186 168

HSL 14.03, 0.79%, 0.81%

LAB 80.38, 18.86, 17.38

 

CMYK 0 / 20 / 27 / 0

HEX #FFCCBB

RGB 255 204 187

HSL 15, 1%, 0.87%

LAB 86.02, 15.62, 15.32

 

CMYK 0 / 13 / 19 / 0

HEX #FFDECE

RGB 255 222 206

HSL 19.59, 1%, 0.9%

LAB 90.76, 8.94, 12.03

 

CMYK 0 / 6 / 12 / 0

HEX #FFF0E1

RGB 255 240 225

HSL 30, 1%, 0.94%

LAB 95.59, 2.61, 9.05

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 0 / 27 / 34 / 19

HEX #CE9687

RGB 206 150 135

HSL 12.68, 0.42%, 0.67%

LAB 67.04, 19.04, 16.21

 

CMYK 0 / 30 / 39 / 26

HEX #BD8474

RGB 189 132 116

HSL 13.15, 0.36%, 0.6%

LAB 60.41, 19.88, 17.43

 

CMYK 0 / 34 / 44 / 33

HEX #AC7261

RGB 172 114 97

HSL 13.6, 0.31%, 0.53%

LAB 53.67, 20.85, 18.79

 

CMYK 0 / 38 / 50 / 39

HEX #9B604E

RGB 155 96 78

HSL 14.03, 0.33%, 0.46%

LAB 46.82, 21.95, 20.34

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 0 / 31 / 31 / 13

HEX #DF9A9A

RGB 223 154 154

HSL 0, 0.52%, 0.74%

LAB 70.27, 25.83, 10.45

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 0 / 17 / 31 / 13

HEX #DFBA9A

RGB 223 186 154

HSL 27.83, 0.52%, 0.74%

LAB 77.96, 8.68, 21.19

 

CMYK 0 / 8 / 31 / 13

HEX #DFCD9A

RGB 223 205 154

HSL 44.35, 0.52%, 0.74%

LAB 82.74, -1.29, 27.71

 

CMYK 0 / 0 / 31 / 13

HEX #DEDF9A

RGB 222 223 154

HSL 60.87, 0.52%, 0.74%

LAB 87.31, -10.86, 33.79

 

CMYK 9 / 0 / 31 / 13

HEX #CBDF9A

RGB 203 223 154

HSL 77.39, 0.52%, 0.74%

LAB 85.91, -17.99, 31.68

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 0 / 31 / 39 / 9

HEX #E9A18F

RGB 233 161 143

HSL 12, 0.67%, 0.74%

LAB 72.76, 24.54, 20.16

 

CMYK 0 / 36 / 46 / 4

HEX #F49B84

RGB 244 155 132

HSL 12.32, 0.84%, 0.74%

LAB 72.46, 30.77, 25.96

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 0 / 18 / 23 / 17

HEX #D4AEA4

RGB 212 174 164

HSL 12.5, 0.36%, 0.74%

LAB 74.16, 12.28, 10.32

 

CMYK 0 / 10 / 13 / 21

HEX #C9B4AF

RGB 201 180 175

HSL 11.54, 0.19%, 0.74%

LAB 74.92, 6.67, 5.28

 

CMYK 0 / 2 / 2 / 25

HEX #BEBBBA

RGB 190 187 186

HSL 15, 0.03%, 0.74%

LAB 76.09, 0.87, 0.87

 

CMYK 9 / 2 / 0 / 23

HEX #B4C1C5

RGB 180 193 197

HSL 194.12, 0.13%, 0.74%

LAB 77.21, -3.66, -3.55

 

CMYK 0 / 31 / 21 / 13

HEX #DF9AB1

RGB 223 154 177

HSL 340, 0.52%, 0.74%

LAB 70.85, 29.05, -1.47

 

CMYK 0 / 31 / 29 / 13

HEX #DF9A9E

RGB 223 154 158

HSL 356.52, 0.52%, 0.74%

LAB 70.36, 26.36, 8.37

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 0 / 17 / 31 / 13

HEX #DFBA9A

RGB 223 186 154

HSL 27.83, 0.52%, 0.74%

LAB 77.96, 8.68, 21.19

 

CMYK 0 / 9 / 31 / 13

HEX #DFCC9A

RGB 223 204 154

HSL 43.48, 0.52%, 0.74%

LAB 82.49, -0.78, 27.37

 

CMYK 0 / 44 / 55 / 20

HEX #CB725B

RGB 203 114 91

HSL 12.32, 0.52%, 0.58%

LAB 57.55, 32.75, 28.06

 

CMYK 0 / 34 / 43 / 16

HEX #D58D7A

RGB 213 141 122

HSL 12.53, 0.52%, 0.66%

LAB 65.44, 25.16, 21.37

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 0 / 16 / 21 / 9

HEX #E9C3B9

RGB 233 195 185

HSL 12.5, 0.52%, 0.82%

LAB 81.76, 11.96, 10.06

 

CMYK 0 / 8 / 11 / 5

HEX #F2DED8

RGB 242 222 216

HSL 13.85, 0.5%, 0.9%

LAB 89.9, 5.87, 5.41

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 13 / 0 / 31 / 13

HEX #C3DF9A

RGB 195 223 154

HSL 84.35, 0.52%, 0.74%

LAB 85.36, -20.92, 30.84

 

CMYK 31 / 25 / 0 / 13

HEX #9AA8DF

RGB 154 168 223

HSL 227.83, 0.52%, 0.74%

LAB 69.61, 7.68, -29.36

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 31 / 0 / 25 / 13

HEX #9ADFA8

RGB 154 223 168

HSL 132.17, 0.52%, 0.74%

LAB 83.16, -32.66, 20.21

 

CMYK 25 / 31 / 0 / 13

HEX #A89ADF

RGB 168 154 223

HSL 252.17, 0.52%, 0.74%

LAB 67.1, 19.68, -33.16

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 13 / 0 / 31 / 13

HEX #C3DF9A

RGB 195 223 154

HSL 84.35, 0.52%, 0.74%

LAB 85.36, -20.92, 30.84

 

CMYK 31 / 6 / 0 / 13

HEX #9AD1DF

RGB 154 209 223

HSL 192.17, 0.52%, 0.74%

LAB 80.63, -14.36, -12.63

 

CMYK 19 / 31 / 0 / 13

HEX #B59ADF

RGB 181 154 223

HSL 263.48, 0.52%, 0.74%

LAB 68.21, 23.6, -31.34

 

CMYK 0 / 25 / 31 / 13

HEX #DFA89A

RGB 223 168 154

HSL 12.17, 0.52%, 0.74%

LAB 73.56, 18.3, 15.1

 

CMYK 22 / 0 / 31 / 13

HEX #AEDF9A

RGB 174 223 154

HSL 102.61, 0.52%, 0.74%

LAB 84.02, -28.37, 28.82

 

CMYK 31 / 6 / 0 / 13

HEX #9AD1DF

RGB 154 209 223

HSL 192.17, 0.52%, 0.74%

LAB 80.63, -14.36, -12.63

 

CMYK 9 / 31 / 0 / 13

HEX #CA9ADF

RGB 202 154 223

HSL 281.74, 0.52%, 0.74%

LAB 70.17, 30.12, -28.16

 

Description

Color code: HEX #DFA89A | qconv.com Color code: HEX #DFA89A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 168 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 168 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 31% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - ハーブティーで症状改善|ドイツ・マリエン...
Link: http://www.marienremedy.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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