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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB98F it is the complementary color #204670. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB98F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB98F shade: #E4B98A, #F5CB9D, #FFDDB0, #FFEFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB98F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB98F shade: #DFB98F, #CEA77C, #BD9569, #AC8356 and #9B7143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB98F shade: #DFB98F, #DFA48F and #DF8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB98F shade: #DFB98F, #DFCF8F, #DADF8F, #C4DF8F and #AFDF8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB98F shade matches the following richer shades: #DFB98F, #EBBA84 and #F6BA78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB98F shade: #DFB98F, #D4B99B, #C8B8A6, #BCB7B2 and #B1B7BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB98F shade: #DF8F90, #DFA38F, #DFB88F, #DFCE8F and #DBDF8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB98F shade: #CD914F, #D6A56F, #DFB98F, #E8CDAF and #F1E1CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB98F shade: #DFB98F, #A6DF8F and #988FDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB98F shade: #DFB98F, #8FDFB8 and #B88FDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB98F shade: #DFB98F, #A6DF8F, #8FB6DF and #C88FDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB98F shade: #DFB98F, #8FDF90, #8FB6DF and #DF8FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

Complementary color

CMYK 71 / 38 / 0 / 56

HEX #204670

RGB 32 70 112

HSL 211.5, 0.56%, 0.28%

LAB 29.05, 1.65, -28.22

 

CMYK 0 / 19 / 39 / 11

HEX #E4B98A

RGB 228 185 138

HSL 31.33, 0.63%, 0.72%

LAB 77.89, 9.24, 29.69

 

CMYK 0 / 17 / 36 / 4

HEX #F5CB9D

RGB 245 203 157

HSL 31.36, 0.81%, 0.79%

LAB 84.26, 8.6, 28.52

 

CMYK 0 / 13 / 31 / 0

HEX #FFDDB0

RGB 255 221 176

HSL 34.18, 1%, 0.85%

LAB 89.91, 5.39, 26.46

 

CMYK 0 / 6 / 24 / 0

HEX #FFEFC3

RGB 255 239 195

HSL 44, 1%, 0.88%

LAB 94.71, -1.29, 23.27

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 0 / 19 / 40 / 19

HEX #CEA77C

RGB 206 167 124

HSL 31.46, 0.46%, 0.65%

LAB 71.02, 8.49, 27.64

 

CMYK 0 / 21 / 44 / 26

HEX #BD9569

RGB 189 149 105

HSL 31.43, 0.39%, 0.58%

LAB 64.43, 9.24, 28.92

 

CMYK 0 / 24 / 50 / 33

HEX #AC8356

RGB 172 131 86

HSL 31.4, 0.34%, 0.51%

LAB 57.73, 10.12, 30.31

 

CMYK 0 / 27 / 57 / 39

HEX #9B7143

RGB 155 113 67

HSL 31.36, 0.4%, 0.44%

LAB 50.9, 11.17, 31.8

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 0 / 26 / 36 / 13

HEX #DFA48F

RGB 223 164 143

HSL 15.75, 0.56%, 0.72%

LAB 72.38, 19.07, 19.46

 

CMYK 0 / 36 / 36 / 13

HEX #DF8F8F

RGB 223 143 143

HSL 0, 0.56%, 0.72%

LAB 67.51, 30.34, 12.69

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 0 / 7 / 36 / 13

HEX #DFCF8F

RGB 223 207 143

HSL 48, 0.56%, 0.72%

LAB 83.07, -3.66, 33.85

 

CMYK 2 / 0 / 36 / 13

HEX #DADF8F

RGB 218 223 143

HSL 63.75, 0.56%, 0.72%

LAB 86.83, -13.71, 38.67

 

CMYK 12 / 0 / 36 / 13

HEX #C4DF8F

RGB 196 223 143

HSL 80.25, 0.56%, 0.72%

LAB 85.25, -22.02, 36.31

 

CMYK 22 / 0 / 36 / 13

HEX #AFDF8F

RGB 175 223 143

HSL 96, 0.56%, 0.72%

LAB 83.9, -29.61, 34.29

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 0 / 21 / 44 / 8

HEX #EBBA84

RGB 235 186 132

HSL 31.46, 0.72%, 0.72%

LAB 78.72, 10.85, 34.06

 

CMYK 0 / 24 / 51 / 4

HEX #F6BA78

RGB 246 186 120

HSL 31.43, 0.88%, 0.72%

LAB 79.65, 14.12, 41.66

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 0 / 13 / 27 / 17

HEX #D4B99B

RGB 212 185 155

HSL 31.58, 0.4%, 0.72%

LAB 76.72, 5.11, 18.79

 

CMYK 0 / 8 / 17 / 22

HEX #C8B8A6

RGB 200 184 166

HSL 31.76, 0.24%, 0.72%

LAB 75.65, 2.71, 11.19

 

CMYK 0 / 3 / 5 / 26

HEX #BCB7B2

RGB 188 183 178

HSL 30, 0.07%, 0.72%

LAB 74.68, 0.86, 3.15

 

CMYK 6 / 3 / 0 / 26

HEX #B1B7BD

RGB 177 183 189

HSL 210, 0.08%, 0.72%

LAB 74.12, -0.92, -3.77

 

CMYK 0 / 36 / 35 / 13

HEX #DF8F90

RGB 223 143 144

HSL 359.25, 0.56%, 0.72%

LAB 67.54, 30.46, 12.16

 

CMYK 0 / 27 / 36 / 13

HEX #DFA38F

RGB 223 163 143

HSL 15, 0.56%, 0.72%

LAB 72.14, 19.61, 19.13

 

CMYK 0 / 17 / 36 / 13

HEX #DFB88F

RGB 223 184 143

HSL 30.75, 0.56%, 0.72%

LAB 77.25, 8.37, 26.1

 

CMYK 0 / 8 / 36 / 13

HEX #DFCE8F

RGB 223 206 143

HSL 47.25, 0.56%, 0.72%

LAB 82.81, -3.14, 33.51

 

CMYK 2 / 0 / 36 / 13

HEX #DBDF8F

RGB 219 223 143

HSL 63, 0.56%, 0.72%

LAB 86.91, -13.32, 38.78

 

CMYK 0 / 29 / 61 / 20

HEX #CD914F

RGB 205 145 79

HSL 31.43, 0.56%, 0.56%

LAB 64.8, 15.87, 43.46

 

CMYK 0 / 23 / 48 / 16

HEX #D6A56F

RGB 214 165 111

HSL 31.46, 0.56%, 0.64%

LAB 71.11, 11.46, 34.84

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 0 / 12 / 25 / 9

HEX #E8CDAF

RGB 232 205 175

HSL 31.58, 0.55%, 0.8%

LAB 83.92, 4.91, 18.41

 

CMYK 0 / 7 / 14 / 5

HEX #F1E1CF

RGB 241 225 207

HSL 31.76, 0.55%, 0.88%

LAB 90.35, 2.54, 10.76

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 26 / 0 / 36 / 13

HEX #A6DF8F

RGB 166 223 143

HSL 102.75, 0.56%, 0.72%

LAB 83.37, -32.74, 33.5

 

CMYK 32 / 36 / 0 / 13

HEX #988FDF

RGB 152 143 223

HSL 246.75, 0.56%, 0.72%

LAB 63.05, 21.33, -39.56

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 36 / 0 / 17 / 13

HEX #8FDFB8

RGB 143 223 184

HSL 150.75, 0.56%, 0.72%

LAB 82.95, -32.92, 11.44

 

CMYK 17 / 36 / 0 / 13

HEX #B88FDF

RGB 184 143 223

HSL 270.75, 0.56%, 0.72%

LAB 65.88, 30.65, -34.94

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 26 / 0 / 36 / 13

HEX #A6DF8F

RGB 166 223 143

HSL 102.75, 0.56%, 0.72%

LAB 83.37, -32.74, 33.5

 

CMYK 36 / 18 / 0 / 13

HEX #8FB6DF

RGB 143 182 223

HSL 210.75, 0.56%, 0.72%

LAB 72.64, -3.14, -24.77

 

CMYK 10 / 36 / 0 / 13

HEX #C88FDF

RGB 200 143 223

HSL 282.75, 0.56%, 0.72%

LAB 67.47, 35.51, -32.35

 

CMYK 0 / 17 / 36 / 13

HEX #DFB98F

RGB 223 185 143

HSL 31.5, 0.56%, 0.72%

LAB 77.5, 7.84, 26.44

 

CMYK 36 / 0 / 35 / 13

HEX #8FDF90

RGB 143 223 144

HSL 120.75, 0.56%, 0.72%

LAB 82.18, -40.09, 31.19

 

CMYK 36 / 18 / 0 / 13

HEX #8FB6DF

RGB 143 182 223

HSL 210.75, 0.56%, 0.72%

LAB 72.64, -3.14, -24.77

 

CMYK 0 / 36 / 0 / 13

HEX #DF8FDE

RGB 223 143 222

HSL 300.75, 0.56%, 0.72%

LAB 69.9, 42.42, -27.84

 

Description

Color code: HEX #DFB98F | qconv.com Color code: HEX #DFB98F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 185 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 185 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 36 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 36% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

10% - 株式会社ナユタ | 製品紹介 | Gel...
Link: http://www.nayuta-cosmetic.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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