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Color name
HEX #DFB590

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB590 it is the complementary color #204A6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB590. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB590 shade: #E4B58B, #F5C79E, #FFD9B1, #FFEBC4 and #FFFDD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB590. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB590 shade: #DFB590, #CEA37D, #BD916A, #AC7F57 and #9B6D44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB590 shade: #DEB590, #DE9F90 and #DE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB590 shade: #DEB590, #DECA90, #DEDE90, #C9DE90 and #B3DE90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB590 shade matches the following richer shades: #DEB590, #EAB484 and #F5B379

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB590 shade: #DEB590, #D3B59B, #C7B6A7, #BCB7B2 and #B0B8BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB590 shade: #DE9095, #DEA090, #DEB490, #DEC990 and #DEDE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB590 shade: #CC8A50, #D59F70, #DEB590, #E8CAB0 and #F1DFD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB590 shade: #DFB590, #AADE90 and #9590DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB590 shade: #DFB590, #90DEB4 and #B490DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB590 shade: #DFB590, #AADE90, #90BADE and #C490DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB590 shade: #DFB590, #92DE90, #90BADE and #DC90DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 35 / 13

HEX #DFB590

RGB 223 181 144

HSL 28.1, 0.55%, 0.72%

LAB 76.53, 10.09, 24.59

 

Complementary color

CMYK 71 / 33 / 0 / 56

HEX #204A6F

RGB 32 74 111

HSL 208.1, 0.55%, 0.28%

LAB 30.28, -1.38, -25.64

 

CMYK 0 / 21 / 39 / 11

HEX #E4B58B

RGB 228 181 139

HSL 28.31, 0.62%, 0.72%

LAB 76.92, 11.47, 27.87

 

CMYK 0 / 19 / 36 / 4

HEX #F5C79E

RGB 245 199 158

HSL 28.28, 0.81%, 0.79%

LAB 83.3, 10.8, 26.7

 

CMYK 0 / 15 / 31 / 0

HEX #FFD9B1

RGB 255 217 177

HSL 30.77, 1%, 0.85%

LAB 88.95, 7.58, 24.63

 

CMYK 0 / 8 / 23 / 0

HEX #FFEBC4

RGB 255 235 196

HSL 39.66, 1%, 0.88%

LAB 93.74, 0.87, 21.41

 

CMYK 0 / 1 / 16 / 0

HEX #FFFDD7

RGB 255 253 215

HSL 57, 1%, 0.92%

LAB 98.6, -5.47, 18.45

 

CMYK 0 / 19 / 35 / 13

HEX #DFB590

RGB 223 181 144

HSL 28.1, 0.55%, 0.72%

LAB 76.53, 10.09, 24.59

 

CMYK 0 / 21 / 39 / 19

HEX #CEA37D

RGB 206 163 125

HSL 28.15, 0.45%, 0.65%

LAB 70.03, 10.77, 25.78

 

CMYK 0 / 23 / 44 / 26

HEX #BD916A

RGB 189 145 106

HSL 28.19, 0.39%, 0.58%

LAB 63.43, 11.55, 27.07

 

CMYK 0 / 26 / 49 / 33

HEX #AC7F57

RGB 172 127 87

HSL 28.24, 0.34%, 0.51%

LAB 56.72, 12.46, 28.48

 

CMYK 0 / 30 / 56 / 39

HEX #9B6D44

RGB 155 109 68

HSL 28.28, 0.39%, 0.44%

LAB 49.89, 13.55, 30

 

CMYK 0 / 18 / 35 / 13

HEX #DEB590

RGB 222 181 144

HSL 28.46, 0.54%, 0.72%

LAB 76.43, 9.7, 24.44

 

CMYK 0 / 28 / 35 / 13

HEX #DE9F90

RGB 222 159 144

HSL 11.54, 0.54%, 0.72%

LAB 71.1, 21.49, 17.14

 

CMYK 0 / 35 / 35 / 13

HEX #DE9090

RGB 222 144 144

HSL 0, 0.54%, 0.72%

LAB 67.64, 29.55, 12.3

 

CMYK 0 / 18 / 35 / 13

HEX #DEB590

RGB 222 181 144

HSL 28.46, 0.54%, 0.72%

LAB 76.43, 9.7, 24.44

 

CMYK 0 / 9 / 35 / 13

HEX #DECA90

RGB 222 202 144

HSL 44.62, 0.54%, 0.72%

LAB 81.72, -1.35, 31.53

 

CMYK 0 / 0 / 35 / 13

HEX #DEDE90

RGB 222 222 144

HSL 60, 0.54%, 0.72%

LAB 86.89, -11.55, 38.31

 

CMYK 9 / 0 / 35 / 13

HEX #C9DE90

RGB 201 222 144

HSL 76.15, 0.54%, 0.72%

LAB 85.34, -19.54, 35.99

 

CMYK 19 / 0 / 35 / 13

HEX #B3DE90

RGB 179 222 144

HSL 93.08, 0.54%, 0.72%

LAB 83.88, -27.59, 33.8

 

CMYK 0 / 18 / 35 / 13

HEX #DEB590

RGB 222 181 144

HSL 28.46, 0.54%, 0.72%

LAB 76.43, 9.7, 24.44

 

CMYK 0 / 23 / 44 / 8

HEX #EAB484

RGB 234 180 132

HSL 28.24, 0.71%, 0.72%

LAB 77.16, 13.62, 32

 

CMYK 0 / 27 / 51 / 4

HEX #F5B379

RGB 245 179 121

HSL 28.06, 0.86%, 0.72%

LAB 77.89, 17.49, 38.92

 

CMYK 0 / 18 / 35 / 13

HEX #DEB590

RGB 222 181 144

HSL 28.46, 0.54%, 0.72%

LAB 76.43, 9.7, 24.44

 

CMYK 0 / 14 / 27 / 17

HEX #D3B59B

RGB 211 181 155

HSL 27.86, 0.39%, 0.72%

LAB 75.61, 6.86, 17.24

 

CMYK 0 / 9 / 16 / 22

HEX #C7B6A7

RGB 199 182 167

HSL 28.13, 0.22%, 0.72%

LAB 75.07, 3.57, 9.82

 

CMYK 0 / 3 / 5 / 26

HEX #BCB7B2

RGB 188 183 178

HSL 30, 0.07%, 0.72%

LAB 74.68, 0.86, 3.15

 

CMYK 7 / 3 / 0 / 25

HEX #B0B8BE

RGB 176 184 190

HSL 205.71, 0.1%, 0.72%

LAB 74.34, -1.6, -4.01

 

CMYK 0 / 35 / 33 / 13

HEX #DE9095

RGB 222 144 149

HSL 356.15, 0.54%, 0.72%

LAB 67.76, 30.17, 9.66

 

CMYK 0 / 28 / 35 / 13

HEX #DEA090

RGB 222 160 144

HSL 12.31, 0.54%, 0.72%

LAB 71.34, 20.95, 17.46

 

CMYK 0 / 19 / 35 / 13

HEX #DEB490

RGB 222 180 144

HSL 27.69, 0.54%, 0.72%

LAB 76.18, 10.23, 24.11

 

CMYK 0 / 9 / 35 / 13

HEX #DEC990

RGB 222 201 144

HSL 43.85, 0.54%, 0.72%

LAB 81.47, -0.83, 31.2

 

CMYK 0 / 0 / 35 / 13

HEX #DEDE90

RGB 222 222 144

HSL 60, 0.54%, 0.72%

LAB 86.89, -11.55, 38.31

 

CMYK 0 / 32 / 61 / 20

HEX #CC8A50

RGB 204 138 80

HSL 28.06, 0.55%, 0.56%

LAB 63.01, 19.33, 40.81

 

CMYK 0 / 25 / 47 / 16

HEX #D59F70

RGB 213 159 112

HSL 27.92, 0.55%, 0.64%

LAB 69.55, 14.38, 32.28

 

CMYK 0 / 18 / 35 / 13

HEX #DEB590

RGB 222 181 144

HSL 28.46, 0.54%, 0.72%

LAB 76.43, 9.7, 24.44

 

CMYK 0 / 13 / 24 / 9

HEX #E8CAB0

RGB 232 202 176

HSL 27.86, 0.55%, 0.8%

LAB 83.2, 6.61, 16.87

 

CMYK 0 / 7 / 14 / 5

HEX #F1DFD0

RGB 241 223 208

HSL 27.27, 0.54%, 0.88%

LAB 89.87, 3.72, 9.56

 

CMYK 0 / 19 / 35 / 13

HEX #DFB590

RGB 223 181 144

HSL 28.1, 0.55%, 0.72%

LAB 76.53, 10.09, 24.59

 

CMYK 23 / 0 / 35 / 13

HEX #AADE90

RGB 170 222 144

HSL 100, 0.54%, 0.72%

LAB 83.34, -30.75, 32.99

 

CMYK 33 / 35 / 0 / 13

HEX #9590DE

RGB 149 144 222

HSL 243.85, 0.54%, 0.72%

LAB 63.02, 19.66, -39.07

 

CMYK 0 / 19 / 35 / 13

HEX #DFB590

RGB 223 181 144

HSL 28.1, 0.55%, 0.72%

LAB 76.53, 10.09, 24.59

 

CMYK 35 / 0 / 19 / 13

HEX #90DEB4

RGB 144 222 180

HSL 147.69, 0.54%, 0.72%

LAB 82.63, -32.96, 13.09

 

CMYK 19 / 35 / 0 / 13

HEX #B490DE

RGB 180 144 222

HSL 267.69, 0.54%, 0.72%

LAB 65.69, 28.67, -34.71

 

CMYK 0 / 19 / 35 / 13

HEX #DFB590

RGB 223 181 144

HSL 28.1, 0.55%, 0.72%

LAB 76.53, 10.09, 24.59

 

CMYK 23 / 0 / 35 / 13

HEX #AADE90

RGB 170 222 144

HSL 100, 0.54%, 0.72%

LAB 83.34, -30.75, 32.99

 

CMYK 35 / 16 / 0 / 13

HEX #90BADE

RGB 144 186 222

HSL 207.69, 0.54%, 0.72%

LAB 73.75, -5.29, -22.53

 

CMYK 12 / 35 / 0 / 13

HEX #C490DE

RGB 196 144 222

HSL 280, 0.54%, 0.72%

LAB 67.24, 33.53, -32.17

 

CMYK 0 / 19 / 35 / 13

HEX #DFB590

RGB 223 181 144

HSL 28.1, 0.55%, 0.72%

LAB 76.53, 10.09, 24.59

 

CMYK 34 / 0 / 35 / 13

HEX #92DE90

RGB 146 222 144

HSL 118.46, 0.54%, 0.72%

LAB 82.04, -38.71, 31.03

 

CMYK 35 / 16 / 0 / 13

HEX #90BADE

RGB 144 186 222

HSL 207.69, 0.54%, 0.72%

LAB 73.75, -5.29, -22.53

 

CMYK 1 / 35 / 0 / 13

HEX #DC90DE

RGB 220 144 222

HSL 298.46, 0.54%, 0.72%

LAB 69.78, 40.96, -28.05

 

Description

Color code: HEX #DFB590 | qconv.com Color code: HEX #DFB590 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 181 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 181 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 35% 13% C M Y K

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Provide designers and agencies with accurate color values.

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