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Color name
HEX #DFC3C2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFC3C2 it is the complementary color #203C3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFC3C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFC3C2 shade: #E4C3BD, #F5D5D0, #FFE7E3 and #FFF9F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFC3C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFC3C2 shade: #DFC3C2, #CEB1AF, #BD9F9C, #AC8D89 and #9B7B76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFC3C2 shade: #DFC3C2 and #DFC2C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFC3C2 shade: #DFC3C2, #DFCBC2, #DFD3C2, #DFDAC2 and #DCDFC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFC3C2 shade matches the following richer shades: #DFC3C2, #E6BCBB, #EEB6B4, #F5AFAC and #FDA8A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFC3C2 shade: #DFC3C2, #D7CACA, #D0D1D1, #C9D8D9 and #C1DFE0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFC3C2 shade: #DFC2D1, #DFC2C9, #DFC3C2, #DFCBC2 and #DFD2C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFC3C2 shade: #C28E8C, #D1A9A7, #DFC3C2, #EDDEDD and #FBF9F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFC3C2 shade: #DFC3C2, #D8DFC2 and #C2CDDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFC3C2 shade: #DFC3C2, #C2DFC3 and #C3C2DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFC3C2 shade: #DFC3C2, #D8DFC2, #C2DEDF and #C9C2DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFC3C2 shade: #DFC3C2, #D0DFC2, #C2DEDF and #D2C2DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

Complementary color

CMYK 48 / 2 / 0 / 76

HEX #203C3D

RGB 32 60 61

HSL 182.07, 0.31%, 0.18%

LAB 23.26, -10.25, -3.95

 

CMYK 0 / 14 / 17 / 11

HEX #E4C3BD

RGB 228 195 189

HSL 9.23, 0.42%, 0.82%

LAB 81.4, 10.74, 7.34

 

CMYK 0 / 13 / 15 / 4

HEX #F5D5D0

RGB 245 213 208

HSL 8.11, 0.65%, 0.89%

LAB 87.75, 10.33, 6.56

 

CMYK 0 / 9 / 11 / 0

HEX #FFE7E3

RGB 255 231 227

HSL 8.57, 1%, 0.95%

LAB 93.43, 7.53, 4.91

 

CMYK 0 / 2 / 4 / 0

HEX #FFF9F6

RGB 255 249 246

HSL 20, 1%, 0.98%

LAB 98.3, 1.48, 2.13

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 0 / 14 / 15 / 19

HEX #CEB1AF

RGB 206 177 175

HSL 3.87, 0.24%, 0.75%

LAB 74.61, 10.12, 4.88

 

CMYK 0 / 16 / 17 / 26

HEX #BD9F9C

RGB 189 159 156

HSL 5.45, 0.2%, 0.68%

LAB 68.03, 10.56, 5.68

 

CMYK 0 / 18 / 20 / 33

HEX #AC8D89

RGB 172 141 137

HSL 6.86, 0.17%, 0.61%

LAB 61.33, 11.05, 6.53

 

CMYK 0 / 21 / 24 / 39

HEX #9B7B76

RGB 155 123 118

HSL 8.11, 0.16%, 0.54%

LAB 54.49, 11.61, 7.45

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 0 / 13 / 13 / 13

HEX #DFC2C2

RGB 223 194 194

HSL 0, 0.31%, 0.82%

LAB 80.83, 10.25, 3.78

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 0 / 9 / 13 / 13

HEX #DFCBC2

RGB 223 203 194

HSL 18.62, 0.31%, 0.82%

LAB 83.07, 5.5, 7.01

 

CMYK 0 / 5 / 13 / 13

HEX #DFD3C2

RGB 223 211 194

HSL 35.17, 0.31%, 0.82%

LAB 85.08, 1.31, 9.89

 

CMYK 0 / 2 / 13 / 13

HEX #DFDAC2

RGB 223 218 194

HSL 49.66, 0.31%, 0.82%

LAB 86.86, -2.31, 12.42

 

CMYK 1 / 0 / 13 / 13

HEX #DCDFC2

RGB 220 223 194

HSL 66.21, 0.31%, 0.82%

LAB 87.91, -5.95, 13.88

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 0 / 18 / 19 / 10

HEX #E6BCBB

RGB 230 188 187

HSL 1.4, 0.46%, 0.82%

LAB 79.83, 14.88, 6.18

 

CMYK 0 / 24 / 24 / 7

HEX #EEB6B4

RGB 238 182 180

HSL 2.07, 0.63%, 0.82%

LAB 79, 19.97, 8.87

 

CMYK 0 / 29 / 30 / 4

HEX #F5AFAC

RGB 245 175 172

HSL 2.47, 0.78%, 0.82%

LAB 77.91, 25.18, 11.74

 

CMYK 0 / 34 / 35 / 1

HEX #FDA8A5

RGB 253 168 165

HSL 2.05, 0.96%, 0.82%

LAB 77.04, 30.95, 14.46

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 0 / 6 / 6 / 16

HEX #D7CACA

RGB 215 202 202

HSL 0, 0.14%, 0.82%

LAB 82.35, 4.52, 1.61

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D1

RGB 208 209 209

HSL 180, 0.01%, 0.82%

LAB 83.76, -0.34, -0.13

 

CMYK 7 / 0 / 0 / 15

HEX #C9D8D9

RGB 201 216 217

HSL 183.75, 0.17%, 0.82%

LAB 85.27, -4.83, -2.23

 

CMYK 14 / 0 / 0 / 12

HEX #C1DFE0

RGB 193 223 224

HSL 181.94, 0.33%, 0.82%

LAB 86.75, -9.64, -3.82

 

CMYK 0 / 13 / 6 / 13

HEX #DFC2D1

RGB 223 194 209

HSL 328.97, 0.31%, 0.82%

LAB 81.22, 12.77, -3.71

 

CMYK 0 / 13 / 10 / 13

HEX #DFC2C9

RGB 223 194 201

HSL 345.52, 0.31%, 0.82%

LAB 81.01, 11.41, 0.27

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 0 / 9 / 13 / 13

HEX #DFCBC2

RGB 223 203 194

HSL 18.62, 0.31%, 0.82%

LAB 83.07, 5.5, 7.01

 

CMYK 0 / 6 / 13 / 13

HEX #DFD2C2

RGB 223 210 194

HSL 33.1, 0.31%, 0.82%

LAB 84.83, 1.83, 9.53

 

CMYK 0 / 27 / 28 / 24

HEX #C28E8C

RGB 194 142 140

HSL 2.22, 0.31%, 0.65%

LAB 63.92, 19.44, 8.84

 

CMYK 0 / 19 / 20 / 18

HEX #D1A9A7

RGB 209 169 167

HSL 2.86, 0.31%, 0.74%

LAB 72.71, 14.3, 6.56

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 0 / 6 / 7 / 7

HEX #EDDEDD

RGB 237 222 221

HSL 3.75, 0.31%, 0.9%

LAB 89.61, 4.95, 2.32

 

CMYK 0 / 1 / 1 / 2

HEX #FBF9F8

RGB 251 249 248

HSL 20, 0.27%, 0.98%

LAB 98.05, 0.49, 0.7

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 3 / 0 / 13 / 13

HEX #D8DFC2

RGB 216 223 194

HSL 74.48, 0.31%, 0.82%

LAB 87.62, -7.36, 13.41

 

CMYK 13 / 8 / 0 / 13

HEX #C2CDDF

RGB 194 205 223

HSL 217.24, 0.31%, 0.82%

LAB 82.09, -0.16, -10.19

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 13 / 0 / 13 / 13

HEX #C2DFC3

RGB 194 223 195

HSL 122.07, 0.31%, 0.82%

LAB 86.1, -14.8, 10.52

 

CMYK 13 / 13 / 0 / 13

HEX #C3C2DF

RGB 195 194 223

HSL 242.07, 0.31%, 0.82%

LAB 79.34, 6.02, -14.29

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 3 / 0 / 13 / 13

HEX #D8DFC2

RGB 216 223 194

HSL 74.48, 0.31%, 0.82%

LAB 87.62, -7.36, 13.41

 

CMYK 13 / 0 / 0 / 13

HEX #C2DEDF

RGB 194 222 223

HSL 182.07, 0.31%, 0.82%

LAB 86.52, -9.01, -3.62

 

CMYK 10 / 13 / 0 / 13

HEX #C9C2DF

RGB 201 194 223

HSL 254.48, 0.31%, 0.82%

LAB 79.8, 7.97, -13.55

 

CMYK 0 / 13 / 13 / 13

HEX #DFC3C2

RGB 223 195 194

HSL 2.07, 0.31%, 0.82%

LAB 81.08, 9.72, 4.13

 

CMYK 7 / 0 / 13 / 13

HEX #D0DFC2

RGB 208 223 194

HSL 91.03, 0.31%, 0.82%

LAB 87.04, -10.17, 12.51

 

CMYK 13 / 0 / 0 / 13

HEX #C2DEDF

RGB 194 222 223

HSL 182.07, 0.31%, 0.82%

LAB 86.52, -9.01, -3.62

 

CMYK 6 / 13 / 0 / 13

HEX #D2C2DF

RGB 210 194 223

HSL 273.1, 0.31%, 0.82%

LAB 80.52, 10.93, -12.39

 

Description

Color code: HEX #DFC3C2 | qconv.com Color code: HEX #DFC3C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 195 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 195 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 13% 13% C M Y K

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Provide designers and agencies with accurate color values.

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