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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFCCCC it is the complementary color #203333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFCCCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFCCCC shade: #E4CCC7, #F5DEDA and #FFF0ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFCCCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFCCCC shade: #DFCCCC, #CEBAB9, #BDA8A6, #AC9693 and #9B8480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFCCCC shade: #DFCCCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFCCCC shade: #DFCCCC, #DFD1CC, #DFD6CC, #DFDBCC and #DEDFCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFCCCC shade matches the following richer shades: #DFCCCC, #E6C6C6, #ECBFBF, #F3B9B9 and #F9B2B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFCCCC shade: #DFCCCC, #D8D3D3, #D2DADA, #CBE0E0 and #C5E7E7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFCCCC shade: #DFCCD6, #DFCCD1, #DFCCCC, #DFD1CC and #DFD6CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFCCCC shade: #BF9A9A, #CFB3B3, #DFCCCC and #EFE6E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFCCCC shade: #DFCCCC, #DBDFCC and #CCD4DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFCCCC shade: #DFCCCC, #CCDFCC and #CCCCDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFCCCC shade: #DFCCCC, #DBDFCC, #CCDFDF and #D0CCDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFCCCC shade: #DFCCCC, #D6DFCC, #CCDFDF and #D6CCDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

Complementary color

CMYK 37 / 0 / 0 / 80

HEX #203333

RGB 32 51 51

HSL 180, 0.23%, 0.16%

LAB 19.7, -7.64, -2.46

 

CMYK 0 / 11 / 13 / 11

HEX #E4CCC7

RGB 228 204 199

HSL 10.34, 0.35%, 0.84%

LAB 83.86, 7.56, 5.54

 

CMYK 0 / 9 / 11 / 4

HEX #F5DEDA

RGB 245 222 218

HSL 8.89, 0.57%, 0.91%

LAB 90.19, 7.24, 4.82

 

CMYK 0 / 6 / 7 / 0

HEX #FFF0ED

RGB 255 240 237

HSL 10, 1%, 0.96%

LAB 95.87, 4.55, 3.25

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 0 / 10 / 10 / 19

HEX #CEBAB9

RGB 206 186 185

HSL 2.86, 0.18%, 0.77%

LAB 77.13, 6.93, 3.08

 

CMYK 0 / 11 / 12 / 26

HEX #BDA8A6

RGB 189 168 166

HSL 5.22, 0.15%, 0.7%

LAB 70.58, 7.27, 3.81

 

CMYK 0 / 13 / 15 / 33

HEX #AC9693

RGB 172 150 147

HSL 7.2, 0.13%, 0.63%

LAB 63.91, 7.65, 4.57

 

CMYK 0 / 15 / 17 / 39

HEX #9B8480

RGB 155 132 128

HSL 8.89, 0.12%, 0.55%

LAB 57.1, 8.07, 5.4

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 0 / 6 / 9 / 13

HEX #DFD1CC

RGB 223 209 204

HSL 15.79, 0.23%, 0.84%

LAB 84.82, 3.99, 4.2

 

CMYK 0 / 4 / 9 / 13

HEX #DFD6CC

RGB 223 214 204

HSL 31.58, 0.23%, 0.84%

LAB 86.08, 1.38, 6.02

 

CMYK 0 / 2 / 9 / 13

HEX #DFDBCC

RGB 223 219 204

HSL 47.37, 0.23%, 0.84%

LAB 87.34, -1.21, 7.85

 

CMYK 0 / 0 / 9 / 13

HEX #DEDFCC

RGB 222 223 204

HSL 63.16, 0.23%, 0.84%

LAB 88.29, -3.62, 9.19

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 0 / 14 / 14 / 10

HEX #E6C6C6

RGB 230 198 198

HSL 0, 0.39%, 0.84%

LAB 82.53, 11.28, 4.17

 

CMYK 0 / 19 / 19 / 7

HEX #ECBFBF

RGB 236 191 191

HSL 0, 0.54%, 0.84%

LAB 81.21, 16.07, 6.09

 

CMYK 0 / 24 / 24 / 5

HEX #F3B9B9

RGB 243 185 185

HSL 0, 0.71%, 0.84%

LAB 80.32, 20.92, 8.13

 

CMYK 0 / 29 / 29 / 2

HEX #F9B2B2

RGB 249 178 178

HSL 0, 0.86%, 0.84%

LAB 79.15, 25.86, 10.32

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 0 / 2 / 2 / 15

HEX #D8D3D3

RGB 216 211 211

HSL 0, 0.06%, 0.84%

LAB 84.94, 1.72, 0.6

 

CMYK 4 / 0 / 0 / 15

HEX #D2DADA

RGB 210 218 218

HSL 180, 0.1%, 0.84%

LAB 86.46, -2.69, -0.95

 

CMYK 9 / 0 / 0 / 12

HEX #CBE0E0

RGB 203 224 224

HSL 180, 0.25%, 0.84%

LAB 87.67, -6.95, -2.39

 

CMYK 15 / 0 / 0 / 9

HEX #C5E7E7

RGB 197 231 231

HSL 180, 0.41%, 0.84%

LAB 89.3, -11.04, -3.73

 

CMYK 0 / 9 / 4 / 13

HEX #DFCCD6

RGB 223 204 214

HSL 328.42, 0.23%, 0.84%

LAB 83.82, 8.34, -2.56

 

CMYK 0 / 9 / 6 / 13

HEX #DFCCD1

RGB 223 204 209

HSL 344.21, 0.23%, 0.84%

LAB 83.69, 7.47, -0.09

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 0 / 6 / 9 / 13

HEX #DFD1CC

RGB 223 209 204

HSL 15.79, 0.23%, 0.84%

LAB 84.82, 3.99, 4.2

 

CMYK 0 / 4 / 9 / 13

HEX #DFD6CC

RGB 223 214 204

HSL 31.58, 0.23%, 0.84%

LAB 86.08, 1.38, 6.02

 

CMYK 0 / 19 / 19 / 25

HEX #BF9A9A

RGB 191 154 154

HSL 0, 0.22%, 0.68%

LAB 66.92, 13.75, 5.21

 

CMYK 0 / 14 / 14 / 19

HEX #CFB3B3

RGB 207 179 179

HSL 0, 0.23%, 0.76%

LAB 75.3, 10.05, 3.71

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 0 / 4 / 4 / 6

HEX #EFE6E6

RGB 239 230 230

HSL 0, 0.22%, 0.92%

LAB 91.98, 3.04, 1.07

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 2 / 0 / 9 / 13

HEX #DBDFCC

RGB 219 223 204

HSL 72.63, 0.23%, 0.84%

LAB 88.06, -4.67, 8.84

 

CMYK 9 / 5 / 0 / 13

HEX #CCD4DF

RGB 204 212 223

HSL 214.74, 0.23%, 0.84%

LAB 84.61, -0.6, -6.36

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 9 / 0 / 9 / 13

HEX #CCDFCC

RGB 204 223 204

HSL 120, 0.23%, 0.84%

LAB 86.98, -9.82, 7.15

 

CMYK 9 / 9 / 0 / 13

HEX #CCCCDF

RGB 204 204 223

HSL 240, 0.23%, 0.84%

LAB 82.57, 3.62, -9.39

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 2 / 0 / 9 / 13

HEX #DBDFCC

RGB 219 223 204

HSL 72.63, 0.23%, 0.84%

LAB 88.06, -4.67, 8.84

 

CMYK 9 / 0 / 0 / 13

HEX #CCDFDF

RGB 204 223 223

HSL 180, 0.23%, 0.84%

LAB 87.46, -6.3, -2.17

 

CMYK 7 / 9 / 0 / 13

HEX #D0CCDF

RGB 208 204 223

HSL 252.63, 0.23%, 0.84%

LAB 82.87, 4.93, -8.91

 

CMYK 0 / 9 / 9 / 13

HEX #DFCCCC

RGB 223 204 204

HSL 0, 0.23%, 0.84%

LAB 83.56, 6.61, 2.39

 

CMYK 4 / 0 / 9 / 13

HEX #D6DFCC

RGB 214 223 204

HSL 88.42, 0.23%, 0.84%

LAB 87.69, -6.4, 8.26

 

CMYK 9 / 0 / 0 / 13

HEX #CCDFDF

RGB 204 223 223

HSL 180, 0.23%, 0.84%

LAB 87.46, -6.3, -2.17

 

CMYK 4 / 9 / 0 / 13

HEX #D6CCDF

RGB 214 204 223

HSL 271.58, 0.23%, 0.84%

LAB 83.34, 6.93, -8.16

 

Description

Color code: HEX #DFCCCC | qconv.com Color code: HEX #DFCCCC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 204 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 204 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 9 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 9% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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