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Color name
HEX #DFB57A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB57A it is the complementary color #204A85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB57A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB57A shade: #E4B575, #F5C788, #FFD99B, #FFEBAE and #FFFDC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB57A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB57A shade: #DFB57A, #CEA367, #BD9154, #AC7F41 and #9B6D2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB57A shade: #DFB57B, #DF9A7B, #DF807B and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB57A shade: #DFB57B, #DFD07B, #D2DF7B, #B8DF7B and #9DDF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB57A shade matches the following richer shades: #DFB57B, #ECB86E and #F9BA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB57A shade: #DFB57B, #D1B388, #C4B196, #B7AFA3 and #AAACB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB57A shade: #DF807B, #DF9B7B, #DFB57B, #DFD07B and #D3DF7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB57A shade: #CF9039, #D7A35A, #DFB57B, #E7C89C and #EFDABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB57A shade: #DFB57A, #91DF7B and #8D7BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB57A shade: #DFB57A, #7BDFB5 and #B57BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB57A shade: #DFB57A, #91DF7B, #7BA5DF and #C97BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB57A shade: #DFB57A, #7BDF83, #7BA5DF and #DF7BD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 45 / 13

HEX #DFB57A

RGB 223 181 122

HSL 35.05, 0.61%, 0.68%

LAB 76.16, 7.66, 35.72

 

Complementary color

CMYK 76 / 44 / 0 / 48

HEX #204A85

RGB 32 74 133

HSL 215.05, 0.61%, 0.32%

LAB 31.57, 7.26, -37.33

 

CMYK 0 / 21 / 49 / 11

HEX #E4B575

RGB 228 181 117

HSL 34.59, 0.67%, 0.68%

LAB 76.57, 9.21, 38.94

 

CMYK 0 / 19 / 44 / 4

HEX #F5C788

RGB 245 199 136

HSL 34.68, 0.84%, 0.75%

LAB 82.93, 8.41, 37.64

 

CMYK 0 / 15 / 39 / 0

HEX #FFD99B

RGB 255 217 155

HSL 37.2, 1%, 0.8%

LAB 88.57, 5, 35.45

 

CMYK 0 / 8 / 32 / 0

HEX #FFEBAE

RGB 255 235 174

HSL 45.19, 1%, 0.84%

LAB 93.33, -1.98, 32.11

 

CMYK 0 / 1 / 24 / 0

HEX #FFFDC1

RGB 255 253 193

HSL 58.06, 1%, 0.88%

LAB 98.18, -8.56, 29.04

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57A

RGB 223 181 122

HSL 35.05, 0.61%, 0.68%

LAB 76.16, 7.66, 35.72

 

CMYK 0 / 21 / 50 / 19

HEX #CEA367

RGB 206 163 103

HSL 34.95, 0.51%, 0.61%

LAB 69.68, 8.48, 37.05

 

CMYK 0 / 23 / 56 / 26

HEX #BD9154

RGB 189 145 84

HSL 34.86, 0.44%, 0.54%

LAB 63.1, 9.44, 38.45

 

CMYK 0 / 26 / 62 / 33

HEX #AC7F41

RGB 172 127 65

HSL 34.77, 0.45%, 0.46%

LAB 56.42, 10.57, 39.89

 

CMYK 0 / 30 / 70 / 39

HEX #9B6D2E

RGB 155 109 46

HSL 34.68, 0.54%, 0.39%

LAB 49.62, 11.94, 41.27

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57B

RGB 223 181 123

HSL 34.8, 0.61%, 0.68%

LAB 76.17, 7.76, 35.22

 

CMYK 0 / 31 / 45 / 13

HEX #DF9A7B

RGB 223 154 123

HSL 18.6, 0.61%, 0.68%

LAB 69.63, 22.21, 26.66

 

CMYK 0 / 43 / 45 / 13

HEX #DF807B

RGB 223 128 123

HSL 3, 0.61%, 0.68%

LAB 63.8, 36.04, 18.78

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57B

RGB 223 181 123

HSL 34.8, 0.61%, 0.68%

LAB 76.17, 7.76, 35.22

 

CMYK 0 / 7 / 45 / 13

HEX #DFD07B

RGB 223 208 123

HSL 51, 0.61%, 0.68%

LAB 83.04, -6.31, 43.92

 

CMYK 6 / 0 / 45 / 13

HEX #D2DF7B

RGB 210 223 123

HSL 67.8, 0.61%, 0.68%

LAB 85.96, -18.97, 47.31

 

CMYK 17 / 0 / 45 / 13

HEX #B8DF7B

RGB 184 223 123

HSL 83.4, 0.61%, 0.68%

LAB 84.17, -28.87, 44.7

 

CMYK 30 / 0 / 45 / 13

HEX #9DDF7B

RGB 157 223 123

HSL 99.6, 0.61%, 0.68%

LAB 82.58, -38.51, 42.37

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57B

RGB 223 181 123

HSL 34.8, 0.61%, 0.68%

LAB 76.17, 7.76, 35.22

 

CMYK 0 / 22 / 53 / 7

HEX #ECB86E

RGB 236 184 110

HSL 35.24, 0.77%, 0.68%

LAB 78.02, 10.27, 44.47

 

CMYK 0 / 25 / 61 / 2

HEX #F9BA61

RGB 249 186 97

HSL 35.13, 0.93%, 0.68%

LAB 79.68, 13.58, 53.12

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57B

RGB 223 181 123

HSL 34.8, 0.61%, 0.68%

LAB 76.17, 7.76, 35.22

 

CMYK 0 / 14 / 35 / 18

HEX #D1B388

RGB 209 179 136

HSL 35.34, 0.44%, 0.68%

LAB 74.55, 4.67, 25.98

 

CMYK 0 / 10 / 23 / 23

HEX #C4B196

RGB 196 177 150

HSL 35.22, 0.28%, 0.68%

LAB 73.14, 2.53, 16.31

 

CMYK 0 / 4 / 11 / 28

HEX #B7AFA3

RGB 183 175 163

HSL 36, 0.12%, 0.68%

LAB 71.81, 0.75, 7.16

 

CMYK 3 / 2 / 0 / 31

HEX #AAACB0

RGB 170 172 176

HSL 220, 0.04%, 0.68%

LAB 70.31, 0.07, -2.3

 

CMYK 0 / 43 / 45 / 13

HEX #DF807B

RGB 223 128 123

HSL 3, 0.61%, 0.68%

LAB 63.8, 36.04, 18.78

 

CMYK 0 / 30 / 45 / 13

HEX #DF9B7B

RGB 223 155 123

HSL 19.2, 0.61%, 0.68%

LAB 69.87, 21.67, 26.97

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57B

RGB 223 181 123

HSL 34.8, 0.61%, 0.68%

LAB 76.17, 7.76, 35.22

 

CMYK 0 / 7 / 45 / 13

HEX #DFD07B

RGB 223 208 123

HSL 51, 0.61%, 0.68%

LAB 83.04, -6.31, 43.92

 

CMYK 5 / 0 / 45 / 13

HEX #D3DF7B

RGB 211 223 123

HSL 67.2, 0.61%, 0.68%

LAB 86.03, -18.58, 47.42

 

CMYK 0 / 30 / 72 / 19

HEX #CF9039

RGB 207 144 57

HSL 34.8, 0.61%, 0.52%

LAB 64.57, 15.96, 53.71

 

CMYK 0 / 24 / 58 / 16

HEX #D7A35A

RGB 215 163 90

HSL 35.04, 0.61%, 0.6%

LAB 70.44, 11.15, 44.84

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57B

RGB 223 181 123

HSL 34.8, 0.61%, 0.68%

LAB 76.17, 7.76, 35.22

 

CMYK 0 / 13 / 32 / 9

HEX #E7C89C

RGB 231 200 156

HSL 35.2, 0.61%, 0.76%

LAB 82.22, 4.64, 26.07

 

CMYK 0 / 9 / 21 / 6

HEX #EFDABE

RGB 239 218 190

HSL 34.29, 0.6%, 0.84%

LAB 88.07, 2.87, 16.41

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57A

RGB 223 181 122

HSL 35.05, 0.61%, 0.68%

LAB 76.16, 7.66, 35.72

 

CMYK 35 / 0 / 45 / 13

HEX #91DF7B

RGB 145 223 123

HSL 106.8, 0.61%, 0.68%

LAB 81.96, -42.5, 41.46

 

CMYK 37 / 45 / 0 / 13

HEX #8D7BDF

RGB 141 123 223

HSL 250.8, 0.61%, 0.68%

LAB 57.23, 29.96, -48.8

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57A

RGB 223 181 122

HSL 35.05, 0.61%, 0.68%

LAB 76.16, 7.66, 35.72

 

CMYK 45 / 0 / 19 / 13

HEX #7BDFB5

RGB 123 223 181

HSL 154.8, 0.61%, 0.68%

LAB 82.01, -38.94, 11.56

 

CMYK 19 / 45 / 0 / 13

HEX #B57BDF

RGB 181 123 223

HSL 274.8, 0.61%, 0.68%

LAB 61.06, 40.84, -42.49

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57A

RGB 223 181 122

HSL 35.05, 0.61%, 0.68%

LAB 76.16, 7.66, 35.72

 

CMYK 35 / 0 / 45 / 13

HEX #91DF7B

RGB 145 223 123

HSL 106.8, 0.61%, 0.68%

LAB 81.96, -42.5, 41.46

 

CMYK 45 / 26 / 0 / 13

HEX #7BA5DF

RGB 123 165 223

HSL 214.8, 0.61%, 0.68%

LAB 66.86, 1.03, -33.77

 

CMYK 10 / 45 / 0 / 13

HEX #C97BDF

RGB 201 123 223

HSL 286.8, 0.61%, 0.68%

LAB 63.27, 46.54, -38.87

 

CMYK 0 / 19 / 45 / 13

HEX #DFB57A

RGB 223 181 122

HSL 35.05, 0.61%, 0.68%

LAB 76.16, 7.66, 35.72

 

CMYK 45 / 0 / 41 / 13

HEX #7BDF83

RGB 123 223 131

HSL 124.8, 0.61%, 0.68%

LAB 81.09, -48.03, 36.17

 

CMYK 45 / 26 / 0 / 13

HEX #7BA5DF

RGB 123 165 223

HSL 214.8, 0.61%, 0.68%

LAB 66.86, 1.03, -33.77

 

CMYK 0 / 45 / 4 / 13

HEX #DF7BD6

RGB 223 123 214

HSL 305.4, 0.61%, 0.68%

LAB 65.52, 51.3, -30.15

 

Description

Color code: HEX #DFB57A | qconv.com Color code: HEX #DFB57A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 181 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 181 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 45 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 45% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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