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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFDB99 it is the complementary color #202466. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFDB99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFDB99 shade: #E4DB94, #F5EDA7, #FFFFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFDB99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFDB99 shade: #DFDB99, #CEC986, #BDB773, #ACA560 and #9B934D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFDB99 shade: #DFDB9A, #DFC89A, #DFB69A, #DFA39A and #DF9A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFDB99 shade: #DFDB9A, #D0DF9A, #BDDF9A, #ABDF9A and #9ADF9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFDB99 shade matches the following richer shades: #DFDB9A, #E9E48F and #F4EE84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFDB99 shade: #DFDB9A, #D4D1A4, #C9C8AF, #BEBEBA and #B4B5C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFDB99 shade: #DFB59A, #DFC89A, #DFDA9A, #D1DF9A and #BEDF9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFDB99 shade: #CBC45B, #D5D07A, #DFDB9A, #E9E6B9 and #F2F1D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFDB99 shade: #DFDB99, #9ADFA3 and #BE9ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFDB99 shade: #DFDB99, #9ADFDA and #DA9ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFDB99 shade: #DFDB99, #9ADFA3, #9A9EDF and #DF9AD5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFDB99 shade: #DFDB99, #9ADFB8, #9A9EDF and #DF9AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 31 / 13

HEX #DFDB99

RGB 223 219 153

HSL 56.57, 0.52%, 0.74%

LAB 86.33, -8.59, 33.02

 

Complementary color

CMYK 69 / 65 / 0 / 60

HEX #202466

RGB 32 36 102

HSL 236.57, 0.52%, 0.26%

LAB 18.05, 21.55, -39.45

 

CMYK 0 / 4 / 35 / 11

HEX #E4DB94

RGB 228 219 148

HSL 53.25, 0.6%, 0.74%

LAB 86.65, -7.26, 36.06

 

CMYK 0 / 3 / 32 / 4

HEX #F5EDA7

RGB 245 237 167

HSL 53.85, 0.8%, 0.81%

LAB 92.91, -7.59, 34.95

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB99

RGB 223 219 153

HSL 56.57, 0.52%, 0.74%

LAB 86.33, -8.59, 33.02

 

CMYK 0 / 2 / 35 / 19

HEX #CEC986

RGB 206 201 134

HSL 55.83, 0.42%, 0.67%

LAB 79.96, -8.28, 34.15

 

CMYK 0 / 3 / 39 / 26

HEX #BDB773

RGB 189 183 115

HSL 55.14, 0.36%, 0.6%

LAB 73.5, -7.92, 35.33

 

CMYK 0 / 4 / 44 / 33

HEX #ACA560

RGB 172 165 96

HSL 54.47, 0.31%, 0.53%

LAB 66.92, -7.49, 36.55

 

CMYK 0 / 5 / 50 / 39

HEX #9B934D

RGB 155 147 77

HSL 53.85, 0.34%, 0.45%

LAB 60.22, -6.95, 37.81

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB9A

RGB 223 219 154

HSL 56.52, 0.52%, 0.74%

LAB 86.35, -8.47, 32.53

 

CMYK 0 / 10 / 31 / 13

HEX #DFC89A

RGB 223 200 154

HSL 40, 0.52%, 0.74%

LAB 81.47, 1.31, 25.99

 

CMYK 0 / 18 / 31 / 13

HEX #DFB69A

RGB 223 182 154

HSL 24.35, 0.52%, 0.74%

LAB 76.97, 10.8, 19.83

 

CMYK 0 / 27 / 31 / 13

HEX #DFA39A

RGB 223 163 154

HSL 7.83, 0.52%, 0.74%

LAB 72.37, 20.99, 13.43

 

CMYK 0 / 31 / 31 / 13

HEX #DF9A9A

RGB 223 154 154

HSL 0, 0.52%, 0.74%

LAB 70.27, 25.83, 10.45

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB9A

RGB 223 219 154

HSL 56.52, 0.52%, 0.74%

LAB 86.35, -8.47, 32.53

 

CMYK 7 / 0 / 31 / 13

HEX #D0DF9A

RGB 208 223 154

HSL 73.04, 0.52%, 0.74%

LAB 86.26, -16.13, 32.22

 

CMYK 15 / 0 / 31 / 13

HEX #BDDF9A

RGB 189 223 154

HSL 89.57, 0.52%, 0.74%

LAB 84.96, -23.09, 30.24

 

CMYK 23 / 0 / 31 / 13

HEX #ABDF9A

RGB 171 223 154

HSL 105.22, 0.52%, 0.74%

LAB 83.84, -29.4, 28.55

 

CMYK 31 / 0 / 30 / 13

HEX #9ADF9B

RGB 154 223 155

HSL 120.87, 0.52%, 0.74%

LAB 82.92, -34.87, 26.63

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB9A

RGB 223 219 154

HSL 56.52, 0.52%, 0.74%

LAB 86.35, -8.47, 32.53

 

CMYK 0 / 2 / 39 / 9

HEX #E9E48F

RGB 233 228 143

HSL 56.67, 0.67%, 0.74%

LAB 89.3, -10.42, 42.07

 

CMYK 0 / 2 / 46 / 4

HEX #F4EE84

RGB 244 238 132

HSL 56.79, 0.84%, 0.74%

LAB 92.6, -12.19, 51.72

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB9A

RGB 223 219 154

HSL 56.52, 0.52%, 0.74%

LAB 86.35, -8.47, 32.53

 

CMYK 0 / 1 / 23 / 17

HEX #D4D1A4

RGB 212 209 164

HSL 56.25, 0.36%, 0.74%

LAB 83.06, -6.2, 22.76

 

CMYK 0 / 0 / 13 / 21

HEX #C9C8AF

RGB 201 200 175

HSL 57.69, 0.19%, 0.74%

LAB 80.08, -3.94, 12.64

 

CMYK 0 / 0 / 2 / 25

HEX #BEBEBA

RGB 190 190 186

HSL 60, 0.03%, 0.74%

LAB 76.87, -0.73, 2.01

 

CMYK 9 / 8 / 0 / 23

HEX #B4B5C5

RGB 180 181 197

HSL 236.47, 0.13%, 0.74%

LAB 74.05, 2.77, -8.22

 

CMYK 0 / 19 / 31 / 13

HEX #DFB59A

RGB 223 181 154

HSL 23.48, 0.52%, 0.74%

LAB 76.72, 11.34, 19.49

 

CMYK 0 / 10 / 31 / 13

HEX #DFC89A

RGB 223 200 154

HSL 40, 0.52%, 0.74%

LAB 81.47, 1.31, 25.99

 

CMYK 0 / 2 / 31 / 13

HEX #DFDA9A

RGB 223 218 154

HSL 55.65, 0.52%, 0.74%

LAB 86.09, -7.96, 32.18

 

CMYK 6 / 0 / 31 / 13

HEX #D1DF9A

RGB 209 223 154

HSL 72.17, 0.52%, 0.74%

LAB 86.34, -15.76, 32.32

 

CMYK 15 / 0 / 31 / 13

HEX #BEDF9A

RGB 190 223 154

HSL 88.7, 0.52%, 0.74%

LAB 85.02, -22.73, 30.34

 

CMYK 0 / 3 / 55 / 20

HEX #CBC45B

RGB 203 196 91

HSL 56.25, 0.52%, 0.58%

LAB 77.83, -11.17, 52.68

 

CMYK 0 / 2 / 43 / 16

HEX #D5D07A

RGB 213 208 122

HSL 56.7, 0.52%, 0.66%

LAB 82.2, -10.41, 43.19

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB9A

RGB 223 219 154

HSL 56.52, 0.52%, 0.74%

LAB 86.35, -8.47, 32.53

 

CMYK 0 / 1 / 21 / 9

HEX #E9E6B9

RGB 233 230 185

HSL 56.25, 0.52%, 0.82%

LAB 90.51, -6.17, 22.35

HEX #E9E6B9

CMYK 0 / 0 / 11 / 5

HEX #F2F1D8

RGB 242 241 216

HSL 57.69, 0.5%, 0.9%

LAB 94.63, -3.85, 12.2

HEX #F2F1D8

CMYK 0 / 2 / 31 / 13

HEX #DFDB99

RGB 223 219 153

HSL 56.57, 0.52%, 0.74%

LAB 86.33, -8.59, 33.02

 

CMYK 31 / 0 / 27 / 13

HEX #9ADFA3

RGB 154 223 163

HSL 127.83, 0.52%, 0.74%

LAB 83.07, -33.53, 22.68

 

CMYK 15 / 31 / 0 / 13

HEX #BE9ADF

RGB 190 154 223

HSL 271.3, 0.52%, 0.74%

LAB 69.03, 26.37, -30.01

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB99

RGB 223 219 153

HSL 56.57, 0.52%, 0.74%

LAB 86.33, -8.59, 33.02

 

CMYK 31 / 0 / 2 / 13

HEX #9ADFDA

RGB 154 223 218

HSL 175.65, 0.52%, 0.74%

LAB 84.33, -22.56, -4.47

 

CMYK 2 / 31 / 0 / 13

HEX #DA9ADF

RGB 218 154 223

HSL 295.65, 0.52%, 0.74%

LAB 71.79, 35.18, -25.54

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB99

RGB 223 219 153

HSL 56.57, 0.52%, 0.74%

LAB 86.33, -8.59, 33.02

 

CMYK 31 / 0 / 27 / 13

HEX #9ADFA3

RGB 154 223 163

HSL 127.83, 0.52%, 0.74%

LAB 83.07, -33.53, 22.68

 

CMYK 31 / 29 / 0 / 13

HEX #9A9EDF

RGB 154 158 223

HSL 236.52, 0.52%, 0.74%

LAB 67.01, 13.32, -33.37

 

CMYK 0 / 31 / 4 / 13

HEX #DF9AD5

RGB 223 154 213

HSL 308.7, 0.52%, 0.74%

LAB 71.96, 34.96, -19.73

 

CMYK 0 / 2 / 31 / 13

HEX #DFDB99

RGB 223 219 153

HSL 56.57, 0.52%, 0.74%

LAB 86.33, -8.59, 33.02

 

CMYK 31 / 0 / 17 / 13

HEX #9ADFB8

RGB 154 223 184

HSL 146.09, 0.52%, 0.74%

LAB 83.5, -29.69, 12.29

 

CMYK 31 / 29 / 0 / 13

HEX #9A9EDF

RGB 154 158 223

HSL 236.52, 0.52%, 0.74%

LAB 67.01, 13.32, -33.37

 

CMYK 0 / 31 / 13 / 13

HEX #DF9AC1

RGB 223 154 193

HSL 326.09, 0.52%, 0.74%

LAB 71.32, 31.56, -9.66

 

Description

Color code: HEX #DFDB99 | qconv.com Color code: HEX #DFDB99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 219 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 219 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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