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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAFAB it is the complementary color #205054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAFAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAFAB shade: #E4AFA6, #F5C1B9, #FFD3CC, #FFE5DF and #FFF7F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAFAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAFAB shade: #DFAFAB, #CE9D98, #BD8B85, #AC7972 and #9B675F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAFAB shade: #DEAEA9 and #DEA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAFAB shade: #DEAEA9, #DEBCA9, #DECAA9, #DED8A9 and #D6DEA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAFAB shade matches the following richer shades: #DEAEA9, #E8A5A0, #F19D96 and #FB958D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAFAB shade: #DEAEA9, #D5B6B3, #CBBEBC, #C2C6C6 and #B8CECF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAFAB shade: #DEA9C2, #DEA9B4, #DEADA9, #DEBBA9 and #DEC9A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAFAB shade: #C8756E, #D3918C, #DEAEA9, #EACAC7 and #F5E6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAFAB shade: #DFAFAB, #D0DEA9 and #A9BBDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAFAB shade: #DFAFAB, #A9DEAD and #ADA9DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAFAB shade: #DFAFAB, #D0DEA9, #A9DBDE and #B8A9DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAFAB shade: #DFAFAB, #C0DEA9, #A9DBDE and #C7A9DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 23 / 13

HEX #DFAFAB

RGB 223 175 171

HSL 4.62, 0.45%, 0.77%

LAB 75.63, 16.88, 8.74

 

Complementary color

CMYK 62 / 5 / 0 / 67

HEX #205054

RGB 32 80 84

HSL 184.62, 0.45%, 0.23%

LAB 31.08, -14.77, -7.26

 

CMYK 0 / 23 / 27 / 11

HEX #E4AFA6

RGB 228 175 166

HSL 8.71, 0.53%, 0.77%

LAB 76.01, 18.04, 12.08

 

CMYK 0 / 21 / 24 / 4

HEX #F5C1B9

RGB 245 193 185

HSL 8, 0.75%, 0.84%

LAB 82.41, 17.43, 11.13

 

CMYK 0 / 17 / 20 / 0

HEX #FFD3CC

RGB 255 211 204

HSL 8.24, 1%, 0.9%

LAB 88.07, 14.35, 9.24

 

CMYK 0 / 10 / 13 / 0

HEX #FFE5DF

RGB 255 229 223

HSL 11.25, 1%, 0.94%

LAB 92.85, 7.92, 6.15

HEX #FFE5DF

CMYK 0 / 3 / 5 / 0

HEX #FFF7F2

RGB 255 247 242

HSL 23.08, 1%, 0.97%

LAB 97.71, 1.82, 3.34

HEX #FFF7F2

CMYK 0 / 22 / 23 / 13

HEX #DFAFAB

RGB 223 175 171

HSL 4.62, 0.45%, 0.77%

LAB 75.63, 16.88, 8.74

 

CMYK 0 / 24 / 26 / 19

HEX #CE9D98

RGB 206 157 152

HSL 5.56, 0.36%, 0.7%

LAB 69.11, 17.5, 9.67

 

CMYK 0 / 26 / 30 / 26

HEX #BD8B85

RGB 189 139 133

HSL 6.43, 0.3%, 0.63%

LAB 62.49, 18.19, 10.69

 

CMYK 0 / 30 / 34 / 33

HEX #AC7972

RGB 172 121 114

HSL 7.24, 0.26%, 0.56%

LAB 55.75, 18.98, 11.8

 

CMYK 0 / 34 / 39 / 39

HEX #9B675F

RGB 155 103 95

HSL 8, 0.24%, 0.49%

LAB 48.88, 19.88, 13.06

 

CMYK 0 / 22 / 24 / 13

HEX #DEAEA9

RGB 222 174 169

HSL 5.66, 0.45%, 0.77%

LAB 75.24, 16.75, 9.27

 

CMYK 0 / 24 / 24 / 13

HEX #DEA9A9

RGB 222 169 169

HSL 0, 0.45%, 0.77%

LAB 74.04, 19.44, 7.55

 

CMYK 0 / 22 / 24 / 13

HEX #DEAEA9

RGB 222 174 169

HSL 5.66, 0.45%, 0.77%

LAB 75.24, 16.75, 9.27

 

CMYK 0 / 15 / 24 / 13

HEX #DEBCA9

RGB 222 188 169

HSL 21.51, 0.45%, 0.77%

LAB 78.67, 9.27, 14.12

 

CMYK 0 / 9 / 24 / 13

HEX #DECAA9

RGB 222 202 169

HSL 37.36, 0.45%, 0.77%

LAB 82.18, 1.89, 19.03

 

CMYK 0 / 3 / 24 / 13

HEX #DED8A9

RGB 222 216 169

HSL 53.21, 0.45%, 0.77%

LAB 85.76, -5.35, 23.97

 

CMYK 4 / 0 / 24 / 13

HEX #D6DEA9

RGB 214 222 169

HSL 69.06, 0.45%, 0.77%

LAB 86.7, -11.37, 25.16

 

CMYK 0 / 22 / 24 / 13

HEX #DEAEA9

RGB 222 174 169

HSL 5.66, 0.45%, 0.77%

LAB 75.24, 16.75, 9.27

 

CMYK 0 / 29 / 31 / 9

HEX #E8A5A0

RGB 232 165 160

HSL 4.17, 0.61%, 0.77%

LAB 73.94, 24.09, 12.47

 

CMYK 0 / 35 / 38 / 5

HEX #F19D96

RGB 241 157 150

HSL 4.62, 0.76%, 0.77%

LAB 72.9, 30.5, 16.66

 

CMYK 0 / 41 / 44 / 2

HEX #FB958D

RGB 251 149 141

HSL 4.36, 0.93%, 0.77%

LAB 72.18, 37.42, 20.8

 

CMYK 0 / 22 / 24 / 13

HEX #DEAEA9

RGB 222 174 169

HSL 5.66, 0.45%, 0.77%

LAB 75.24, 16.75, 9.27

 

CMYK 0 / 15 / 16 / 16

HEX #D5B6B3

RGB 213 182 179

HSL 5.29, 0.29%, 0.77%

LAB 76.59, 10.63, 5.64

 

CMYK 0 / 6 / 7 / 20

HEX #CBBEBC

RGB 203 190 188

HSL 8, 0.13%, 0.77%

LAB 77.97, 4.23, 2.64

 

CMYK 2 / 0 / 0 / 22

HEX #C2C6C6

RGB 194 198 198

HSL 180, 0.03%, 0.77%

LAB 79.58, -1.37, -0.49

 

CMYK 11 / 0 / 0 / 19

HEX #B8CECF

RGB 184 206 207

HSL 182.61, 0.19%, 0.77%

LAB 81.2, -7.17, -3.02

 

CMYK 0 / 24 / 13 / 13

HEX #DEA9C2

RGB 222 169 194

HSL 331.7, 0.45%, 0.77%

LAB 74.7, 23.3, -5.2

 

CMYK 0 / 24 / 19 / 13

HEX #DEA9B4

RGB 222 169 180

HSL 347.55, 0.45%, 0.77%

LAB 74.32, 21.07, 1.91

 

CMYK 0 / 22 / 24 / 13

HEX #DEADA9

RGB 222 173 169

HSL 4.53, 0.45%, 0.77%

LAB 75, 17.29, 8.92

 

CMYK 0 / 16 / 24 / 13

HEX #DEBBA9

RGB 222 187 169

HSL 20.38, 0.45%, 0.77%

LAB 78.42, 9.8, 13.77

 

CMYK 0 / 9 / 24 / 13

HEX #DEC9A9

RGB 222 201 169

HSL 36.23, 0.45%, 0.77%

LAB 81.93, 2.41, 18.68

 

CMYK 0 / 42 / 45 / 22

HEX #C8756E

RGB 200 117 110

HSL 4.67, 0.45%, 0.61%

LAB 58.16, 31.76, 17.98

 

CMYK 0 / 31 / 34 / 17

HEX #D3918C

RGB 211 145 140

HSL 4.23, 0.45%, 0.69%

LAB 66.51, 24.33, 12.77

 

CMYK 0 / 22 / 24 / 13

HEX #DEAEA9

RGB 222 174 169

HSL 5.66, 0.45%, 0.77%

LAB 75.24, 16.75, 9.27

 

CMYK 0 / 14 / 15 / 8

HEX #EACAC7

RGB 234 202 199

HSL 5.14, 0.45%, 0.85%

LAB 83.89, 10.76, 5.65

 

CMYK 0 / 6 / 7 / 4

HEX #F5E6E5

RGB 245 230 229

HSL 3.75, 0.44%, 0.93%

LAB 92.43, 4.92, 2.3

 

CMYK 0 / 22 / 23 / 13

HEX #DFAFAB

RGB 223 175 171

HSL 4.62, 0.45%, 0.77%

LAB 75.63, 16.88, 8.74

 

CMYK 6 / 0 / 24 / 13

HEX #D0DEA9

RGB 208 222 169

HSL 75.85, 0.45%, 0.77%

LAB 86.26, -13.56, 24.49

 

CMYK 24 / 16 / 0 / 13

HEX #A9BBDE

RGB 169 187 222

HSL 219.62, 0.45%, 0.77%

LAB 75.61, 1.42, -19.56

 

CMYK 0 / 22 / 23 / 13

HEX #DFAFAB

RGB 223 175 171

HSL 4.62, 0.45%, 0.77%

LAB 75.63, 16.88, 8.74

 

CMYK 24 / 0 / 22 / 13

HEX #A9DEAD

RGB 169 222 173

HSL 124.53, 0.45%, 0.77%

LAB 83.81, -26.5, 18.61

 

CMYK 22 / 24 / 0 / 13

HEX #ADA9DE

RGB 173 169 222

HSL 244.53, 0.45%, 0.77%

LAB 71.24, 12.53, -26.19

 

CMYK 0 / 22 / 23 / 13

HEX #DFAFAB

RGB 223 175 171

HSL 4.62, 0.45%, 0.77%

LAB 75.63, 16.88, 8.74

 

CMYK 6 / 0 / 24 / 13

HEX #D0DEA9

RGB 208 222 169

HSL 75.85, 0.45%, 0.77%

LAB 86.26, -13.56, 24.49

 

CMYK 24 / 1 / 0 / 13

HEX #A9DBDE

RGB 169 219 222

HSL 183.4, 0.45%, 0.77%

LAB 84.16, -15.37, -6.75

 

CMYK 17 / 24 / 0 / 13

HEX #B8A9DE

RGB 184 169 222

HSL 256.98, 0.45%, 0.77%

LAB 72.12, 15.95, -24.76

 

CMYK 0 / 22 / 23 / 13

HEX #DFAFAB

RGB 223 175 171

HSL 4.62, 0.45%, 0.77%

LAB 75.63, 16.88, 8.74

 

CMYK 14 / 0 / 24 / 13

HEX #C0DEA9

RGB 192 222 169

HSL 93.96, 0.45%, 0.77%

LAB 85.16, -19.31, 22.79

 

CMYK 24 / 1 / 0 / 13

HEX #A9DBDE

RGB 169 219 222

HSL 183.4, 0.45%, 0.77%

LAB 84.16, -15.37, -6.75

 

CMYK 10 / 24 / 0 / 13

HEX #C7A9DE

RGB 199 169 222

HSL 273.96, 0.45%, 0.77%

LAB 73.41, 20.71, -22.68

 

Description

Color code: HEX #DFAFAB | qconv.com Color code: HEX #DFAFAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 175 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 175 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 23 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 23% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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