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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC324 it is the complementary color #203CDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC324. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC324 shade: #E4C31F, #F5D532, #FFE745, #FFF958 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC324. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC324 shade: #DFC324, #CEB111, #BD9F00, #AC8D00 and #9B7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC324 shade: #DFC324, #DF9124, #DF5E24, #DF2C24 and #DF2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC324 shade: #DFC324, #C9DF24, #96DF24, #64DF24 and #31DF24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC324 shade matches the following richer shades: #DFC324 and #F3D110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC324 shade: #DFC324, #CBB538, #B7A74C, #A39960 and #8E8B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC324 shade: #DF5F24, #DF9124, #DFC324, #C9DF24 and #97DF24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC324 shade: #9B8716, #BFA61B, #DFC324, #E4CD48 and #EAD76C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC324 shade: #DFC324, #24DF2D and #7824DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC324 shade: #DFC324, #24DFC3 and #C324DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC324 shade: #DFC324, #24DF2D, #2440DF and #DF24D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC324 shade: #DFC324, #24DF65, #2440DF and #DF249E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

Complementary color

CMYK 85 / 73 / 0 / 14

HEX #203CDB

RGB 32 60 219

HSL 231.02, 0.75%, 0.49%

LAB 35.31, 49.03, -82.41

 

CMYK 0 / 14 / 86 / 11

HEX #E4C31F

RGB 228 195 31

HSL 49.95, 0.78%, 0.51%

LAB 79.4, -2.9, 76.39

 

CMYK 0 / 13 / 80 / 4

HEX #F5D532

RGB 245 213 50

HSL 50.15, 0.91%, 0.58%

LAB 85.62, -4.33, 77.42

 

CMYK 0 / 9 / 73 / 0

HEX #FFE745

RGB 255 231 69

HSL 52.26, 1%, 0.64%

LAB 91.16, -8.47, 76.83

 

CMYK 0 / 2 / 65 / 0

HEX #FFF958

RGB 255 249 88

HSL 57.84, 1%, 0.67%

LAB 95.88, -16.38, 74.66

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 0 / 14 / 92 / 19

HEX #CEB111

RGB 206 177 17

HSL 50.79, 0.85%, 0.44%

LAB 72.63, -3.39, 72.83

 

CMYK 0 / 16 / 100 / 26

HEX #BD9F00

RGB 189 159 0

HSL 50.48, 1%, 0.37%

LAB 66.22, -1.64, 69.6

 

CMYK 0 / 18 / 100 / 33

HEX #AC8D00

RGB 172 141 0

HSL 49.19, 1%, 0.34%

LAB 59.73, 0.39, 64.24

 

CMYK 0 / 21 / 100 / 39

HEX #9B7B00

RGB 155 123 0

HSL 47.61, 1%, 0.3%

LAB 53.1, 2.51, 58.77

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 0 / 35 / 84 / 13

HEX #DF9124

RGB 223 145 36

HSL 34.97, 0.75%, 0.51%

LAB 66.57, 21.5, 64.29

 

CMYK 0 / 58 / 84 / 13

HEX #DF5E24

RGB 223 94 36

HSL 18.61, 0.75%, 0.51%

LAB 55.91, 47.59, 55.16

 

CMYK 0 / 80 / 84 / 13

HEX #DF2C24

RGB 223 44 36

HSL 2.57, 0.75%, 0.51%

LAB 49.03, 66.27, 49.13

 

CMYK 0 / 84 / 84 / 13

HEX #DF2424

RGB 223 36 36

HSL 0, 0.75%, 0.51%

LAB 48.36, 68.18, 48.53

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 10 / 0 / 84 / 13

HEX #C9DF24

RGB 201 223 36

HSL 67.06, 0.75%, 0.51%

LAB 84.65, -28.08, 78.72

 

CMYK 33 / 0 / 84 / 13

HEX #96DF24

RGB 150 223 36

HSL 83.42, 0.75%, 0.51%

LAB 81.5, -47.83, 74.79

 

CMYK 55 / 0 / 84 / 13

HEX #64DF24

RGB 100 223 36

HSL 99.47, 0.75%, 0.51%

LAB 79.39, -63.48, 72.12

 

CMYK 78 / 0 / 84 / 13

HEX #31DF24

RGB 49 223 36

HSL 115.83, 0.75%, 0.51%

LAB 78.2, -73.46, 70.61

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 0 / 14 / 93 / 5

HEX #F3D110

RGB 243 209 16

HSL 51.01, 0.9%, 0.51%

LAB 84.33, -3.86, 83.28

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 0 / 11 / 72 / 20

HEX #CBB538

RGB 203 181 56

HSL 51.02, 0.59%, 0.51%

LAB 73.56, -5.62, 62.94

 

CMYK 0 / 9 / 58 / 28

HEX #B7A74C

RGB 183 167 76

HSL 51.03, 0.43%, 0.51%

LAB 68.19, -5.69, 48.23

 

CMYK 0 / 6 / 41 / 36

HEX #A39960

RGB 163 153 96

HSL 51.04, 0.27%, 0.51%

LAB 62.86, -4.81, 31.26

 

CMYK 0 / 2 / 18 / 44

HEX #8E8B75

RGB 142 139 117

HSL 52.8, 0.1%, 0.51%

LAB 57.56, -2.81, 12.18

 

CMYK 0 / 57 / 84 / 13

HEX #DF5F24

RGB 223 95 36

HSL 18.93, 0.75%, 0.51%

LAB 56.09, 47.12, 55.32

 

CMYK 0 / 35 / 84 / 13

HEX #DF9124

RGB 223 145 36

HSL 34.97, 0.75%, 0.51%

LAB 66.57, 21.5, 64.29

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 10 / 0 / 84 / 13

HEX #C9DF24

RGB 201 223 36

HSL 67.06, 0.75%, 0.51%

LAB 84.65, -28.08, 78.72

 

CMYK 32 / 0 / 84 / 13

HEX #97DF24

RGB 151 223 36

HSL 83.1, 0.75%, 0.51%

LAB 81.56, -47.47, 74.85

 

CMYK 0 / 13 / 86 / 39

HEX #9B8716

RGB 155 135 22

HSL 50.98, 0.75%, 0.35%

LAB 56.44, -3.74, 56.88

 

CMYK 0 / 13 / 86 / 25

HEX #BFA61B

RGB 191 166 27

HSL 50.85, 0.75%, 0.43%

LAB 68.33, -4.04, 66.87

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 0 / 10 / 68 / 11

HEX #E4CD48

RGB 228 205 72

HSL 51.15, 0.74%, 0.59%

LAB 82.18, -6.53, 66.13

 

CMYK 0 / 8 / 54 / 8

HEX #EAD76C

RGB 234 215 108

HSL 50.95, 0.75%, 0.67%

LAB 85.59, -6.76, 54.44

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 84 / 0 / 80 / 13

HEX #24DF2D

RGB 36 223 45

HSL 122.89, 0.75%, 0.51%

LAB 78.08, -74.44, 68.14

 

CMYK 46 / 84 / 0 / 13

HEX #7824DF

RGB 120 36 223

HSL 266.95, 0.75%, 0.51%

LAB 38.87, 69.07, -78.6

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 84 / 0 / 13 / 13

HEX #24DFC3

RGB 36 223 195

HSL 171.02, 0.75%, 0.51%

LAB 80.23, -49.82, 1.31

 

CMYK 13 / 84 / 0 / 13

HEX #C324DF

RGB 195 36 223

HSL 291.02, 0.75%, 0.51%

LAB 49.73, 79.98, -60.44

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 84 / 0 / 80 / 13

HEX #24DF2D

RGB 36 223 45

HSL 122.89, 0.75%, 0.51%

LAB 78.08, -74.44, 68.14

 

CMYK 84 / 71 / 0 / 13

HEX #2440DF

RGB 36 64 223

HSL 231.02, 0.75%, 0.51%

LAB 36.69, 48.29, -82.42

 

CMYK 0 / 84 / 4 / 13

HEX #DF24D6

RGB 223 36 214

HSL 302.89, 0.75%, 0.51%

LAB 53.82, 83.49, -48.5

 

CMYK 0 / 13 / 84 / 13

HEX #DFC324

RGB 223 195 36

HSL 51.02, 0.75%, 0.51%

LAB 78.95, -4.94, 74.68

 

CMYK 84 / 0 / 55 / 13

HEX #24DF65

RGB 36 223 101

HSL 140.86, 0.75%, 0.51%

LAB 78.51, -69, 47.04

 

CMYK 84 / 71 / 0 / 13

HEX #2440DF

RGB 36 64 223

HSL 231.02, 0.75%, 0.51%

LAB 36.69, 48.29, -82.42

 

CMYK 0 / 84 / 29 / 13

HEX #DF249E

RGB 223 36 158

HSL 320.86, 0.75%, 0.51%

LAB 51.17, 76.31, -20.05

 

Description

Color code: HEX #DFC324 | qconv.com Color code: HEX #DFC324 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 195 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 195 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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