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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFD359 it is the complementary color #202CA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFD359. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFD359 shade: #E4D354, #F5E567, #FFF77A, #FFFF8D and #FFFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFD359. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFD359 shade: #DFD359, #CEC146, #BDAF33, #AC9D20 and #9B8B0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFD359 shade: #DFD357, #DFAE57, #DF8A57, #DF6557 and #DF5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFD359 shade: #DFD357, #C6DF57, #A2DF57, #7DDF57 and #59DF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFD359 shade matches the following richer shades: #DFD357 and #EFE047

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFD359 shade: #DFD357, #CFC568, #BEB878, #AEAB88 and #9E9E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFD359 shade: #DF8957, #DFAD57, #DFD157, #C8DF57 and #A4DF57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFD359 shade: #C0B224, #D8C935, #DFD357, #E5DC7A and #ECE59D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFD359 shade: #DFD359, #57DF65 and #9B57DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFD359 shade: #DFD359, #57DFD1 and #D157DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFD359 shade: #DFD359, #57DF65, #5765DF and #DF57D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFD359 shade: #DFD359, #57DF8E, #5765DF and #DF57A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 60 / 13

HEX #DFD359

RGB 223 211 89

HSL 54.63, 0.68%, 0.61%

LAB 83.44, -10.64, 60.31

 

Complementary color

CMYK 81 / 73 / 0 / 35

HEX #202CA6

RGB 32 44 166

HSL 234.63, 0.68%, 0.39%

LAB 26.34, 40.05, -66.03

 

CMYK 0 / 7 / 63 / 11

HEX #E4D354

RGB 228 211 84

HSL 52.92, 0.73%, 0.61%

LAB 83.82, -8.89, 62.98

 

CMYK 0 / 7 / 58 / 4

HEX #F5E567

RGB 245 229 103

HSL 53.24, 0.88%, 0.68%

LAB 90.06, -9.69, 62.06

 

CMYK 0 / 3 / 52 / 0

HEX #FFF77A

RGB 255 247 122

HSL 56.39, 1%, 0.74%

LAB 95.66, -13.14, 60.22

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 5 / 60 / 13

HEX #DFD359

RGB 223 211 89

HSL 54.63, 0.68%, 0.61%

LAB 83.44, -10.64, 60.31

 

CMYK 0 / 6 / 66 / 19

HEX #CEC146

RGB 206 193 70

HSL 54.26, 0.58%, 0.54%

LAB 77.1, -9.8, 61.12

 

CMYK 0 / 7 / 73 / 26

HEX #BDAF33

RGB 189 175 51

HSL 53.91, 0.58%, 0.47%

LAB 70.68, -8.8, 61.56

 

CMYK 0 / 9 / 81 / 33

HEX #AC9D20

RGB 172 157 32

HSL 53.57, 0.69%, 0.4%

LAB 64.15, -7.6, 61.3

 

CMYK 0 / 10 / 92 / 39

HEX #9B8B0D

RGB 155 139 13

HSL 53.24, 0.85%, 0.33%

LAB 57.52, -6.14, 59.77

 

CMYK 0 / 5 / 61 / 13

HEX #DFD357

RGB 223 211 87

HSL 54.71, 0.68%, 0.61%

LAB 83.42, -10.77, 61.15

 

CMYK 0 / 22 / 61 / 13

HEX #DFAE57

RGB 223 174 87

HSL 38.38, 0.68%, 0.61%

LAB 73.96, 8.42, 50.62

 

CMYK 0 / 38 / 61 / 13

HEX #DF8A57

RGB 223 138 87

HSL 22.5, 0.68%, 0.61%

LAB 65.4, 27.67, 40.58

 

CMYK 0 / 55 / 61 / 13

HEX #DF6557

RGB 223 101 87

HSL 6.18, 0.68%, 0.61%

LAB 57.74, 46.62, 31.15

 

CMYK 0 / 61 / 61 / 13

HEX #DF5757

RGB 223 87 87

HSL 0, 0.68%, 0.61%

LAB 55.27, 53.08, 28.02

 

CMYK 0 / 5 / 61 / 13

HEX #DFD357

RGB 223 211 87

HSL 54.71, 0.68%, 0.61%

LAB 83.42, -10.77, 61.15

 

CMYK 11 / 0 / 61 / 13

HEX #C6DF57

RGB 198 223 87

HSL 71.03, 0.68%, 0.61%

LAB 84.72, -26.81, 62.01

 

CMYK 27 / 0 / 61 / 13

HEX #A2DF57

RGB 162 223 87

HSL 86.91, 0.68%, 0.61%

LAB 82.46, -40.52, 58.88

 

CMYK 44 / 0 / 61 / 13

HEX #7DDF57

RGB 125 223 87

HSL 103.24, 0.68%, 0.61%

LAB 80.64, -52.91, 56.35

 

CMYK 60 / 0 / 61 / 13

HEX #59DF57

RGB 89 223 87

HSL 119.12, 0.68%, 0.61%

LAB 79.38, -62.45, 54.58

 

CMYK 0 / 5 / 61 / 13

HEX #DFD357

RGB 223 211 87

HSL 54.71, 0.68%, 0.61%

LAB 83.42, -10.77, 61.15

 

CMYK 0 / 6 / 70 / 6

HEX #EFE047

RGB 239 224 71

HSL 54.64, 0.84%, 0.61%

LAB 88.02, -11.54, 72.64

 

CMYK 0 / 5 / 61 / 13

HEX #DFD357

RGB 223 211 87

HSL 54.71, 0.68%, 0.61%

LAB 83.42, -10.77, 61.15

 

CMYK 0 / 5 / 50 / 19

HEX #CFC568

RGB 207 197 104

HSL 54.17, 0.52%, 0.61%

LAB 78.58, -8.94, 47.48

 

CMYK 0 / 3 / 37 / 25

HEX #BEB878

RGB 190 184 120

HSL 54.86, 0.35%, 0.61%

LAB 73.92, -7.47, 33.29

 

CMYK 0 / 2 / 22 / 32

HEX #AEAB88

RGB 174 171 136

HSL 55.26, 0.19%, 0.61%

LAB 69.4, -4.8, 18.45

 

CMYK 0 / 0 / 4 / 38

HEX #9E9E98

RGB 158 158 152

HSL 60, 0.03%, 0.61%

LAB 64.95, -1.12, 3.12

 

CMYK 0 / 39 / 61 / 13

HEX #DF8957

RGB 223 137 87

HSL 22.06, 0.68%, 0.61%

LAB 65.17, 28.2, 40.31

 

CMYK 0 / 22 / 61 / 13

HEX #DFAD57

RGB 223 173 87

HSL 37.94, 0.68%, 0.61%

LAB 73.72, 8.95, 50.33

 

CMYK 0 / 6 / 61 / 13

HEX #DFD157

RGB 223 209 87

HSL 53.82, 0.68%, 0.61%

LAB 82.9, -9.76, 60.58

 

CMYK 10 / 0 / 61 / 13

HEX #C8DF57

RGB 200 223 87

HSL 70.15, 0.68%, 0.61%

LAB 84.87, -26.01, 62.2

 

CMYK 26 / 0 / 61 / 13

HEX #A4DF57

RGB 164 223 87

HSL 86.03, 0.68%, 0.61%

LAB 82.57, -39.79, 59.03

 

CMYK 0 / 7 / 81 / 25

HEX #C0B224

RGB 192 178 36

HSL 54.62, 0.68%, 0.45%

LAB 71.67, -9.63, 67.39

 

CMYK 0 / 7 / 75 / 15

HEX #D8C935

RGB 216 201 53

HSL 54.48, 0.68%, 0.53%

LAB 79.97, -10.45, 70.46

 

CMYK 0 / 5 / 61 / 13

HEX #DFD357

RGB 223 211 87

HSL 54.71, 0.68%, 0.61%

LAB 83.42, -10.77, 61.15

 

CMYK 0 / 4 / 47 / 10

HEX #E5DC7A

RGB 229 220 122

HSL 54.95, 0.67%, 0.69%

LAB 86.63, -10.09, 48.95

 

CMYK 0 / 3 / 33 / 7

HEX #ECE59D

RGB 236 229 157

HSL 54.68, 0.68%, 0.77%

LAB 90, -8.19, 36.02

 

CMYK 0 / 5 / 60 / 13

HEX #DFD359

RGB 223 211 89

HSL 54.63, 0.68%, 0.61%

LAB 83.44, -10.64, 60.31

 

CMYK 61 / 0 / 55 / 13

HEX #57DF65

RGB 87 223 101

HSL 126.18, 0.68%, 0.61%

LAB 79.47, -61.26, 48.41

 

CMYK 30 / 61 / 0 / 13

HEX #9B57DF

RGB 155 87 223

HSL 270, 0.68%, 0.61%

LAB 50.82, 53.34, -58.96

 

CMYK 0 / 5 / 60 / 13

HEX #DFD359

RGB 223 211 89

HSL 54.63, 0.68%, 0.61%

LAB 83.44, -10.64, 60.31

 

CMYK 61 / 0 / 6 / 13

HEX #57DFD1

RGB 87 223 209

HSL 173.82, 0.68%, 0.61%

LAB 81.51, -40, -4.14

 

CMYK 6 / 61 / 0 / 13

HEX #D157DF

RGB 209 87 223

HSL 293.82, 0.68%, 0.61%

LAB 57.75, 66.01, -47.49

 

CMYK 0 / 5 / 60 / 13

HEX #DFD359

RGB 223 211 89

HSL 54.63, 0.68%, 0.61%

LAB 83.44, -10.64, 60.31

 

CMYK 61 / 0 / 55 / 13

HEX #57DF65

RGB 87 223 101

HSL 126.18, 0.68%, 0.61%

LAB 79.47, -61.26, 48.41

 

CMYK 61 / 55 / 0 / 13

HEX #5765DF

RGB 87 101 223

HSL 233.82, 0.68%, 0.61%

LAB 47.83, 31.41, -64.09

 

CMYK 0 / 61 / 6 / 13

HEX #DF57D1

RGB 223 87 209

HSL 306.18, 0.68%, 0.61%

LAB 59.07, 67.11, -37.36

 

CMYK 0 / 5 / 60 / 13

HEX #DFD359

RGB 223 211 89

HSL 54.63, 0.68%, 0.61%

LAB 83.44, -10.64, 60.31

 

CMYK 61 / 0 / 36 / 13

HEX #57DF8E

RGB 87 223 142

HSL 144.26, 0.68%, 0.61%

LAB 80.04, -54.91, 28.99

 

CMYK 61 / 55 / 0 / 13

HEX #5765DF

RGB 87 101 223

HSL 233.82, 0.68%, 0.61%

LAB 47.83, 31.41, -64.09

 

CMYK 0 / 61 / 24 / 13

HEX #DF57A9

RGB 223 87 169

HSL 323.82, 0.68%, 0.61%

LAB 57.43, 61.27, -16.95

 

Description

Color code: HEX #DFD359 | qconv.com Color code: HEX #DFD359 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 211 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 211 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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