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Color name
HEX #DFD6C3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD6C3 it is the complementary color #20293C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD6C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD6C3 shade: #E4D6BE, #F5E8D1, #FFFAE4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD6C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD6C3 shade: #DFD6C3, #CEC4B0, #BDB29D, #ACA08A and #9B8E77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD6C3 shade: #DED6C3, #DECEC3, #DEC7C3 and #DEC3C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD6C3 shade: #DED6C3, #DEDDC3, #D8DEC3, #D1DEC3 and #CADEC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD6C3 shade matches the following richer shades: #DED6C3, #E6D8BB, #EDDBB4, #F5DDAD and #FCE0A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD6C3 shade: #DED6C3, #D7D3CA, #D0D0D2, #C8CED9 and #C1CBE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD6C3 shade: #DEC7C3, #DECEC3, #DED5C3, #DEDDC3 and #D9DEC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD6C3 shade: #C1B18D, #D0C3A8, #DED6C3, #EDE8DE and #FBFAF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD6C3 shade: #DFD6C3, #C7DEC3 and #CAC3DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD6C3 shade: #DFD6C3, #C3DED5 and #D5C3DE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD6C3 shade: #DFD6C3, #C7DEC3, #C3CCDE and #DBC3DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD6C3 shade: #DFD6C3, #C3DEC7, #C3CCDE and #DEC3DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 13 / 13

HEX #DFD6C3

RGB 223 214 195

HSL 40.71, 0.3%, 0.82%

LAB 85.87, -0.09, 10.48

 

Complementary color

CMYK 47 / 32 / 0 / 76

HEX #20293C

RGB 32 41 60

HSL 220.71, 0.3%, 0.18%

LAB 16.6, 2.08, -13.39

 

CMYK 0 / 6 / 17 / 11

HEX #E4D6BE

RGB 228 214 190

HSL 37.89, 0.41%, 0.82%

LAB 86.16, 0.93, 13.59

 

CMYK 0 / 5 / 15 / 4

HEX #F5E8D1

RGB 245 232 209

HSL 38.33, 0.64%, 0.89%

LAB 92.46, 0.68, 12.76

 

CMYK 0 / 2 / 11 / 0

HEX #FFFAE4

RGB 255 250 228

HSL 48.89, 1%, 0.95%

LAB 98.13, -1.98, 11.13

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C3

RGB 223 214 195

HSL 40.71, 0.3%, 0.82%

LAB 85.87, -0.09, 10.48

 

CMYK 0 / 5 / 15 / 19

HEX #CEC4B0

RGB 206 196 176

HSL 40, 0.23%, 0.75%

LAB 79.46, 0.14, 11.29

 

CMYK 0 / 6 / 17 / 26

HEX #BDB29D

RGB 189 178 157

HSL 39.38, 0.2%, 0.68%

LAB 72.95, 0.39, 12.14

 

CMYK 0 / 7 / 20 / 33

HEX #ACA08A

RGB 172 160 138

HSL 38.82, 0.17%, 0.61%

LAB 66.33, 0.68, 13.05

 

CMYK 0 / 8 / 23 / 39

HEX #9B8E77

RGB 155 142 119

HSL 38.33, 0.15%, 0.54%

LAB 59.57, 1, 14.02

 

CMYK 0 / 4 / 12 / 13

HEX #DED6C3

RGB 222 214 195

HSL 42.22, 0.29%, 0.82%

LAB 85.79, -0.45, 10.35

 

CMYK 0 / 7 / 12 / 13

HEX #DECEC3

RGB 222 206 195

HSL 24.44, 0.29%, 0.82%

LAB 83.76, 3.72, 7.46

 

CMYK 0 / 10 / 12 / 13

HEX #DEC7C3

RGB 222 199 195

HSL 8.89, 0.29%, 0.82%

LAB 82.01, 7.41, 4.93

 

CMYK 0 / 12 / 12 / 13

HEX #DEC3C3

RGB 222 195 195

HSL 0, 0.29%, 0.82%

LAB 81.02, 9.53, 3.5

 

CMYK 0 / 4 / 12 / 13

HEX #DED6C3

RGB 222 214 195

HSL 42.22, 0.29%, 0.82%

LAB 85.79, -0.45, 10.35

 

CMYK 0 / 0 / 12 / 13

HEX #DEDDC3

RGB 222 221 195

HSL 57.78, 0.29%, 0.82%

LAB 87.57, -4.05, 12.89

 

CMYK 3 / 0 / 12 / 13

HEX #D8DEC3

RGB 216 222 195

HSL 73.33, 0.29%, 0.82%

LAB 87.38, -6.69, 12.55

 

CMYK 6 / 0 / 12 / 13

HEX #D1DEC3

RGB 209 222 195

HSL 88.89, 0.29%, 0.82%

LAB 86.87, -9.15, 11.76

 

CMYK 9 / 0 / 12 / 13

HEX #CADEC3

RGB 202 222 195

HSL 104.44, 0.29%, 0.82%

LAB 86.37, -11.57, 10.99

 

CMYK 0 / 4 / 12 / 13

HEX #DED6C3

RGB 222 214 195

HSL 42.22, 0.29%, 0.82%

LAB 85.79, -0.45, 10.35

 

CMYK 0 / 6 / 19 / 10

HEX #E6D8BB

RGB 230 216 187

HSL 40.47, 0.46%, 0.82%

LAB 86.76, 0.18, 16.04

 

CMYK 0 / 8 / 24 / 7

HEX #EDDBB4

RGB 237 219 180

HSL 41.05, 0.61%, 0.82%

LAB 87.95, 0.21, 21.44

 

CMYK 0 / 10 / 29 / 4

HEX #F5DDAD

RGB 245 221 173

HSL 40, 0.78%, 0.82%

LAB 88.99, 1.25, 26.61

 

CMYK 0 / 11 / 35 / 1

HEX #FCE0A5

RGB 252 224 165

HSL 40.69, 0.94%, 0.82%

LAB 90.19, 1.4, 32.45

 

CMYK 0 / 4 / 12 / 13

HEX #DED6C3

RGB 222 214 195

HSL 42.22, 0.29%, 0.82%

LAB 85.79, -0.45, 10.35

 

CMYK 0 / 2 / 6 / 16

HEX #D7D3CA

RGB 215 211 202

HSL 41.54, 0.14%, 0.82%

LAB 84.64, -0.2, 4.93

 

CMYK 1 / 1 / 0 / 18

HEX #D0D0D2

RGB 208 208 210

HSL 240, 0.02%, 0.82%

LAB 83.53, 0.37, -1

 

CMYK 8 / 5 / 0 / 15

HEX #C8CED9

RGB 200 206 217

HSL 218.82, 0.18%, 0.82%

LAB 82.61, 0.06, -6.16

 

CMYK 14 / 10 / 0 / 12

HEX #C1CBE1

RGB 193 203 225

HSL 221.25, 0.35%, 0.82%

LAB 81.56, 0.99, -12.05

 

CMYK 0 / 10 / 12 / 13

HEX #DEC7C3

RGB 222 199 195

HSL 8.89, 0.29%, 0.82%

LAB 82.01, 7.41, 4.93

 

CMYK 0 / 7 / 12 / 13

HEX #DECEC3

RGB 222 206 195

HSL 24.44, 0.29%, 0.82%

LAB 83.76, 3.72, 7.46

 

CMYK 0 / 4 / 12 / 13

HEX #DED5C3

RGB 222 213 195

HSL 40, 0.29%, 0.82%

LAB 85.53, 0.07, 9.99

 

CMYK 0 / 0 / 12 / 13

HEX #DEDDC3

RGB 222 221 195

HSL 57.78, 0.29%, 0.82%

LAB 87.57, -4.05, 12.89

 

CMYK 2 / 0 / 12 / 13

HEX #D9DEC3

RGB 217 222 195

HSL 71.11, 0.29%, 0.82%

LAB 87.45, -6.34, 12.67

 

CMYK 0 / 8 / 27 / 24

HEX #C1B18D

RGB 193 177 141

HSL 41.54, 0.3%, 0.65%

LAB 72.7, 0.09, 20.53

 

CMYK 0 / 6 / 19 / 18

HEX #D0C3A8

RGB 208 195 168

HSL 40.5, 0.3%, 0.74%

LAB 79.19, 0.17, 15.22

 

CMYK 0 / 4 / 12 / 13

HEX #DED6C3

RGB 222 214 195

HSL 42.22, 0.29%, 0.82%

LAB 85.79, -0.45, 10.35

 

CMYK 0 / 2 / 6 / 7

HEX #EDE8DE

RGB 237 232 222

HSL 40, 0.29%, 0.9%

LAB 92.13, -0.03, 5.44

 

CMYK 0 / 0 / 1 / 2

HEX #FBFAF8

RGB 251 250 248

HSL 40, 0.27%, 0.98%

LAB 98.3, -0.01, 1.06

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C3

RGB 223 214 195

HSL 40.71, 0.3%, 0.82%

LAB 85.87, -0.09, 10.48

 

CMYK 10 / 0 / 12 / 13

HEX #C7DEC3

RGB 199 222 195

HSL 111.11, 0.29%, 0.82%

LAB 86.17, -12.6, 10.67

 

CMYK 9 / 12 / 0 / 13

HEX #CAC3DE

RGB 202 195 222

HSL 255.56, 0.29%, 0.82%

LAB 80.1, 7.56, -12.55

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C3

RGB 223 214 195

HSL 40.71, 0.3%, 0.82%

LAB 85.87, -0.09, 10.48

 

CMYK 12 / 0 / 4 / 13

HEX #C3DED5

RGB 195 222 213

HSL 160, 0.29%, 0.82%

LAB 86.33, -10.65, 1.38

 

CMYK 4 / 12 / 0 / 13

HEX #D5C3DE

RGB 213 195 222

HSL 280, 0.29%, 0.82%

LAB 80.99, 11.2, -11.13

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C3

RGB 223 214 195

HSL 40.71, 0.3%, 0.82%

LAB 85.87, -0.09, 10.48

 

CMYK 10 / 0 / 12 / 13

HEX #C7DEC3

RGB 199 222 195

HSL 111.11, 0.29%, 0.82%

LAB 86.17, -12.6, 10.67

 

CMYK 12 / 8 / 0 / 13

HEX #C3CCDE

RGB 195 204 222

HSL 220, 0.29%, 0.82%

LAB 81.87, 0.48, -9.97

 

CMYK 1 / 12 / 0 / 13

HEX #DBC3DE

RGB 219 195 222

HSL 293.33, 0.29%, 0.82%

LAB 81.49, 13.21, -10.33

 

CMYK 0 / 4 / 13 / 13

HEX #DFD6C3

RGB 223 214 195

HSL 40.71, 0.3%, 0.82%

LAB 85.87, -0.09, 10.48

 

CMYK 12 / 0 / 10 / 13

HEX #C3DEC7

RGB 195 222 199

HSL 128.89, 0.29%, 0.82%

LAB 85.99, -13.25, 8.27

 

CMYK 12 / 8 / 0 / 13

HEX #C3CCDE

RGB 195 204 222

HSL 220, 0.29%, 0.82%

LAB 81.87, 0.48, -9.97

 

CMYK 0 / 12 / 2 / 13

HEX #DEC3DA

RGB 222 195 218

HSL 308.89, 0.29%, 0.82%

LAB 81.63, 13.49, -7.95

 

Description

Color code: HEX #DFD6C3 | qconv.com Color code: HEX #DFD6C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 214 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 214 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 13% 13% C M Y K

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Provide designers and agencies with accurate color values.

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