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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB681 it is the complementary color #20497E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB681 shade: #E4B67C, #F5C88F, #FFDAA2, #FFECB5 and #FFFEC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB681 shade: #DFB681, #CEA46E, #BD925B, #AC8048 and #9B6E35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB681 shade: #DEB581, #DE9C81, #DE8381 and #DE8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB681 shade: #DEB581, #DECF81, #D4DE81, #BBDE81 and #A2DE81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB681 shade matches the following richer shades: #DEB581, #EBB774 and #F8B967

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB681 shade: #DEB581, #D1B48E, #C5B29A, #B8B1A7 and #ABAFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB681 shade: #DE8281, #DE9B81, #DEB481, #DECD81 and #D6DE81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB681 shade: #CD8F3F, #D6A260, #DEB581, #E7C8A2 and #EFDCC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB681 shade: #DFB681, #98DE81 and #8F81DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB681 shade: #DFB681, #81DEB4 and #B481DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB681 shade: #DFB681, #98DE81, #81ABDE and #C781DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB681 shade: #DFB681, #81DE85, #81ABDE and #DE81D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 42 / 13

HEX #DFB681

RGB 223 182 129

HSL 33.83, 0.59%, 0.69%

LAB 76.51, 7.85, 32.53

 

Complementary color

CMYK 75 / 42 / 0 / 51

HEX #20497E

RGB 32 73 126

HSL 213.83, 0.59%, 0.31%

LAB 30.83, 5.16, -34.18

 

CMYK 0 / 20 / 46 / 11

HEX #E4B67C

RGB 228 182 124

HSL 33.46, 0.66%, 0.69%

LAB 76.92, 9.35, 35.77

 

CMYK 0 / 18 / 42 / 4

HEX #F5C88F

RGB 245 200 143

HSL 33.53, 0.84%, 0.76%

LAB 83.29, 8.61, 34.5

 

CMYK 0 / 15 / 36 / 0

HEX #FFDAA2

RGB 255 218 162

HSL 36.13, 1%, 0.82%

LAB 88.93, 5.27, 32.35

 

CMYK 0 / 7 / 29 / 0

HEX #FFECB5

RGB 255 236 181

HSL 44.59, 1%, 0.85%

LAB 93.7, -1.62, 29.05

 

CMYK 0 / 0 / 22 / 0

HEX #FFFEC8

RGB 255 254 200

HSL 58.91, 1%, 0.89%

LAB 98.56, -8.11, 26.02

 

CMYK 0 / 18 / 42 / 13

HEX #DFB681

RGB 223 182 129

HSL 33.83, 0.59%, 0.69%

LAB 76.51, 7.85, 32.53

 

CMYK 0 / 20 / 47 / 19

HEX #CEA46E

RGB 206 164 110

HSL 33.75, 0.49%, 0.62%

LAB 70.03, 8.61, 33.82

 

CMYK 0 / 23 / 52 / 26

HEX #BD925B

RGB 189 146 91

HSL 33.67, 0.43%, 0.55%

LAB 63.45, 9.5, 35.2

 

CMYK 0 / 26 / 58 / 33

HEX #AC8048

RGB 172 128 72

HSL 33.6, 0.41%, 0.48%

LAB 56.76, 10.55, 36.65

 

CMYK 0 / 29 / 66 / 39

HEX #9B6E35

RGB 155 110 53

HSL 33.53, 0.49%, 0.41%

LAB 49.95, 11.81, 38.13

 

CMYK 0 / 18 / 42 / 13

HEX #DEB581

RGB 222 181 129

HSL 33.55, 0.58%, 0.69%

LAB 76.17, 7.98, 32.06

 

CMYK 0 / 30 / 42 / 13

HEX #DE9C81

RGB 222 156 129

HSL 17.42, 0.58%, 0.69%

LAB 70.1, 21.37, 23.99

 

CMYK 0 / 41 / 42 / 13

HEX #DE8381

RGB 222 131 129

HSL 1.29, 0.58%, 0.69%

LAB 64.44, 34.72, 16.25

 

CMYK 0 / 42 / 42 / 13

HEX #DE8181

RGB 222 129 129

HSL 0, 0.58%, 0.69%

LAB 64.01, 35.77, 15.66

 

CMYK 0 / 18 / 42 / 13

HEX #DEB581

RGB 222 181 129

HSL 33.55, 0.58%, 0.69%

LAB 76.17, 7.98, 32.06

 

CMYK 0 / 7 / 42 / 13

HEX #DECF81

RGB 222 207 129

HSL 50.32, 0.58%, 0.69%

LAB 82.78, -5.59, 40.58

 

CMYK 5 / 0 / 42 / 13

HEX #D4DE81

RGB 212 222 129

HSL 66.45, 0.58%, 0.69%

LAB 85.92, -17.08, 44.37

 

CMYK 16 / 0 / 42 / 13

HEX #BBDE81

RGB 187 222 129

HSL 82.58, 0.58%, 0.69%

LAB 84.17, -26.59, 41.8

 

CMYK 27 / 0 / 42 / 13

HEX #A2DE81

RGB 162 222 129

HSL 98.71, 0.58%, 0.69%

LAB 82.65, -35.57, 39.56

 

CMYK 0 / 18 / 42 / 13

HEX #DEB581

RGB 222 181 129

HSL 33.55, 0.58%, 0.69%

LAB 76.17, 7.98, 32.06

 

CMYK 0 / 22 / 51 / 8

HEX #EBB774

RGB 235 183 116

HSL 33.78, 0.75%, 0.69%

LAB 77.75, 10.9, 41.08

 

CMYK 0 / 25 / 58 / 3

HEX #F8B967

RGB 248 185 103

HSL 33.93, 0.91%, 0.69%

LAB 79.4, 14.11, 49.89

 

CMYK 0 / 18 / 42 / 13

HEX #DEB581

RGB 222 181 129

HSL 33.55, 0.58%, 0.69%

LAB 76.17, 7.98, 32.06

 

CMYK 0 / 14 / 32 / 18

HEX #D1B48E

RGB 209 180 142

HSL 34.03, 0.42%, 0.69%

LAB 74.92, 4.88, 23.26

 

CMYK 0 / 10 / 22 / 23

HEX #C5B29A

RGB 197 178 154

HSL 33.49, 0.27%, 0.69%

LAB 73.57, 2.96, 14.75

 

CMYK 0 / 4 / 9 / 28

HEX #B8B1A7

RGB 184 177 167

HSL 35.29, 0.11%, 0.69%

LAB 72.51, 0.72, 5.99

 

CMYK 5 / 3 / 0 / 29

HEX #ABAFB4

RGB 171 175 180

HSL 213.33, 0.06%, 0.69%

LAB 71.29, -0.43, -3.05

 

CMYK 0 / 41 / 42 / 13

HEX #DE8281

RGB 222 130 129

HSL 0.65, 0.58%, 0.69%

LAB 64.23, 35.25, 15.96

 

CMYK 0 / 30 / 42 / 13

HEX #DE9B81

RGB 222 155 129

HSL 16.77, 0.58%, 0.69%

LAB 69.86, 21.91, 23.67

 

CMYK 0 / 19 / 42 / 13

HEX #DEB481

RGB 222 180 129

HSL 32.9, 0.58%, 0.69%

LAB 75.92, 8.52, 31.73

 

CMYK 0 / 8 / 42 / 13

HEX #DECD81

RGB 222 205 129

HSL 49.03, 0.58%, 0.69%

LAB 82.26, -4.57, 39.92

 

CMYK 4 / 0 / 42 / 13

HEX #D6DE81

RGB 214 222 129

HSL 65.16, 0.58%, 0.69%

LAB 86.07, -16.3, 44.59

 

CMYK 0 / 30 / 69 / 20

HEX #CD8F3F

RGB 205 143 63

HSL 33.8, 0.59%, 0.53%

LAB 64.15, 15.95, 50.5

 

CMYK 0 / 24 / 55 / 16

HEX #D6A260

RGB 214 162 96

HSL 33.56, 0.59%, 0.61%

LAB 70.16, 11.74, 41.45

 

CMYK 0 / 18 / 42 / 13

HEX #DEB581

RGB 222 181 129

HSL 33.55, 0.58%, 0.69%

LAB 76.17, 7.98, 32.06

 

CMYK 0 / 13 / 30 / 9

HEX #E7C8A2

RGB 231 200 162

HSL 33.04, 0.59%, 0.77%

LAB 82.33, 5.4, 23.06

 

CMYK 0 / 8 / 19 / 6

HEX #EFDCC2

RGB 239 220 194

HSL 34.67, 0.58%, 0.85%

LAB 88.65, 2.43, 15.14

 

CMYK 0 / 18 / 42 / 13

HEX #DFB681

RGB 223 182 129

HSL 33.83, 0.59%, 0.69%

LAB 76.51, 7.85, 32.53

 

CMYK 32 / 0 / 42 / 13

HEX #98DE81

RGB 152 222 129

HSL 105.16, 0.58%, 0.69%

LAB 82.11, -38.96, 38.76

 

CMYK 36 / 42 / 0 / 13

HEX #8F81DE

RGB 143 129 222

HSL 249.03, 0.58%, 0.69%

LAB 58.8, 26.72, -45.74

 

CMYK 0 / 18 / 42 / 13

HEX #DFB681

RGB 223 182 129

HSL 33.83, 0.59%, 0.69%

LAB 76.51, 7.85, 32.53

 

CMYK 42 / 0 / 19 / 13

HEX #81DEB4

RGB 129 222 180

HSL 152.9, 0.58%, 0.69%

LAB 81.95, -37.13, 12.04

 

CMYK 19 / 42 / 0 / 13

HEX #B481DE

RGB 180 129 222

HSL 272.9, 0.58%, 0.69%

LAB 62.23, 37.03, -40.1

 

CMYK 0 / 18 / 42 / 13

HEX #DFB681

RGB 223 182 129

HSL 33.83, 0.59%, 0.69%

LAB 76.51, 7.85, 32.53

 

CMYK 32 / 0 / 42 / 13

HEX #98DE81

RGB 152 222 129

HSL 105.16, 0.58%, 0.69%

LAB 82.11, -38.96, 38.76

 

CMYK 42 / 23 / 0 / 13

HEX #81ABDE

RGB 129 171 222

HSL 212.9, 0.58%, 0.69%

LAB 68.8, -1.09, -30.19

 

CMYK 10 / 42 / 0 / 13

HEX #C781DE

RGB 199 129 222

HSL 285.16, 0.58%, 0.69%

LAB 64.26, 42.58, -36.79

 

CMYK 0 / 18 / 42 / 13

HEX #DFB681

RGB 223 182 129

HSL 33.83, 0.59%, 0.69%

LAB 76.51, 7.85, 32.53

 

CMYK 42 / 0 / 40 / 13

HEX #81DE85

RGB 129 222 133

HSL 122.58, 0.58%, 0.69%

LAB 81.07, -45.58, 35.2

 

CMYK 42 / 23 / 0 / 13

HEX #81ABDE

RGB 129 171 222

HSL 212.9, 0.58%, 0.69%

LAB 68.8, -1.09, -30.19

 

CMYK 0 / 42 / 2 / 13

HEX #DE81D9

RGB 222 129 217

HSL 303.23, 0.58%, 0.69%

LAB 66.7, 48.49, -30.01

 

Description

Color code: HEX #DFB681 | qconv.com Color code: HEX #DFB681 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 182 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 182 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 42% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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