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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC357 it is the complementary color #203CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC357 shade: #E4C352, #F5D565, #FFE778, #FFF98B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC357 shade: #DFC357, #CEB144, #BD9F31, #AC8D1E and #9B7B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC357 shade: #DFC357, #DF9E57, #DF7A57 and #DF5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC357 shade: #DFC357, #D6DF57, #B2DF57, #8DDF57 and #69DF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC357 shade matches the following richer shades: #DFC357 and #EFCC47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC357 shade: #DFC357, #CFB968, #BEB078, #AEA688 and #9E9D98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC357 shade: #DF7957, #DF9D57, #DFC157, #D8DF57 and #B4DF57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC357 shade: #C0A024, #D8B635, #DFC357, #E5CF7A and #ECDC9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC357 shade: #DFC357, #5ADF57 and #8B57DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC357 shade: #DFC357, #57DFC1 and #C157DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC357 shade: #DFC357, #5ADF57, #5775DF and #DC57DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC357 shade: #DFC357, #57DF7E, #5775DF and #DF57B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

Complementary color

CMYK 81 / 64 / 0 / 34

HEX #203CA8

RGB 32 60 168

HSL 227.65, 0.68%, 0.39%

LAB 30.32, 30.59, -60.69

 

CMYK 0 / 14 / 64 / 11

HEX #E4C352

RGB 228 195 82

HSL 46.44, 0.73%, 0.61%

LAB 79.69, -0.83, 59.39

 

CMYK 0 / 13 / 59 / 4

HEX #F5D565

RGB 245 213 101

HSL 46.67, 0.88%, 0.68%

LAB 85.98, -1.77, 58.35

 

CMYK 0 / 9 / 53 / 0

HEX #FFE778

RGB 255 231 120

HSL 49.33, 1%, 0.74%

LAB 91.58, -5.39, 56.35

 

CMYK 0 / 2 / 45 / 0

HEX #FFF98B

RGB 255 249 139

HSL 56.9, 1%, 0.77%

LAB 96.36, -12.66, 53.2

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 0 / 14 / 67 / 19

HEX #CEB144

RGB 206 177 68

HSL 47.39, 0.58%, 0.54%

LAB 72.88, -1.61, 57.55

 

CMYK 0 / 16 / 74 / 26

HEX #BD9F31

RGB 189 159 49

HSL 47.14, 0.59%, 0.47%

LAB 66.4, -0.43, 58.17

 

CMYK 0 / 18 / 83 / 33

HEX #AC8D1E

RGB 172 141 30

HSL 46.9, 0.7%, 0.4%

LAB 59.81, 0.99, 58.12

 

CMYK 0 / 21 / 93 / 39

HEX #9B7B0B

RGB 155 123 11

HSL 46.67, 0.87%, 0.33%

LAB 53.12, 2.69, 56.75

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 0 / 29 / 61 / 13

HEX #DF9E57

RGB 223 158 87

HSL 31.32, 0.68%, 0.61%

LAB 70.06, 16.96, 46.1

 

CMYK 0 / 45 / 61 / 13

HEX #DF7A57

RGB 223 122 87

HSL 15.44, 0.68%, 0.61%

LAB 61.91, 36.09, 36.34

 

CMYK 0 / 61 / 61 / 13

HEX #DF5757

RGB 223 87 87

HSL 0, 0.68%, 0.61%

LAB 55.27, 53.08, 28.02

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 4 / 0 / 61 / 13

HEX #D6DF57

RGB 214 223 87

HSL 63.97, 0.68%, 0.61%

LAB 85.89, -20.4, 63.61

 

CMYK 20 / 0 / 61 / 13

HEX #B2DF57

RGB 178 223 87

HSL 79.85, 0.68%, 0.61%

LAB 83.4, -34.58, 60.19

 

CMYK 37 / 0 / 61 / 13

HEX #8DDF57

RGB 141 223 87

HSL 96.18, 0.68%, 0.61%

LAB 81.36, -47.82, 57.35

 

CMYK 53 / 0 / 61 / 13

HEX #69DF57

RGB 105 223 87

HSL 112.06, 0.68%, 0.61%

LAB 79.88, -58.57, 55.28

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 0 / 15 / 70 / 6

HEX #EFCC47

RGB 239 204 71

HSL 47.5, 0.84%, 0.61%

LAB 82.91, -1.44, 67.58

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 0 / 11 / 50 / 19

HEX #CFB968

RGB 207 185 104

HSL 47.18, 0.52%, 0.61%

LAB 75.43, -2.72, 43.67

 

CMYK 0 / 7 / 37 / 25

HEX #BEB078

RGB 190 176 120

HSL 48, 0.35%, 0.61%

LAB 71.79, -3.26, 30.52

 

CMYK 0 / 5 / 22 / 32

HEX #AEA688

RGB 174 166 136

HSL 47.37, 0.19%, 0.61%

LAB 68.06, -2.11, 16.6

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 0 / 46 / 61 / 13

HEX #DF7957

RGB 223 121 87

HSL 15, 0.68%, 0.61%

LAB 61.7, 36.61, 36.08

 

CMYK 0 / 30 / 61 / 13

HEX #DF9D57

RGB 223 157 87

HSL 30.88, 0.68%, 0.61%

LAB 69.82, 17.5, 45.82

 

CMYK 0 / 13 / 61 / 13

HEX #DFC157

RGB 223 193 87

HSL 46.76, 0.68%, 0.61%

LAB 78.76, -1.57, 56.03

 

CMYK 3 / 0 / 61 / 13

HEX #D8DF57

RGB 216 223 87

HSL 63.09, 0.68%, 0.61%

LAB 86.04, -19.59, 63.81

 

CMYK 19 / 0 / 61 / 13

HEX #B4DF57

RGB 180 223 87

HSL 78.97, 0.68%, 0.61%

LAB 83.53, -33.82, 60.36

 

CMYK 0 / 17 / 81 / 25

HEX #C0A024

RGB 192 160 36

HSL 47.69, 0.68%, 0.45%

LAB 66.88, -0.14, 63.22

 

CMYK 0 / 16 / 75 / 15

HEX #D8B635

RGB 216 182 53

HSL 47.48, 0.68%, 0.53%

LAB 75.02, -0.65, 65.85

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 0 / 10 / 47 / 10

HEX #E5CF7A

RGB 229 207 122

HSL 47.66, 0.67%, 0.69%

LAB 83.28, -3.49, 44.83

 

CMYK 0 / 7 / 33 / 7

HEX #ECDC9D

RGB 236 220 157

HSL 47.85, 0.68%, 0.77%

LAB 87.7, -3.64, 32.99

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 60 / 0 / 61 / 13

HEX #5ADF57

RGB 90 223 87

HSL 118.68, 0.68%, 0.61%

LAB 79.41, -62.23, 54.62

 

CMYK 38 / 61 / 0 / 13

HEX #8B57DF

RGB 139 87 223

HSL 262.94, 0.68%, 0.61%

LAB 49.05, 49.82, -61.91

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 61 / 0 / 13 / 13

HEX #57DFC1

RGB 87 223 193

HSL 166.76, 0.68%, 0.61%

LAB 81.1, -44.02, 3.75

 

CMYK 13 / 61 / 0 / 13

HEX #C157DF

RGB 193 87 223

HSL 286.76, 0.68%, 0.61%

LAB 55.56, 62.18, -51.1

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 60 / 0 / 61 / 13

HEX #5ADF57

RGB 90 223 87

HSL 118.68, 0.68%, 0.61%

LAB 79.41, -62.23, 54.62

 

CMYK 61 / 48 / 0 / 13

HEX #5775DF

RGB 87 117 223

HSL 226.76, 0.68%, 0.61%

LAB 51.92, 21.54, -57.49

 

CMYK 1 / 61 / 0 / 13

HEX #DC57DF

RGB 220 87 223

HSL 298.68, 0.68%, 0.61%

LAB 59.31, 68.66, -44.93

 

CMYK 0 / 13 / 61 / 13

HEX #DFC357

RGB 223 195 87

HSL 47.65, 0.68%, 0.61%

LAB 79.27, -2.6, 56.6

 

CMYK 61 / 0 / 43 / 13

HEX #57DF7E

RGB 87 223 126

HSL 137.21, 0.68%, 0.61%

LAB 79.79, -57.65, 36.75

 

CMYK 61 / 48 / 0 / 13

HEX #5775DF

RGB 87 117 223

HSL 226.76, 0.68%, 0.61%

LAB 51.92, 21.54, -57.49

 

CMYK 0 / 61 / 17 / 13

HEX #DF57B8

RGB 223 87 184

HSL 317.21, 0.68%, 0.61%

LAB 58, 63.34, -24.75

 

Description

Color code: HEX #DFC357 | qconv.com Color code: HEX #DFC357 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 195 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 195 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 61 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 61% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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