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Color name
HEX #DFC57B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC57B it is the complementary color #203A84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC57B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC57B shade: #E4C576, #F5D789, #FFE99C, #FFFBAF and #FFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC57B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC57B shade: #DFC57B, #CEB368, #BDA155, #AC8F42 and #9B7D2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC57B shade: #DFC57B, #DFAA7B, #DF8F7B and #DF7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC57B shade: #DFC57B, #DEDF7B, #C3DF7B, #A8DF7B and #8DDF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC57B shade matches the following richer shades: #DFC57B, #ECCB6E and #F9D161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC57B shade: #DFC57B, #D1BE88, #C4B896, #B7B2A3 and #AAABB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC57B shade: #DF8F7B, #DFAA7B, #DFC47B, #DFDF7B and #C4DF7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC57B shade: #CFA839, #D7B65A, #DFC57B, #E7D39C and #EFE2BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC57B shade: #DFC57B, #82DF7B and #9C7BDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC57B shade: #DFC57B, #7BDFC4 and #C47BDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC57B shade: #DFC57B, #82DF7B, #7B96DF and #D87BDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC57B shade: #DFC57B, #7BDF92, #7B96DF and #DF7BC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

Complementary color

CMYK 76 / 56 / 0 / 48

HEX #203A84

RGB 32 58 132

HSL 224.4, 0.61%, 0.32%

LAB 26.73, 17.88, -44.5

 

CMYK 0 / 14 / 48 / 11

HEX #E4C576

RGB 228 197 118

HSL 43.09, 0.67%, 0.68%

LAB 80.59, 0.9, 43.46

 

CMYK 0 / 12 / 44 / 4

HEX #F5D789

RGB 245 215 137

HSL 43.33, 0.84%, 0.75%

LAB 86.91, 0.25, 42.22

 

CMYK 0 / 9 / 39 / 0

HEX #FFE99C

RGB 255 233 156

HSL 46.67, 1%, 0.81%

LAB 92.55, -3.02, 40.14

 

CMYK 0 / 2 / 31 / 0

HEX #FFFBAF

RGB 255 251 175

HSL 57, 1%, 0.84%

LAB 97.37, -9.84, 36.98

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 0 / 13 / 50 / 19

HEX #CEB368

RGB 206 179 104

HSL 44.12, 0.51%, 0.61%

LAB 73.78, 0.02, 41.63

 

CMYK 0 / 15 / 55 / 26

HEX #BDA155

RGB 189 161 85

HSL 43.85, 0.44%, 0.54%

LAB 67.25, 0.81, 42.92

 

CMYK 0 / 17 / 62 / 33

HEX #AC8F42

RGB 172 143 66

HSL 43.58, 0.45%, 0.47%

LAB 60.61, 1.75, 44.17

 

CMYK 0 / 19 / 70 / 39

HEX #9B7D2F

RGB 155 125 47

HSL 43.33, 0.53%, 0.4%

LAB 53.86, 2.9, 45.28

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 0 / 24 / 45 / 13

HEX #DFAA7B

RGB 223 170 123

HSL 28.2, 0.61%, 0.68%

LAB 73.46, 13.62, 31.7

 

CMYK 0 / 36 / 45 / 13

HEX #DF8F7B

RGB 223 143 123

HSL 12, 0.61%, 0.68%

LAB 67.1, 28.1, 23.26

 

CMYK 0 / 45 / 45 / 13

HEX #DF7B7B

RGB 223 123 123

HSL 0, 0.61%, 0.68%

LAB 62.75, 38.64, 17.33

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 0 / 0 / 45 / 13

HEX #DEDF7B

RGB 222 223 123

HSL 60.6, 0.61%, 0.68%

LAB 86.87, -14.27, 48.63

 

CMYK 13 / 0 / 45 / 13

HEX #C3DF7B

RGB 195 223 123

HSL 76.8, 0.61%, 0.68%

LAB 84.9, -24.74, 45.76

 

CMYK 25 / 0 / 45 / 13

HEX #A8DF7B

RGB 168 223 123

HSL 93, 0.61%, 0.68%

LAB 83.19, -34.68, 43.27

 

CMYK 37 / 0 / 45 / 13

HEX #8DDF7B

RGB 141 223 123

HSL 109.2, 0.61%, 0.68%

LAB 81.77, -43.78, 41.17

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 0 / 14 / 53 / 7

HEX #ECCB6E

RGB 236 203 110

HSL 44.29, 0.77%, 0.68%

LAB 82.74, 0.35, 50.17

 

CMYK 0 / 16 / 61 / 2

HEX #F9D161

RGB 249 209 97

HSL 44.21, 0.93%, 0.68%

LAB 85.3, 1.65, 59.49

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 0 / 9 / 35 / 18

HEX #D1BE88

RGB 209 190 136

HSL 44.38, 0.44%, 0.68%

LAB 77.38, -1.15, 29.75

 

CMYK 0 / 6 / 23 / 23

HEX #C4B896

RGB 196 184 150

HSL 44.35, 0.28%, 0.68%

LAB 74.96, -1.2, 18.83

 

CMYK 0 / 3 / 11 / 28

HEX #B7B2A3

RGB 183 178 163

HSL 45, 0.12%, 0.68%

LAB 72.6, -0.86, 8.29

 

CMYK 3 / 3 / 0 / 31

HEX #AAABB0

RGB 170 171 176

HSL 230, 0.04%, 0.68%

LAB 70.04, 0.61, -2.69

 

CMYK 0 / 36 / 45 / 13

HEX #DF8F7B

RGB 223 143 123

HSL 12, 0.61%, 0.68%

LAB 67.1, 28.1, 23.26

 

CMYK 0 / 24 / 45 / 13

HEX #DFAA7B

RGB 223 170 123

HSL 28.2, 0.61%, 0.68%

LAB 73.46, 13.62, 31.7

 

CMYK 0 / 12 / 45 / 13

HEX #DFC47B

RGB 223 196 123

HSL 43.8, 0.61%, 0.68%

LAB 79.95, -0.12, 40.05

 

CMYK 0 / 0 / 45 / 13

HEX #DFDF7B

RGB 223 223 123

HSL 60, 0.61%, 0.68%

LAB 86.94, -13.87, 48.74

 

CMYK 12 / 0 / 45 / 13

HEX #C4DF7B

RGB 196 223 123

HSL 76.2, 0.61%, 0.68%

LAB 84.97, -24.36, 45.86

 

CMYK 0 / 19 / 72 / 19

HEX #CFA839

RGB 207 168 57

HSL 44.4, 0.61%, 0.52%

LAB 70.57, 3.02, 59.75

 

CMYK 0 / 15 / 58 / 16

HEX #D7B65A

RGB 215 182 90

HSL 44.16, 0.61%, 0.6%

LAB 75.23, 1.03, 50.43

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 0 / 9 / 32 / 9

HEX #E7D39C

RGB 231 211 156

HSL 44, 0.61%, 0.76%

LAB 84.99, -1.07, 29.8

 

CMYK 0 / 5 / 21 / 6

HEX #EFE2BE

RGB 239 226 190

HSL 44.08, 0.6%, 0.84%

LAB 90.07, -1.23, 19.21

HEX #EFE2BE

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 42 / 0 / 45 / 13

HEX #82DF7B

RGB 130 223 123

HSL 115.8, 0.61%, 0.68%

LAB 81.26, -47.16, 40.43

 

CMYK 30 / 45 / 0 / 13

HEX #9C7BDF

RGB 156 123 223

HSL 259.8, 0.61%, 0.68%

LAB 58.57, 33.92, -46.6

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 45 / 0 / 12 / 13

HEX #7BDFC4

RGB 123 223 196

HSL 163.8, 0.61%, 0.68%

LAB 82.36, -35.67, 4.14

 

CMYK 12 / 45 / 0 / 13

HEX #C47BDF

RGB 196 123 223

HSL 283.8, 0.61%, 0.68%

LAB 62.7, 45.11, -39.8

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 42 / 0 / 45 / 13

HEX #82DF7B

RGB 130 223 123

HSL 115.8, 0.61%, 0.68%

LAB 81.26, -47.16, 40.43

 

CMYK 45 / 33 / 0 / 13

HEX #7B96DF

RGB 123 150 223

HSL 223.8, 0.61%, 0.68%

LAB 62.8, 9.59, -40.1

 

CMYK 3 / 45 / 0 / 13

HEX #D87BDF

RGB 216 123 223

HSL 295.8, 0.61%, 0.68%

LAB 65.04, 50.86, -35.98

 

CMYK 0 / 12 / 45 / 13

HEX #DFC57B

RGB 223 197 123

HSL 44.4, 0.61%, 0.68%

LAB 80.21, -0.64, 40.37

 

CMYK 45 / 0 / 35 / 13

HEX #7BDF92

RGB 123 223 146

HSL 133.8, 0.61%, 0.68%

LAB 81.33, -45.61, 28.87

 

CMYK 45 / 33 / 0 / 13

HEX #7B96DF

RGB 123 150 223

HSL 223.8, 0.61%, 0.68%

LAB 62.8, 9.59, -40.1

 

CMYK 0 / 45 / 11 / 13

HEX #DF7BC7

RGB 223 123 199

HSL 314.4, 0.61%, 0.68%

LAB 64.94, 48.78, -22.63

 

Description

Color code: HEX #DFC57B | qconv.com Color code: HEX #DFC57B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 197 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 197 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 45 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 45% 13% C M Y K

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Provide designers and agencies with accurate color values.

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